Clive Sulish
(Reading time: 3 mins.)
Thursday night (30th), with almost non-stop downpour of rain was a dreary and miserable one in Dublin. Not so however inside the Cobblestone’s back room where solidarity and resistance resounded in song, instrumental and spoken word.
The event organisers, Solidarity Sessions collective, an independent organisation founded late last year have declared a number of times that they wish to contribute to “creating a community of solidarity and resistance through culture.”
Certainly the flags on the stage of the Tricolour, Starry Plough and Palestine conveyed some of the context, as did posters of 1916 martyrs Connolly and Pearse with text pointing out that the first was a migrant and the second, son of a migrant.1
In addition a merchandise stall sold T-shirts figuring the Palestinian Resistance with funds raised going to Palestinian relief work on the ground. Solidarity Sessions have also donated to ‘buy’ a water truck from Uisce for Gaza and also donated to Streetlink Homeless Support in Dublin.
The material performed on stage contributed much of solidarity and resistance also. This was the third event this year and the second at the Cobblestone pub, one other being at the International Bar and the fourth expected at the Peadar Brown pub on Southside’s Clanbrassil Street.
There was a lot of audience participation at times during the evening, with Alan Burke joined from the floor in the chorus of his spirited rendition of The Aul’ Triangle (to which he added a verse of his own) and Sive was accompanied on request by continuous refrain under her singing.
Mark Flynn was also backed by the audience in his adaptation of A Roving I’ll Go to a sailing to Portugal song he told his audience he had put together in minutes of a creative flash the like of which he ruefully admitted not having experienced since. Flynn also sang Bogle’s antiwar Waltzing Matilda.
The audience was extremely quiet during Dorothy Collin’s spoken word pieces about assassinations by the Zionist Occupation and Palestinian resistance, interrupting her performance with applause only after a haiku in Irish and at a point where she became visibly emotionally affected.
The Resistance Choir included in their performance an exuberant Bread and Roses, the lyrics originating in a speech at a mostly female textile workers’ strike in Massachusetts, USA in 1912 and Burke sang of an innocent miner framed on a murder charge and hanged – but pardoned posthumously.
Class struggle was also present in Burke’s singing My Name Is Dessie Warren, about a trade union activist with flying pickets2 during the 1970s construction workers’ strike in England. Some were tried under the Conspiracy Laws and jailed, including Ricky Tomlinson and Des Warren.3
ANNOUNCEMENTS
Three imminent resistance events were announced from the stage: Friday morning, due to appear in court4 were two Palestine solidarity activists attacked by Gardaí at Dublin Port and a good show of numbers in solidarity was requested.5
On Saturday a picket in solidarity with Irish Republican prisoners would be held outside Kilmainham Jail6 and on Sunday a demonstration to blockade Dublin Port was announced, people being requested to gather at The Point on the north Liffey quays.
The organising collective, volunteers on door duty and the performers all donated their services free of charge. Further donations will be made to causes considered worthy, the collective assured their guests and supporters.
Ru O’Shea, MC for the evening, thanked all the performers who gave their services for free, the audience for their attendance, supporters staffing the door, the Cobblestone and sound engineer. The next Solidarity Sessions night will be at Peadar Brown’s on Thursday 4th December.
Ongoing “contributing to building a community of solidarity and resistance.” And outside, it had stopped raining for awhile.
End.
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FOOTNOTES
1James Connolly was born into the Irish diaspora in the poor area of Cowgate in Edinburgh and first came to Ireland as an adult in response to an invitation to found the Irish Socialist Republican Party. Subsequently Connolly went to the USA for a period before returning to Ireland (therefore 3 times a migrant). Patrick Pearse was born and raised in Dublin but his father was English. Both Pearse and Connolly were executed in Kilmainham Jail with another twelve by British bullets after their surrender of the 1916 Rising.
2‘Flying pickets’ operate in principle like the guerrilla ‘flying columns’, sending a large number of union picketers to specific locations chosen in secret, thereby reducing the opportunities for the police etc to mobilise at the spot in advance
3Ricky Tomlinson after release became a famous actor, mostly in comic roles. Warren developed Parkinson’s from forcible injections with restraining drugs and long periods in isolation in jail, dying not long after release. I remember the case and campaigns when I was working in England and a period afterwards when I was briefly active in the Construction Safety Campaign and read statistics about on average a construction worker killed weekly and one seriously injured daily on British construction sites.
4Yes, the Gardaí charging with criminal offences people they pepper-sprayed and batoned without warning.
5For report on that, see https://rebelbreeze.com/2025/10/31/strong-solidarity-support-for-arrested-port-blockade-activists/
6Kilmainham Jail was a British colonial prison in Dublin, also used for a while by the Irish Free State to imprison the Resistance during the Civil War/ Counterrevolution. It is now a very popular museum and holds the execution site of 14 prominent Irish Republicans after their surrender in 1916.
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