1922 Unemployed Workers’ Occupation of the Dublin Rotunda Commemorated

Diarmuid Breatnach

(Reading time main text: 4 mins.)

On Saturday 22nd January 2022 an event was held to commemorate the centenary year of the occupation of the Rotunda building in Dublin by 150 unemployed workers led by Liam Ó Flaithearta, a Republican and Communist and writer from Inis Mór (off the Galway Coast). The occupation took place two days after the formation of the Free State and was attacked by an anti-communist crowd while after a number of days the occupiers were forced out by the police force of the new state of the dismembered nation1. The event last week was organised by the Liam and Tom O’Flaherty Society.

The event began with a gathering at 1.30pm in North Great George’s Street, where the Manifesto had been printed in 1922.2 People then proceeded to the nearby Rotunda, site of the occupation in 1922.3

Copy of the manifesto available at the event (Photo: D.Breatnach)
Seosamh Ó Cuaig (Photo: D.Breatnach)

Seosamh Ó Cuaig from Cill Chiaráin, Carna, Conamara, opened the proceedings as Chairperson, ag cur fáilte roimh dhaoine i nGaeilge agus i mBéarla, briefly introducing the historical occasion and recounting how some companies, including Boland’s, had supplied bread, sugar and tea to the occupiers, before he introduced published historian and blogger Donal Fallon.

Fallon not only recounted the events of that occupation 100 years ago but also placed it in context of a number of other factors: the unemployment then in the State (30,000 in Dublin) and to follow through into the 1930s, the upsurge in workers’ occupations and local soviets, the reactionary nature of the government of the new state and of the hierarchy of the Catholic Church at the time, which was very supportive of the new regime and extremely hostile to any kind of socialism, along with the cultivation of a reactionary social and political attitude among sections of the population.

Donal Fallon speaking at the event (Photo: D.Breatnach)

Fallon also commented on the censorship and otherwise neglect of Liam Ó Flaithearta as an accomplished modern Irish writer and hoped for his writing to become more popularised now.

Alan O’Brien reading O’Flaherty’s Manifesto (Photo: D.Breatnach)

Alan O’Brien, Dublin poet and dramatist, was welcomed on to the stage to read the Manifesto which had been issued at the time, copies of which were available at a nearby stall. One of the aspects of that document was a call for Dublin City Council to set up public works to provide paid employment for those out of work in exchange for services to the community.

Diarmuid Breatnach, singer and blogger was invited to the stage to sing “The Red Flag” because it had been sung there during the occupation. No doubt those in the Government, Church hierarchy and generally among reactionary people at that time would have been horrified by the lyrics and would have asserted that they were foreign to Irish culture and thinking. However, as Breatnach explained, the lyrics had been composed by an Irishman (see Appendix 1), Jim Connell from Meath. Connell wrote the lyrics to the air of The White Cockade and was appalled to hear it sung to the air of Oh Tannebaum, a Christmas carol. Breatnach had never heard it sung to the White Cockade air but had been practicing it for days and hoped he would be faithful to the original air.

Diarmuid Breatnach singing The Red Flag to the air of The White Cockade

Called by the Chairperson to sing a follow-up song, Breatnach sang most of the verses of “Be Moderate”, satirical lyrics published by James Connolly in 1907 in New York. There had been no air published for the song and it has been sung to a number of airs but he would sing it to the air of A Nation Once Again, which provides a chorus:

We only want the Earth,
we only want the Earth,
And our demands most moderate are –
We only want the Earth!

https://www.facebook.com/watch/?v=637274744281164

The event was later reported by RTÉ briefly in English on the Six O’Clock News and also by video on TG4’s Nuacht in Irish including interviews with Fallon an a number of participants.

End main report.

Early arrivals at the event with the plinth of Parnell monument in background centre left (Photo: D.Breatnach)
Section of the crowd and media filmers at event (anti-vaccine etc march in background) (Photo: D.Breatnach)

APPENDIX 1:

THE RED FLAG: AUTHOR, LYRICS AND AIR

After the Rotunda occupation was terminated, Liam Ó Flaithearta emigrated to London, which is where the Red Flag lyrics had been composed twenty-three years earlier. The lyrics were composed by Meath man Jim Connell in London in 1889 to the air of the Scottish Jacobite march The White Cockade — he was reported livid when he learned that it was being sung to the air of Oh Tannebaum, protesting: “Ye ruined me poem!”

Jim Connell was a Socialist Republican (he had taken the Fenian oath), activist and journalist who emigrated to England in 1875 after being blacklisted in Dublin for his efforts in unionising the docks in which he worked. Apparently he began to write the song lyrics on his way home from a demonstration in London city centre, on the train from Charing Cross to Honor Oak in SE London, where he lived and completed it in the house of a fellow Irishman and neighbour, Nicholas Donovan.

Photo of Jim Connell, author of The Red Flag (Photo: D.Breatnach)

The lyrics have been sung by revolutionary and social-democratic (the latter less so now) activists all over the English-speaking world but also in some other languages in the years since.

Not mentioned in the Wikipedia entry on Jim Connell is the fact that he also wrote a book, apparently a best-seller in his time, called something like “The Poacher’s Handbook“. I’ve been looking for that book for years without success (DCC Library could find no reference to it).

UNVEILING PLAQUE ON JIM CONNELL’S HOME

Today there is a plaque on the two-storey house where Connell lived until his death in 1929, having been awarded the Red Star Medal by Lenin in 1922.

Plaque on house in which Jim Connell lived in SE London when he wrote the lyrics (Photo: D.Breatnach, sorry about the shadow)

In the late 1980s a history archivist with the London Borough of Lewisham contacted the Lewisham branch of the Irish in Britain Representation Group, of which I was Secretary, to consult us about the erection of a history plaque on the house and the wording to use4. We attempted to have the words “Irish Republican” added to “Socialist” after his name on the plaque and were successful with “Irish” but not with “Republican”.

There was a handful at the unveiling at midday on a weekday, including a representative of the local Council, a couple from the Greater London Council including its Irish section, a trumpeter (who played the Oh Tannebaum air) and Gordon Brown (then just an MP). I believe this was 1989, the centenary of the song being written.

Brown’s speech did not mention Ireland once but as he finished, I jumped up on a nearby garden wall and while thanking those in attendance said that it was sad to see the country of Jim Connell’s birth omitted along with his views on Irish independence, particularly at a time when British troops were fighting to suppress a struggle for that independence.

This was during the age before mobile phones and I have no photos, sadly. So no big deal but the next edition of the Irish Post, a weekly paper for the Irish community in Britain, carried a report on the ceremony and my intervention. It was written by the columnist Dolan, who was the alter ego of the Editor, Brendan Mac Alua (long dead now) and a supporter of much of the IBRG’s activities.

I lived in Catford then, five minutes by bicycle from the site of the house and have photographed the plaque.

FENIAN CONNECTION BETWEEN LYRICS ACROSS TWO DECADES

The words and sentiment “Let cowards flinch or traitors sneer” in the Red Flag mirror some in a song celebrating Irish political prisoners, The Felons of Our Land: “While traitors shame and foes defame” and “Let cowards mock and tyrants frown”. Arthur Forrester wrote that song 20 years before Connell’s and it would be surprising indeed had Connell not consciously or unconsciously borrowed the construction and sentiment.

Arthur Forrester was himself of great interest as were his poet sisters, both raised by their Irish nationalist mother, also very interesting person and poet in her own right, in Manchester, known to Michael Davitt. Arthur was a Fenian and did time in prison for it5. He was also for a period proof-reader for the Irish Times! Frank McNally wrote an article about the song but I don’t have access to anything except the first few lines.

T-shirt worn by one of those in attendance (Photo: D.Breatnach)

APPENDIX 2:

Lyrics of The Red Flag:

The People's Flag is deepest red,
It shrouded oft our martyred dead, 
And ere their limbs grew stiff and cold, 
Their hearts' blood dyed its every fold. 
Chorus: 
Then raise the scarlet standard high. 
Beneath its shade we'll live and die, 
Though cowards flinch and traitors sneer, 
We'll keep the red flag flying here. 
 
Look round, the Frenchman loves its blaze, 
The sturdy German chants its praise, 
In Moscow's vaults its hymns were sung,
Chicago swells the surging throng. 
(chorus)
It waved above our infant might, 
When all ahead seemed dark as night; 
It witnessed many a deed and vow, 
We must not change its colour now. 
(chorus)
 It well recalls the triumphs past, 
It gives the hope of peace at last; 
The banner bright,  the symbol plain, 
Of human right and human gain. 
(chorus) 
It suits today the weak and base, 
Whose minds are fixed on pelf and place 
To cringe before the rich man's frown, 
And haul the sacred emblem down. 
(chorus) 
With head uncovered swear we all 
To bear it onward till we fall; 
Come dungeons dark or gallows grim, 
This song shall be our parting hymn.

FOOTNOTES

1Not long afterwards, the new Free State’s National Army, under the orders of Michael Collins, attacked a protest occupation by Irish Republicans of the Four Courts which began the Civil War of the State against the IRA, lasting until 1923 with over 80 executions of Republicans by the State along with many kidnappings and assassinations (such as Harry Boland’s and of course others killed in battle (excluding the shooting of surrendered prisoners, which the National Army also did on occasion). Some were even murdered AFTER the war had ended, for example Noel Lemass, his body left in the Dublin mountains.

2Possibly this was the same location which had housed the James Connolly College (raided by the Auxiliaries in 1921).

3Also the location of the first public meeting to launch the Irish Volunteers in 1913 and where much of the GPO garrison and others were briefly kept prisoner after the surrender in nearby Moore Street in 1916. And just beside it the Parnell Monument, across the street the location of the founding of the Irish Ladies Land League (where members were arrested) and diagonally in SE direction, Tom Clarke’s tobacconist and newsagent shop (occupied by the British Army during the Rising).

4The Lewisham branch of the IBRG had been founded in 1986 and founded the Lewisham Irish Centre in 1992, I think. It was a very active branch in campaigning, community and political work, ceasing to exist around 2002. The IBRG itself was founded in 1981 and was active on many issues, including anti-Irish racism, representation for the diaspora, release of the framed Irish prisoners, British withdrawal from Ireland, against anti-Traveller racism, plastic bullets and strip-searches. It was also for equality in general, being against all racism, gender discrimination and homophobia and one year shared a march with the Broadwater Farm campaign.

5 Despite the Irish diaspora having given the working class in Britain its anthem (The Red Flag), its classic novel (The Ragged-Trousered Philanthropists) and, among many social and trade union activists and leaders, two leaders of the first genuine mass workers’ movement in Britain (the Chartists — O’Brien and O’Connor), and having fought against the Blackshirts at the Battle of Cable Street, there is no BA in Irish Studies alone available in British Universities. The Irish diaspora is also the first migrant community in Britain and for centuries the largest, has made significant contribution to the arts and a huge one to rock, punk and pop music. It would seem that the British ruling class does not want its population to know in any depth about the Irish.

SOURCES

https://www.facebook.com/OFlahertySociety

Report before the event by TG4: https://www.facebook.com/NuachtTG4/videos/247647487386768

Report after the event by TG4 and clips of the singing of The Red Flag: https://www.facebook.com/watch/?v=637274744281164

The chorus of The Red Flag sung to the original air, i.e of The White Cockade: https://www.facebook.com/OFlahertySociety/videos/459751325864989

Jim Connell and The Red Flag

The Felons of Our Land song: https://www.irishtimes.com/opinion/the-felons-of-our-land-frank-mcnally-on-the-various-lives-of-a-republican-ballad-1.4185803

Ellen Forrester, nationalist and mother of Arthur Forrester: https://en.wikipedia.org/wiki/Ellen_Forrester

BRITISH SUPREME COURT VINDICATES TORTURED “HOODED MEN” – CRITICISES POLICE CHIEF

Diarmuid Breatnach

(Reading time up to ‘Background’: 4 mins.)

A group of Irish people were jubilant in London’s Little George Street on 15th December. The location was that of the UK’s Supreme Court and it was unusual for Irish people to be happy at a judgement of a British court. But the judges inside had quashed an appeal by the Police Service of Northern Ireland1 against a judgement of the High Court in Belfast, that the colonial police force had been wrong not to investigate the claims of fourteen men of being tortured in the British colony in 19712.

Bernadette Devlin (now McAlliskey) addressing an anti-internment rally in Derry in August 1971 (Photo cred: Popperfoto, Getty Images)

The claims related to what happened during the introduction of internment without trial in the occupied Six Counties in August 1971. What many internees experienced ranged from brutal treatment to torture: “Many of those arrested reported that they and their families were assaulted, verbally abused and threatened by the soldiers. There were claims of soldiers smashing their way into houses without warning and firing rubber baton rounds through doors and windows. Many of those arrested also reported being ill-treated during their three-day detention at the holding centres. They complained of being beaten, verbally abused, threatened, harassed by dogs, denied sleep, and starved. Some reported being forced to run a gauntlet of baton-wielding soldiers, being forced to run an ‘obstacle course’, having their heads forcefully shaved, being kept naked, being burnt with cigarettes, having a sack placed over their heads for long periods, having a rope kept around their necks, having the barrel of a gun pressed against their heads, being dragged by the hair, being trailed behind armoured vehicles while barefoot, and being tied to armoured trucks as a human shield” (for the soldiers against attack by the IRA). (Wikipedia)

(Photo sourced: Internet)

Some were hooded, beaten and, having been told they were hundreds of feet in the air, were then thrown from a helicopter — but were actually only a few feet from the ground. In addition, they were subjected to disorientating “white noise”, forced to remain in stress positions for long periods and deprived of food, water and sleep. Fourteen men who endured this for seven days became known as the “Hooded Men” and have been campaigning for over 50 years to have the British State admit that in its Irish colony, it had tortured them. Interestingly, some of those techniques have also been complained of more recently – by prisoners of the British military in Iraq3 — and this despite a statement by the UK’s Attorney General in 1977 that the techniques would not be used by them again.4

(Photo sourced: Internet)

Unusually, the Irish State5 took the case of the Fourteen to the European Court of Human Rights in Strasbourg and in 1976 obtained a judgement that “the five interrogation techniques” were torture.

The British State appealed the ECHR judgement and in 1978 won a judgement that although the treatment of the Hooded Men amounted to “inhuman and degrading treatment” and breached Article 3 of the European Convention of Human Rights it nevertheless fell short of torture6.

When documentation came to light proving that British Government Ministers had approved the treatment, the Irish State appealed the revised judgement of the ECHR but in 2018 was unsuccessful.

Meanwhile, the legal team of the Hooded Men pursued their case through the legal system of the UK’s Irish colony. In October 2014 the PSNI formally decided not to investigate the allegations, following which in 2015 judicial review proceedings against the PSNI, Secretary of State for Northern Ireland and Department of Justice were initiated by Francis McGuigan, one of the ‘Hooded Men’. A co-appellant was Mary McKenna, the daughter of Sean McKenna, another of the Hooded Men, who died in 1975, never having fully recovered from his mistreatment. The proceedings followed the discovery of additional documentary materials relevant to the mistreatment of the men, which were featured in a 2014 RTÉ Documentary, The Torture Files.7

Following this Documentary, the Chief Constable stated that the PSNI would assess “any allegation or emerging evidence of criminal behaviour, from whatever quarter” concerning the ill-treatment of the Hooded Men “with a view to substantiating such an allegation and identifying sufficient evidence to justify a prosecution and bring people to court’”. However in October 2014 the PSNI took the decision not to investigate. In late 2017, the High Court ruled that the failure by the Police Service of Northern Ireland (PSNI) to investigate the allegations of torture was unlawful.

Some of the Hooded Men in London for the Supreme Court judgement. (Photo sourced: Internet)

Instead of accepting the judgement however the PSNI sought to appeal the High Court decision but in September 2019 the Court of Appeal ruled that the decision should stand. One would have to contrast the determination of the colonial police in the courts to their appalling record in investigating collusion between their own force and Loyalist murder gangs, for the PSNI then appealed to the UK Supreme Court. In November 2019 the UK Supreme Court upheld the decision of the colony’s Court of Appeal and the PSNI appealed that judgement too. The decision last week in London marks the end of the legal options of the colonial gendarmerie.

The very month the decision not to investigate the allegations of the Hooded Men was taken by the colonial police force, October 2014, Drew Harris had been appointed Deputy Chief Constable of the PSNI.

IMPLICATIONS OF JUDGEMENT

The implications of the High Court judgement for Britain and its colonial administration are that once again they have been shown to have deployed barbarous methods in their repression of resistance by the nationalist minority in the colony and that they have exceeded or ignored even their own laws.

As has been the case throughout the recent 30 Years’ War, with the system lying and trying to cover up the reality of its actions, then delaying by all available means, the judgement comes too late for a number of the victims, as only nine of the 14 are still alive.

Nevertheless, the judgement adds to a number of other judgements and admissions over the years, such as those surrounding the Bloody Sunday Massacre in Derry in 1972 and the Ballymurphy Massacre in 1971. On 13 December this year, the British Ministry of Defence and PSNI agreed to a £1.5m out-of-court settlement to compensate victims of the Miami Showband Massacre over suspected state collusion with loyalist terrorists.

Three members of the band died from explosions and bullets after they were forced to get out of their bus at a fake police checkpoint on their return to Dublin from the Six Counties. Stephen Travers, who was injured in the attack, said he was convinced he would have won his civil action to prove that there was collaboration between the State and terrorists but that the Government’s decision to “dispense with justice rather than to dispense justice” had motivated the out-of court settlement.

Had the UK’s Supreme Court rejected the Hooded Men’s case, the latter would have been free to take the case to the European Court of Human Rights – not that they had been tortured but that the police should have investigated their claims that they were. And, based on a similar case by the manager of a Basque newspaper against the Spanish State8, they would probably have won their case with damages awarded against the UK.

On the other hand, the Supreme Court decision puts the onus of investigating the accusations of the Hooded Men on to the PSNI, the very organisation deeply implicated in the treatment of the victims, the organisation which declined to investigate them previously and which justified its decision through the courts in the Six Counties and then in the Supreme Court of the UK.

But not only the British state and its colony are put into the dock by the Supreme Court judgement – Drew Harris, formerly Deputy Chief Constable of the PSNI is currently in charge of the police force of the Irish State, where he was appointed Chief Commissioner of the Gardaí in September 2018 on a yearly salary of €250,000.

Drew Harris (Left) as Garda Commissioner with his former boss, George Hamilton, Chief Constable of the colonial police, the PSNI, on the occasion they both received an honour from the British Monarch. (Photo sourced: Internet)

APPENDIX — BACKGROUND

Creation of “Northern Ireland”:

The statelet of “Northern Ireland”9 was created in 1922 after Ireland was partitioned by the British Government at the end of 1921. Ireland had been invaded from Britain in 1169 and gradually entirely occupied and colonised by the invaders, albeit with its own semi-autonomous parliament which had been abolished in 1801, after the United Irish uprisings of 179810. Subsequently Members of Parliament elected in Ireland were required to attend the Westminster Parliament.

Following the rise of Irish nationalist sentiment after the suppression of the 1916 Rising, the 1918 UK General Election returned a huge majority of MPs in Ireland sworn to establish an independent Irish Republic. These formed their own parliament in Dublin, at first ignored but then later banned by the British. The guerrilla War of Independence of 1919-1921 convinced the British rulers to offer Ireland autonomy as a “Dominion” within the British system and under the Crown. However, at the same time, the British conceded to the demand of the unionist minority in Ireland to secede from the new Irish state and to remain a colony of Britain and in the UK. The Irish Free State was set up in December 1921 on 26 counties and the Northern Ireland statelet of six counties in January 192211.

From the outset the colonial statelet had been marked by the religious sectarianism of its local rulers, Presbyterians and Anglicans by religion and of unionist ideology, against a very large nationalist minority of mostly Catholics, representing the majority in Ireland as a whole. A raft of special powers empowered the statelet in repression of the nationalist minority; the colonial gendarmerie, abolished in the Irish state, continued in existence, with a part-time wing and even unofficial Loyalist militia in support and de facto anti-nationalist discrimination existed in every sphere: law, housing allocation, education.

In 1968 a campaign for civil rights for the nationalist minority began, to be met by truncheons, water-cannon, tear gas and bullets which however, merely drove parts of the minority into open insurrection. The colonial gendarmerie (the Royal Ulster Constabulary), even with the active support of the part-time B-Specials and Loyalist paramilitaries, was unable to suppress the uprising primarily in Derry but also in West Belfast and in August 1969 the British Government sent in the British Army to take control.

Initially the soldiers were represented to the nationalist population as being present to protect them from the sectarian colonial police and from the Loyalists but it soon became clear that their primary focus was to repress the risen nationalist population and the IRA began to take action against them.

Introduction of Internment Without Trial:

The Prime Minister of the “Northern Ireland” statelet, Brian Faulkner, recommended to his colonial masters that internment without trial be introduced against the nationalist population; this was agreed and “Operation Demetrius” began on 9th August and continuing over the 10th 1971 with British Army raids into nationalist areas, forcing their way into homes and dragging their captives away to be interrogated by RUC Special Branch, after which they were jailed. In the initial sweep the occupation forces arrested 342 men, sparking four days of violence in which 20 civilians, two IRA members and two British soldiers were killed and 7,000 people fled their homes. All of those interned were from the nationalist community.

Poster by the Anti-Internment League of Ireland – the internees in the photo are handcuffed together. (Photo sourced: Internet)

The detentions without charge continued until December 1975 and by that time 1,981 people had been interned, of which 1,874 were from the nationalist community. Only 107 were Loyalists and none of those had been interned until February 1973. Resistance to internment continued after the initial sweep and from 9th to 11th August, British Paratroopers caused the death of 11 unarmed people in the Ballymurphy area of Belfast. In January the following year the Paras and other units attacked people marching against internment in Derry, killing 14 and injuring 12.

Internment was protested in the rest of Ireland and in other countries, including Britain. The Men Behind the Wire, an anti-internment song composed in 1971 by Paddy McGuigan and recorded by the Barleycorn group in Belfast, was pressed into disc in Dublin and shot to the top of the Irish charts, greatly exceeding in numbers of sales any record previously released in Ireland.

Excerpt:

Through the little streets of Belfast,
In the dark of early mo
rn,
British soldiers came marauding
Wrecking little homes with scorn.

Heedless of the crying children,
Dragging fathers from their beds;
Beating sons while helpless mothers
Watched the blood flow from their heads.

Armoured cars and tanks and guns
Came to take away our sons
But every man will stand behind
The Men Behind the Wire.

Poster by People”s Democracy, believed in 1970, prior to introduction of internment. (Photo sourced: Internet)

Brian Faulkner, unionist Prime Minister of the statelet, who had asked the British to introduce internment, was hated by a great many people. When he died in March 1977 following an accident during a stag hunt, thrown by his horse Cannonball, an English communist composed a short song he named “Cannonball”.

Excerpt:

Lord Faulkner was a hunter of men and of deer

And both have good reason to laugh and to cheer

At the death of a tyrant whose interests were clear

Those of imperialism that have cost Ireland dear.

Cannonball, Cannonball has many a friend,

From the top of old Ireland right down to its end,

Where the brave people struggle

In one resolute bid

To throw off their oppressors —

Just as Cannonball did!

End.

FOOTNOTES

  1. The colonial gendarmerie formerly known as the Royal Ulster Constabulary.

2 (see “Background” section).

3. The Court’s ruling that the five techniques did not amount to torture was later cited by the United States and Israel to justify their own interrogation methods, which included the five techniques. British agents also taught the five techniques to the forces of Brazil’s military dictatorship. During the Iraq War, the illegal use of the five techniques by British soldiers contributed to the death of at least one detainee, Baha Mousa.

4 “The Government of the United Kingdom have considered the question of the use of the ‘five techniques’ with very great care and with particular regard to Article 3 (art. 3) of the Convention. They now give this unqualified undertaking, that the ‘five techniques’ will not in any circumstances be reintroduced as an aid to interrogation.”

5 Unusually, because during the three decades of ill-treatment by a foreign power of people who were, according to the Irish Constitution its citizens, only in one other case did the Irish State bring a complaint against the UK to an international arena.

6 I admit that I fail completely to understand the distinction.

7. Rita O’Reilly, the journalist who led that program, also commented extremely well on the UK Supreme Court decision and the whole case on Prime Time on RTÉ this week (see Links).

8. Martxelo Otamendi, along with others detained, was tortured by his Guardia Civil captors when the Basque newspaper of which he was manager was closed by the Spanish State, alleging that it had been cooperating with terrorists. He was freed eventually and even later in 2010 the Spanish Supreme Court admitted that there had been no evidence against him or the newspaper – but neither admitted the torture nor ordered his allegations be investigated. Otamendi filed a complaint with the European Court of Human Rights in 2012 and in 2014 the ECHR found the Spanish State guilty of not having investigated Otamendi’s allegation of being tortured and awarded him €24,000 in damages and expenses from the Spanish state.

9. A misnomer since the British colony is not the northernmost part of Ireland, which is in County Donegal, inside the Irish state. “Ulster”, a name given by the Unionists to the statelet and frequently repeated in the British media, is also a misnomer since the Province of Ulster contains nine counties, six of which are in the colonial statelet but three of which are within the Irish state.

10. There were many uprisings prior to 1798, which was the first Republican one and there were many of that kind afterwards too.

11. Shortly after that the Free State, supplied with weapons and transport by the British, attacked the Republicans, who had been demonstrating their dissatisfaction with the Anglo-Irish Treaty. This precipitated a Civil War in which the Republicans were defeated.

USEFUL LINKS FOR MORE INFORMATION

Unusually excellent (for RTÉ) report by Rita O’Reilly: https://www.rte.ie/news/primetime/2021/1217/1267343-uk-supreme-court-decision-on-hooded-men/

https://www.irishtimes.com/news/ireland/irish-news/hooded-men-uk-court-finds-psni-decision-not-to-investigate-case-unlawful-1.4755885

https://en.wikipedia.org/wiki/Operation_Demetrius

“BRITAIN OUT OF IRELAND!” ON ANNIVERSARY OF THE ANGLO-IRISH TREATY

Clive Sulish

(Reading time: 3 mins.)

Socialist Republicans gathered in Dublin’s main O’Connell Street on Saturday 4th December to reaffirm their commitment that Britain has no right to be in Ireland. The event, taking place on the nearest weekend to the centenary of the signing of the Anglo-Irish Treaty, was organised by the Anti-Imperialist Action Ireland organisation and supported by other socialist Republicans including the Anti-Internment Group of Ireland.

View of the picket with the GPO at the back of the photographer (Photo: Rebel Breeze)

One of the participants sang Irish revolutionary songs, accompanying himself by guitar, his unamplified voice ringing across the street and bouncing off the General Post Office opposite, location of the headquarters of the 1916 Rising. Another singer’s voice accompanied him in some of the songs.

Despite the cold, people passing on the street stopped to look, to take photos or video and, in some cases, to applaud. Some individuals also approached the participants to talk, while gestures of approval were being made from some passing public and private transport.

(Photo: Rebel Breeze)

The event concluded with the singing in Irish of the first verse and chorus of The Soldiers’ Song, a patriotic fighting song, the air of the chorus of which was adopted as the national anthem of the Irish state (but regarded by many as the property of the unfinished national liberation struggle).

The Anglo-Irish Agreement was signed on 6th December 1921 in London by negotiators of the Irish resistance movement. What was conceded by the British ruling class fell far short of what the armed movement had been fighting for since January 1919 and led soon afterwards to civil war (1922-1923). Clearly the negotiators should have brought back the terms for approval or rejection by the Dáil (the banned Irish parliament), instead of first signing the document, which is what they did.

The Treaty offered Dominion status for Ireland as a member of the Commonwealth under the British Crown, i.e akin to that of the “white”-governed colonies such as Australia, Canada and South Africa. It also offered the British Unionists in the north of Ireland the right to secede.

(Photo: Rebel Breeze)

The subsequent debate on whether to ratify the Treaty was at times bitter. Some felt the terms were the best they were likely to get, other that they offered a base on which to build for greater gains while others still felt they were a betrayal of Ireland’s long struggle for independence and the sacrifices of two years of guerrilla struggle against state repression. The vast majority of the military organisations of the movement, the IRA and Cumann na mBan, were opposed to the Treaty terms but those in favour of signing gained a slim majority in the Dáil (64 in favour and 57 against).

The British unionists swiftly availed themselves of the terms, leading to the partition of Ireland early in 1922, six of the 32 Counties becoming a permanent British colony.

(Photo: Rebel Breeze)

Some have seen the positioning around the Treaty in most of Ireland as signifying a trend led by the native Irish capitalist class and supported by the Irish Catholic Church hierarchy of putting the brakes on the national liberation movement and elements of its social content. From that perspective, the signing of the document in London signalled the first overt move of the counterrevolution which was sealed with armed force by the new neo-colonialist state through war, repression, imprisonment, kidnappings, torture and executions, both official and unofficial.

Both states in Ireland henceforth would be socially conservative, the colonial one religiously sectarian and the Irish one with the Catholic Church hierarchy as the regime’s arm of social control. The Irish state remained for decades under-industrialised and generally under-developed with constant emigration maintaining the population at its post-Great Hunger low point until near the close of the Century (and even today has not fully recovered).

(Photo: Rebel Breeze)

Since the Anglo-Irish Treaty was signed there have been armed challenges by Irish Republicans during the Civil War of 1922-1923, during the 1930s, WWII, the “Border Campaign” of 1959-1962 and of course the more recent war of thirty years.

In addition there have strong struggles for social rights against censorship and around gender and sexuality: the right to purchase prophylactics, divorce, female equality, homosexuality, pregnancy termination and gay marriage. Struggles have also taken place around housing, wages and workers’ rights, in defence of natural resources, infrastructures and the environment.

The Six County colonial statelet remains socially conservative and sectarian religiously. Both administrations maintain no-jury special courts for dealing with some political cases.

Clearly, the Treaty left much unfinished business.

End.

A southward view of the banner and flags on the picket, the Starry Plough of the Irish Citizen Army and the Sunburst of the Fianna Éireann, with the Jim Larkin monument in the background. A LUAS tram is approaching to right of photo. (Photo: Rebel Breeze)

USEFUL LINKS

https://www.facebook.com/AIAI-For-National-Liberation-and-Socialist-Revolution-101829345633677

https://www.facebook.com/End-Internment-581232915354743

DUBLIN HOSTS TURKISH REVOLUTIONARY MUSIC GROUP

Clive Sulish

(Reading time: 3 mins.)

Last Saturday in the Teachers’ Club in Dublin (26/11/21), the revolutionary music Grup Yorum from Turkey, with some Irish musician input, played to an audience of up to two hundred. In between performing different numbers from their repertoire, band members spoke to the audience of the history of the struggles of their people and of the band.

The Irish tour of the band was organised by the Anti-Imperialist Action Ireland organisation; earlier that week Yorum played in a small music venue in Belfast to around 40 people. The attendance in Dublin was so large that the location had to be changed from a large room on the first floor to the much larger hall down below.

Grup Yorum performing in Dublin (Photo: Rebel Breeze)

BELFAST

In Belfast in the Sunflower Lounge, Bobby Fields from Armagh and Séan Óg from Dublin entertained those in attendance with songs of Irish resistance followed by Grup Yorum coming on afterwards. The Grup’s performance was enthusiastically received and was followed by a questions-and-answers session to learn more about the situation in Turkey.

The Grup members toured some of the area and visited the famous international solidarity wall along with the grave of Bobby Sands, where paying their respects included singing a song at the graveside.

DUBLIN

In the large hall in the Teachers’ Club, Dublin, Séan Óg took to the stage first, playing guitar to accompany himself on guitar to sing The Killmichael Ambush, Viva la Quinze Brigada, Back Home in Derry1 and The Internationale. Veteran activist and traditional singer Diarmuid Breatnach followed, singing unaccompanied the Anne Devlin Ballad, I’ll Wear No Convict’s Uniform2 and James Connolly’s satirical song Be Moderate3. Some of the audience sang along with some of the lyrics sung by each singer.

Be Moderate, satirical song by James Connolly, sung by Diarmuid Breatnach at the event (the link can be played on Facebook).

The four members of Grup Yorum present then took to the stage to huge applause and addressed the audience in Turkish, their words being translated into English by a member of their entourage. In the performance that followed, two guitars, flute and cajón were the instruments with a male and female leading voices. Each song was preceded by an explanation placing the piece in historical and political context.

Some of the songs in particular were clearly known to Turkish and Kurdish people in the audience and at some points they sang along, often waving an arm in the air. Towards the end of their performance the crowd got more and more excited and then Seán Óg joined them for a couple of numbers.

(Photo: Rebel Breeze)
oznor

The Grup’s interpreter made a special appeal for help from those in attendance to pressurise the Turkish authorities to release political prisoner Ali Osman Köse who has been in solitary confinement for 20 years and has multiple health issues. There are fears for the man’s life as he has had a cancerous kidney removed in May of this year without any follow-up treatment and despite everything has been pronounced “fit” to continue in jail.

This was followed by members of the Resistance Choir taking to the stage to join Grup Yorum in a rendition of the Italian antifascist Bella Ciao! Song before Diarmuid Breatnach returned to the stage to bring the evening to a close with the first verse and chorus of Amhrán na bhFiann4 with members of the audience joining in (including some from Anatolia)

The Resistance Choir from Dublin on stage with Grup Yorum to perform the Bella Ciao song (Photo: Rebel Breeze)

THE GRUP YORUM BAND

A revolutionary music band from Turkey, Grup Yorum members compose their own material and the band has has released twenty-three albums and one film since 1985. The band has suffered repression with some concerts and albums banned and members have been arrested, jailed and tortured, two members also dying on hunger strike. The band is popular in Turkey and as well as their albums selling well in Turkey and internationally, it has also given concerts in Germany, Austria, Australia, France, Italy, the Netherlands, Belgium, Denmark, United Kingdom, Greece and Syria.

Grup Yorum publishes an art, culture, literature, and music magazine entitled Tavir, and several group members manage a cultural centre called İdil Kültür Merkez in the Okmeydani neighbourhood of Istanbul.

Section of the crowd in Dublin saluting the Grup Yorum performers (Photo: Rebel Breeze)

FOOTNOTES:

1The lyrics and air of Viva la Quinze Brigada are by famous Irish folk musician Christy Moore, who also arranged Bobby Sands’ poem to the air of the Wreck of the Edmund Fitzgerald (by Gordon Lightfoot) as Back Home in Derry.

2Diarmuid sings this song to an air he composed himself.

3Diarmuid sings this to the air of A Nation Once Again (by Thomas Davis).

4Written by Peadar Kearney originally under the title The Soldiers’ Song and sung by insurgents during the 1916 Rising, its chorus is the official national anthem of the Irish State. However, it is also sung by many who are opposed to the State, particularly by Irish Republicans. Normally only the chorus is heard, sung in Irish (translation).

USEFUL LINKS:

https://www.facebook.com/grupyorum1985

https://www.facebook.com/Anti-Imperialist-Action-Dublin-North-City-110852710835826

https://www.facebook.com/socialistrepublicanballyfermot

https://freealiosmankose.wordpress.com/

FEATURES OF IRISH TRADITIONAL INSTRUMENTAL MUSIC AND SONG

Diarmuid Breatnach

(Reading time text: 4 mins)

Replying to a query on Quora on the above question, I spent some time thinking and typing the reply and then thought I might as well make that effort available to a wider audience. I have participated in many Irish instrumental music and singing sessions over decades, mostly in London and Dublin and I have two brothers who are musicians and another who is a singer. I am myself a singer, not an instrument player, nor an academic but will attempt an answer. I would recommend consulting the Irish Traditional Music Archive and reading books on the subject such as Ó Súilleabháin’s and Ó Lochlainn.

Traditional Irish music has had many external influences and among the main forms of its dance expression, jigs, hornpipes and reels, only the latter is considered originally Irish. Polkas are particularly popular in Kerry and, I suppose, built around reels. There are also slip-jigs.

The best way to experience these is probably is probably at or viewing a set-dancing session. These are based in form on the “quadrilles” of the Napoleonic period (which can be found as far away as Latin America and Cuba) and are similar to English and US Old Timey square dancing. Probably all the variants of the Irish instrumental dance music will be heard performed among the various set-dances — virtually all sequentially in the deceptively-named “Plain Set”.

Note a number of features in this good exhibition of a part of a set: hard shoes, not trainers (one exception there) to give good floor contact and sound); also some individual flourishes in footwork and body movement etc but still remaining within the music. (Source: The Harp Irish Set Dancers)

The form of dance called “sean-nós” (see description of the singing form by the same name further down) is individual expression, fast footwork with what one might also call “ornamentations”, similar to tap-dancing. The arms are held loosely down to the side or elbows to the side, slightly extended but also loosely. The overall posture may be erect or slightly stooped.

In terms of instruments used today, not one is believed to be originally Irish except the harp (which incidentally is the symbol of the Irish state, the only state in the world to feature a musical instrument in that capacity though we are far from being the only nation with a harp tradition).

The harp is an ancient Irish instrument but also symbol and was re-used by the revolutionary and republican United Irishmen, who rose in insurrection in 1798 and 1803. The later Fenians too used the symbol in less stylised form. (Image sourced: Internet)

The harp (there two main kinds, the smaller knee-standing and the larger resting on the floor between the knees) was described by Norman travellers (spies) prior to their invasion of Ireland but were known also in Wales (observers remarked not only on the aesthetic quality of the performances but also on their speed). A kind of drum was referred to by the travellers and some kind of flute but without any detail on either. The proliferation of instruments in a traditional Irish session are therefore far from being originally Irish: fiddle (violin), uilleann pipe, flute, whistle, accordion (piano or more likely button), concertina, melodeon, bazouki, mandolin, banjo and …. guitar. This last is mostly performed as an underlying rhythm instrument, a function also of the bodhrán (a kind of one-sided drum) and one may also hear a pair of spoons or sections of rib bones played for percussion. The guitar-player is often also the singer and given space to do so accompanied by his guitar, presumably in recompense for his restriction to rhythm performance the rest of the time. In many sessions there has grown sadly a tendency to restrict the performance of song to this individual or some other in the circle of musicians whereas in the past a member of the audience would perform the song; this restriction has led to the growth of song and even voice-only sessions (such as the Góilín in Dublin).

We owe the typical instruments in traditional Irish music to northern and central Europe, the Middle and Far East and to Africa. Many other instruments have been brought into use in performing Irish traditional music (including, famously, the Australian didgeridoo) but, apart from the proliferation of variations on the whistle, they have as yet failed to win popularity among musicians.

(Image sourced: Internet)

Traditional march airs also exist and, to my ear, have a tendency to be fast for the purpose. I have speculated that these represented trotting horses of the elites or warrior-caste with lower-ranking fighters running alongside — but that is pure speculation.

There are many slow airs and waltzes, definitely an import, have been composed and are also played.

TRADITIONAL, ETHNIC

With regard to the ethnicity of the performers this is not of great relevance and Irish traditional music on instruments and in voice is being played well in many different parts of the world or in Ireland by musicians with a non-Irish ethnic background. Naturally too the Irish diaspora has spawned many excellent traditional Irish musicians (and, we can remark in passing, in many other genres too: rock, pop, blues, jazz, classical).

The term “traditional” itself can open up a debate but with regard to song, I was offered this interesting definition some years ago: “author unknown, performed over three generations.” Authorship is therefore an issue as is permanency (or at least persistency). One feature of traditional music throughout the world, according to Ó Súilleabháin is never to end in a crescendo (although occasionally one may hear a traditional song or ballad treated in this way, it is rare).

However, as with “tunes” or “airs” in instrumental music, songs are being composed all along within the traditional or folk form, sometimes re-using known airs, sometimes adapting them and on occasion composing new ones.

It is important to note that ballads are not considered a “traditional” form, having entered Ireland in the 18th and 19th centuries but they are accepted in traditional singing circles.

Ballads and traditional songs were on many themes of course but given Ireland’s history, the national struggle was bound to feature often. (Image sourced: Internet)

THE SINGER AND THE SONG

Traditional-style singers not only eschew crescendos but also, in general, bodily gestures or dramatic pauses or changes of volume. There are emphases rendered on occasion but these tend to be subtle.

A form of singing known as “sean-nós” (literally ‘old style’) exists with regional variations. From experience and perception (but without formal study) I would say that the main distinguishing feature of this form is in the ornamentation of notes, viz. drawing some out to briefly twist around them (interestingly, one verb in Irish for “play” as in instrument or “sing” is “cas”, literally “twist/ turn/ weave”) and the ending of a line may have an additional note added. The Qawwali religious music of Pakistan and Indian shares many features as does parts of the Flamenco singing, albeit the latter is loudly expressive.

In terms of the great themes of Irish song (and at times of instrumental pieces) these are overwhelmingly love, patriotic struggle and emigration, with sub-categories, including some that merge two or even three of the main themes (hear for example “Skibereen” or the waltz-air “Slieve na mBan”.

PLEASE DON’T CLAP ….

A very important element of Irish traditional and folk singing is not only the performance but also the audience. The tradition is not for choral or duet etc singing with harmonies, though these exist but rather for the single voice. In this we differ from other Celtic nations such as the Welsh and Bretons but parallel the Scottish tradition as well as some other folk traditions, including some English and USA Old Timey expressions.

The tradition has been that a singer will be heard through to the end with perhaps some sounds of encouragement at various junctures (on occasion I have observed a noisy Irish pub become suddenly silent as the customers become aware that a song is being sung, remaining totally silent until the end of the song). Should there be a chorus, listeners may join in and a well-known and appreciated line may get listeners joining in too (think for example of the last line in the non-traditional form — but often sung in sean-nós style — ballad about the Great Hunger: “… revenge for Skibereen!”).

I should mention here that accompanying the beat in traditional music by clapping is certainly not “cool”, although traditional musicians performing on stage have been seen to encourage it (presumably in order to reduce the isolation feeling of the performers and to increase the enjoyment of non-perceptive listeners). In fact clapping overcomes the nuances of the performance as well as the concentration of the listener, therefore limiting the depth of the experience. “Tap feet by all means and clap at the end if you please” is the general rule.

I must note also in conclusion that Irish/ Scottish traditional music with some English folk contribution are the main influences in not only Old Timey USA music but also bluegrass and country & western, with spillover into some other forms. As such, this fount of music is responsible for the creation of the “white” or “European-origin” popular music of the USA, ie around half of the entire body. The other half is of African origin, in blues and jazz (in so far as these are not the same thing), giving rise to rock n’roll, swing etc. But both these “halves” have naturally had an influence on the other and in Ireland, traditional music is also influenced by — and contributes to — “crossover” variations of music.

I would comment also that socially and politically Irish musicians have tended to identify to one degree or another with the people and their resistance and were often persecuted for doing so. This was natural, given that they mostly came from the Irish population and that was where they found their audience. In that regard it is sad to note that some, including the Chieftains musician group and singer Imelda May, performed at a state banquet in Dublin a few years ago for the English Queen, who is head of the UK state and of the British Armed Forces, currently occupying one-sixth of our small national territory and also invading other parts of the world.

End.

USEFUL LINKS

Irish Traditional Music Archive: https://www.itma.ie/

Set-dancing: http://www.harpirishsetdancers.com/

Singing: https://www.facebook.com/AnGoilin/https://en.

Colm Ó Lochlainn: https://en.wikipedia.org/wiki/Colm_%C3%93_Lochlainn

WHO FEARS TO SPEAK OF ‘98? REVULSION AT ETHOS OF O’CONNELL’S REPEAL

Diarmuid Breatnach

(Reading time main text: 2 mins.)

In 1843 the lyrics of In Memory of the Dead were published anonymously in The Nation but it seems to have been an open secret in Dublin political circles that the author was John Kells Ingram. As often happens, the song became known by its opening line “Who Fears to Speak of ‘98” and years later Ingram admitted having written the lyrics. Though it never once mentions Daniel O’Connell, taken in context of its subject, time and where it was published, the song was a blistering attack on the politician and his Repeal of the Union organisation. Yet while Kells Ingram was many things, he was no revolutionary — unlike the editors of the Nation and many of its readers.

Plaque indicating former location of The Nation newspaper in Middle Abbey Street, Dublin, premises bought out ironically by The Irish Independent. (Photo: D.Breatnach)

John Kells Ingram was a mildly nationalist mathematician, economist, philosopher and poet who was selected to write expert entries for the Encyclopedia Britannica. But although he was no revolutionary it is clear that he felt a distaste for O’Connell’s distancing himself from the memory of those who had risen in rebellion four decades earlier.

John Kells Ingram 1823-1907 (1890) by Sarah Purser (1848 – 1943). (Photo sourced: Internet)

Supporting O’Connell initially, The Nation sought to create a patriotic and indeed revolutionary culture through its pages. One of The Nation’s founders and editors, Thomas Davis was perforce also one of the periodical’s contributors and his compositions The West’s Awake and A Nation Once Again are still sung today, the latter very nearly becoming Ireland’s national anthem. The lyrics of Who Fears to Speak celebrated historical memory of resistance and lamented death and exile, the latter to the USA, where many of the surviving United Irish had gone (“across the Atlantic foam“). Davis’ In Bodenstown’s Churchyard, commemorated and celebrated Theobald Wolfe Tone, remembered as the father of Irish Republicanism and martyr.

Portrait of Thomas Davis (Sourced on: Internet)

Three years after co-founding The Nation, Thomas Davis died of scarlet fever in 1845, a few months short of his 31st birthday. Two years later, in “Black ‘47”, the worst year of the Great Hunger, the Young Irelanders finally and formally split from O’Connell’s Repeal Movement and in 1848 had their ill-fated and short uprising – again jail and exile for the leaders followed. Just under a score of years later, 1867 saw the tardy and unsuccessful rising of the Fenians with again, resultant jail sentences and exile (in addition to the executions of the Manchester Martyrs).

Two years following the rising of the Young Irelanders, in 1850 Arthur M. Forrester was born near Manchester in Salford, England (the “Dirty Old Town” of Ewan McColl) and in 1869 his stirring words of The Felons of Our Land appeared in Songs of a Rising Nation and other poetry (Felons reprinted by Kearney Brothers in a 1922 collection including songs by Thomas Davis). Songs of a Rising Nation was a collection published by the militant and resourceful Ellen Forrester from Clones, Co. Monaghan, who struggled to raise her children after the early death of her husband and included poems by her son Arthur and daughter Cathy.

Felons of Our Land indeed contains some of the themes of Who Fears to Speak (of which Arthur was doubtless aware) but in addition those of jail and death on the scaffold. By that time, the Young Irelanders had been added to the imprisoned and exiled, some in escape to the USA but others to penal colony in the Australias. And Forester added the theme of pride in our political prisoners:

A felon’s cap’s the noblest crown

an Irish head can wear.

and

We love them yet, we can’t forget

the felons of our land.

Twenty years after the publication of The Felons of Our Land, in 1889, another Irishman, Jim Connell, writing in SE London, would contribute the lyrics of the anthem of the working class in Britain, The Red Flag. Although commonly sung to the air of a German Christmas carol, Connell himself put it to the the traditional Jacobite air of The White Cockade. Connell, from Crossakiel in Co. Meath, also invoked historical memory and included the theme of martyrdom in explanation of the flag’s colour:

The workers’ flag is deepest red —

it shrouded oft’ our martyrs dead,

And ‘ere their limbs grew stiff and cold

their life’s blood dyed its every fold.

Jim Connell (Sourced on: Internet)

The traditions and themes of resistance and struggle are handed from generation to generation and song is one of the vehicles of that transmission. But songwriters borrow themes not just from history but from the very songs of the singers and songwriters before them. In 1869 Arthur M. Forrester wrote in Who Fears to Speak of ‘98:

Let cowards mock and tyrants frown

ah, little do we care ….

Jim Connell, three decades later, took up not only the themes but also that line:

Let cowards mock and traitors sneer,

we’ll keep the red flag flying here.

End.

APPENDIX

References in lyrics to themes

of exile:

In Who Fears to Speak of ‘98 (1843)

Some on a far-off distant land

their weary hearts have laid

And by the stranger’s heedless hands

their lonely graves were made.

But though their clay

be far away

Across the Atlantic foam …

In The Felons of Our Land (1869)

…We’ll drink a toast

to comrades far away …

and

…. or flee, outlawed and banned

In The Red Flag (1889)

None.

of imprisonment:

In Who Fears to Speak of ‘98 (1843)

None.

In The Felons of Our Land (1869)

(Apart from the title and refrain)

… though they sleep in dungeons deep

and

Some in the convict’s dreary cell

have found a living tomb

And some unseen unfriended fell

within the dungeon’s gloom …

also

A felon’s cap’s the noblest crown

an Irish head can wear……

In The Red Flag (1889)

Come dungeons dark or gallows grim ….

of martyred death:

In Who Fears to Speak of ‘98 (1843)

Alas that might should conquer right,

they fell and passed away …..

In The Felons of Our Land (1869)

….. Some on the scaffold proudly died …

In The Red Flag (1889)

….. their life’s blood dyed its every fold ….

and

….. to bear it onward til we fall;

Come dungeons dark or gallows grim,

this song shall be our parting hymn.

of cowards and/ or traitors:

In Who Fears to Speak of ‘98 (1843)

Who fears to speak of ‘98,

who blushes at the name?

When cowards mock the patriot’s fate,

who hangs his head for shame?

He’s all a knave or half a slave

Who slights his country thus …

In The Felons of Our Land (1869)

…. And brothers say, shall we, today,

unmoved like cowards stand,While traitors shame and foes defame,

the Felons of our Land.

and

Let cowards mock and tyrants frown,

In The Red Flag (1889)

. ..Though cowards flinch and traitors sneer (repeated in the chorus, sung six times)

and

It suits today the weak and base,
Whose minds are fixed on pelf and place
To cringe before the rich man’s frown,
And haul the sacred emblem down.

of the higher moral fibre of revolutionaries:

In Who Fears to Speak of ‘98 (1843)

Repeated reference in every verse to such as

a true man, like you man and you men, be true men etc.

Alas that Might should conquer Right ….

In The Felons of Our Land (1869)

… No nation on earth can boast of braver hearts than they ….

also

And every Gael in Inishfail,

who scorns the serf’s vile brand,

From Lee to Boyne would gladly join

the felons of our land.

In The Red Flag (1889)

The banner bright, the symbol plain,
Of human right and human gain.

and

With heads uncovered swear we all
To bear it onward till we fall;
Come dungeons dark or gallows grim,
This song shall be our parting hymn.

of eventual victory:

In Who Fears to Speak of ‘98 (1843)

… a fiery blaze that nothing can withstand …

In The Felons of Our Land (1869)

None – but inferred.

In The Red Flag (1889)

It well recalls the triumphs past,
It gives the hope of peace at last;
The banner bright, the symbol plain,
Of human right and human gain.

SOURCES AND REFERENCES

John Kells Ingram: https://en.wikipedia.org/wiki/John_Kells_Ingram

https://www.britannica.com/biography/John-Kells-Ingram

Arthur Forrester: https://www.irishtimes.com/opinion/the-felons-ofour-land-frank-mcnally-on-the-various-lives-of-a-republican-ballad-1.4185803

Ellen Forrester https: https://en.wikipedia.org/wiki/Ellen_Forrester

Lyrics Felons of Our Land: https://www.workersliberty.org/story/2010/10/12/felons-our-land

Jim Connell and The Red Flag: https://www.historyireland.com/20th-century-contemporary-history/jim-connell-and-the-red-flag/

Monument to Daniel O’Connell in Dublin’s main street, now named after him. (Photo sourced: Wikipedia)

GOVERNMENT SLAUGHTER IN COLOMBIA

Diarmuid Breatnach

(Reading time main text: 5 mins.)

For months the Duque government in Colombia has been unleashing violent repression on its people, in particular those who organise or participate in protests. The statistics are frightening, which is what they are intended to be: 40 dead, hundreds injured (some with loss of an eye), nearly 170 “disappeared”. Yet the people continue to protest.

What all this has exposed is that Colombia, despite its support by western states, has no democracy and that its vaunted “peace process”, like all others elsewhere before it or since, has had nothing to do with peace but everything to do with pacification. Unlike many in other parts of the world however, its acceptance by the FARC was the prelude to intensified State repression, with assassinations of leaders and activists of popular democratic movements. Also exposed is the lie that Colombia and the USA are truly involved in a “War on Drugs”, a commodity the sale of in which most of the political class of Colombia are involved and the profits in which the financial institutions in Colombia and much of the world are active in laundering.

Meanwhile, the people are subjected to economic squeeze, they protest, they are shot, beaten, tortured, raped, disappear ….

This police victim survived but many did not (Photo source: Gearóid Ó Loingsigh)

In two weeks of protests, statistics from the Defensoria del Pueblo (a kind of Ombudsman), listed 42 dead and 168 reported “disappeared”; of the dead, 41 were civilians and one was a member of the State security forces. A 17-year-old female demonstrator was reportedly sexually abused by four police officers and took her own life afterwards. Protesters burned the station where it happened but the officers themselves remain at large.

Protestors burning the station where police officers sexually violated a 17-year-old demonstrator who took her own life afterwards.

WHO KILLED VILLA?

Lucas Villa Vasquez, an iconic figure in the peaceful demonstrations, dancing and carrying out acrobatic acts, was shot during the General Strike, was declared brain dead in hospital and had his life-support system turned off, his heart stopping finally on 11th of May. Andrés Felipe Castaño, a 17-year-old youth shot on the same day underwent two operations before he could come off the critical list.

Who killed Villa? Not Duque, the President wanted people to believe as he sent a message of condolence to Villa’s family, the first personal condolence he has offered since the demonstrations – and the killing – began, except for the one police officer killed so far. Not the Police, their Director General, Major General Jorge Luis Vargas Valencia insisted, insisting his force is working hard to find the culprits and that a reward for information has risen to 100 million pesos1 for information. But people who know how these things work are only in doubt about one question: was it the police themselves who killed Villa and nearly killed Andrés Felipe, or was it one of the State-sponsored fascist gangs (which have strong links with the police and army)?

Dilan Cruz, murdered by police two years ago, is remembered on demonstrations where people are still being killed. (Photo source: Gearóid Ó Loingsigh)

Villa has joined over 40 martyrs known to have been killed by the forces of the State; since their names are known only to their families or smaller political and social circles, Villa’s name stands for them all. As did Dilan Cruz before him, shot at close range to the head by a “non-lethal” beanbag in October 2019. And what of the nearly 170 disappeared? Are some of them already dumped into pits or rivers? Others in prison cells, awaiting their next session with the torturers? Or in the case of female prisoners, awaiting their next incident of violation?

Man in blue top and white trousers dancing in some clips was Lucas Villa Vasquez

Two Latin American league soccer matches in Colombia were affected on Wednesday: Visitors from Argentina’s River Plate team had their warm-up in Barranquilla abandoned for awhile due to the volume of police tear gas drifting in from outside and loud bangs could be heard also. That was a Copa Libertadores game and another, between Atletico Nacional and Nacional of Uruguay in Pereira was delayed by an hour due to protests there.

The South American Football Confederation (CONMEBOL) moved matches from Colombia to Paraguay and Ecuador last week to ensure the protests did not affect games but the Copa America is due to be held in Colombia and Argentina next month with Colombia hosting 15 games including the final of the world’s oldest international tournament. The title match is due to be held in Barranquilla on July 10.

SUSTAINABLE SOLIDARITY” WITH WHOM?

Part of the reason for the protests in the first place was the proposed tax reform by another name: Sustainable Solidarity Law. The Duque Government plans by this system to collect 23 billions in Colombian pesos (US$ 6,300 millions) by extending its tax base, to avoid any further increase in the country’s international risk qualification, to institutionalise the basic income level and build a fund to comply with its environmental protection targets.

Well, ok, but who is going to pay this tax-by-another name? According to the Minister of Finance himself, Alberto Carrasquilla, 73% is to be contributed by ordinary citizens and the rest by the companies.

Art in active resistance

In addition, the law proposes to apply the collection of Value Added Tax, which in Colombia is up to 19%, to basic consumer products such as public services (water, electricity and gas), funeral services, electronic items such as computers and other services that have been exempt until now.

Add to that ongoing State repression in the countryside, the number of unemployed nationally rising to 4.1 million as a result of the pandemic and the country was ready to take to the streets. But not ready for the repression of the demonstrators that followed.

Riot Policeman aims weapon at point-blank range at unarmed demonstrators in Colombia. Whether tear-gas canister or stun grenade launcher, at this range it would almost certainly kill but if not, partial or full blindness would be likely along with permanent brain damage. (Photo source: Internet)

President Duque asked the Colombian Parliament to withdraw the new tax reform which they did but the people are on their feet now, as they say there; now they have martyrs too on top of the issues they already had.

WHAT CAN BE DONE?

It is up to the people of Colombia, the workers, civil servants, small business people, indigenous – to free themselves. None else can do it. But we owe them solidarity, just as we in turn have claimed solidarity (and will claim again) from others. It is difficult at the moment to see how our solidarity can express itself in much more than symbolic form, such as pickets, demonstrations, articles and memes on social media. But even those have more than a moral effect, for the Colombian Embassy staff here have as part of their duties to collect information on how the regime in Colombia is viewed in Ireland and to report that to their bosses at home. And since the Colombian ruling class needs to do business around the world ….

Recent small Colombian solidarity picket protest outside the Colombian Embassy in Dublin.

The Colombian masses also need to know that they do not stand alone, that others are watching, applauding them, cursing their enemies, mourning their martyrs.

We can also assist by continuing our efforts against another faraway enemy of democracy, the main instigator and protector of reaction, repression and oppression around the world, and main external supporter of the Colombian regime, trainer of its repressive forces – the ruling class of the United States of America.

Solidaridad con el pueblo Colombiano! Dlúthpháirtíocht le poball na Colóime!

Banner slogan: “The Tax Reform means Hunger and Misery for the people.” (Photo source: Gearóid Ó Loingsigh)

End.

USEFUL SOURCES

Officially-accepted statistics some days ago: https://www.facebook.com/waykaperu/photos/a.586123314805406/4058327907584912/

TV news report on the general strike, general protests against killing by government forces; mothers and grandmothers of murdered protesters demonstrate against “Public Order” forces; Duque tries to present concern and gives a concession to students at a certain level: https://www.youtube.com/watch?v=Xz8ed0hS6OQ

Amnesty International complaint (English version, despite title): https://www.amnesty.org/en/latest/news/2021/05/colombia-preocupan-las-denuncias-de-desapariciones-y-violencia-sexual-contra-manifestantes/

Tear gas drifting on to inter-Latin American soccer game: https://edition.cnn.com/2021/05/13/football/copa-libertadores-players-affected-tear-gas-colombia-spt-intl/index.html

Reasons for the wave of protests: https://www.bbc.com/mundo/noticias-america-latina-56932013

War on Drugs (Plan Colombia) – spraying of glyphosphate: https://www.sciencemag.org/news/2020/06/pandemic-upends-colombia-s-controversial-drug-war-plan-resume-aerial-spraying

Plan Colombia is not working (2016): https://www.bbc.com/news/world-latin-america-35491504

1 €22,185.95

Dawdling in Dalkey & Dún Laoire

Diarmuid Breatnach

(Reading time text: 5 mins.)

Farewell, sweet Dublin’s hills and braes
To Killiney’s Hill and silvery seas,
Where many’s the fine long summer’s day
We loitered hours of joy away.

(The lyrics I see have “silvery streams” whereas I somehow learned “silvery seas” but in any case the latter lines seem more appropriate to me).

Near Killiney is Dalkey in south County Dublin and above both is Killiney Hill, a mostly public hilly woodland with some great views of the Mediterranean-like bay below. Dalkey might be a Viking translation of an Irish place-name, Deilg-Inis, meaning “Thorn Island”. Of course it is just possible too that the Irish translated the Viking name but not likely. The Vikings were here of course, a place of small coves between their towns of Wicklow and Dyflin.

VIEWS FROM THE HILL

Dalkey Island (Deilg Inis) in the distance from Killiney Hill, gorse (furze – aiteann) in bloom in the foreground (Photo: D. Breatnach)
Closer view, showing the Martello Tower in the centre of the island. Ireland has a number of these, built to give warning of Napoleonic invasion or raid on the UK (in which all of Ireland was at the time). (Photo: D.Breatnach)
A view from a somewhat different point, showing also a strange stone tor to the left (which I don’t recall from before) and the stone underneath me of which much of the Hill is made. On a hot day in late summer in my teens, I heard small pistol-like shots erupting over the hillside — the pods of the gorse were exploding and shooting out their seeds. (Photo: D.Breatnach)

The path and slope up to the woodland and hilltop. For a few weeks I used to meet lads from the ‘Noggin (Sallynoggin) and we’d go hunting rabbits with our dogs, through common and private land, up to Killiney Hill (where the dogs always claimed they could smell rabbits but all we could see was their shit), then down to the sea and encourage the dogs to go for a swim to clean them. And throw in the ones who declined. Of course, they got their revenge shake-drying themselves all over us. (Photo: D.Breatnach)
A great view of the bay from the path, the pronounced peak of the Sugarloaf in the distance. County Wicklow begins just a little down below to the right. (Photo: D.Breatnach)

It’s now I must bid a long adieu
To Wicklow and its beauties, too
…..

Not the Mediterranean, Killiney in south County Dublin and the rest of the coast line on towards Wicklow: Bray, Greystones and beyond, seen from the open space at the top of Killiney Hill. The obelisk at the summit was behind me as I took the photo. (Photo: D.Breatnach)

IN THE WOODLAND

The woodland is above the path beyond where a stone wall runs along part of it and the woodland continue curving around the northern slope of the Hill. Here one takes the left fork to follow the tarmacadamed bath with steps at intervals. One winter I mitched (truanted) school up here for a few weeks in a little “camp” we had made of branches and we cooked potatoes and fried bread over a managed fire. It was cold, though. Had to face the music eventually of course ….

This tree is just tensing before it takes off running! (Photo: D.Breatnach)
Hard to say whether the steep downward path here was carved out by rain streams or whether the excess rain just flows down here off the path, widening an existing fault or dip. (Photo: D.Breatnach)
The top of the steep path/ rainwater runoff channel, with a tree growing rampant at the lip of the slope. (Photo: D.Breatnach)
On the way down the other side of Killiney Hill, a view westward towards where the Dublin Hills run southward into the Wicklow Mountains. (Photo: D.Breatnach)
“Thus Daedelus flew” says the inscription on the bronze statue on the way down, which I do not recall from boyhood, nor the cafe it is facing. (Photo: D.Breatnach)

DÚN LAOIRE — THE WEST PIER

Dún Laoire Harbour was surveyed by a team led by Lieutenant Bligh, before he set off in command of the Bounty, where he fell foul of Fletcher Christian and a mutiny. Bligh might not have been a great people manager but he was an excellent seaman — he navigated a launch 3,500 nautical miles (6,500 km; 4,000 mi) to safety, leading his 18 loyal crew members.

Both piers of the harbour are built from granite quarried from the side of the Killiney Hill next to Dalkey and from the top of Killiney Hill itself, so that it is now lower than it was before. A lot of the Hill is also limestone, the most common stone in Ireland (and indeed in Europe) and that has been quarried too, for road and house-building.

As a boy and teenager I spent hours fishing from the West Pier, losing more weights and line than I caught fish. One time I fished the incoming tide, the outgoing tide and the incoming tide again (a full tide cycle takes a little over 12 hours). Beyond the level crossing at the start of the West Pier is where it is thought the original Irish fishing village was, where there was a small inlet, the only storm shelter for boats between Dublin river-mouth and Wicklow, someone told me once. About 100 meters south-eastward along the harbour there is a plaque marking some stones believed to be all that remains of King Laoghaire’s fort, which is what the name of the place means in Irish.

Common Tern, one of a mated pair, perched on the pier’s edge. These normally nest in sand-dunes and that type of terrain on the coast, so not sure what they were doing here. They have very forked tails and hover before diving into the water to catch small fish or sprats. Wherever they were diving I would expect to find mackerel below, forcing the sprats up to the surface to catch them there. Terns dive at people or animals approaching near their nests and can be quite disconcerting even is one is not stabbed by a beak, which is said to occur on occasion. (Photo: D.Breatnach)

The East Pier is the one that decades ago had deckchairs for hire by day and a bandstand where brass bands would play in the evening, a place where many like to promenade still today. The ship from Britain was alighted here, or boarded with the next stop being Holyhead (Caergybi) in Wales, to catch the train to other cities or all the way to London, which I did myself at 19 years of age, like many before and after me.

But after the English colonist town of “Kingstown” grew up around the constructed harbour, the Young Irelander captives were sent to prisoner exile in Tasmania; Queen Victoria came through here on her two visits to Ireland; most of the troops brought in to suppress the 1916 Rising came in here too. Some of those, the Sherwood Foresters, had little idea of the slaughter that was awaiting them at Mount Street Bridge from much less than a score of Irish Volunteers, without even a machine-gun between them but extremely well-placed. Blind, arrogant British officers persisted in sending their men in waves against the insurgent positions, although there were much safer ways to reach the Dublin city centre, since only about one-third of expected insurgent forces were in the field, due to confusions and countermanding; 240 dead or wounded was the toll they paid to pass.

Grey Heron (Corr éisc) on top of the wall at the end of the West Pier — first time I have ever seen one there. He wasn’t too worried about me but was keeping an eye on a couple of dogs wandering around below. (Photo: D.Breatnach)

REFERENCES:

The Emigrant’s Farewell song lyrics: https://www.norbeck.nu/abc/lyrics.asp?rhythm=song&ref=109

MAYDAY DUBLIN – PICKET ON KPMG — GARDA HARASSMENT AND ARRESTS

Clive Sulish

(Reading time: 5 mins.)

A cross-section of mostly independent activists from across the Communist, Republican and Anarchist continuum held a small march today to celebrate May 1st, International Workers’ Day. All wearing masks against spreading the virus and marching from the north city centre to the south, they held a momentary picket outside the HQ of the KPMG financial group which has carried out evictions of people from their homes as well as raids on Debenham’s stores to inventory stock, led by Gardaí attacking Debenham workers’ pickets and their supporters. At the close of the march the participants were surrounded by a large force of Gardaí and all had their names and addresses recorded under Covid19 legislation while a number were arrested and others were threatened with arrest under the Public Order Act.

May 1st was agreed as the international day of the working class after the police massacre of demonstrators in Chicago in 1886 on a demonstration for the 8-hour day and the subsequent framing of anarchists leading to the judicial martyrdom of five activists.

Gathering outside the Garden of Remembrance (Photo: R.Breeze)

Just after noon today the march set off in two columns from outside the Garden of Remembrance and proceeded down O’Connell Street (Dublin’s main street). The leading banner recalled that on Liberty Hall prior to the 1916 Rising: “We serve neither King nor Kaiser but Ireland”. Many of the marchers were young and led by a banner with a red flag showing the design of the hammer and sickle, followed by a number of Fianna Éireann flags (orange sunburst on a blue field) and Starry Ploughs (gold ursa mayor and plough on a green field) of the Irish Citizen Army. There were also some other red flags and flags of Antifascist, Cumann na mBan flag (name in peach with brown rifle on a blue background), “Irish Republic”, the Irish Tricolour and the Starry Plough (ursa mayor in white on a blue background).

“WE ONLY WANT THE EARTH”

Initially a lone voice on the march sang verses of James Connolly’s satirical song Be Moderate1 to the air of Davis’ A Nation Once Again with other voices joining in on the chorus:

We only want the Earth,

We only want the Earth

And our demands most moderate are:

We only want the Earth!

View of marchers being addressed across the road from the GPO, Dublin city centre (in the far distance, figure with arms raised is part of the Larkin monument). (Photo: R.Breeze)
Placards and two of the flags outside the GPO in Dublin city centre (Photo: R.Breeze)
Beside James Connolly Monument (to the left, out of shot; the HQ of Ireland’s biggest union SIPTU is visible to the right). Gardaí may be seen gathering also plainclothes ‘Special Branch’ officer turned away (dark jacket, blue jeans). (Photo: R.Breeze)

The marchers gathered briefly outside the GPO, where a couple of speakers addressed them before re-forming to march again, turning into Abbey Street and gathering again at the James Connolly monument in Beresford Place, where they were briefly addressed again, then marching on past the Bus Áras and across the river, a heavy screen of Gardaí between the marchers and Custom House Quay, where a far-Right “May Day” rally has been advertised by the Irish Yellow Vests2, opportunistically and hypocritically using the image of Martin Luther King!

The Mayday marchers proceeded to Pearse Street, around by Trinity College and into Grafton Street. There were a number of shouts and slogans, including:

Happy May 1st, International Workers’ Day! Up the workers!

The workers, united, will never be defeated!

Whose streets? Our streets! Whose history? Our history!

When under attack, stand up, fight back!

Housing for need, not for profit! Housing for all, not for profit!

There were also a number of slogans shouted against the two main Coalition parties, Fine Gael and Fianna Fáil, who were accused of being robbers. A number of shouts also pointed out that the workers are the creators of all wealth.

Proceeding along the west side of Stephens’ Green, a voice called out that this area had been held under the Irish Citizen Army in 1916 and called attention to the marks of bullet impact on the exterior of the College of Surgeons building. In Harcourt Street the march turned into Stokes Place and, as the security guard at the barrier challenged them with “Excuse me!” a marcher replied: “You’re excused!” Outside the KPMG building the marchers paused briefly before leaving again and retracing their steps, folding up their banner and rolling up flags.

Inside the complex where the KPMG has their Dublin HQ. (Photo: R.Breeze)

GARDA HARASSMENT, THREATS AND ARRESTS

At the bottom of Grafton Street the leading group of marchers, all flags and banner now folded, turned left into Dame Street prior to dispersing and were there halted by a large group of Gardaí with a number of Garda vans and cars in attendance.

Garda officers proceeded to harass the marchers, asking them their purpose in being in the city, requiring replies under Covid19 regulations, along with names, addresses and dates of birth. When a man shouted “Shame on you! Shame!” at the Gardaí as they were arresting a young man, a Sergeant threatened him with arrest under the Public Order Act. “For what?” asked the man, denying that he had used threatening or abusive words, the Garda insisting he had and cautioning him.

Some of the Gardaí harassing marchers in Dame Street (Photo: R.Breeze)
More Gardaí harassing May Day marchers at end of march in Dame Street (Photo: R.Breeze)
Some of the Garda vehicles used in harassment of the May Day marchers at the end of their march in Dame Street (Photo: R.Breeze)

Four Gardaí were around another marcher accusing him of having an offensive weapon (a pair of scissors to cut the cable ties on the groups’ flags!). When another marcher pointed out to them that they were just using excuses to harass the marchers and asked were they going to do the same to the Irish Yellow Vest crowd on Custom House Quay, he too was threatened for using “threatening and abusive words” and ordered to disperse.

It is believed that three were arrested but difficult to confirm due to Gardaí ordering others to disperse under threat of further arrests.

Two of the bicycle Gardaí who were keeping tabs on the marchers, seen here in Dame Street, looking back towards the concentration of Gardaí harrassing May Day marchers. (Photo: R.Breeze)

DEMOCRATIC RIGHT TO PROTEST AND PICKET UNDER ATTACK

Despite Covid19 legislation under Level Five forbidding non-essential work, last week KPMG employees entered Debenham’s stores in cities of the Irish state while Gardaí forcibly removed Debenham workers and supporters’ pickets.

On Thursday this week, taxi drivers in Dublin were intimidated by Gardaí from holding a protest although they would have been isolated within their taxis and perforce practicing social distancing. According to information given in the Dáil by some TDs (members of the Irish Parliament), the taxi drivers were threatened with hefty fines and impact upon their license renewals (a department of the Gardaí manages the verification and renewal of taxi drivers’ licenses).

Yet all throughout the Level Five restrictions, Far-Right groups have held marches and rallies protesting against the Lockdown, without wearing masks or practicing social distancing, without enduring Garda threats and without mass taking of names and addresses. It remains to be seen what action if any the Gardaí took or will be taking on Custom House Quay today3. What the charges against the May Day marchers arrested today might be remain to be seen too and how long they are (or were) detained.

The Garda actions against legitimate and peaceful protests and pickets seem to harbinger more attacks on rights to protest as the Gombeen capitalist class and their government endeavour to make the workers pay for the financial cost of the Covid19 crisis and ‘recovery’.

End.

FOOTNOTES

1One of the songs published in Connolly’s songbook “Songs of Freedom” in 1907 in New York.

2A Far-Right organisation led by an Islamophobe that has joined with openly fascist organisations in the past.

3According to reports received, in Dublin Gardaí prevented the IYV entering on to Custom House Quay and moved them on a number of times after that. However in Cork the Gardaí facilitated the Far-Right (around 350, according to the Irish Times) in holding a march and rally in which they were addressed bty former Aontú Councillor Anne McCloskey from Derry (despite travel restrictions) and Dolores Cahill, 2nd-in-command of the fascist Irish Freedom Party. Cahill has been withdrawn by UCD from her lecture course after petition by 133 students and debunking of her theories but is still receiving her salary from the institution. On St. Patrick’s Day she told a rally the wearing of masks would mean that children would “never reach their IQ and job potential because their brains are starved of oxygen,” adding that the reason “globalists” are “putting down the masks” is due to the fact “oxygen-deprived people are easier to manipulate”. McCloskey told the crowd in Cork that people were dying of other illnesses untreated because the authorities wanted to to ascribe the deaths to the “mild” Covid19 virus so their freedom could be restricted. She said that people should take off their masks and embrace.

SOURCES

Origins of International Workers’ Day: https://libcom.org/history/1886-haymarket-martyrs-mayday

Debenhams pickets attacked by Gardaí: https://www.irishtimes.com/news/social-affairs/former-debenhams-workers-in-shock-after-removal-from-picket-1.4546092

https://www.dublinlive.ie/news/dublin-news/ex-debenhams-workers-forcibly-removed-20305262

https://www.limerickleader.ie/news/home/625500/gardai-intervene-following-protest-outside-former-limerick-store.html

Taxi protest stopped by Gardaí: https://www.thejournal.ie/taxi-driver-protest-called-off-5423729-Apr2021/

FASCIST REPRESSION IN GALIZA

Argimiro Rodriquez


(Translated by D.Breatnach; la versión en castellano al fondo)


(Reading time: 8 mins.)


To this day, many people, both from the Spanish state and foreigners, believe that Franco’s repression only occurred in areas where the coup failed and war followed. But this is not the case for in areas such as Galicia (1), the Canary Islands, Castilla y Leon, Ceuta, Melilla, where the coup d’état triumphed in just a few days, the repression was equally brutal.

Photo of the executions taken from a distance by a Guardia Civil
Photo montage of original photo of the executions in 1936 and the memorial monument there today.

I am going to expose the events that occurred in my Galician homeland, which is what I know best. There was not a single battle there, so that some historians say that there was no war in Galicia; there are also those who think that the majority of Galicians were Francoists because Franco was born in Galicia. This is another myth, which is refuted by the fact that on June 28, 1936 its Statute of Autonomy was voted and approved by a large majority with almost one million votes in favor of the Statute. One of the main promoters of the Statute was Daniel Castelao, father of the Galician nation, writer, politician, draftsman, painter, etc., who was luckily in Madrid presenting this Statute in the courts, which is how he was able to save his life. The other was Alexandre Bóveda, shot in A Caeira, Pontevedra, on August 15, 1936, which is why every August 15th we Galicians commemorate the day of the GALIZA MARTIR, in memory of all the acts of repression.

“The fascist ‘stroll'” (Daniel Castelao) [The Falange, who carried out many of the non-judicial killings, would round up people and say “We’re going for a stroll.”- DB]
“That will teach them to have ideas” (Daniel Castelao)


The reason why the coup triumphed in Galicia has nothing to do with the Galicians supporting the coup but rather that in Galicia, as in many of the communities where the coup triumphed, it had more to do with the four civil Governors: Francisco Pérez Carballo, Gonzalo Acosta Pan, Ramón Garcia Nuñez and Gonzalo Martín March, who decided not to hand over arms to the people. They thought that the coup was not going to take place, or that in any case it would be easily controlled. They were very mistaken and they paid for it with their lives, because the Francoists, despite this, shot them. I should highlight here also the story of Juana Capdevielle, wife of the civil Governor of A Coruña, who was raped, shot and her breasts torn off. (2)

“All for Country, Religion and Family” (Daniel Castelao)


The repression that I know best about occurred in my city, A Coruña, where in a place near the Tower of Hercules, called Campo De La Rata, about 700 people were shot and thrown into the sea and where veritable mass meetings of fascists were convened to attend the shootings. Here is told the sad story of the brothers known as “La Lejia”, because their father had a bleach factory (3); of these brothers it is told that Bebel de la Lejia was a player of Deportivo de A Coruña (4) and a socialist, like his four brothers — when he went to be shot he lowered his pants and urinated on his murderers. Pepin de la Lejia was the only one of the brothers who managed to escape, he did so on a fishing boat to Asturias where he joined the Republican army and in the subsequent bombardment he lost a leg but managed to escape to France and from there into exile in Argentina. There is a beautiful song that tells his story. (5)

GUERRILLA ORGANISATION IN GALICIA POST-ANTIFASCIST WAR


In Galicia, one of the first guerrilla resistance organisations was also formed, the guerrilla army, part of the Leon-Galicia Guerrilla Federation and formed mostly by refugees who fled to the mountains, people who simply hid in the mountains but that the Communist Party managed to turn into a guerrilla organisation, one of the most numerous in the state, in order to deliver economic blows to the landowners or to carry out sabotage on the Tungsten mines, a mineral that was sold by the Francoists to the Nazis to make cannons for tanks. The guerrilla organisation ended up being abandoned by the Allies who recognized the Franco regime, but even so the last guerrillero was shot in 1968, a Galician they called “O Piloto”. The best known was Benigno Perez Andrade, known as “Foucellas”, an avid fan of the DEPOR, who went every Sunday in disguise to the stadium to see Deportivo A Coruña after which he posted the tickets to the civil Government.


We should also note that of the last five officially shot by the Franco regime (6,) two were Galicians: Xose Humberto Baena and Jose Luis Sanchez Bravo, both members of the FRAP (Frente Revolucionario Antifascista y Patriota) tried in a farce of a trial in which the Defence lawyers were even threatened beforehand by pistols aimed at them and all the evidence presented by the Defence was denied.

PLUNDER BY FRANCO AND FAMILY

And to conclude, I cannot end on the Francoist repression in Galicia, without mentioning something very recent that only occurred a few months ago, when the Department of Justice recognised that the State was the legitimate owner of the Pazo de Meiras (pazo in Galician means “palace”) which was literally usurped, stolen, etc by a series of Francoist characters to give to Franco, supposedly as a gift from the Galician people. The reality was that they created a kind of revolutionary tax (and I know this because my mother is from the same town where the pazo is located), in which whoever did not give money to buy the pazo for the Dictator was called “a Red”, which we all know entailed imprisonment and one could even be shot. After much struggle, there was success in getting the Justice Department to return the pazo to the State, originally without any compensation but the Dictator’s family appealed and once again the Court declared that the State had to pay one million euros, allegedly for a series of repairs they had made. However this has been appealed again by the State and in addition there is another series of processes underway, for other properties confiscated by the Franco family, such as the Casa Cornide, various statues of the Santiago Cathedral, several medieval baptismal fonts of many other churches etc.
End.

“They killed her son” (Daniel Castelao)
“Final lesson from the schoolteacher” (Daniel Castelao). [Non-fascist teachers, as intellectuals, were high on the list for execution by fascists – DB]
“They could not be buried in consecrated ground”. (Daniel Castelao)


FOOTNOTES

  1. Galicia is a nation of Celtic origin with a coast on the north-west of the Spanish state but speaking a Romance language very similar to Portuguese. It is bordered by Asturias (another Celtic nation) and Castilla y León to the east, Portugal to the south and otherwise the Atlantic Ocean. It is recognised as a historic nationality by the Spanish State and is governed as one of the “autonomous communities”.
  2. “According to Carlos Fernández Santander, at least 4,200 people were killed either extrajudicially or after summary trials, among them republicans, communists, Galician nationalists, socialists and anarchists. Victims included the civil governors of all four Galician provinces; Juana Capdevielle, the wife of the governor of A Coruña; mayors such as Ánxel Casal of Santiago de Compostela, of the Partido Galeguista; prominent socialists such as Jaime Quintanilla in Ferrol and Emilio Martínez Garrido in Vigo; Popular Front deputies Antonio Bilbatúa, José Miñones Díaz Villamil, Ignacio Seoane, and former deputy Heraclio Botana); soldiers who had not joined the rebellion, such as Generals Rogelio Caridad Pita and Enrique Salcedo Molinuevoa and Admiral Antonio Azarola; and the founders of the PG,Alexandre Bóveda and Victor Casas as well as other professionals akin to republicans and nationalists, such as the journalist Manuel Lustres Rivas or physician Luis Poza Pastrana (Wikipedia).
  3. “Lejia” is “bleach” in the Castillian (Spanish) language.
  4. Real Club Deportivo de La Coruña (‘Royal Sporting Club of La Coruña’), commonly known as Deportivo La Coruña, Deportivo or simply Dépor, is a professional soccer club based in the city of A Coruña, Galicia, in the Spanish state. They currently play in the third tier of the League in the Spanish state. Founded in 1906 as Club Deportivo Sala Calvet by Juan Parra Rois, the Blue and Whites were a regular in top positions in La Liga for some 20 years, from 1991 to 2010, finishing in the top half of the table in 16 out of 19 seasons, and are 12th in the all time La Liga table. As a result, the club was a regular participant in European competitions, playing in the UEFA Champions League five seasons in a row, reaching the quarterfinals twice and reaching the semi-finals in the 2003-04 season (Wikipedia).
  5. https: //youtu.be/ywhOfjNEuZY
  6. The other FRAP member was Ramón García Sanz; also executed on the same day 27th September 1975 were two ETA members, Ángel Otaegi and Juan Txiki Paredes Manot.

SOURCES, ADDITIONAL MATERIAL


Galician Statute of Autonomy: https://es.m.wikipedia.org/
Wiping out of the Republican authorities in Galiza: https://documentalismomemorialistayrepublicano.wordpress.com/2018/02/23/el-exterminio-de-autoridades-republicanas-en-galicia-por-fascistas/
Murders of the “Lejia” brothers: https://youtu.be/93VlSccyLxE
FRAP & ETA trial and executions: https://youtu.be/ha4SJMgVdvU
Franco plunder ownership challenge: https: //www.lavanguardia.

LA REPRESIÓN FRANQUISTA EN GALIZA

Argimiro Rodriquez

A dia de hoy, mucha gente, tanto del estado español, como extranjeros, creen que la represión franquista sólo se dio en las zonas en donde el golpe de estado fracasó, esto no es asi, zonas como Galicia, Canarias, Castilla y Leon, Ceuta, Melilla, donde el golpe de estado triunfó en apenas unos pocos dias, la represión fue igualmente brutal, yo voy a exponer, los hechos que ocurrieron, en mi patria gallega, que es lo que más conozco, donde no hubo ni una sola batalla , tanto es asi que algunos historiadores dicen que en Galicia no hubo guerra , también hay quienes piensan que la mayoría de gallegos eran franquistas porque Franco nació en Galicia, es otro mito, que no es real.

Para demostrar esto decir que Galicia , el 28 de junio de 1936 voto y aprobó su estatuto de autonomia ( https://es.m.wikipedia.org/ ) por una amplia mayoria con casi un millón de votos a favor del estatuto, cuyos principales impulsores fueron Daniel Castelao, padre de la Patria gallega , escritor, politico, dibujante, pintor etc . , quien por suerte se encontraba en Madrid presentando este estatuto en las cortes, por eso pudo salvar su vida, y Alexandre Bóveda, fusilado en A Caeira , Pontevedra , el 15 de Agosto de 1936, por eso todos los 15 de Agosto los gallegos conmemoramos el dia de GALIZA MARTIR, en homenaje a todos los represaliados . Coleccion de cuadros pintados por Castelao sobre la represión en Galicia https://youtu.be/ljyuasmr9iY  

El motivo por el que el golpe triunfó en Galicia , no tiene nada que ver con que los gallegos apoyaran el golpe, si no que en Galicia, como en muchas de las comunidades donde triunfó el golpe tiene más que ver con que los 4 gobernadores civiles : Francisco Pérez Carballo, Gonzalo Acosta Pan,  Ramón Garcia Nuñez y Gonzalo Martín March , decidieron no entregar armas al pueblo , pensaban ellos que el golpe no se iba a producir, o que en todo caso , seria facilmente controlado, estaban muy equivocados e incluso lo pagaron con sus vidas, porque los franquistas, pese a esto, los fusilaron : https:// , destacar aqui tambien la historia de Juana Capdevielle, mujer del Gobernador civil de A Coruña , a quien violaron, fusilaron y arrancaron los pechos.

La represión que mas conozco ocurrió en mi ciudad, A Coruña, donde en un lugar próximo a la Torre de Hercules , llamado el CAMPO DE LA RATA, se fusilaron y arrojaron al mar a cerca de 700 personas y donde se organizaban autenticas multitudinarias reuniones de fascistas para asistir a los fusilamientos. Aqui contar la triste  historia de los hermanos conocidos como de LA LEJIA , porque su padre tenia una fábrica de lejia, de estos hermanos contar que BEBEL DE LA LEJIA , era jugador del DEPORTIVO DE A CORUÑA y socialista , como sus 4 hermanos , cuando iba a ser fusilado se bajó los pantalones y orinó a sus asesinos : https://youtu.be/93VlSccyLxE Pepin de la Lejia fue el unico de los hermanos que consiguió escapar, lo hizo en un barco pesquero hasta Asturias donde se enroló en el ejercito republicano y en bombardeo perdió una pierna , pero consiguió escapar a Francia y exiliarse en Argentina , esta es una linda canción que cuenta su historia :https://youtu.be/ywhOfjNEuZY

En Galicia también se constituyó una de las primeras formaciónes guerrillera de resistencia, el exercito guerrilleiro, integrado en la Federación de guerrillas Leon-Galicia y formado en su mayoria por huidos al monte, personas que simplemente se escondieron en el monte , pero que el partido Comunista logró convertir en guerrilla, una de las mas numerosas del estado, con el fin de llevar acabo golpes economicos a los terratenientes o de realizar sabotajes a las minas de Wolframio, mineral que era vendido por los franquistas  a los nazis para fabricar cañones para tanques. La guerrilla acabó al verse abandonados por los aliados que reconocieron al regimen de Franco, pero aun asi el ultimo guerrillero fue un gallego al que llamaban O PILOTO, fusilado en 1968. El más conocido fue BENIGNO PEREZ ANDRADE, conocido como FOUCELLAS , reconocido seguidor del DEPOR , que iba todos los Domingos al estadio a ver al DEPORTIVO A CORUÑA , disfrazado y luego enviaba las entradas al gobierno civil por correo

También comentar que de los últimos 5 fusilados por el franquismo, 2  eran gallegos :Xose Humberto Baena y Jose Luis Sanchez Bravo , ambos militantes del FRAP ( Frente Revolucionario Antifascista y Patriota ) juzgados con una farsa de juicio en el que incluso encañonaron en la previa a los abogados defensores con pistolas y fueron denegadas todas las pruebas presentadas por la defensa

Y para acabar, no puedo terminar sobre la represion franquista en Galicia, sin mencionar algo muy reciente que tan sólo hace pocos meses cuando la justicia reconocia que el estado era el legitimo propietario del Pazo de Meiras ( pazo en gallego significa palacio ) que fue literalmente usurpado, robado , etc por una serie de tipos franquistas para regalarselo a Franco, supuestamente como un regalo del pueblo gallego a los Franco , cuando la realidad fue que crearon una especie de impuesto revolucionario, y esto lo sé porque mi madre es del mismo pueblo donde esta el pazo , en el que quien no daba dinero para comprarle el pazo al dictador , se le llamaba rojo, lo que todos sabemos que conllevaba prision y hasta podia ser fusilado. Despues de mucho luchar, se consiguió que la justicia devolviera el pazo al estado, en un principio, sin ninguna indemnizacion, pero la familia del dictador recurrió, y otra vez la justicia declaró que el estado debia de pagar 1 millon de euros , ellos alegan por una serie de reparaciones que hicieron, pero esto ha vuelto a ser recurrido por el estado , al margen de que hay en marcha otra serie de procesos , por otras propiedades confiscadas por los Franco , como la Casa Cornide, diversas estatuas de la catedral de Santiago, varias pilas bautismales medievales de otras tantas iglesias etc: https://www.lavanguardia.

FIN.