CLASS-CLEANSING IN DOCKLANDS

Diarmuid Breatnach

(Reading time main text: 6 mins.)

People who have lived for generations in the Dublin dockyards have been getting the feeling for some time that the city planners don’t want them there and that as in Ewan McColl’s song they’d “better get born somewhere else” and “go, move, shift!”1

Recently I met with a small group of people, men and women from the Dublin docklands area south of the Liffey2 as they discussed their difficulties and what they might do about them. They wanted an article written on the issues for circulation among their communities.

Artist’s impression of the “Two Fingers” tower blocks planned by property speculator Johnny Ronan amidst existing “glass cages”. The tower blocks were ultimately denied planning permission but many others got the go-ahead. (Image sourced: Internet)

They observe their areas being taken over by high-tech and service industries, accommodation blocks built for those who can work for the high-tech corporations and pay the high rents but their own class largely employable only in low-earning service work for the corporations.

They see in this a process being facilitated by the State, the municipal authority, the banks and of generally little concern to the political class, who either benefit from the process direct or indirectly or at best, view it as regrettable but inevitable.

Wallace’s coal depot, Ringsend Road, Great Canal Basin circa 1950s perhaps. Imported coal was unloaded mechanically or by physical labour and stored here to be delivered to smaller depots and large establishments in lorry loads, or to houses and more modest commercial establishments by physical labour (coal-heavers) working from horse and cart or, later, lorries. (Photo: Toírdhealach Ó Braoin)

One only has to consult living memory or to compare photographs of some scenes in the past with “the new glass cages that spring up along the quay3 in the same locations today to see that they are not imagining things or unduly exaggerating them.

Contemporary photo: This is the only traditional pub left and one of the few traditional-type buildings on the South Dublin Docks once Butt Bridge is passed. (Source photo: Dublin Dock Workers Preservation Society)

FURTHER BACK

Previously the docklands both sides of the river were, for the most part working class areas. The employment available for men was labouring on the docks, unloading and loading ships and delivering or distributing those loads by horse and cart.

There were also small industries and warehouses and even small animal enclosures or yards, including even a couple of tiny dairies.

The major work for women was in the home, raising large families but with some outside work available in food processing such as in bakeries, factories such as Boland’s Mill, clothes-making, mending and laundry. Second-hand clothes were sold too and fresh farm food, fish and shellfish.

Another coal importing company with an unloading and storage space on the south Dublin quays, circa 1950s. (Source photo: Dublin Dock Workers Preservation Society)

It was in these areas that Jim Larkin and James Connolly mostly made their mark in the first decade of the last century, forming the largely unorganised ‘unskilled’4 workers into the Irish Transport & General Workers’ Union, winning wage rises and improvements in working conditions.

It was surely no accident that the ITGWU’s headquarters, the original “Liberty Hall”, was located in dockland, just off Eden Quay in Beresford Place and across the road from the Custom House.

When the union began to impinge on William Martin Murphy’s commercial empire in 1913, Murphy began to build a union of employers determined to break the workers’ union.

The working class of Dublin, whether ITGWU members or not,
Stood by Larkin and told the Boss man
We’d fight or die but we would not shirk.”

For eight months we fought
And eight months we starved –
We stood by Larkin through thick and thin;
But foodless homes and the cry of children,
They broke our hearts and we could not win.”
5

In the 1913 Lockout the employers had the main mass media on their side: the anglophile Irish Times, the nationalist Irish Independent and Freemans Journal. The church hierarchies, Catholic and Protestant, stood with the employers; the Legion of Mary refused help to strikers’ dependents.

Mass meeting of workers and children (some of the children also workers, e.g the newsboys) on a Dublin quayside during the 1913 Lockout. “Murphy” refers to William Martin Murphy, prominent capitalist, owner of the Dublin Tram Company, Irish Independent and the Imperial Hotel in the Clery’s building. (Photo sourced: Internet)

The magistrates fined and jailed strikers and supporters, while the Dublin Metropolitan Police clubbed them. After two workers were fatally injured by police batons on Eden Quay,6 the ITGWU formed the Irish Citizen Army, the first army in the world of workers for the working class.

People with few economic and financial resources find it difficult to sustain long struggles and eight months would be a very long industrial struggle even today.

In the Dublin of 1916 and with the living conditions of the working class of the time, and mostly with previously unorganised workers, it was a heroic effort.

The ITGWU was temporarily defeated – Connolly called it “a draw” – but the working class remained. Those that were not sucked into the butchery of WWI continued living in the area and tried to find work where they could.

Despite that defeat and emigration or British Army WWI recruitment, the Irish Citizen Army was able to field 120 disciplined fighters, male and female, in the 1916 Rising and fought in a number of engagements. By 1919 the union’s recruitment surpassed that of 1913.

Over years the docks area saw slow decline as shipping traffic decreased. Emigration soared and, despite large families, the Irish population remained stable7. The working class population of Dublin city centre’s tenements was cleared and moved to large housing schemes on the city’s outskirts.

Men, women and children in a march of the Irish Seamen & Port Workers’ Union (now amalgamated into others) along south Liffey dockland some time before 1955. Note the medals on elderly man front left, possibly IRA medals from the the 1916 Rising and/ or War of Independence. (Source photo: Dublin Dock Workers Preservation Society).
Another view including the flute and drum band, Starry Plough Flag (the Tricolour is being carried on the far right of photo) and trade union standard. (Source photo: Dublin Dock Workers Preservation Society).

Those who remained received some municipal housing in pockets, often neglected by the municipality, their children educated but very rarely to university8 level, their traditional work largely disappearing. And a significant minority turning from lack of hope to substance misuse.9

Houses in danger of collapse after an already collapse, Fenian Street, south Liffey dockland, 1963 (Photo source: Display at Andrew’s Court commemorative event of 1963 building collapse that killed two girls).

SOLUTIONS

Inclusion was a key word brought to the discussion I was invited to hear, with a number saying that “social inclusion” had been listed among objectives of a number of plans for the area but which failed to be achieved despite its listing.

The character of the area is of course changing with a certain amount of gentrification and some people even feeling they were looked at as though not welcome in the park they had played in as children and teenagers, or not welcome in local pubs under new management or new cafes.

Children balancing on Guinness aluminium kegs beside docked ship on south Dublin quay with ships docked on the north quays also, circa 1950s. (Source photo: Dublin Dock Workers Preservation Society)

The kind of education working class people receive was discussed as an important factor with the mention of STEM, an educational program to prepare primary and secondary students for college, graduate study and careers in the fields of science, technology, engineering and mathematics.

Without that kind of preparation and qualifications, the group felt that children from their area had no chance of employment with the corporations now basing themselves in the docklands.

One of the group stated there is an annual special STEM seminar run at the RDS; however none of the others had heard of the seminar.

Another described a “Speed-date-type” careers advice session attended once, where students could spend a short time at one career table and move on to another. Another talked about career-planning advice for parents with which to to help their children.

Circa 1950s, family group, Gasometer in background [note also the old gas street lamppost behind man on the right]. (Source photo: Dublin Dock Workers Preservation Society)

The feeling of a lack of corporate responsibility for the people of the area in which the corporations have set up was clear.

The Ballybofey urban regeneration project was mentioned as a possible model along with Our Town urban centre projects.

If education is the key for integrating the local working class into most of the employment available locally, I wondered aloud, how would that work without housing? One of the group has already had to move out of the area for an affordable home and is intending to move further out still.

Already this means use of private transport and hours added to the working week, increasing the further out is the next home. Another said a survey found that the employment of 88% of the community was outside the area, while only 12% was local (with the carbon footprint involved).

Two-storey housing in good condition on South Lotts in south Liffey docklands – photo shows July commemoration of socialist revolutionary James Connolly and his family living there 1910-1911 (Photo: D.Breatnach)

COMMENT

My own feeling is that the first requirement is that homes need to be available for working class people in their area and that, I also feel, has to entail a local construction program of affordable public housing, ideally by a State or municipal building company.

But if people are not to have to travel outside their areas to work, as 88% are doing currently (according to the aforementioned survey figures), then they must have local employment and in turn that, in the main means with the hi-tech corporations, for which they need to be trained.

The group was very clear and in agreement on this point, whether the training is to be delivered by the corporations, by the State or by a mixture of the two.

When area developments or redevelopments are being undertaken, it is essential that the local communities are part of the process; otherwise tree-planting, city squares and delicatessen-cafes become not so much an addition to the people’s lives, as markers for their class’ replacement.

Whether in the end I agree with the way the group sees the solutions or don’t is not I feel the most important thing, which IS that they are wanting to organise and to take their future into their own hands. It is in that act alone that there can be hope for the future.

End.

FOOTNOTES

1A song about the persecution of the nomadic people, e.g Romany Gypsies and Travellers.

2Basically from the Pearse Street and Ringsend areas.

3Line from Dublin In the Rare Aul’ Times song by Pete St.John.

4A term often applied but rarely understood – labourers quickly become skilled in their work or they lose employment or become injured or killed at work. What the term really means is “manual worker who does not have a recognised qualification in at least one manual trade”. I have worked at both ends of that spectrum.

5 The Larkin Ballad by Donagh Mac Donagh, son of executed 1916 commander Tomás Mac Donagh, executed after the surrender of the 1916 Rising by British firing squad.

630th August, the first month of the dispute by DMP baton-charge on mass meeting around Liberty Hall. The following day (Bloody Sunday 1913, wrongly accounting for the two fatalities in many on-line sources), the DMP rioted again in O’Connell Street but most of the ITGWU had avoided it by rallying at their Fairview premises.

7The Irish population – though habitually of large families – remained largely stable for roughly a century after the Great Hunger’s death toll and mass emigration had reduced the island’s population by three million – until the upswing of the ‘Celtic Tiger’ economy began to increase it through immigration and reduction in emigration.

8Indeed, until 1966 most working class children left school at fourteen years of age, since secondary-level schooling was only ‘free’ (not for books, equipment, uniforms) up to that age.

9Middle and ruling class people misuse substances too – indeed some drugs, such as cocaine are much more used by “professional” classes – but they have living conditions varying from comfortable to luxurious and a range of choices for themselves and their children – not to mention expensive rescue services when they fall.

SOURCES

https://www.donegalcoco.ie/services/planning/regenerationprojects/ballybofey-stranorlar%20regeneration%20strategy/

https://www.donegallive.ie/news/home/1196127/concerns-over-ballybofeys-9-8m-project-raised-by-cllr-martin-harley.html

“DEADLY CUTS” FILM IS … DEADLY

Clive Sulish

(Reading time: 4 mins.)

“DEADLY CUTS” FILM IS … DEADLY1

Michelle (Angeline Ball) runs a hairdressing salon in Piglinstown, a fictional Dublin city suburb that looks like Finglas3 and the area is suffering the attention of a local gang of thugs led by Deano (Ian Lloyd Anderson). The Gardaí4, represented by one individual played by Dermot Ward, are ineffectual in dealing with local crime and seem also well-disposed to a local politician, a Dublin City councillor, whose solution to the area is demolition of a parade of shops, including the hairdressing salon, followed by redevelopment. Michelle’s staff are Stacey (Ericka Roe), Chantelle (Shauna Higgins) and Gemma (Lauren Larkin).

Playing smaller roles are the local butcher Jonner (Aaron Edo), along with owners of the fish and chip shop, the local pub, pub entertainment organiser and three elderly ladies in particular.

Darren Flynn (Aidan McArdle) is the local politician, a Dublin City Councillor, who lets slip later in the film that he has a lot of property speculators waiting to get their hands on the area. Of course, in real life, nothing like that would happen in Dublin City Council, among the Councillors or the City Managers, would it? Quite apart from that, one must feel some sympathy for a certain Dublin City councillor who must surely wince every time he hears “Councillor Flynn” mentioned in the film’s dialogue.

(Image sourced: Internet)

If you know Dublin working and lower-middle class suburbs then some of the visual scenes will be familiar, the streets of housing, the green area, short strips of shops, including the chipper, the cheeky kids on bikes, the pub as a social centre. But for women the hairdressing salon plays a social role too as one can see from the varied ages and requirements of the customers. There was a time in some areas when the local barber shop played the same role for men, the waiting customers, the customer in the chair and the barber all taking part in the same conversation.

You’ll know too that unemployment tends to be higher in such areas and that there are social problems in particular with bored and disengaged youth, drug-taking and selling …. but not necessarily more of the taking than occurs in middle-class areas, particularly when the young people start clubbing.

Areas that could do with regeneration around the local community are not unusual in and around Irish cities but when that regeneration takes place it’s usually for another class – the gentrification project. That’s what’s in store for Piglinstown, if Mr. Flynn and his invisible property speculators have their way. This film is making its debut at a time when property speculators are visibly running wild over Dublin, building hotels, residential apartment and student accommodation blocks (of which most students can’t afford the rents), meanwhile destroying communities, cultural amenities and historical sites. And Dublin City Managers are giving the go-ahead for these planning applications while An Bord Pleanála regularly turns down appeals or moderates the application somewhat but rarely in essence.

The highpoint of the film both in tension and in flash and showbiz buzz is the Ahh Hair competition, which the Piglinstown hair dressing salon wants to win in order to boost their profile and avoid demolition by the speculators. Here Pippa (Victoria Smurfit) plays the vicious upper-class nasty with abandon, aided by her three familiars, the snooty Eimear (Sorcha Fahey) chief among them, many hands in the film’s audience surely itching to slap. Nor is the nastiness only verbal.

Snooty upper-class hair stylist Pippa, played by Victoria Smurfit, at the Ahh Hair competition. (Image sourced: Internet)

But it is also high satire, from Thommas Kane-Byrne as Kevin, the camp announcer and poseur judges with ridiculous hyperbole, including the star hairdresser D’Logan Doyle (Louis Lovett), to the cheering hooray henry and henrietta types in the audience. Even the finalist hairdressing creations would be to most people ridiculous, as are some of the creations and installations that win the annual Turner prize. Are the real hairdressing competitions anything like this?

Among the actors, it’s good to see Angeline Ball who charmed us in The Commitments (1991), 30 years ago and still looking good as the salon owner Michelle and Pauline McLynn who insisted in the eponymous series that Father Ted would have a cup of tea, “Ah, you will, you will, you will”. Comedienne Enya Martin, from Giz a Laugh sketches plays the staff’s somewhat sluttish friend.

The Deadly Cuts salon team in film promotion poster (Image sourced: Internet)

As I noted earlier, most reviewers have given the film high marks for entertainment value – not so Peter Bradshaw, who dealt it savage cuts in the Guardian and gave it only two stars out of five. “With violent gangsters, a gentrification storyline and a hairdressing competition, this movie can’t figure out what it wants to be.” Really, Peter? It seems to me that the film is all those things and manages them well within an overall comedic form, something like Dario Fo and the problem is that you just don’t get it.

The incidental music is a series of lively hip hop by clips from different artists, including the mixed English-Irish language group Kneecap. These should have your foot tapping and body swaying as you follow the plot and the dialogue, smoothly edited from scene to scene, laughing and occasionally shocked.

The resolution of the Piglinstown community’s problems in the film is as drastic as unlikely, (however much some viewers may agree with it). But the film is a very enjoyable and if you haven’t seen it already, I strongly recommend you do so.

End.

FOOTNOTES

1“Deadly” was a common Dublin slang expression which has fallen out of use but would still be recognised by many; in the way that much counter-culture slang uses the opposite from an accepted term, “deadly” meant “excellent” and is being employed here in that sense.

2Notably at the moment threats of demolition to the street market and historical site of Moore Street, part of the traditional music pub the Cobblestone and to the laneway at the Merchant’s Arch.

3In fact, Finglas’ in one of the communities acknowledged in the credits, the other being Loughlinstown.

4Police force of the Irish state.

SOURCES

https://www.imdb.com/title/tt11366736/

https://www.rte.ie/entertainment/movie-reviews/2021/1008/1251092-irish-comedy-deadly-cuts-is-a-cut-above-the-competition/

https://www.rottentomatoes.com/m/deadly_cuts

https://www.dublinlive.ie/news/celebs/giz-laugh-comedian-enya-martin-21694809

https://www.theguardian.com/film/2021/oct/06/deadly-cuts-review-ortonesque-dublin-comedy-thats-more-silly-than-funny