Ella Young, California’s Beloved Irish Druid

By Geoff Cobb

California has long been home to the eccentric and free spirits, so naturally the highly eccentric Irish mystic, poet and Celtic mythologist Ella Young found a home there. The first woman to hold an endowed lectureship in the English Department at the University of California at Berkley, Young left several enduring legacies on the Golden State’s literature, counterculture, and environmental movement.

Nearing old age in Ireland, Young helped spark a new age consciousness in the Bay Area. Young lived the first fifty-eight years of her life in her native land, but even before leaving for America, she traveled far from her conservative Ulster roots. Born in December 1867, in Fenagh, a townland near Ballymena, Co. Antrim, Ella was eldest of five daughters of a Presbyterian minister. The family moved to Dublin at an early age and Young graduated with a BA in History, Political Economy and Law from the Royal University of Ireland. Abandoning Christianity, Ella’s interest in the spirit world led her to join the Hermetic Society, the Dublin branch of the Theosophical Society, which sought to awaken the power and presence of Ireland’s ancient spirits. Young was greatly influenced by fellow Ulster mystical poet AE Russell, and she soon became one of his select group of protégés known as the “singing birds.”

Ella Young in Oceano, California, image in Princeton University of Art Museum.

She found her muse and published her first volume of verse in 1906, and her first work of Irish folklore, The Coming of Lugh, appeared in 1909. Young mixed with luminaries of the Celtic revival including J.M. Synge, W.B. Yeats and Maud Gonne, with whom she might have had a romantic relationship. Like other writers of her day, Ella found great spiritual riches in the West of Ireland, where Irish was still the spoken language of the locals and where she was also able to hear what she called the Music of the Faerie, the ceol sídhe.

Ella completed a master’s degree at Trinity, but she would be drawn into the revolutionary fervor then sweeping Ireland. Young’s immersion in Celtic mythology and theosophy led her to promote a spiritually inflected Irish nationalism. A friend of Patrick Pearse, Ella became a member of Sinn Féin in 1912 and a founding member of Cumann na mBan in 1914. Ella witnessed the 1916 Rising in Dublin and is alleged to have hidden ammunition under the floorboards of her home and helped two fugitive Republican prisoners to escape Dublin. An anti-Treaty Republican, she strongly opposed the Anglo–Irish Treaty and, after supporting different sides, she and her mentor Æ Russell never spoke again. Because of her anti-Treaty stance, Young was interned by the Free State in Mountjoy jail and in the North Dublin Union.

An ardent cultural Nationalist, Young fervently believed the revitalization of Irish culture could be realized through a reconnection with its Celtic mythological roots. She taught in Dublin, but she came of age as an anti-Treaty woman at a time and in a state where her gender, politics and Protestant background severely limited her career opportunities. Young left Ireland for the US In the mid-1920s, where she would spend the rest of her life. Her emigration, she claimed, had been foretold in 1914 by a Romani fortune teller.

Ella Young 1930, Edward Weston Centre for Photography

Fortunately for Ella, Celtic studies scholar William Whittingham Lyman Jr. left his Berkley lectureship in 1922 and Young was hired to fill the vacancy in 1924. Ella, however, was almost forbidden entry into the United States. During an interview in Ellis Island, Young was detained as a probable mental case when the authorities learned that she believed in the existence of fairies, elves, and pixies. However, outrage by her American readers at the ban helped her finally gain entry.

Young fell in love with Berkley, California and Berkley loved her back. Young adored the college town, especially its exotic flora, breathtaking views, and its student culture. She quickly inspired a cult-like following in California. A striking woman, Young cut a dramatic figure with a noble forehead and face that seemed to shine with an inner light. She lectured in what she considered the traditional purple robes of a Druid bard, which she called her “reciting robes,” to visually portray an authentic Irish identity. She let her shoulder-length silver hair hang free and instead of shaking hands when introduced, she raised her hands high in the ancient druid greeting. Poet Padraic Colum compared her to the ancient “women who knew the sacred places and their traditions, who knew the incantations and the cycles of stories about the Divine Powers, and who could relate them with authority and interpret them wisely. . . She speaks of Celtic times as if she were recalling them.” A gifted speaker, Ella held her listeners spellbound with the heroic myths and sagas told in her lilting Irish voice – the voice of the bard, a keeper of the ancient teachings of her ancestors.

Young was above all a gifted storyteller and children’s author. She published The Wonder-Smith and his Son (1925), The Tangle-Coated Horse (1929), and The Unicorn with Silver Shoes (1932), stories for children, inspired by themes from Celtic myth, with beautiful illustrations and written in her delicate, carefully cadenced prose. The Unicorn with Silver Shoes was nominated for the American Newbery Prize for children’s literature in 1932; all her children’s stories were repeatedly reprinted until the 1990s.

(Image sourced: Internet)

Young was a frequent guest at the home of the celebrated California poet Robinson Jeffers, who was also deeply influenced by the Celtic revival. Jeffers and Young both identified the physical and spiritual similarities between California’s Big Sur and the West of Ireland. Ella considered dramatic Point Lobos in Marin County, where she communed with the dryads of the pine trees, the sea spirits, and the great guardian Deva who hovered over the sea with shining wings, to be the center of psychic power for the entire Pacific Coast. Young also became a close friend of Virginia and Ansel Adams, the renowned photographer of California’s wilderness, who made Yosemite Valley a symbol of the state. Adams took several dramatic portraits of Young in her “reciting robes.”

Ella Young lectured that an awareness of the supernatural world in Celtic folklore and literature could bring her listeners into a closer relationship with the natural world around them. Her love for the beauty of California made her an environmentalist long before it became fashionable, and also she saw the Earth as a great living being. She forged a close friendship with Dorothy Erskine, an early California environmentalist and advocate for limiting growth. Young also founded The Fellowship of Shasta, which became involved in environmental activism, working successfully to prevent developers from building on Point Lobos and also with the Save the Redwoods League, which preserved the remaining old-growth forests of California.

An enemy of materialism and egotism, Young espoused “the natural world and our relationship to it” as an alternative to consumerism. Ella moved to a Theosophic commune in Oceano, near San Luis Obispo in the early 1930s, and became part of a community of artists and writers living on the sand dunes, known as the Dunites. Thanks to her friendship with Ansel Adams, Ella stayed with the community of artists in Taos, New Mexico, where she met Georgia O’Keeffe and Frieda Lawrence and studied Native American and Mexican myths.

Back in California, Young assembled around herself a fascinating circle of artists, writers and freethinkers. She became close friends with the Irish-born landscape painter John O’Shea and other West Coast painters. Ella also became intimate with composer Harry Partch, who set several of her poems to music. Perhaps a lesbian herself, Young befriended California pioneers of sexual liberation, such as Elsa Gidlow, the British-born lesbian poet, and Gavin Arthur, a bisexual astrologer and sexologist whom Young first met in 1920s Dublin.

Young developed cancer. In the last year of her life, she claimed that she had been in communication with the occupants of a thimble-sized spaceship which came and hovered in her garden. Ella died in her cottage on July 23rd, 1956, aged eighty-eight. She was cremated, and her ashes were scattered in a redwood grove. She left the royalties from her books to a society that protected those redwoods.

End.

(Image sourced: Internet)

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