MOORE STREET — A VISION (Part II)

MOORE STREET – A VISION

Part II

(Looking into the future, a couple of generations on)

 

Diarmuid Breatnach

 

THE GPO EVACUATION AND MOORE STREET LAST STAND

Our tour group gathered in the GPO for the Evacuation & Last Stand part of the tour; one can take this tour on its own or as part of longer tours. We said goodbye to Rónán, who handed us over to our Evacuation Guide, Pela.

Aerial view of Moore Street in the days when the speculators and supermarkets had only just begun to reduce it (Photo from Internet)
Aerial view of Moore Street in the days when the speculators and supermarkets had only just begun to reduce it (Photo from Internet)

Our tickets were checked and we were handed audio earphones, receivers and issued with our instructions – stay with the group, obey the instructions of the guide, etc.

Our group had about thirty people in it and ours had the only young children, although there were a few in their late teens.  About half or more looked like tourists and some asked for the foreign-language options of receivers.  There was one man in a wheelchair.

As instructed by the guide in a number of languages, we tested our receivers to find the volume settings appropriate for each individual. This took a bit longer for our two younger girls. Then our guide motioned for us to listen to our earphones … and the narration began. Gradually, we were pulled back across the decades until we were in that amazing Rising, taking place in what had once been considered the second city of the British Empire, rising up against that very same Empire, one of the largest the World had ever seen.

It was the fourth day of the Rising and many of the buildings in the city centre were ablaze. Through our earphones, against a backdrop of booming cannon and crashing shell, chattering machine guns, rifles’ crack and whining ricochet, we could hear the crackle of flames. Irish Volunteers’ voices reported that the glass in Clery’s building opposite had melted and was running across the street like water. The ledgers the Volunteers had placed in the GPO windows to protect against bullets were smouldering. Other voices added that despite fire-fighting efforts the roof was on fire and the roof lead melting. We could almost smell the smoke. Then finally, the order to evacuate given in an Edinburgh accent – James Connolly, the socialist commandant of the HQ of the Rising, the General Post Office.

In the hubbub of people getting ready to evacuate some voices stood out: Elizabeth O’Farrell, giving instructions about the moving of the injured James Connolly; calls to evacuate by the side door and caution about crossing Henry Street, with machine-gun sniper fire coming all the way down Talbot Street from the tower of the train station at Amiens Street.

A man’s voice in our earphones says “It’s lucky we have oul’ Nelson there to shield us some of the way!” and we hear a few people laugh.

Then, The O’Rahilly’s voice, calling for volunteers to charge the barricade at the top of Moore Street and a chorus of voices answering, clamouring to be chosen.

Now we are out in a group and crossing Henry Street. The man in the wheelchair, having politely declined offers to push his chair, is propelling his wheels strongly along with his leather-covered hands.  It is weird to see the pedestrian shoppers and sightseers of the Twenty-First Century as half our minds are back in the second decade of the Twentieth. Across this short stretch to Henry Place we went, the crack of rifles and chatter of machine guns louder now in our earphones. And explosions of shells and of combustibles. The garrison scurried across this gap carrying the wounded Connolly on a bed frame and Winifred Carney, carrying her typewriter and Webley pistol, interposed her body between Connolly and a possible bullet from the train station tower.

With the rest of our tour group, Sadhbh and I cross into into Henry Place, holding the kids’ hands, following the route of the evacuation. Immediately we stepped on the restored cobbles of the lane-way, the sounds of battle receded somewhat.

“No bullets can reach us here!” shouts a voice in our earphones.

“No, but bejaysus them artillery shells can!” replies another.

Other shouts a little ahead warn us that gunfire is being directed down what is now Moore Lane from a British barricade on the junction with Parnell Street.

The bullet-pocked "white house" in Henry Place, facing up Moore Lane
The bullet-pocked “white house” in Henry Place, facing up Moore Lane (Photo North Inner City Folklore Project)

A sudden shouted warning about a building ahead of us, to our left, facing Moore Lane.

“See the white house? The bastards are in there too,” shouts a strong Cork-accented voice, almost certainly the young Michael Collins. “Let’s root them out. Who’s with me?”

Another chorus of voices, a flurry of Mauser and Parabellum fire, then only the steady chatter of the machine gun up at the British barricade and the sound of bullets striking walls.

The Cork sing-song voice again. “I can’t believe it — The place was empty, like!”.

“Aye, it was so many bullet’s hoppin’ off the walls made us think the firing was coming from inside,” a voice says, in the accents of Ulster.

Then an unmistakably Dublin working class accent: “Would yez ever give us a hand with this!” followed by the creak and rattle of wheels on the cobblestones as the cart is dragged across the intersection. Now we can hear the machine gun bullets thudding into the cart. 

“Quick now, cross the gap!” comes the order and the dash across the gap begins. Nearly 300 men and women? Someone is bound to get hit and yes, they do and we hear that one of them died here.

British barricade at junction of Parnell Street and Moore Street, Easter week, 1916
British barricade on Bachelors Walk Easter week, 1916 and widely thought (including by me until shown otherwise by another history enthusiast) to have been at junction of Parnell Street and Moore Street (photo from Internet).  There were similar barricades at the junction with of Parnell Street with Moore Street and with what is now Moore Lane, fire from each from machine gun and rifles.

 

Across the gap, nowadays mercifully free of enemy fire but still feeling vulnerable, we follow Pela, our guide, to the corner with Moore Street. In character, she peers carefully around as we hear machine-gun and rifle here too, but Mausers and Parabellum as well as Lee-Enfields.

“Gor blimey!” exclaims a London accent, reminding us that some of the Volunteers had been brought up in England. “O’Rahilly’s lads are getting a pastin’. None of ’em made it as far as the barricade!”

An Irish voice: “Into these houses then – no other way! We have to get into cover to plan our next move.” This is followed by the sound of a door being hit and then splintering as they break into No.10, the first house on the famous 1916 Terrace.

“Careful now,” Elizabeth Farrell’s voice, followed by a groan of pain as Connolly is manoeuvred through the doorway.

Pela sends the man in the wheelchair up in the lift and leads us up the stairs. When the lift and the last of our group arrive we proceed across the restored upper floors from house to house, passing through holes in the walls, as the GPO Garrison did in 1916 – except that they had to break through the walls themselves, working in shifts. Through a few unshuttered windows, we can see the busy street market below us going about its business, apparently oblivious of our passage above them. But then, thousands of tour groups have gone through here over the decades. Through the double glazing one can just barely hear the street traders calling out their wares and prices.

We pass through those hallowed rooms, listening to ghosts. Here and there a hologram appears and speaks, echoes of the past. Dummies dressed in the uniforms of the Irish Citizen Army, the Irish Volunteers, Cumann na mBan, Na Fianna and Hibernian Rifles are on display here and there. Imitation Mausers and Parabellums and Martinis, each one carefully made and to the same weight as the original, are there. They are security-chained but we know people are free to pick them up and feel the weight, as Rory does, to imagine carrying and firing one. But not to be flash-photographed, which is not permitted here. Replica Cumann na mBan medical kits are on display, open so one could inspect the replica contents.  The houses also have period furniture, fireplaces, beds …. chamber pots …. kitchens with utensils … bedrooms …..  There are dummies dressed too in civilian clothes of the time typical of that area — women, men, children (even the dog that the last Volunteer to leave Moore St. fed).

We see magnified historical newspaper headlines, photos, badges and medals.  A map of Dublin with fighting locations flashing on them, some of them going out as they fall, the dates appearing above them to show when that happened.

Snatches of poetry, of song come to us as we cross from room to room, from house to house. And for our eyes, the holograms of the Proclamation, the portraits of the executed 16 and many others who fought and died or who survived, flags, the Tricolour, the Irish Republic, the green-and-gold Starry Plough, waving in the wind above Clery’s ….

Half-way along the terrace we come to the discussion between the leaders, creatively reconstructed on the basis of some witness statements.  Pearse wishing to surrender to avoid further loss of civilian life, Clarke arguing, a sob in his voice, Connolly saying maybe they should wait for Sean McLoughlin to get back (he is out reconnoitering a breakthrough route) ….  Then the arguments with some of the other Volunteers, Mac Diarmada having to use all his powers of persuasion.  Oh, such emotion in such short discussions!  Then the decision, and Elizabeth O’Farrell volunteering to go with the white flag to open negotiations with the enemy …. even though a couple and their child have already died beneath a white flag in that street.

Shortly afterwards, the faces of the sixteen executed come into view, suspended in the air in front and a little above us.  We stand there while passages are read out from their trials, letters from their condemned cells, words to relatives ….  Then the dates appear above them and we hear the fusillades as by one their faces blink out, until finally only Casement remains, the image of the gallows and then he too is gone.  All is dark for a moment, then all sixteen faces appear again, over a background of the three flags of the Rising, to a swelling chorus of The Soldiers’ Song, in English and in Irish.

At the end of the Terrace, we descend again and here view the O’Rahilly monument plaque and in our earphones hear the words of his final letter to his wife read out – he wrote it as he lay dying from a number of bullet wounds. I found my eyes moistening again as they had several times during the tour and some of the others were visibly crying – including foreign tourists.

The O'Rahilly Plaque in O'Rahilly Parade, at the north end of the Moore Street 1916 Terrace. It bears the words and script of his dying letter to his wife. (Photo D.Breatnach)
The O’Rahilly Plaque in O’Rahilly Parade, at the north end of the Moore Street 1916 Terrace. It bears the words and script of his dying letter to his wife. (Photo D.Breatnach)

The end of our tour lay ahead, through the underground tunnel under Parnell Street to the Rotunda. Here the Volunteers had been publicly launched and recruited in 1913 and here, in 1916, the GPO/ Moore Street garrison had been kept prisoners without food and water for two days, while G-Men of the DMP came down to identify whomsoever they could from among the prisoners.

Now the recordings in our earphones ask us to listen to the guide for a moment as she collects our earphones and receivers. Having gathered the sets and put them away in her bag, Pela asks us all to give a moment’s thoughts to the men and women and children of the centenary year of the Rising, 2016, who had fought to preserve this monument for future generations. Pela tells us that her own grandmother had been one of the activists.

Incredible though it may now seem, the whole terrace except for four houses had been about to be demolished to make way for a shopping centre, which would also have swallowed up the street market. It had taken a determined campaign and occupations of buildings with people prepared to face imprisonment to protect it for our generation and others to come. The State of those years had little interest in history and much in facilitating speculators. She invited us to applaud the campaigners, which we did, enthusiastically. She then asked us to turn around and view the building we had left. There was a plaque on the wall there “Dedicated to the memory of the men, women, girls and boys of 2016 ……”  In bronze bas-relief, it depicts the 16 houses with activists on the scaffolding erected by those who intended demolition, with a chain of people of all ages holding hands around the site and in one corner, a campaign table surrounded by people apparently signing a petition.

Once through the underpass and inside the Rotunda, the tour officially over, we thanked our guide and made for the Republican Café. Sadhb and I found we couldn’t say much, as our minds were half back in 1916. Rory was quiet too but Eva and ‘Brigie’ seemed unaffected, brightly debating what to choose from the menu in the Rotunda café, or what souvenir they fancied from those on display.

The Rotunda in the past, before it became incorporated into the Moore St. Historical Quarter and the Parnell Square Cultural Quarter.
The Rotunda in the past, before it became incorporated into the Moore St. Historical Quarter and the Parnell Square Cultural Quarter. (Photo D.Breatnach)

There’s a Moore Street and Dublin Street Traders’ Museum and there are films one can see all day in the Rotunda, often too lectures, reenactments, plays …. We’d had enough for one day, however – we were full. It was truly an unforgettable experience and I knew that for Sadhbh too and probably for Rory, it was something that would remain forever alive in our memories. The girls? Years from now, who knows ….. but they had certainly not been bored, anyway.

End.

THE MOORE STREET TERRACE — A WORLD HERITAGE SITE

Diarmuid Breatnach

The terrace of houses in Moore Street, No.s 10–25, in the Irish capital of Dublin, much in the news of late, is of great importance to the world and should be recognised as such by Irish people and internationally. The terrace is of great importance in terms of being

  • an urban WWI battlefield

  • of opposition to imperialist war

  • of the struggle of the working class

  • of women’s struggle for equality 

  • of the struggle of the world’s people against colonialism and

  • a surviving centuries-old European street market.

In this article I intend to develop this argument and these points.

In the closing days of Easter Week, in the cancelled and hurriedly rescheduled Easter Rising in Dublin, after five days of fighting, siege and a number of days of artillery bombardment, the garrison of the General Post Office, the Headquarters of the Rising, evacuated their burning building and occupied a terrace of sixteen houses in Moore Street. They broke into No.10 and tunneled from house to house up to No.25, until the whole of the terrace and back yards had been occupied.

Meanwhile, a charge of a dozen Volunteers on the British Army barricade at the northern end of that street, at the junction with Parnell Street, had failed to reach its objective; machine-gun fire had injured some and killed others. The leader of that charge, mortally wounded in a side-street, wrote a note to his wife as he lay dying there (the words are reproduced on a plaque in the laneway named after him: O’Rahilly Parade).

That history, and of it as a market in childhood memory, is what engages many people — perhaps most – of those campaigning for the preservation of that terrace of houses and of the thousands who support their efforts. But there are aspects of international importance to that 1916 Rising not usually alluded to and which deserve to be noted, celebrated and commemorated.

A RISING AGAINST WORLD WAR

James Connolly, the revolutionary socialist or communist and trade union leader, had been calling for an uprising for years and his public exhortations intensified with the onset of WWI. A section of the Irish Republican Brotherhood was also anxious to engineer an uprising during that War — “England’s difficulty is Ireland’s opportunity” was a well-known saying among Irish nationalists. But for Connolly, the issue was much more than that – the dispute between some capitalists about which of them would control the Earth’s resources and markets was sending millions to die, workers fighting workers in battlefields in which the instigators of the slaughter would never set foot. While millions died, those big capitalists would continue to make great profits, supplying armies with weapons, transport and equipment, fuel, clothing, food …..

A declaration of war against war -- banner on the old Liberty Hall, HQ of the Irish Transport & General Workers' Union. A parade of a section of the Irish Citizen Army is drawn up in front of it. (Photo from Internet)
A declaration of war against war — banner on the old Liberty Hall, HQ of the Irish Transport & General Workers’ Union. A parade of a section of the Irish Citizen Army is drawn up in front of it. (Photo from Internet)

A few years earlier, an international socialist conference had threatened revolution on their capitalist masters should they dare to start a world war. Indeed, some revolutionary socialists saw war as an opportunity to instigate socialist revolution. Unfortunately they were outnumbered by social democrats who, despite their earlier militant words, when it came to the crunch, lined up the workers of each country behind their capitalist masters against their own class brothers in other countries.

There were few socialist parties and prominent socialists that took the opposite stand but one of those who did was James Connolly. Among the other things that characterised the 1916 Rising was that it was the first significant uprising of the 20th Century against World War. The next uprisings of that kind would be the 1917 Revolutions of February and October in Russia, with another in Germany in 1918.

IRISHWOMEN”

The Proclamation of the insurgents in 1916 addressed itself to “Irishmen and Irishwomen”. Although not one of the seven signatories was a woman, there were a number of them prominent in the command structures of the Rising and in the preparations also. And also of course in the lower ranks during the Rising itself.

Constance Markievicz (nee Gore-Booth) of the ICA was, despite her planter family and quasi-aristocratic background, third-in-command of the Stephens Green/ College of Surgeons area. Kathleen Lynne, also of the ICA was Chief Medical Officer for the Dublin insurrectionary forces and third in command in the Dublin Castle/City Hall garrison. It was at the premises of Cumann na mBan founder member Jenny Wyse-Power, No.21 Henry Street, that the 1916 Proclamation was signed in secret a week before the Rising.

Constance Markievicz, Irish Citizen Army, second-in-command of the Stephen's Green/ College of Surgeons garrison
Constance Markievicz, Irish Citizen Army, second-in-command of the Stephen’s Green/ College of Surgeons garrison

Kathleen Clarke was de facto a member of the IRB, work and powers delegated to her on the eve of the Rising by her husband, Tom Clarke, one of the architects of the Rising and first of the seven signatories. Elizabeth O’Farrell was one of the Cumann na mBan nurses accompanying the men in the GPO and one of three to proceed to occupy Moore Street; she carried the short truce communications to the British and back to the leaders on the Rising surrender day, accompanied Pearse to the surrender point in Parnell Street and then carried Pearse’s and Connolly’s surrender instructions to a number of garrisons in Dublin. And Winifred Carney, James Connolly’s secretary, was in the GPO and later Moore Street with her typewriter and a Webley revolver.

Winifred Carney was the first woman into the GPO, accompanying Connolly and carrying a typewriter and a Webley revolver
Winifred Carney was the first woman into the GPO, accompanying Connolly and carrying a typewriter and a Webley revolver

It is difficult for us today perhaps to realise how progressive it was for any general public document 16 years into the 20th Century to address itself specifically to “Irishwomen”. No country in the whole world had given all its women the right to vote by 1916 although the suffragette movement was in full flow throughout most of Europe and in the European colonies. While it is true that New Zealand gave European women the right to vote as far back as 1893, it was for European settlers only and also linked to a reform movement against the sale and consumption of alcohol. Elsewhere in the world outside the colonial Antipodes and the Scandinavian democracies, the extension of the franchise to women did not seem close in 1916. Nevertheless, in Canada, women got the vote in 1917 – but again, women of European descent only. In Britain, women did not receive full rights to vote until 1928. Yet in a large part of the United Kingdom, a cross-section of people making a bid for independent nationhood, were ostensibly recognising women as citizens with equal voting rights as early as 1916.

Given the preponderance of males in all organisations of all shades of Republican and Nationalist outlook, the inclusion of women in the address had to have been agreed by the men in the top leadership. No doubt women, through their agitation for full franchise as well as by their active participation in so many facets of the movement, helped to convince the men. Connolly is often credited with responsibility for this inclusion but there is no reason to believe others among the signatories would not have taken that position themselves (although Kathleen Clarke did allege that one of those would not). Patrick Pearse had previously supported the vote for women and a number of men in the leadership had female partners who were active on that issue, as for example was Grace Gifford, Joseph Plunkett’s fiancee. The 1916 Proclamation was the first insurrectionary proclamation of the 20th Century (and almost first ever) to specifically include women in its address on a basis of gender equality.

The participation of women in the Rising however had a much sharper illustration than their inclusion in the Proclamation – they were present in most of the fighting posts throughout the Rising, whether as members of Cumann na mBan or of the Irish Citizen Army – several were killed or injured, many were arrested and one was sentenced to death (though sentence was commuted later).

The participation of Cumann na mBan made the 1916 Rising the first uprising of the 20th Century (and probably prior to that) in which women participated in their own organisation, in their own uniform.

The participation of women in the Irish Citizen Army, where they shared equal status with men, made the 1916 Rising the first uprising of the 20th Century (and almost first ever) in which women participated in an armed and uniformed organisation, and in equal status with their male comrades.

HOPE AND ENCOURAGEMENT TO THE PEOPLE OF THE COLONIES

The British Empire in 1916 was huge – around 13 million square miles of territory in 1916, nearly a quarter of the world’s area. It was said that the “sun never set” upon the Empire because at any moment during 24 hours, some part of the Empire would be receiving light from the sun. Around 450 million people were under the Empire’s dominion.

Map of the British Empire in 1914 (of course the British ruling class had dominant influence over many other areas, for example over much of Latin America). (Image sourced from Internet)
Map of the British Empire in 1914 (of course the British ruling class had dominant influence over many other areas, for example over much of Latin America).
(Image sourced from Internet)

And of course, there had been resistance. Even after resistance had been beaten, there had been further uprisings – in fact, some areas such as that of the present-day Afghanistan were in almost constant rebellion. But rebellions were mostly localised and even when they took on a more sweeping character, such as the Mahdist War of 1881-’89 in the Sudan or the Boxer Uprising in northern China in 1900, they had been crushed by British military might.

The news of the Easter Rebellion in Dublin ran around all parts of the British colonial world, from the nearer to the most remote. And some of the news was carried by the Irish in the British armed forces. Tom Barry, later to be undefeated guerrilla leader in the War of Independence in West Cork, read about the Rising while serving in the British Army in Mesopotamia (now Iraq). The Connaught Rangers, hundreds of which were to mutiny in India in 1920, were also in Mesopotamia in 1916. These Irish units of the British Army and Irish men in British units serving outside the United Kingdom, served not just next to English, Welsh and Scottish soldiers but also next to soldiers drawn from colonial peoples; they were often serviced too by colonial people in auxiliary roles and mixed to a degree with the colonial populations among which they were stationed, in markets, eating houses, bars and sex-houses. Just four years later, during the mutiny of the Connaught Rangers, it is recorded that Irish rebels in British Army uniforms had communicated their mutiny and their reasons to the Indian traders.

The 1916 Rising took place in what had been considered, the previous century, the second city of the British Empire. Now past those ‘glory days’, Dublin was still a city of the Empire’s “home base”, the United Kingdom. And the Empire’s Army had been obliged to shell one of the UK’s own cities in order to suppress that Rising! To many a colonial subject contemplating resistance or even outright revolt, it must have seemed like a signaling bonfire, one that proclaimed that the end of the Empire was nigh and called the peoples under subjugation to revolt, to finish it off. And, indeed during the War of Independence, the Nehru and Ghandi families were to make contact with Irish Republicans and Ho Chi Minh is reported to have been inspired by the Irish struggle.

Nor was it only those colonial people in the British Empire who were inspired but those in the French, Dutch, Belgian, Portuguese and Spanish colonies too. Ho Chi Minh, as a Vietnamese, was under the French empire and led his people in armed resistance to the Japanese and French occupation in 1941. Over the three decades following the Easter Rising, anti-colonial struggles around the world intensified and pushed the former colonial powers into “de-colonisation” — i.e. imperialism and neo-colonialism.

WORKERS OF THE WORLD

The Irish Citizen Army had been founded in 1913 as a workers’ armed organisation to defend against the attacks of the Dublin Metropolitan Police. The DMP carried no firearms then, though they were well able to kill and maim with their truncheons, a fact they demonstrated during the 1913 Lockout. But it was clear that Connolly at least knew that at some point the workers would come up against the full force of the State which, at that time, meant the British empire and the Colonial regime in Ireland. He called publicly for the ICA to train in and to carry firearms. The Royal Irish Constabulary, policing the rest of the colony outside Dublin, was indeed armed. And British Army units were stationed across the country, many of the garrisons in Dublin alone.

The ICA fell into a kind of disrepair after the workers’ defeat in the Lockout but was soon enough dusted off and reorganised. WWI began the same year the last striking workers of the Lockout, the Jacobs girls and women, marched back to work. It was certain that Connolly would try to stage a rising during the war and suspected that the Republicans, or “advanced nationalists” as they were called then, would do so too. As the war dragged on and the bodies heaped higher, Connolly grew increasingly impatient, contemptuous and even desperate, berating the “nationalists” for not rising and threatened to bring out the couple of hundred ICA on their own.

Irish Citizen Army on the roof of Liberty Hall during a flag-raising activity (Photo sourced from Internet)
Irish Citizen Army on the roof of Liberty Hall during a flag-raising activity
(Photo sourced from Internet)

But the Irish Republican Brotherhood had been planning to rise and in late January 1916, alarmed by Connolly’s threats, brought him into secret negotiations. When he emerged a few days later after what many thought had been his kidnapping, he had been sworn into the IRB and was part of the Military Council, planning the Rising for the Easter weekend. And that would mean that the ICA would also commit to the Rising.

On Easter Monday morning, around 220 men and women of the Irish Citizen Army marched out of Liberty Hall or mobilised elsewhere in Dublin. Two of the important fighting areas in Dublin were given over to their command, Dublin Castle and Stephens Green. ICA members fought elsewhere too, including the GPO. One account has them as the first to occupy the top of the GPO’s roof and another as hoisting the “Starry Plough” on top of William Martin Murphy’s Imperial Hotel in Clery’s building (the last flag of the Rising to remain flying). At least one was killed in the fighting evacuation of the GPO and a number took part in the occupation of the 1916 Terrace in Moore Street. The 1916 Rising was the first occasion of the 20th Century when a workers’ unit rose in their own units, in their own uniforms and under their own commanders.

SURVIVING STREET OF A CENTURIES-OLD MARKET QUARTER

Authorisation was granted for the development of a market in the Moore Street area by the Dublin and General Markets Act of 1831. But the Act mentioned the location as being around “Coles Lane market”, which means there was already a street market in the area. It is probable that street trading had been going on in that area for centuries before that. Moore Street was something of a modern street of its time in the area, laid down around 1763 (and, it is worth noting, before the Great Hunger and earlier than the city’s main street, O’Connell Street), mainly as a residential street with some businesses. In following decades Moore Street would become the main street of a whole market area which included the aforementioned Coles Lane along with many other streets, laneways, cul-de-sacs (“turnings”) and mews.

The streets and lanes of the old street market quarter now buried under the ILAC (Image cropped by Save Moor Street From Demolition from J Roques Map 1754, sourced on Internet)
The streets and lanes of the old street market quarter now buried under the ILAC (Image cropped by Save Moor Street From Demolition from J Roques Map 1754, sourced on Internet). In 1754 the street across the top was called “Great Britain Street” but by 1916 it had been renamed “Parnell Street”.

All of that was demolished and buried by the 1970s ILAC “development” of Irish Life ltd.(later joined by  Chartered Land, which dispossessed the households, shops, stalls and workers for a paltry compensation, to the benefit not only of the ILAC partners but also of Dunne’s Stores and Debenhams. All that remains of that street market quarter is Moore Street, with street traders struggling in difficult circumstances to make a living, harassed by Dublin City Council officials, along with small shops, granted short leases or expensive longer ones by Chartered Land or the ILAC – and under constant threat of demolition or of ILAC expansion.

CONCLUSION

Since the 1916 Rising has all those aspects of international importance listed above, clearly the Moore Street terrace also embodies them all, being the last fighting place of the Rising’s HQ garrison and containing around 300 men of the Irish Citizen Army, the Irish Volunteers and three members of Cumann na mBan.

On the basis of those points alone, the site should be a recognised world heritage site. That the terrace and surrounding streets are, according to the National Museum of Ireland the most important historic site in modern Irish history’and ‘a surviving urban WWI battleground … beyond price’ (as stated by the Imperial War Museum) and they include the last street of a centuries-old European street market adds icing to the cake – a cake that should be made available for the world to share.

End.

Documents consulted include

  • various accounts of the 1916 Rising,

  • including biographies and Witness Statements of participants (latter now available on line),

  • along with Moore Street – the story of Dublin’s market district (2012) by Barry Kennerc and

  • Moore St: A Report (UCD 1974)

  • When I first wrote and published this article, though I knew about some Indian and Irish revolutionary connections, I was unaware of some very strong other connections about which I have just been made aware:  https://rebelbreeze.wordpress.com/2016/01/20/the-moore-street…ld-heritage-site/ ‎E

RTE’s ‘Rebellion’ series, and its propaganda value

Source: RTE’s ‘Rebellion’ series, and its propaganda value

By Tom Stokes, from his Irish Republic blog

 

There are occasions in life when time that can never be retrieved is expended on something that is worthless. So far, three valuable hours of my life has been wasted on what RTE describes as a ‘commemorative drama’ to herald the beginning of the Centenary year of the 1916 revolution. Wasted, other than in terms of understanding the propaganda value to the political class even of badly constructed ‘historical’ costume drama – although describing ‘Rebellion’ as coherent drama is stretching it.

I quibbled after the first episode about the use of the term ‘Rebellion’ instead of the more accurate term ‘Revolution’, but it finally dawned on me with Episode 3 that what the writer, director and producers really mean is that this is about rebelliousness within the featured families, to which the 1916 Revolution is just a backdrop.

It would be a useful exercise after the series comes to an end to put a stopwatch to good use to work out the proportion of the five hours of screen-time that is devoted to an exceedingly poor and skewed telling of the story of the 1916 Revolution, and what proportion was used to tell the confusing, intertwined, and fairly inconsequential stories of domestic disagreement. There is of course a market for the latter, and for its setting in a sort of ‘upstairs-downstairs’ genre, but this series, more soap than serious drama, should not be its vehicle.

The 1916 Revolution – what was it really about, who made up the rank-and-file – essential to the creation of a revolution, what scale of operation was in play, what impediments to success existed? Nobody can be any the wiser by relying on this series.

The leaders – who were they, what were they like, what did they believe in, was there a plan, had they some endgame, some vision? Nobody can be any the wiser by relying on this series.

Where is Tom Clarke, or Seán MacDiarmada, or Joe Plunkett, three iconic signatories of the Proclamation, all present in the GPO – but not so far in this sorry series? No clue as to their characters, and precious little of James Connolly’s – relegated to a bit part, or of Patrick Pearse’s – other than his addiction to prayer, his deference to the clergy, his obsession with blood sacrifice, and a capacity for rhetorical exaggeration – as RTE would have us believe.

Where is the evidence of strong public support particularly in the impoverished inner city tenements, without which the revolution could not have lasted almost a week? We know it was there, we who have bothered to acquaint ourselves with the true narrative. Instead, that hoary old myth of widespread public disaffection with the revolution is hammered home at every opportunity.

Episode 3 begins with some bearded chap being put up against a wall and shot by firing squad. Who was he? We are none the wiser by the end of Episode 3. Why might it be important to know that he was Francis Sheehy-Skeffington, a journalist, an advanced-feminist, a pacifist who had played no part in the revolution itself? Because, perhaps, that it is true, and that he was murdered on the command of a crazed, out-of-control British army officer – an essential detail of the 1916 narrative – but not as the masses are supposed to know it since it would upset the entirely revisionist slant of this television disaster, a revisionism that is deliberately applied. And so it goes on.

Against fleeting scenes of chaos, created as we are led to believe by violent anti-democratic nutcases hell-bent on creating a Catholic state, we are encouraged to note the stabilising influence and the manners and the etiquette of both the Irish ‘Castle Catholics’ and their British masters in Dublin Castle. Fast-forward by 100 years and we see the same spurious choice being presented to the people by the political class – ‘stability’ or ‘chaos’, white or black, good or bad. No need to tease out what each side really stood for back then, or what each side stands for now.

There are those who ask ‘what matter – it is only TV drama?’. Propaganda is at its most effective when it is inserted subtly into the thought-processes of its target audience, and repeated through various forms from news and current affairs, commentary, and yes, entertainment. That works, as Joseph Goebbels knew all too well.

RTE claims an audience of 600,000 for its first episode of ‘Rebellion’. A large proportion of these will vote in the upcoming general election in which the main choice will be between, the political class tells us, stability or chaos. And that audience is also entering into the centenary year of the 1916 revolution with its competing interpretations, one of which champions the Redmondite parliamentarian Home Rule option over the other – the right of a people to self-determination and self-government, to be established through revolution where no other viable option was available. Presenting a partisan and therefore skewed version of the 1916 revolution primes at least a part of that audience to adopt a negative view of the legitimacy of that revolution and of its leaders, and that represents a highly political intervention in the popular history of 1916 on the part of the State broadcaster, RTE. It is not, presented in that way, just TV drama.

‘Rebellion’ looks like a cheap production, but cost as much as Ken Loach spent making The Wind That Shakes The Barley – an excellent production for the big screen, which grossed three times its production costs at the international box-office. Why wasn’t Loach asked to make this series? It is not as if he lacks experience. But then, he could be relied on to create a credible narrative around the main story of revolution and to consign the less consequential sub-plots to their rightful places. That would not suit the political class, including its RTE functionaries.

The 1916 revolution is an intriguing, exciting and rich human story, as rich in dramatic potential – characters, incidents and plot-lines – as was the highly successful and accurate 1913 Lockout TV drama ‘Strumpet City’, produced by RTE in 1980. ‘Rebellion’ on the other hand is dross. Some people, their names figuring prominently on the credits of each episode, opted for dross, and each received a considerable reward tor taking that option.

The foundational narrative of modern Ireland – in which the 1916 Revolution is the inciting incident – deserves to be treated with a modicum of respect. That is entirely absent in this spurious version.

There are times when we remark that ‘you couldn’t make it up’. The series writer did, with input from others.

And there are times when we remark that ‘it couldn’t get any worse’. Oh yes it can, and it will.

Of that I am certain.

THE DESIGN OF THE NEW €2 COIN — AN INAPPROPRIATE IMAGE REVEALING A NOSTALGIA FOR THE EMPIRE?

Diarmuid Breatnach

The new €2 coin design is now published and the coins will themselves be put into circulation in the New Year. Designs were submitted and the winning design for the ordinary currency coin is by Emmet Mullin, while the design for the gold and silver special editions is by Michael Guilfoyle. Both designs incorporate the statue of “Hibernia” and that name is prominently displayed on one of side of the coin and although Guilfoyle’s design incorporates some words from the 1916 Proclamation, they are in the background to the representation of “Hibernia”. The image is taken from a the centre one of a trio of statues erected on the GPO in 1814, while still under British occupation.

Hibernia €2 coin 2016
One side of the new Irish coin

“Hibernia” was regularly used as an image to represent Ireland by “Punch”, a satirical racist British publication and she was always

OLYMPUS DIGITAL CAMERA
(British penny showing the image of “Britannia” — a martial female wearing a crested war helmet, carrying a shield and holding a trident (perhaps to indicate domination of the seas).

shown as a pretty younger sister of “Britannia”, in need of her older sister’s protection (usually from the rebellious Irish, the despair of poor “Hibernia”). She was never in martial garb, unlike Britannia herself who was usually represented as a majestic and martial figure, with a crested war-helmet and shield and sometimes carrying a trident (perhaps to indicate domination of the seas).

That representation of Britannia appeared not only in the cartoons of “Punch” and other publications but also in sculpture — for example at the top of Somerset House, in the Strand, London – and also on many mints of British penny coins.

Of course, in British history the most likely model for the representation of a female fighter was Boudicca (“Boudicea”) who, after her humiliation and the rape of her daughters by Roman Legionnaires, raised her formerly pacified tribe of the Icenii against the Roman occupation and came close to driving them out of Britain. The irony is that the whole of Britain at that time was Celtic, as were Boudicca and the Icenii. But the English ruling class appropriated Boudicca into their English iconography as they did also with King Arthur and the Round Table knights.

Romanised and civilised

Ireland had many names among the Gael but “Hibernia” was not one of them. “Hibernia” was a late Latin name for Ireland, which the Romans had previously called “Scotia” (yes, “Scotland” originally meant something like “the land the Gael have invaded and settled and defend”).

The Roman linguistic connection is interesting – Irish Anglophiles and some English lovers of Ireland have been wont to bemoan the fact that Ireland was never conquered by the Romans. These commentators have tended to see Romanisation as civilising, forgetting perhaps the words of Rome’s own greatest historian, Publius Tacitus (or Gaius Cornelius Tacitus; c. 56–after 117 AD) who said that “they have created a desert and call it peace.” Calling Ireland “Hibernia” might be a way to bring that Roman conquest belatedly to the unquiet isle, to make her more “civilized” — in fact more like her neighbour and therefore more accepting of her neighbour’s domination and of her ways.

When John Smyth designed the statues to go on top of the General Post Office building in Dublin’s main street, then Sackville (but now O’Connell) Street, Dublin was widely considered the second city of the British Empire, next to London. The building opened to the public in 1818 but Dublin’s slow decline in status had already begun. Since the abolition of the Irish Parliament by the Act of Union in 1801, following the suppression of the United Irish uprising three years earlier, the Irish Members of Parliament had to go to London to take their seats, taking a great deal of political, commercial and social life with them. Irish landlords deserted their Irish estates in greater numbers, leaving them in the hands of their often rack-renting agents as the owners demanded more and more rents to keep them in their homes in Britain and their lifestyle there and in Europe. Throughout the 19th Century the social focus slowly followed the political to England – except where a militant nationalist one arose.

Hibernia only GPO
Statue representing “Hibernia” on top of the GPO, a martial female wearing a crested helmet, holding a spear and a harp.
Britannia Statue, Somerset House, Strand
Sculpture representing Britannia on top of Somerset House, The Strand, London city centre. She is a martial female wearing a crested war helmet, carrying a shield and holding a trident.

Submission or subversion?

Perhaps the representation of Hibernia by John Smyth, reflecting that of Britannia, was meant to show Ireland as equal in grandeur to her dominant neighbour. The Society of the United Irish had been part of a wider cultural movement that sought to explore and appropriate an older Gaelic culture for the colonists, many of them settled for generations on Irish land. Assertions of autonomy and complaints about English political and commercial restrictions had been part of that movement too and had found sharpest expression in the republican and separatist ideas of the United Irish. Some aspirations remained, severely modified. Perhaps it was John Smyth’s intention to show Hibernia as grand but there was no mistake about who was really in charge in Ireland, Hibernia or Britannia.

As if to underline the relationship, Smyth placed a statue representing “Fidelity” on Hibernia’s left on top of the GPO. What could that fidelity be, except to the Empire? Some suggest that because Fidelity holds the Key and is with the Dog, that she really represents Hecate. I know nothing about Smyth nor have I the time to research him at the moment but it is possible he was being somewhat subversive in that representation. Hecate had a number of earlier and later interpretations and the key seems to have appeared later – the key to the household perhaps but also to Hades, the Underworld.

On Hibernia’s right, John Smyth erected the statue of Hermes, known to us as the messenger of the gods but also representing commerce. Commerce, then as now, was the backer of military and political initiatives, indeed often the driver. Of course, many of the Irish bourgeoisie, both native and colonist in origin, wanted a successful commercial Ireland. But after 1798 and 1801, they were not going to get it. From then on, most progress for Irish finance would be made through investing in the Empire rather than in Irish industry and trade.

Whether the representation of Hibernia was intended as some kind of subject of Britannia with pretensions to something grander or was in fact just aping her better, dressing in her mistresses’ clothes when the lady was away, is a moot point. What is certain is that neither the image nor the name itself is of native origin.

The names for Ireland

As noted earlier, among the many names of the Gael for Ireland, “Hibernia” does not appear. The clan-based resistance had used Irish names to describe the land and this continued in the wars against Cromwell and William, with “Ireland” being the most common name when speaking in English by both sides of the wars.

The United Irishmen, a late 18th Century republican movement for independence led mostly by descendants of colonists and largely English-speaking, called the land “Ireland”1 or “Erin” (a phonetic representation of the Irish-language “Éirinn”, the dative case of “Éire”). These names, along with the genitive “Éireann” later, continued to be those most often used by nationalists of the 19th Century, the Young Irelanders, the Fenians, the Land League, as well as by the various advanced nationalist and revolutionary organisations in the early years of the 20th Century2.

"Ireland" is named in a banner of the Irish Transport & General Workers' Union in October 1914, with the Irish Citizen Army parading outside.
“Ireland” is named in a banner of the Irish Transport & General Workers’ Union in October 1914, with the Irish Citizen Army parading outside.

This continued to be the case during the War of Independence and by both sides in the Civil War and was the case with the setting up of the 26-County state and with the various national resistance movements to that state of affairs since then. One finds “Hibernia” in the Ancient Order of Hibernians, of course and in the Hibernian Bank but they are exceptions – it is “Éire”, “Erin” or “Ireland” over all – and has been so for many centuries.

“Hibernia” is a foreign colonial import, both in terminology and in concept. She is poor image of her big sister on “the mainland”, the real boss. The use of her image and of her name is inappropriate to commemorate the 1916 Rising but their use may signify much more than an error – they may reveal a subliminal desire to return to the Empire, or at least the Commonwealth, in the psyche of those who were never all that sure they should have left it.

End

Links for sources:

The design of the new €2 commemorative coin: http://www.joe.ie/news/pic-take-a-look-at-the-winning-designs-for-irelands-new-2016-coins/511479

The GPO building and the statues: http://archiseek.com/2010/1814-general-post-office-oconnell-street-dublin/ among other on-line sources

Hecate: https://archetypicalwitchcraft.wordpress.com/2014/01/24/understanding-hekate-part-5-the-meaning-of-her-ancient-symbols/

About origin and personification of Hibernia: https://en.wikipedia.org/wiki/Hibernia_(personification) http://victorianvisualculture.com/2010/10/13/hibernia-as-the-other-ireland/ and despite perhaps its name and appearance a good concise but short summary in http://www.proud2beirish.com/Irelands-Name-Origin.htm

1“From my earliest youth I have regarded the connection between Ireland and Great Britain as the curse of the Irish nation …” Theobald Wolfe Tone

2Inghinidhe na hÉireann, Na Fianna Éireann, The Irish Citizen Army, The Irish Transport & General Worker’s Union, The Irish Volunteers, Óglaigh na hÉireann. Also, when the Abbey Theatre was founded by W.B. Yeats and Lady Gregory in 1904, they declared it was “to bring upon the stage the deeper emotions of Ireland”.

THE GLOBAL-HISTORICAL SIGNIFICANCE OF THE 1916 RISING

This is a timely and interesting article by Liam Ó Ruairc about the significance of the Easter Rising beyond our little parish.

Apart from that, it would seem to suffer a little from a terminology problem with regard to “imperialism”. In the world today this is not an insignificant issue. At the time of the 1916 Rising it was common for commentators to conflate the words “colonialism” and “imperialism” — and why not, since we had the British Empire, the French Empire etc. However, that same year, VI Lenin completed his work “Imperialism — the final stage of capitalism” which he published the following year but exchanging, for the censor, the word “highest” for “final”. Lenin described imperialism as the merging of finance with industrial capital and its export to the underdeveloped world and also explained how its colonialism was undermining British industrial capacity and competitiveness by starving it of capital which was instead being invested in the colonies for quick return of superprofits.

He showed that imperialism could be practiced where the developed state did NOT have colonies but instead had influence.

Decolonisation was indeed one of the big processes of the early to mid-21st Century, as quoted in the article, but it was accompanied by an increase in imperialist expansion, with the USA becoming the world leader and displacing the former colonial powers of Britain and France. By and large this was achieved without occupying countries and setting up colonies of UStaters within them.

Lenin also showed that imperialism leads to war; colonialism did too but not on the scale that imperialism has.  Colonial wars were largely limited by the amount of people available to occupy colonies whereas imperialism fights most of its wars through proxies (with some notable exceptions such as Vietnam, Ireland, Iraq and Afghanistan, involving large committal of its troops but even there, proxies have been/are also used).

Those regimes that imperialism cultivates were later classified by national liberationists as “comprador (buyer) capitalists” or “neo-colonials”. Such an analysis of Ireland today would have to conclude that the Six Counties are a remaining British colony and the Twenty-Six a neo-colony.

In the “comment” section of the article there is a reference to another article on the same theme of international importance which is also of interest.

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imagesby Liam Ó Ruairc

In less than six months, the one hundredth anniversary of the 24-29 April 1916 Easter Rising will be commemorated throughout Ireland. What is striking about the so-called ‘Decade of Commemorations’ is how insular its outlook is: the 1912 Ulster Covenant, the 1916 Rising or the setting up of Northern Ireland are seen as a purely Irish phenomenon, divorced from global trends. As Edward W. Said once noted, while the Irish struggle was a ‘model of twentieth-century wars of liberation’, “it is an amazing thing that the problem of Irish liberation not only has continued longer than other comparable struggles, but is so often not regarded as being an imperial or nationalist issue; instead it is comprehended as aberration within the British dominions. Yet the facts conclusively reveal otherwise.”[1]  This article will argue that the significance of the 1916 Easter Rising lies less in its 

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Dear Minister Humphreys

Diarmuid Breatnach

Dear Minister Humphreys,

I write to express my admiration for your work and my sympathies with regard to the criticisms with which you are currently being bombarded. I hope you will forgive my ignorance of much of the work you have been doing in the area of Heritage, which is not really where my strengths lie. But I love the way you talk, the way you shoot down those critics, especially those TDs who ask those nasty questions. And I’m sure you had something to do with removing Westport House from the NAMA sell-off, even if it is in Enda’s constituency. Such a fine example of our colonial architectural heritage!

Heather Humhpreys, Minister for Arts, Heritage and the Gaeltacht
Heather Humhpreys, Minister for Arts, Heritage and the Gaeltacht

But as we know, Minister, that wouldn’t be the kind of thing that would be appreciated by your critics. They’d rather you devoted your talents to a shabby row of Dublin houses of dubious architectural importance in a grubby street market. A street which they say is “pre-Famine” — as if that were something to boast about! Laid down earlier than Sackville Street (now O’Connell Street) they say …. Sure why would we want to keep a street that old …. or remember that embarrassing episode in our history either, when we lost a third of our population to over-reliance on one crop! We learned from that, though, didn’t we? Sure we grow hardly any crops at all now and get them all in from abroad. And we live in cities now — who wants to be getting up at 6 a.m. in all kinds of weather and plodding through muck? If people like growing things that much, get a house with a garden, I say. And a gardener to do the donkey work.

Supporters at the symbolic Arms Around Moore Street event organised by the Save Moore Street From Demolition campaign in June this year.
Supporters at the symbolic Arms Around Moore Street event organised by the Save Moore Street From Demolition campaign in June this year. This is the corner of Moore Lane and Henry Place, across which Volunteers had to run under machine-gun and rifle fire from Parnell Street (at the end of Moore Lane, to the right of the photo) and at least one Volunteer died here.

But I’m digressing, Minister, my apologies. Apparently the reason they want to save that shabby terrace, that “pre-Famine street” — and the backyards and surrounding lane-ways, if you please! — is for HISTORICAL reasons. Historical! Sure have we not had enough of history – Brehon Laws, Golden Age, Clontarf, Normans, 800 years of British occupation, blah, blah, blah! Weren’t we sick of it at school?

I’ve never liked Labour too much (somehow even the word sounds sweaty) but I have to admire their Education Ministry’s efforts to remove history as a subject from the compulsory school curriculum. I’m sure they’re doing it for their own reasons – after all, wasn’t their party founded by that communist James Connolly? Sorry, revealing my own knowledge of history there, ha, ha! But whatever their reasons, they are on the right track. Who wants to know where we are coming from? It’s where we ARE and where we are GOING TO, that matters!

But some people just can’t let it go, can they? They trail history around like something unpleasant stuck to a shoe. So what if 300 of the GPO garrison occupied that terrace in 1916? The Rising, if you ask me, was a big mistake and I know plenty of people agree with me, even if most don’t have the courage to say so. Wouldn’t we be much better off if we’d stayed in the UK? And kept the Sterling currency? And as for the War of Independence …. don’t get me started!

Aerial View Moore St. 60s
Aerial view Moore Street, looking northwards, 1960s, before the building of the ILAC and the running down of the street market.

And then there’s all that communist-sounding stuff about treating “all the children of the nation equally” — what kind of rubbish is that? Some are born to big houses with swimming pools and some are born to flats, or even rooms. That’s just the way of life. And some will claw their way up to get to own big houses and if they are a bit uncouth, well that can’t be helped, they still deserve where they get to. And their children at least will be taught how to fit into their new station. That’s democracy! But everyone equal? Please!

Sorry, back to the Moore Street controversy. OK, after the mob pressured the Government, four houses in the street were made a national monument. But was that enough for the mob? Oh, no, not at all — eight years later the State had to buy the four houses to satisfy them. Thankfully the specul ….. sorry, the developer, got back a good return on his investment – four million, wasn’t it? That’s the kind of thing that makes one proud to be Irish – buying run-down buildings and letting them run down more, then selling them for a million each. That’s your entrepreneur! If only we had more like that, to lift this country up!

I must say I really liked that developer’s plan to build a big shopping centre from O’Connell Street into the ILAC, knocking those old houses in Moore Street down (although I know he had to leave those “national monument” four houses still standing in the plans). I do hope whoever has bought the debt off NAMA and now owns those houses will carry on with that plan. Actually, I’d like the whole of O’Connell Street under glass if it were possible. Wouldn’t it be great to do your shopping from the north end of the street to the south and from left to right, without ever having to come out into the weather? Of course, not much shopping there now, with Clery’s closed …. still ….

And then they’re going on about the market ….. traditional street market …. blah, blah. What’s wrong with getting your veg and fruit from the supermarket? Or getting them to deliver it your house, come to that? “Traditional street market” my ar….. excuse me, I got carried away there. Those street markets are all very well for your Continentals, your Africans, Asians, Latin Americans and so on. Or for us to go wandering around in when we’re abroad on holiday, maybe.  But back home?  It’s the nice clean supermarkets for me any day.

Well now, if the mob insists on saving the street market, here’s an idea: why not provide a showcase stall or barrow, stacked with clean vegetables and polished fruit, right in the middle of the new shopping centre. After all, that’s heritage, isn’t it? And aren’t yourself the Minister for Heritage?

Most sincerely,

Phillis Tine-Fumblytil

LAUNCH OF “BATTLEGROUND 1916 — THE LANEWAYS OF HISTORY”

Diarmuid Breatnach

On a very stormy Wednesday night (17 Nov. 2015) in Dublin around 150 people attended the launch of the video “Laneways of History” at Wynne’s Hotel, Lwr. Abbey Street.

Poster Launch Video

 

The video maker is Marcus Howard who has videoed a number of interviews with relatives of 1916 heroes as part of a campaign to preserve the historic Moore Street 1916 Terrace and the laneways surrounding it. Marcus also videoed the second Arms Around Moore Street event, which was organised by the Save Moore Street Demolition campaign.

The video itself uses footage shot in a Dublin of today, tracing the footsteps in Easter Week 1916 of James Connolly from Williams Lane to the GPO, then of the garrison’s retreat from the burning building to Moore Street. It also stops at 21 Henry St. where the 1916 Proclamation was signed and follows the ill-fated heroic charge led by The O’Rahilly up Moore Street against the British barricade at the end, on Parnell Street.Musicians

The narrative is provided by Jim Connolly Heron (great grandson of James Connolly) and Proinsias O Rathaille, grandson of The O’Rahilly, and also by excerpts from witness statements of participants read by Marcus Howardand a woman whose name I did not catch (but will record when I find out).Citizen Army on guard

Sound effects on images of the past are firing from artillery, rifles and machine guns and clips from the Cabra Historical Society are used to good effect.  The video also includes recent footage from the campaign, including Taoiseach (Prime Minister) Enda Kenny being shown around the Moore Street Battlefield and the 2nd Arms Around Moore Street event, which was organised by the Save Moore Street from Demolition campaign.

Volunteers in various outfits

Around the function room there were men and women in Ctiizen Army and Volunteer uniforms and typical IRA War of Independence dress to protect us from a raid by the British Army, Dublin Metropolitan Police or the Auxillaries (or perhaps to keep an eye out for unruly elements).

Music and some songs were provided before the speakers by two members of the Dublin band The Invincibles, one of which Paul Stone, sang Where Is Our James Connolly to a hushed room.

The main speakers were James Connolly Heron, Críona Ní Dhálaigh (SF Mayor of Dublin), Proinsias O Rathaille and Marcus Howard. Also called up to speak a few words were long-time supporters of the campaign TD Maureen O’Sullivan and Frank Allen.

Frank Allen speaking from the podium
Frank Allen speaking from the podium

Frank unveilled the 1916 Commemoration Bond and invited everyone to buy one at €100 each. Frank announced that the aim is to make sufficient on sales at home and abroad, to buy the threatened 1916 Terrace.

Presentations of the first three bonds were made to long-time supporters of the campaign Brendan O NeillColette Palsgraaf and Pat Waters (who had written the song for the “16 Signatories” production).

Crowding outside the bar
Crowding outside the bar

Frank also thanked Diarmuid and Mel (also thanked by Marcus Howard) for their long presence in Moore Street (the Save Moore Street from Demolition Campaign, which also includes Bróna Uí Loing).

Pat Waters in conversation in the bar
Pat Waters in conversation in the bar

There were some questions and interventions from the floor before people repaired to buy a DVD and/or a bond and thence to the bar, to chat and no doubt plot further steps in the campaign.  Among the contributors from the floor were TV presenter Duncan Stewart, Donna Cooney (PRO 1916 Relatives’ Committee and grand-niece of Elizabeth O’Farrell), Manus O’Riordan (includ. Friends of the International Brigades in Ireland), Diarmuid Breatnach (includ. Save Moore Street from Demolition campaign), Bernie Hughes (Finglas community campaigner against the Water Charge).  A Dutch woman living here 15 years made the point that migrants should be included in the vision — a point echoed by at least another two from the floor, one of whom drew attention to the fact that James Connolly had been a migrant.

Some more from inside the bar (an ID parade?)
Some more from inside the bar (an ID parade?)

Indeed, this was so, both to the USA and to Ireland, as was the case with Jim Larkin too; Tom Clarke had been born in England also and a number of those who fought for the Republic in the Rising (especially the Kimmage group) had been born and brought up in British cities and a few had no Irish connections at all.

Two women drew attention to the exclusion of the Irish language from the video and presentation.  This last was a particularly relevant point, given that one of the seven signatories of the Proclamation was a writer in Irish and in English, as well as an educator and that five of them had been members of the Gaelic League (as were others of the executed or who died in the fight).  One asked what the strategic purpose of the bonds was and how this fit into the campaign.

Overall, any criticisms or doubts aside, everyone who spoke was positive about the video and wholeheartedly in favour of the retention of the historic buildings and laneways.  It was notable that no-one, from panel, podium or the floor, expressed faith in the Government or in most politicians — quite the contrary.

Among the historians present were Lorcán Ó Coilleáin and Mícheál Ó Doibhlín.  Also seen were Aengus Ó Snodaigh TD, Robert Ballagh (Reclaim the Spirit of 1916) and Barry Lyons (Save 16 Moore Street).

 

(Photos, mostly long-range dodgy mobile ones: D.Breatnach)

A chríoch.

 

Links:

Personnell in costume were provided by Dave Swift of Claoímh (http://www.claiomh.ie) and Irish Volunteers commemorative association (http://irishvolunteers.org)

Copies of video DVDs €10 each NOT including post and package from email are available through easterrisingstories@gmail.com

Save Moore Street from Demolition: https://www.facebook.com/groups/757869557584223/?fref=ts and https://www.facebook.com/save.moore.st.from.demolition/?fref=ts

Save 16 Moore Street: https://www.facebook.com/groups/114656558567416/?fref=ts

 

CLOSE QUARTER COMBAT BY A 1916 RISING DOUBLE ACT

Diarmuid Breatnach

Derek Molyneux and Darren Kelly are a great 1916 Rising history double act. Taking turns at the narrative, bouncing one off the other at times, sometimes one correcting the other, interrupting one another and on occasion comically resenting the

Darren Kelly and Derek Molyneux presenting their talk at the Cobblestone
Darren Kelly and Derek Molyneux presenting their talk at the Cobblestone

interruption. They are great entertainment. But they are also very knowledgeable on the history of the 1916 Rising and on comparative military history, as well as being passionate about the subject.

They are joint authors of “When the Clock Struck in 1916” by Collins Press (2015) and were the guest speakers presenting a talk on “Close Quarter Combat in the Easter Rising” in the back room of the Cobblestone on Saturday (07/11/2015). The talk was one of a series organised by the Sean Heuston 1916 Society.
Poster for the event
Poster for the event

Their lively and engaging narrative focused more on the insurgent participants and their feelings and on some of the main locations of the fighting than on the leaders. They also speculated on some of the thoughts of the British soldiers engaged in the fighting and quoted from a few of their officers. Contrary to some historical narratives, the duo emphasised the good military sense of the planning and the locations chosen for fortification, as well as the effective fields of fire created. Criticisms of some failures, for example to occupy Trinity College, they ascribed to the confusion occasioned by Mac Neill’s countermanding order canceling “parades, marches or other movements” scheduled for Sunday, which resulted in a serious depletion of numbers turning out to challenge the Empire on Easter Monday.

Front cover of their book launched this year
Front cover of their book launched earlier this year
Their points were well made and although in my opinion did not completely refute some of the criticisms, in terms of fields of fire as illustrated their points were interesting and convincing.
The talk was a little overlong in my opinion and the subsequent discussion in question-and-answer time cut short accordingly, as the room had to be cleared for a music group event. However, some of the audience and the speakers carried on an interesting discussion in the bar, a discussion that broke up into smaller groups and ranged far and wide for hours afterwards.
An interesting and enjoyable talk I would recommend highly – even without the bar follow-up.

Aine Ceannt says MacNeill knew about Easter Rising plans

An interesting look at the Mac Neill cancellation and on Mac Neill in general as well as, in passing, the politics of the reorganised Sinn Féin party in 1919. The comment about Irish Murdoch’s novel is also interesting.

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The common view has it that Eoin MacNeill, the head of the Irish Volunteers at the time of the Easter Rising, was not let in on the plans for a rebellion.  He only found out on its eve and put an advertisement in the Irish Independent on Easter Sunday, cancelling the manoeuvres under which rubric the rebel leaders had planned to launch the rebellion.  As the Irish Times website section on the Rising puts it, “The militants had to deceive their own official leader, Eoin MacNeill. MacNeill’s position was that the Volunteers should resist, by force if necessary, any attempt to disarm them, but that aggressive action could not be contemplated unless it had a real chance of success.”

For historians, political figures and commentators opposed to republicans, this all shows the lack of morality of the rebel leaders and becomes part of the indictment of the Rising and its…

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A SALUTE TO A CABRA BRIGADISTA! FROM EASTER 1916, DUBLIN, TO CHRISTMAS 1936, CORDOBA: CABRA’S DONAL O’REILLY – A VOLUNTEER FOR TWO REPUBLICS

 

Manus O’Riordan

J. K. O’Reilly (1860-1929) of 181 North Circular Road, Dublin, was author of of the patriotic ballad, “Wrap The Green Flag Round Me, Boys”. Not alone did he take part in the 1916 Rising but so did all his sons: Kevin (1893-1962), Sam (1896-1988), Desmond (1898-1969), Tommy (1900-1985) and Donal O’Reilly (1902-1968). J. K. and Kevin, Sam and Desmond served in the Irish Volunteeers, while Tommy and Donal served in Fianna Eireann.

See http://www.youtube.com/watch?v=PgN4_DjAxEw&sns=em for Luke Kelly and https://lyrics.wikia.com/…/Wolfe_Tones:Wrap_The_Green_Flag_… for full lyrics.

This November 7th saw over 200 people turn out for the launch by the Cabra 1916 Rising Committee of a marvellous 156page historical publication. Among the Cabra residents honoured in “Our Rising: Cabra and Phibsborough in Easter 1916” are the O’Reilly family.

IN THE 1916 RISING AT 13 YEARS OF AGE

In March 1966 the “Irish Socialist”, publication of the then Irish Workers’ Party (now the Communist Party of Ireland), brought out a special issue to commemorate the 50th anniversary of the 1916 Rising. A highlight of that publication had been Party veteran Donal O’Reilly’s memories of how, as a 13 year old boy, he had followed his father and brothers into the Rising, to the horror of Rising leader Tom Clarke, who considered him far too young to be involved in war. It was subsequently republished by my father, Micheal O’Riordan, in his 1979 book, “Connolly Column”.

Included in Donal O’Reilly’s memoir was his own day-by-day account of Easter Week, 1916:

Monday, Easter Week: In our home it was the ordinary week-end mobilisation. There was the cancellation order by McNeill in the “Sunday Independent” of course, but somehow we didn’t seem to pay much attention to newspapers then. Certainly all the adult members of my family went on parade. At two o’clock, I knew there was a difference. A barricade was up at the Railway Bridge in Phibsboro, which was just a few hundred yards from our home. Houses were occupied and all sorts of guns were in evidence. 
Down I went into O’Connell Street.

“The Proclamation was up. The windows of the G.P.O. were barricaded. The looting had already started and despite efforts by a few Volunteers, shop after shop was destroyed. How fires were prevented by the few Volunteers that were on the streets seemed a miracle. 
Back through the barricades of Phibsboro I went home with wondrous tales to tell! Nobody was at home; all were out on their barricades!

“Tuesday, Easter Week: There was a silence that I had never known before or since. Nothing moved on the North Circular or Old Cabra Roads. I wanted to go into the city centre again, but how could I get across the barricade on the Railway Bridge? I knew Jim O’Sullivan, the officer in charge, but that would be of little value. I hung around and eventually nobody knew which side of the barricade I should be on. I discovered my own private route into O’Connell Street; down Mountjoy Square, into Hutton’s Place, across Summerhill, an area that was then teeming with life, all living in big and small tenement dwellings.

“I got to the G.P.O. The looting had ceased and the only movement now was of determined men that came and went. A few groups were gathered around the Post Office trying to get in, but were rejected. 
At three o’clock there was a movement at the side door in Henry Street and the “War News” made its appearance. I duly appointed myself as official newsboy to the Garrison. Within an hour-and-a-half, the “War News” was sold and I was back in the G.P.O. with my my official status and the money. I got into the main hall.

“Tom Clarke, whom I had met in his shop and at the lying-in-state of O’Donovan Rossa at the City Hall, saw me and was horrified. I was sent to Jim Ryan and he sent me off to Purcell’s with a parcel of bandages. At the Purcell’s post I stayed and there I met Cyl MacParland, a man who was to be very close to me for many years afterwards.

“Wednesday, Easter Week: The silence had gone. The occasional crack of a rifle had given way to the boom of artillery.
“Back at G.P.O: Thursday, I returned to the G.P.O; there was no difficulty in getting in now. The guns were battering away and all the women and youth were being prepared for evacuation. It was proposed that we should go via Princes Str
eet, Abbey Street and Capel Street. I left, crossing O’Connell Street, Marlborough Street and then up by Hutton’s Place. Eventually I got to old houses in Berkeley Road, and stayed there until Sunday morning.”

20 YEARS LATER, FIGHTING IN SPAIN

So ended Donal O’Reilly’s memoir. He went on to fight in Ireland’s War of Independence (1919-1921), and on the Republican side in the Civil War (1922-1923), serving in the Four Courts garrison and, on surrender, being imprisoned in Mountjoy Gaol. But Donie, as he was known among friends and comrades, went on to fight for a second Republic, accompanying Frank Ryan in the first group of Irish International Brigade volunteers he led out to fight in the Spanish Anti-Fascist War (1936-1939). If Easter 1916 in Dublin had been Donie’s baptism of fire for the Irish Republic, Christmas 1936 on the Cordoba front was to be his baptism of fire for the Spanish Republic.

Photograph taken of some of the Connolly unit in Spain
Photograph taken of some of the Connolly unit in Spain

 

 

 

 

 

 

 

 

 

(See http://www.irelandscw.com/part-IrDem3709-10.htm#371002Cordoba for his account of going into action, which was published in the “Irish Democrat” on 2 October 1937. In the opening two paragraphs the editor introduced Donal O’Reilly to readers, while his own account began with “Christmas time”).

Donal O’Reilly’s life both began and ended in the Cabra area of Dublin, and he ultimately resided at 31 Cabra Park. As the son of his fellow International Brigader Micheal O’Riordan, it was my privilege to have personally known Donie O’Reilly during my 1960s teens, and to have attended his 1968 funeral in Glasnevin Cemetery. Full military honours were rendered to this veteran of Ireland’s War of Independence, as the Irish Army fired a volley of shots at his graveside, before veteran Irish Republican Congress leader Peadar O’Donnell gave an inspiring funeral oration. Peadar was at that juncture Chair of the Irish Voice on Vietnam, on whose Executive I was the representative of the Connolly Youth Movement.

1966 Arno Herring GDR uniform veteran XI (Deutch) Brigade salutes Frank Ryan remains & 3 Irish veterans XV (English-speaking) International Brigade Donal O'Reilly Micheal O'RiordanFrank Edwards

This photograph of Donie O’Reilly was taken in 1966 in the German Democratic Republic, at the grave of Irish International Brigade leader Frank Ryan, in Dresden’s Loschwitz Cemetery. (Frank Ryan’s remains would subsequently be repatriated to Ireland, in 1979, for reburial in Dublin’s Glasnevin Cemetery). In this photo, Arno Herring, in GDR army uniform, a veteran of the XI (German-speaking) International Brigade, salutes the memory of Frank Ryan, as three Irish veterans of the XV (English-speaking) International Brigade stand to attention: Donal O’Reilly, on the far left, and Mícheál O’Riordan and Frank Edwards, on the right.