Lina Jiménez Numpaque: Victim in the Andino Case Frame-up

Interview of framed ex-prisoner awaiting trial by Gearóid Ó Loingsigh

(Reading time: 8 mins.)

(28/02/2021)

In June 2017 a bomb exploded in the Centro Andino shopping centre in the north of Bogotá, Colombia, cutting down three people. A few days later the police arrested ten youths for their supposed participation in the attack, amongst them Lina Jiménez, an arts student, whose photo went viral. These youths all had something in common and it wasn’t their participation in the attack but rather that they were all friends.

We all met in the university, as we studied together. Some of us studied Law, Politics and others Sociology. I met some of them in optional classes were we coincided. We had a common position on the defence of human rights and the student movement, we met in one or other coffee shops, assemblies that took place in various parts of the university.

Friends to the point that six of them were arrested together a few days after the attack whilst on holidays in the El Espinal area. The precise moment she was arrested was the first time that Lina became aware that the Prosecutor had issued an arrest warrant for her.

I was on holiday in El Espinal and we were going to meet up in a spa resort. In El Espinal there are some festivals for Saint John’s and Saint Peter’s day and that is why we were there and I was in a taxi when various cars surrounded us and stopped us. Then they took me out of the car and officers from the Special Operations Group (GOES) and the Judicial Investigative Police (SIJIN) read out the arrest warrant. They never showed it to me or read me my rights.

It wasn’t just any order. The weaker the State’s case the more need it has to make it appear solid and to show the dangerousness of the detainees.

We were taken to the main police station in El Espinal. There were loads of them, all those that took part in the operation. Later on, one of the police officers who was guarding us said that they had around 1,200 officers involved in our capture in El Espinal. It was basically full of police officers.

Lina Jimenez during interview (Photo credit: Gearóid Ó Loingsigh)

We don’t know whether the figure of 1,200 officers is correct or not, but there is no doubt it was an enormous operation. I asked her jokingly whether such a disproportionate and unnecessary deployment made her feel important. She laughed and said no

That didn’t make me feel important, what made me feel important was the flight, as they brought us in a plane from El Espinal to Bogotá. They took us to the police station, searched us, took our prints and whatnot. They never said it was for terrorism. I was told it was for conspiracy, we were only told it was for terrorism when we got to Bogotá- They took us out of the station well guarded with motorbikes, cars, loads of officers and they took us from Flandes airport to Catam [Military Airport].

As Lina herself acknowledges such an operation was a bad omen for any detainee, even when innocent. When they took her to the airport she knew nothing good could come of it, that the State was going all out against her and would do everything possible to show results in the case and they charged her with terrorism, conspiracy, homicide and attempted homicide with a possible sentence of 60 years.

When we were being taken to the airport in Flandes, I said to myself, this thing is not so that they invalidate our arrest. If they are setting up such an operation to get some people on holidays, they are definitely not going to let us go. Regardless of whether we did it or not, these people are going to convict us. To see how they organised the truth, leaves you feeling powerless.

In fact, later she found out when she could read the press that they had already convicted her, that both state functionaries and the press had declared that the guilty ones had been captured. They published identikit pictures of some of those arrested that matched them so neatly they seemed to be photos, but they did not match the statements from the witnesses. The identikit photos had been prepared days before the attack.

Little did Lina know when she was arrested the legally doubtful manoeuvres the State would resort to, re-arresting her three times in contravention of court orders to free her. The State sought out judges in their pocket to legalise what was illegal and to justify her re-arrest and even open up another slightly different case against her. Amongst the manoeuvres of state was the harassment of the relatives and attempts made to force them to give information or testify against other detainees.

The strategy did not work when it came to the relatives, but one of the detainees, Natalia Trujillo, could not withstand captivity and the pressure on her and handed herself over to the State, reaching an agreement with the Prosecutor which consisted in her not serving any time in exchange for her false testimony against her friends and fellow students. It was a potentially serious blow in the legal case, but it was also a hard knock in personal terms. You could understand bitterness in a case like this, but when Lina speaks of her former cell mate, there is no trace in her voice, but rather of pain and also an understanding of how a person could break like that.

You feel enormous hurt, you just don’t expect that to happen, especially as we went through this process together, together we experienced what was happening, together we felt the same pressure from the State and what happened to her is sort of like that. We all have different ways of dealing psychologically with this type of severe pressure. It is no secret that the State seeks to weave its own truth and as part of doing so it resorts to these type of situations, to push people to their physical and psychological limits that they end up saying things that are not true. It was really hurtful.

Natalia suffered the legal process for more than two years, but in August 2019 she turned up testifying against Lina and other people linked to the case.

As I said, we don’t all have the same capacity and I can’t say that I didn’t feel pain nor exhaustion during all of this process, because it was really severe and there are days you just don’t want to move an inch. I believe in the power of love and I really believe that solidarity also picks you up and saves you from many things. When you are down the other person picks you up and you pick them up, there are series of bonds which are built and that pushes you forward, but we don’t all have the same capacity to say ‘right I can take a little more of this’.

Perhaps, Lina was stronger and she showed that in a photo that went viral. She is seen with her hands tied behind her back leaning in towards a journalist, seething and shouting. I asked her about that photo, as in person she is nothing like that, but an arrest is not a normal situation for anyone.

We were in the station in Puente Aranda and it has to be said that it is a horrible place. It was a complicated situation, we had nowhere to sleep. I hadn’t a clue about the hearing to legalise our arrest, that was explained to me the next day and we were heavily guarded. We left Puente Aranda in an armoured car with police vehicles surrounding it. We got there and the armoured car took a while in getting us out. When I got there I saw relatives and some friends crying, I could see their deep pain in the midst of all the rage and impotence and they were very quiet. I felt the need to say it wasn’t true, that this was about something else.

Of course, they had told me ‘You’re to keep your mouth shut’ and in that moment I felt I couldn’t let this go… You feel a rage for your own life, but also seeing your family subjected to such complex situations, that the police push them around. We were walking and there was a lot of press there and we were guarded by the police and they didn’t want us to talk. So as soon as I got down out of the armoured car I started shouting that this was a judicial false positive that this had got to do with electoral interests at the time, that is was part of the Uribista strategy. I started shouting that and that photo was taken when I was going up the stairs and a journalist from City TV came up to me and I was really upset as whilst I was shouting a policeman tried to push back the journalists and he shouted at me ‘shut up, shut up, don’t say anything!’ Obviously that was like winding me up more. Looking back on it, it would have been very different had we remained silent.

And that is certainly the case. In the entire process none of those arrested bowed their heads, they have even appeared in videos from the jail, some have written articles and others were even spokespersons for prisoners in prison protests. Unjustly detained, but not defeated.

All prisons try to crush the individual, to break them, to take away their dignity, their sense of being alive. Colombia’s prisons are no different in this matter and in fact various problems such as overcrowding and poor health and educational services make the situation worse still. Being a political prisoner can be dangerous, but when the numbers allow for it, being part of a prisoners’ collective has its advantages. Lina was taken to the Good Shepherd Prison (Buen Pastor) in Bogotá and following her processing she was placed in the political prisoners’ wing.

It is very interesting, because when we got there, the last political prisoners of the FARC were beginning to leave, we were eight days in the police station and they put the fear of God into us, that ‘you are just posh kids and in the Good Shepherd prison they are going to rob you and attack you.’

But when we go to Wing Six, the political prisoners really surprised us, they had cleaned our cells, clean sheets, everything was organised, they had hot soup, coffee, toilet paper and other things. There were around 34 prisoners from the FARC and the ELN. After a while the FARC prisoners were released and social prisoners began to arrive and it was very different. As it was a high security wing, people connected to the drugs trade began to be put in it. There was a complete change in the atmosphere as their money could be seen, they paid for whiskey to be brought in, which when the political prisoners where there, that didn’t happen. When the social prisoners came, it was different, a huge change.

Although states usually try to treat political prisoners as common criminals, they are not and it can be seen in how they organise in prison and how they relate to the prison authorities. And to form part of a collective had, as Lina saw when she arrived, certain advantages for own safety and well being.

The prisoners had outside support and they reported things, the guards called Wing Six the wing for the complaints as we were always reporting to the Procurator, the Public Defender’s Office etc. The Director consulted the prisoners about how to do certain things. Meetings were held with the Director. This didn’t happen on other wings; they didn’t take the prisoners’ views into account. The political prisoners won a space, these were not concessions from the prison authorities, but rather they were won through protests and even hunger strikes over the years.

7 killed in Colombia protests against police brutality - Weekly Voice
Colombian riot police attack a demonstrator (Photo sourced: Internet)

But it is not just people like Lina who suffer the effects of judicial frame-ups, but also their families, especially when they are accused of a crime such as the attack on the Centro Andino. The State harasses the relatives and tries to put pressure on them as part of its legal strategy.

There is an enormous pressure put on our families as well as the social stigma. In my case, when I was captured, they were raiding my home at the same time and it was severe as I live on a main avenue and they closed the entire avenue off, there were armoured cars, and at least ten anti-explosives vehicles and a huge number of police officers and everyone was asking, what happened? And since my release, they haven’t stopped following me and taking photos and there is a permanent presence of plainclothes cops.

To her, the case and other processes against other students are state strategies to defeat the social movement and hand down exemplary sentences as a warning to all those who think differently and want to change the country. The legal cases try to break grassroots processes and the detainees themselves. In her case, it didn’t work that well.

To see the misery of this system in the flesh makes you understand and treat this space as another space for political struggle. In the legal process itself and the prison, you see the system so cruelly unmasked because this can only be done by people who have no respect for life, for humanity, for nothing. You feel you have to continue struggling for what you believe in, for life. This system has been in crisis for a long time and I left the prison and we are in a pandemic, we face a very complicated situation which is not far removed from the logic of the system. In this system there are humans who are in the top category and then there are those who are not in any category. And my position and that of my friends in the case, is the type of position that has to be hidden out of view and that is the role of the prison.

You see the State’s aim take shape, to continue suppressing and depleting the movement because, amongst other things that is one of the tools in creating the idea that there has to be an exemplary punishment that has to be handed down and it seeks out the tools to rob people of their humanity.

Although Lina and the others unjustly arrested for the Andino Case are at liberty, the legal case against them continues. It is to be hoped that the judges make a finding in law, as has already happened in the case of Mateo Gutiérrez who was also accused of belonging to the same organisation that supposedly carried out the attack and he managed to demonstrate and prove his innocence. But in Colombia justice limps along and sometimes never gets there.

end.

Photo credit: Gearóid Ó Loingsigh

DREAMS of BURGLARY, COUSINS, and a CUBAN AUTHOR

Diarmuid Breatnach

          I awoke from a dream, unsettled.

          I and another man had been burgling a building, one which I later recognised as bearing a resemblance in part to a place in which I had once worked. My dreams are often located in scenarios reminiscent of my working life but usually they are of the industrial period, factories, vast or small and dilapidated. The building in my dream was in part from a later period and the office space was reminiscent of a hostel for the homeless in London, where my job had been that of the Deputy Manager.

That hostel had been of course in 24-hour operation, with staff on rota throughout all those hours but, in the dream, it was open only during the day (like some facilities for the homeless whose management have the confidence to tell those who run 24-hour operations how they should manage their establishments and whom they should not exclude).

In the first scene I remember I was in an alley outside the target building and my accomplice appears to have been inside already. The building’s doorway was near the mouth of the alley, which opened on to a main road. I shrank back into the doorway as someone left a nearby building, either at the corner or just around it, calling out something to whoever he was leaving behind. Then the door was opened by my accomplice and I stepped inside.

Having closed the door, I saw that somehow he was already in the office while I was in the entry passageway. Looking at him through the glass of the reception office, I saw he had the safe open already but was awkwardly keeping the office door open with an outstretched foot. He beckoned me in with an impatient gesture.

Entering the office, I kept the door open while he emptied the safe of money. I knew that if the door was allowed to close it would set off an alarm (yes, I know, crazy and why did we not just wedge it open?).

Soon, I was further down the corridor and opening up another safe and taking out bundles of currency notes. Closing the safe, since our intention was to delay discovery of the theft, I brought the money up to the reception office. Now, at this late stage, I began to worry about concealed video recording cameras and drew a scarf partly across my face.  I mentioned my fear to my accomplice, who commented that if CCTV cameras were installed, they already had our faces so why worry?

Of course, that was not very reassuring. I began to regret the whole operation.

“So what do you want to do?” he asked.

“I know what I feel like doing,” I replied. “I feel like leaving the money here and leaving. But I am not sure what I really want to do.”

“Leave the money, after all we’ve gone through to get in here?”

“I know, I know. OK, let’s just finish the job.”

“Just keep denying it and they can’t prove anything,” he replied and that is about when I awoke.

***   ***  ***

(Image source: Internet)

As noted earlier, I felt very unsettled by the dream and could not get back to sleep – so I switched on the bedside lamp to read awhile, a novel by a Cuban writer called Leonardo Padura.

Sometime later, I switched off the light and was soon back asleep. And dreaming again.

***   ***  ***

There is only one scene from that dream I remember: a plain room, perhaps a kitchen, a rectangular table, at my long side of which one woman sits on a chair, another on the other side and yet another on the short side, both also on chairs. There is another chair in front of me, empty, into which I am ushering a youngish and tall man I know to be my Irish cousin.

The woman to my left might be my mother but if so, much younger than matches my adult age. The other woman nearest is to my right, sitting back somewhat from the short side of the table and is in her early to mid-twenties. On the opposite side of the table to me, is a somewhat older woman who appears to be in her thirties. Again improbably, I think she is the mother of the younger woman.

I seat the young man on the empty chair and then go to the youngest woman, whom I now know to be a cousin also. She bends towards the older woman and whispers something to her but I take her by the elbow and steer her towards my male cousin, reflecting while doing so that maybe I should have done this the other way around.

As I reach him, I say to my male cousin that “I wish to introduce the delectable S—-” (I am uncertain about the exact adjective I used but it was something like that).

I think they shook hands and then she sat down again.

***   ***  ***

The mobile alarm woke me but I was tired, so reset it for another hour and was soon asleep. And dreaming again.

The scene this time was similar to that of an Asian buffet in Moore Street, Dublin, that I frequent from time to time. But the man behind the counter was Latin American, not Asian. I asked him about the Mexican Bay Tree – were its leaves used for flavouring as with the bay tree with which we are more familiar here in Ireland?

He seemed puzzled and asked me where I had heard about this tree.

I replied that it had been mentioned in a book by a Cuban author, Padura. He burst into scornful laughter and exclaimed something like “Ni vive, ni siquiera estuvo nunca ahi!” (“He neither lives nor was even ever there,” i.e in Cuba). And he called out in Spanish to another staff member of the restaurant.

I said then that I was not surprised, for Padura’s main character Conde comments quite negatively on the state of affairs in Cuba, which reflects badly on its management and I felt he could hardly continue doing so if he actually lived there.

The reset alarm went off and I awoke with the rapidly-fading memory of yet a fourth dream (now gone completely).

COMMENT

          I would have loved to take these dreams to my mother for analysis but she is dead a dozen years now. She followed the Jungean method and had done some amazing analyses of dreams for members of the family and also for some close acquaintances. Amazing, in terms of perceptiveness and apparent relevance to the individual concerned.

The basis of the Jungean system is to recognise that everything in a dream is from the subconscious, which speaks to the conscious mind in symbols. Therefore things, words and people dreamed of tend to be representing something else and people in particular, whether male or female, young or old, known or unknown to represent parts of one’s subconscious.  Carl Jung also spoke of archetypes, representations of events, figures and motifs which he believed all humans shared from the earliest beginning of the human race but which are also overlain with their own specific ethnic and period culture.

The Burglary

          So what would my mother have made of the burglary dream? She would of course consult the known archetypes but would also interrogate me about some of the dominant aspects, asking what they represented to me, personally.

What would she have made of the fact that the representation of my accomplice was an Irish “dissident” Republican known to me, along with my fear of discovery? The man could represent dissidence, disobedience of authority (in the conscious world of reality, both of State and of some party leaders) but also honesty, dedication, courage. And my fear? Maybe a real one, of danger from the repressive apparatus of the State. Nothing new there, however.

Then there was the reception office door that must not be closed!  I must be open to receive something?

The building in part represented a place in which I had worked once and had been treated very badly as an employee. In the course of my work there I had to take two separate grievances against my manager on the grounds of his impeding my professional development, in both of which I succeeded in gaining access to the steps I sought (training and practice). My manager had taken out two disciplinary procedures against me, both of which turned out to be unsuccessful but which naturally, caused me a lot of stress.

The background was that he had wanted another candidate to succeed in the interview procedure in which I had come highest and he had objected to the decision of the interviewing panel; subsequently they had announced that no-one had reached the required level. I sought feedback on this, seeking the scoring in my case and a senior manager ordered another round, this time with a union rep and an Equalities rep on the panel with the manager in question. Although, as I learned later, I had come highest again, due to the sitting manager’s insistence on another candidate, the panel recommended an isometric test to decide between the two top applicants and I had come out on top of that procedure too.

I was appointed to the post.

When I first met my manager-to-be some days later to discuss starting work at the hostel, he told me he had not been pleased with recruitment procedure. I replied that there were some aspects that had not pleased me either but that we had best leave all that behind us. It was subsequently clear that either he was unable to do that or did not wish to.

But a building in dream analysis often represents one’s own head or, more precisely, one’s brain ….

And stealing from it? I don’t know.

Ma! Are you there? Ma! Ma!

The Cousins

          The lack of detail apart from the figures in that dream is striking, forcing one to concentrate on the actors, without distraction.

In reality, on the Irish side of my antecedents, only one siblin of my father had children (six, five brothers and one sister, also just like ours). In the real world, my female cousin is actually named S— but although she might well be considered delectable, is not tall and fair-haired, as she was in my dream. And ALL my Irish cousins are siblings, which made the introduction of one Irish cousin to another ridiculous. In the real world, ridiculous yes – but in the world of symbolic representations?

There were three women in the dream and one male, other than myself. Two of the women played observing roles while the third seemed somewhat reluctant to be introduced to the male cousin. It seems to me that this represents a need for some female parts of my brain to come to greater ease with the male parts. The female represened is family, so is close but as a cousin, slightly distant; the mother figures, one very close (mother) and the other (aunt) slightly distant, observe rather benignly. The male cousin, willing to be introduced, would be a representation of a male part of myself.

The Cuban Author

           The book I had been reading was indeed by Padura and in reality I had been wondering about this “Mexican bay tree”, making a mental note to ask the Oracle (Google) about it. And I had wondered about Padura’s comments about Cuba (through his main character). Although I was sure Cuba was no paradise and had heard of a decline in revolutionary standards of the leadership and in society, I wondered whether a) things were as bad as Padura’s character Conde thinks and says and b) how or why Padura lives there if that’s how things are.

So, a straightforward carrying through of waking questions into a dream? Perhaps. But why would they be of such importance as to be dreamed about? It seems one should dig deeper.

The scene presented in the Asian buffet was familiar and yet exotic too, in the food on offer. Cuba is exotic to me as would be, I presume a Mexican bay tree, whatever that is. But the bay tree with which I am familiar has fragrant leaves and I use it often in cooking.

And that’s as far as I can get.

Ma! Are you there? Ma! Ma!

End.

Mexican Bay Tree
(Photo source: Internet)

POSTSCRIPT

According to Wikipedia

Leonardo de la Caridad Padura Fuentes (born on October 10th, 1955) is a Cuban novelist and journalist. As of 2007, he is one of Cuba’s best-known writers internationally. In his native Spanish, as well as in English and some other languages, he is often referred to by the shorter form of his name, Leonardo Padura. He has written screenplays, two books of short stories, and a series of detective novels translated into 10 languages. In 2012, Padura was awarded the National Prize for Literature, Cuba’s national literary award and the most important award of its kind. In 2015, he was awarded thePremio Principe de Asturias de las Letras of Spain, one of the most important literary prizes in the Spanish-speaking world and usually considered as the Iberoamerican Nobel Prize.[1]

The reference, mostly about the writer, has some passages which are critical of the regime. And yes, Padura does live in Havana, Cuba.

According to one site, the Mexican Bay Tree (Litsea glaucescens) is an uncommon shrub:

A small, evergreen tree growing to 15-20 feet. Leaves are leathery and elongated in shape, growing up to 3″. They are distinct in having a blue-green coloration to their undersides. Flowers are small, white-green in color. Fruits are small, at most 1/2″ across and ripen to a deep purple-black. There are supposedly a handful of varieties or variants of this species, though minimal attention seems to be given to propagating select types.

According to Wikipedia,

It grows in the mountains, on the banks of rivers and is planted in the garden of houses. It is used as seasoning. It is in danger of extinction,[3][citation needed] because it has been used extensively for various uses, medicinal and culinary purposes even religious during the celebration of Palm Sunday. The species is one of the most important non-wood trees of Mexico. This species has been exploited for different purposes: religious,[2] dietary and medicinal, where the young branches and leaf tissues are used. This has resulted in a considerable exploitation in virtually all their range.

Of course, these aspects of the plant would have brought a whole lot of other aspects into the dream analysis, except that I didn’t know them then.

Or did I, subconsciously somehow …..?

A NIGHT ON THE TOWN

Diarmuid Breatnach

 

I wasn’t allowed out at night so, after my parents thought I’d gone to finish my homework and to bed, I went out the window. A younger brother asked to come too and I had to bring him along.

Ah! The pleasure, the joy, the freedom to be out on the streets at night – especially when it had been forbidden. I was wearing my new blue trainer shoes. They felt good. They looked good. I felt good.

We wandered on towards a street of brightly-lit shops, most of them still open. Around the corner we went – and walked into the tail-end of a robbery! It was a sports shoe shop and the robbers, young lads, were spilling out of the shop, bumped into me … and people were shouting. And then one of the bystanders or shop assistants pointed at me and shouted that I was one of the robbers!

Well, even if I could convince people I was not, when the cops questioned me, they’d at least take me home to confirm my address and check my parents. And I was not supposed to be out.

Getting out of there quick seemed like the only rational option.

As I ran, I cursed my new trainers as I heard my accuser shout: “Look, he’s even wearing a pair of the stolen trainers! The blue ones.”

I had to get out of the area and, if possible, change my shoes. How to do that? Nearby was a late-night school gym and that’s where I headed. Asking the brother to wait for me outside in the shrubbery, I ducked in.

I passed by some youth around my age in a corridor and got by them casually with not too many words. It surprised me that they were all black. I soon found a changing room with shoes and clothes scattered about – and no-one in there — great! There was even a pair of white trainers my size — my luck was in! But as I was changing into them, the door opened and a black kid walked in.

“Who’re you?” was his immediate question, eyeing me suspiciously.

“Marlon,” I replied, giving the first reply that came to my head. I was just thinking that was an unlikely name for a white boy and he might even think I was taking the piss out of current Afro-Caribbean youth names when he asked “Marlon who?”

And like some conditioned response, I replied “Brando”. My heart sank but I kept my face unconcerned. With any luck he only watched kung-fu and chain-saw massacre films.

His eyes narrowed. “That’s an actor’s name”. Damn! For a second I considered blagging it but knew it wouldn’t work.

“Yeah, sorry,” I replied, shrugging. “Just a joke.” And I gave him another name.

Just then, the door opened and a younger black kid looked in. I’d met him earlier, on the way in.

“Hi, Ian,” he said when he saw me. I’d probably told him my name was Ian Fleming. That wasn’t the problem, though; the real problem was that was not the name I’d just given tough guy, whose eves widened.

Young black kid had hardly closed the door and gone before tough black kid grabbed my arm, opened a door to another room and shoved me in there.

It was a toilet and looked like there was shit everywhere. And it was not in turds but in semi-liquid form, like an explosion – or more likely, several explosions – of severe diarrhoea. To say it was disgusting would so far below reality as to be a lie.

“It’s covered in shit,” I complained.

“So clean it up,” he replied, shut and locked the door.

The memory of what followed is all too clear to me but I’ll spare any of you the description. Suffice it to say that I cleaned it up, or most of it, dumping it in the pan and pumping the toilet flusher a number of times.

I had nearly finished when the door was unlocked and another black kid, this one in plastic apron, rubber boots and gloves, looked in on me.

“Done?” he enquired.

“Yeah,” I replied, washing my hands in the sink. “And it was truly disgusting.”

“You had it easy,” he replied. “You’d want to see the mountain of dog shit I’ve had to clear.”

He was wrong about that – I definitely did not want to see it. Right then I wished never to see shit again as long as I lived but it was just another of many wishes already in my short life that I knew would not be granted.

“Come along,” he said and beckoned.

He seemed friendly and anyway, what choice did I have? There was no other way out of that room.

He opened another door and I followed him into a compound of dog pens.

“Mamelukes” he said, showing me around.

“You mean Malemutes,” I began to say but trailed off when I saw them. There’s a lot of things I don’t know but I do know these were not malemutes – not even close. And Mamelukes were an Egyptian slave soldier caste. I don’t know what kind of breed these dogs were but they reminded me of that latest of accessory dog breeds, the shar pei. They had very short hair and wrinkled skin. But the pups were kind of grey-coloured and huge.

Despite my guide’s reassurance as he brought me into one pen, the pup was growling fiercely at me. Its mother (I presume) in the next pen, barked at the pup as if to say “Shut up, silly! Can’t you see this guy is a friend? He’s with our feeder and pen cleaner!”

Her head came up to the height of my chest. Even though she looked like she was friendly towards me, I was glad she was in the next pen, with a wire fence between us. Otherwise I would never have dared do what I did next.

Grabbing the pup around the muzzle so it couldn’t bite me, I flipped it on to its back and started scratching its stomach. The pup wriggled madly, at first in anger or fear, but then out of pleasure. When I let it up, dominance and pleasure-giving role established, it was all over me. Wagging its tail like mad, squirming, its wrinkles running up and down its loose skin. It was ugly, really but kind of appealing too.

My guide took me out of the pen and locked it but then, looking off to the side, exclaimed: “Oh no! One’s got out. It likes being chased and it’ll take me ages to catch it. Help me, please.”

I set off after him and we passed beyond the pens into a piece of undulating open ground where cabbages and other vegetables had been grown – some were still there, unharvested. In the distance, something was moving fast. Strangely, it looked like a head of cabbage.

I ran after the guy and caught up with him just in time to see the pup’s hind legs disappearing into a burrow.

“Quick, head it off at the other side,” he said.

The other side of the burrow was only a few steps away and emerging on to a ridge, where I took up station to block the pup. I heard and felt more than saw it coming and what flew out of the burrow at me was no pup or cabbage head but some kind of large flying insect. By reflex I reached out and grabbed it and some of its feet scratched my fingers. And then it was a bird.

It had been some time since I had taken any drugs and never the psychotropic kind but that was definitely a bird in my hand now. A pretty one too.

Next I remember I found the brother and we made our way home, me still with the bird quite placidly in my hand. And we walked into the house through the back garden and it was daylight and no-one was telling us off for being out all night.

We had some visitors I could see through the open door to the kitchen and it looked like my Ma and my younger sister had been having an argument. The visitors seemed quite shocked when the Sis said loudly: “I don’t give a shit!”.

My older brother walked past them munching something and gave me a sardonic lift of the eyebrow in passing. That was really weird – not so much the eyebrow but the fact that I don’t have an older brother – but it didn’t seem to bother me much at the time.

“Look at the bird I have!” I called to my sister.

A smile of malicious delight spread over her face. “Shove it up!” she shouted.

The visitors gasped.

The bird flew away.

And I woke up in my own bed.

End.

 

THE JACKEEN AND THE ACTRESS (a dream)

Diarmuid Breatnach

 

The festivities were being held in a small country town, probably in a hotel hired for the event – I’m not sure. I don’t even know what they were celebrating – their GAA team’s win? But that would be weird too, because I knew they weren’t from this town or county – I could tell that from the indulgent smiles of the locals passing in the street. Yes, at one point some of the gathering were in the street – I can’t remember why.

I was peripheral to the gathering – maybe a relative by marriage, someone’s partner (though I don’t remember being with anyone) or perhaps a visitor. But I was tolerepted – that’s more than tolerated but not the same as fully accepted. When the gathering turned to calling for singers and songs and I was prevailed upon to sing (which to be honest, didn’t take much prevailing), I could almost read the thought in the air afterwards: “That Jackeen can sing, all right.” And I was asked to sing again, which of course I did — maybe more than once.

I am pretty sure I wasn’t with anyone and I remember focusing at some point on a dark-haired woman whose eyes might’ve been blue, anywhere between thirty and fifty years of age, depending on genes and life-style and health but more likely the lower age of the range – and it definitely wasn’t makeup, of which she was wearing little.

We kind of clicked and were getting on well – she seemed intelligent and there was something definitely sexy about her but understated, like a strong current running underground. We became an item for a short while, obvious to people there but I don’t remember any intimate details – only a definite intimacy.

Then the scene somehow shifted and she got excited about the offer of a part in some production in the big city. I was glad for her, although it meant I was going to see less of her.

When I saw her next, it was in the big city, she and her male counterpart were still wearing the eye-masks and head-pieces from their performances, although in a public place, which was a little weird. They were laughing a lot … she was buzzing – they both were – and turned towards one another, me little more than an observer, though sitting at the same table.

For the next scene we were back at the gathering, which seemed to have moved on but little, and some of the women were tearing into her, verbally but at one point also physically; I’m not sure what about but part of it could have been about how she had treated me. I remember she got some clothes torn off her and marched past me (I had just arrived in the hotel lobby — or was it a big mansion now? — and caught the end of the altercation) ….. Yes, marched past me, tears taking a line of mascara down her face, wearing some kind of pink leotard with strips of outer clothing hanging off her …. Some of the women were jeering: “Look at her go, the great actress!”

Minutes later she stomped back past me again, her eyes flaring, head up and jaw jutting forward, heading back towards the women. “I’ll show them! I’ll show them!”

I watched her stomp past in that ridiculous pink leotard and fluttering strips of clothing and – you know what? Despite everything – I was mentally cheering her.

 

end

THE GANG, THE BOSS AND THE MICE

Diarmuid Breatnach

Around 6am I awoke, still half in the script and trying to figure a way to win through. But not for long, as I was driven stumbling by the urea imperative – I had to go to the toilet. In the hallway I switched on the light, still thinking about the situation I had been in and, turning into what I thought was the open doorway, immediately stubbed my toe and nearly my nose on the door. After suitable curses, I stood in front of the enamel directing the hose while I thought about the damned situation.

I had debts. And there was a gang …. or gangs … and I was kind of in one of them and the big boss was putting the squeeze on me. Now, in my other life, the waking one, I’ve never really been in a gang, not even in my teens, although that’s not to say I didn’t have anything to do with them. I did – running from them, hiding from them, sometimes fighting and (of course) getting beaten up by them.

My social class set, the lower middle class, didn’t have gangs. The working class had them and curiously, the upper middle class had them too. The Geldoff types (he was from my home town). And since I didn’t usually have money to go to dances and discos, the dangerous times in my hometown were mostly daytime. The Geldoff types hung out in the Bamboo café across the road from Murray’s record shop, where us gangless lower middle class hung out. And the working class had no café or record shop, just their areas – the ‘Noggin, York Road ….

They weren’t anything like the legendary Ringsend or Dolphin’s Barn, but they were tough enough in my book. Ringsend lads came to the Top Hat Ballroom in my hometown once to settle a score and chased the locals all the way up to the ‘Noggin and the Farm, over a mile away. Local folklore had it that as they queued up in Ringsend earlier that evening to get into taxis for the foray, old dockers had handed each youth a docker’s hook.

There were times when walking down the main street in Dún Laoghaire had felt like something out of High Noon or some other western film, when the hero doesn’t want to go out in the street, he knows death is waiting there – but he has to. In his case, it was duty or some kind of fatalism sending him out there. In my case, it was fear of isolation. I didn’t want to end up cut off from my contemporaries – the boys and, yes, especially the girls. Where they hung out, I would have to go. Of course death wasn’t waiting for me, unless it were accidental …. only a beating.

Anyway, I deviate. Which doesn’t make me a deviant, by the way ….. Anyway, back to the script.

One of the things I was being pressured about had to do with promoting the gang leader’s mice. Yes, mice. Don’t ask me – I didn’t write the script.

For some reason the boss’ mice needed to be distributed, to take over everywhere. And one of the places Big Al wanted his mice installed was in a closed down fairground. It was in my area, so of course Big Al thought it was my responsibility to do it.

Big Al, photo taken during one of his philosophical debates
Big Al, photo taken during one of his philosophical debates

The thing is, that abandoned fairground already had mice, as I tried to tell Big Al. I’d hardly ever actually seen one but you could hear them, rustling, scratching and sometimes squeaking as they fought.

Big Al wasn’t interested. Were they HIS mice?

Well, no ….

Well, didn’t I see the problem?

I nodded. I could see I had a problem and I’d have a worse one if I didn’t do as he wanted.

Big Al’s mice arrived next day delivered by motorbike courier, in a plastic bag. Yeah, I know … but remember — I’m not the script writer.

I took some of the mice out. They were sleek, strong, well-fed, pinky-white mice. I carried the bag to the empty fair ground and let some of them out, to see how they got on. They scurried eagerly down lots of holes and there was suddenly a lot of squeaking underground. Then silence.

After a while, one came back, mauled and bloody. I waited but no others arrived. I put the rest of Al’s mice on the ground so they could avenge their mates. I had no choice, unless I wanted to tell Big Al I had disobeyed his instructions.

Those mice knew what was waiting for them and not a single one went down any hole. They milled around above ground. Then they found an unopened can of beer left by some inebriated street drinker, bit through into it …. and proceeded to get really, really drunk.

Some of Al's mice before they discovered the beer can
Some of Al’s mice before they discovered the beer can

They were still drunk when Big Al dropped by to see how his mouse colonising was progressing.

“What the fuck is going on?” Big Al and his bodyguard were looking in amazement at his carousing, stumbling mice.

I told him what had happened. He shook his head, muttered something, shook his head again, then went off grumbling to get some more mice – maybe Super-mice, or Ninja Mice, or something.

I knew the drunken mice would be history. If a cat or a kestrel didn’t get them …. well, Big Al had a low tolerance for failure. I should have felt sorry for them …. and I kind of did … but also a kind of contempt. The fairground mice had lived a hard life, braving flood and ice, finding what food they could, breeding, tunneling, avoiding alley cats, kestrels …

Big Al’s mice had been fed high-protein diets, reared in secure environments, built up muscle, each probably outweighed the biggest fairground mouse by a couple of ounces. But those scruffy, lean, dirty mice had finished off the advance guard of Al’s mice in minutes. And the rest? Didn’t even have the courage to make a fight of it but went and got drunk instead!

I left them to it. Al would be back and he’d probably want to supervise the operation against the Fairground Mice himself. That was fine with me. I didn’t like the job and I secretly wished the native mice well.

Anyway, I had other problems to deal with. I still had to organise my area for Big Al’s other operations – or else. I didn’t know exactly what the “else” might be and truth to tell, I didn’t even want to think about it.

 

…………………………………………………………………………………………………………………………………………….

In the end, I couldn’t do it. I could fool myself that I could manage the area for Al in a more decent way than somebody else working for him …. maybe. But I would still have to become too much like Al himself to do it. So, one alternative only – get out, go on the run and hope Big Al or his goons couldn’t find me. I didn’t even know where I was going to go – just out.

In my benighted life, I had one bit of success.

I ducked into a shop and got to use their phone. That’s right, no mobiles – maybe this script was set in the 1980s …. Not that I remember seeing big hair, shoulder pads or baggy trousers …

Anyway, I phoned up the electric phone company and got to speak to the Area Manager about my bill …. yes, the actual Area Manager! I told him I was going out of business and after a little haggling he agreed to accept 20% of the bill in payment and to wipe the slate clean.

Then I phoned my cousin, also my best friend and told him I was getting out. He was disappointed in me. Really, really disappointed. I could imagine him shaking his head.

“What about community organisation, man?” he asked.

“I can’t do it, Mort. Big Al is too much to go up against.”

“I can’t believe it – and you from a long line of trade union organisers.”

That got to me because, in the script, it was true. My Da had been a union organiser most of his life. My Ma too. And one of my Grandas as well. Strikes, union meetings, pickets, marches, police stations and courthouses had been a part of my childhood, almost as much as school throughout the year and the seaside in summer.

In real life, of course, my Da had been many things but never a trade union organiser. Active trade union member, yes – organiser, no. And my Ma – well, maybe if there had been a Housewife’s Union …. she would have probably been the General Secretary.

Anyway, in the script, Mort shamed me. And talked some more. And I argued. And he put forward a plan.

For some reason, this plan, which of course required community organising, needed a public appeal by television. Mort said I should do it. I told him I couldn’t – I’d freeze on camera and anyway I was too closely involved. I begged him to nominate someone else. He thought for a little while.

“Ok, but you have to go with whoever I choose – no backing out.”

“Sure! Thanks!” I gulped, relief flooding me.

His next words ejected that relief right out again.

“Ask your Ma.”

After I recovered from the shock and hung up, I went to see Ma. This was Ma in the script and nothing like the Ma I had in the real life, the one who was born in the Basque Country and spoke English with a German accent, because her Da had been a German.

And this script Ma was easy-going, unruffled …. Still, she took some persuading before she agreed. And while she was getting ready for her TV appearance – having her hair done, rehearsing her appeal, buying new shoes (who was going to see her shoes on TV?!!) — I was down on the street in my area, doing the rounds, talking to shopkeepers, community workers, youth, pensioners ….

Of course, Big Al was going to get to hear what I was doing. But the gamble was that my Ma’s appeal would be broadcast before he could make his move …. and after that, it would be much more difficult for Big Al to demonstrate the full meaning of that “else” with which he had threatened me. And hopefully the community would start to solidify and be able to resist. Doing nasty things to me wouldn’t be that productive any more. And whatever else Big Al was, he was a pragmatist.

Yes, of course, there’s always the unpredictable emotional element ….

I was pondering that when something pulled me half out of the script.

It was around 6am and I was still half in the script and trying to figure a way to win through. But not for long, as I was driven stumbling from my bed by the urea imperative – I had to go to the toilet.

In the hallway I switched on the light, still thinking about the script I had been in and, turning into what I thought was the open doorway, immediately stubbed my toe and nearly my nose on the door. After suitable curses, I did the business in the toilet and thought about the events in the script.

Then I wondered whether I could somehow get hold of the scriptwriter and how I could make him pay for what he put me through.

Had I met him? No, never. How did I know he was male? I don’t know, but for some reason I was sure he was. Which is strange, because nobody in my life had ever fucked with my head the way some women had. But yes, he is male – I’m sure of it. Now, where could he be hanging out ….?

End.