Beyoncé, Irish Dancing and the Nonsense of Cultural Appropriation

Gearóid Ó Loingsigh

2 April 2024 (Reading time: 11 mins.)

Beyoncé, Cowboy Carter (2024) (Image sourced: Internet)

Beyoncé was back in the news once again for a spot of cultural appropriation. It was not her first brush with cultural Neanderthals, she has been here before for apparently “stealing” Egyptian culture by dressing as Nefertiti.

Added into the mix was a lesser-known black artist, Kaitlyn Sardin, who excels at Irish dancing and dared produce some fusion dance routines.

I have dealt with Beyoncé and Rihanna wading into the murky cesspit of the cultural appropriation debate in the past when they were accused of appropriating Egyptian culture(1) and won’t deal with it here.

This time though, the debate is clearly about music, produced by people who are still around and not the attire of long dead Egyptians with little connection to the modern country.

The fact that white country music fans are still around to complain, doesn’t make the debate any less sterile or ridiculous.

Beyoncé’s faux pas was apparently to record a country & western album titled Cowboy Carter. Apparently, some were of the view that a black artist shouldn’t record a “white” song or perform in a “white” musical genre.

Her first release from the album was a song she composed, Texas Hold ‘Em.(2) And the hounds of hell were let loose to howl and drown out the music.

Some radio stations refused to play the song, though that didn’t stop it going to No.1 in the country music charts and the debate, though debate might be too fine a word to put on it, erupted.

She is not white, she is not part of the country music scene and she should stay in her lane, is a crude but accurate summary of most of those criticising her. She is actually from Houston, Texas, not that it matters.

One person interviewed by The Guardian responded that “It doesn’t matter that you came from Texas. It matters if you’re actually living a country lifestyle. It bothers me that her song is being called country.”(3) These words might be familiar to some.

They are normally advanced by identitarians when talking about whites playing genres considered “black” and in some cases other non-whites have levelled this accusation against a whole array of non-white artists including Beyoncé.

It is reactionary rubbish with the racism, in this case, hiding just under the surface, behind a veil of cultural purity. One even went as far as to say that he would bet that Beyoncé had never been in the country saloon he was being interviewed in.

Well, many black women would steer clear of such venues, for more than obvious reasons.

Cultures are not pure, ever. None. Not now, not ever, not even going back to the stone age.

I am very sure, no stone age hunter armed with a flintstone hatchet ever shouted “You’re appropriating my culture” when he realised some other village had come up with the same invention, or even just “stole” the idea.

Country music is not pure either and to the shock and horror of many a man yearning for the days he ran around in his white bedsheets, it isn’t even that white. Blacks have made significant contributions to country music, not least the musical instrument known as the Banjo.

What would country be without the banjo? Rhiannon Giddens, the black musician has dedicated her time to reviving the banjo as a black instrument and recording some excellent music, though unsurprisingly she doesn’t quite stick to genres either.(4)

Her site describes her thus:
Singer, multi-instrumentalist, composer, and impresario, Rhiannon draws from many musical traditions including blues, jazz, folk, hiphop, African, Celtic, classical, and jug band. She bridges contemporary and traditional forms, and few musicians have done more to revitalize old-time influences in current music.(5)

Rhiannon Giddens with banjo (Image sourced: Extra.ie)

She composes her own songs, covers others, even ones such as Wayfaring Stranger, recorded by many white country artists, though actually written and composed by two Germans in the 1660s.

As far removed from her as from the whites who might like to claim the song as their own (Links below to Gidden’s version,(6) Johnny Cash’s(7) the Mormon Tabernacle Choir(8) and even Ed Sheeran’s(9) very uncountry version.

I have included links to all songs and routines mentioned in this article). The song belongs to whoever wants to sing it, however they wish to, though I personally think Sheeran murders the song with a flintstone hatchet, but each to their own.

So, Beyoncé is quite entitled to record in whatever style she wants. Part of what rankles some is that she went straight to No.1 and will make a fortune from the album and this is part of the ‘stay in your lane’ slogan applied to blacks and whites.

Elvis made a fortune singing what was essentially considered, at least initially, to be a black musical form and other white artists who have done this have been criticised by a black bourgeoisie who want that slice of the cake for themselves.

Some of the whites criticising Beyoncé are undoubtedly racist, some might just be musical purists, though music is one art form that just doesn’t lend itself to purity. Others, like identitarians everywhere, think that the money is theirs. Flip sides of the same coin.

Beyoncé is not the only black artist to venture into the world of country,(10) Charley Pride and Ray Charles did so back in the 1960s at times of heightened tensions in the midst of the racial violence meted out against those demanding civil rights for blacks.

When Charley Pride released his first country album, his image was not put on the record sleeve and they initially hid the fact he was black as part of their marketing strategy. He would eventually make it to the Grand Ole Opry in 1967.

He had a total of 52 top ten hits on the Billboard Hot Country Songs chart.(11) No mean feat and not a once-off foray into country music either, he was a country artist.

Linda Martell fared worse as she never hid that she was black and though she would also perform at the Grand Ole Opry in 1970, her album Color Me Country(12) never had the same success.

Ray Charles also dipped his fingers into the pond producing Modern Sounds in Country and Western Music(13) in 1962. It was a best seller, topping the charts. So, Beyoncé is by no means the only or even the first black artist to find success in the genre.

Black artists have always ventured into genres that were not considered to be black.

Others have gone the other way and identitarians tend to criticise white artists doing “black” music, though when Gene Autry, the white country and western singer, nicknamed The Singing Cowboy recorded a blues album, nobody accused him of cultural appropriation.

Though even non-whites get accused by the black bourgeoisie closely aligned to the US Democratic Party of cultural appropriation, Jews, Asians, even Africans get in the neck.

Samuel Jackson infamously accused black British actors of stealing their jobs because they were cheaper and questioned the cultural bonafides of British-Nigerian actor David Oyelowo when he was cast as Martin Luther King in the film Selma.(14)

He never criticised the decision to cast the black Yank, Morgan Freeman as Nelson Mandela in the film Invictus or Matt Damon as the white South African rugby captain in the same film.

Given the backlash against his comments he decided to keep his mouth shut when the British-Ugandan actor Daniel Kaluuya was chosen to play the black revolutionary leader of the Black Panther Party, Fred Hampton. No one is safe from the accusation.

It is a bit like the MacCarthy trials. “Are you now or have you ever been a homosexual? No, but I slept with a man who was. Have you ever appropriated a culture? No, but I hummed a tune by a man who had.”

Which brings us now to Kaitlyn Sardin, the US black Irish dancer. She has recently gone viral, though not for the first time, with her dance routines and not being as powerful as Beyoncé has come in for some vile racist abuse.(15)

She produced a new video which is what is now termed fusion i.e. Irish dance with some developments.

This is now quite common and there is a host of Irish groups producing fusion.  My favourite is a routine called Freedom with the voice of Charles Chaplin and images from Belfast in the early seventies.(16)

Though the first person to do this was Michael Flatley with River Dance which not only broke many of the “rules” of Irish dancing, it even went as far as to incorporate the Lambeg War Drums in a much more positive sense than the annual announcement of Protestant supremacy for which they are used every July 12th.

Of course, Flatley, unlike Sardin is white and of Irish descent.

Kaitlyn Sardin (Image sourced: Internet)

As I said there are many fusion groups in Ireland, the one I previously mentioned and even one which is danced to classical music titled Fusion Fighters Perform Fusion Orchestra.(17) Again, all as white as the driven snow in Siberia.

There is even an all-female Fusion Fighters group from the USA that does a tap dance routine to William Tell.(18)

The particular group started off with Irish dance and moved into other styles over time, so much so that even their website acknowledges it has less to do with Irish dance than they used to.(19) It is what happens with culture. It evolves, all the time.

Again, they are white and no one said fusion is not Irish dancing and no one said anything about not being Irish, even though their Irish connections may be as tenuous as Darby O’Gill.

The term fusion is one of those designed to assuage musical purists more than racists. In reality there is no such thing as fusion music. ALL music and dance are fusion till it becomes accepted as the standard, when new deviations or fusions arrive. 

Though dancing has existed in Ireland for centuries it has not been immune to outside influences such as French Quadrilles in the 1800s or other forms.

The clues are in the names, hornpipes and polkas for example are two types of music that you will find in other parts of Europe and indeed in the case of polkas they clearly originated in Eastern Europe, though most forms including reels and jigs are not exclusively Irish either.

All cultures borrow.

Most instruments used in Irish music are not Irish in origin. Some, like the flute have arisen in most cultures around the world and archaeological remains have thrown up examples everywhere of flutes and whistles made from everything, including animal bones.

Fiddles arose over a long process around the world and it is a bit difficult to pinpoint them to one country. Uillean pipes are Irish, though they too were part of a wider process in Europe with different types of pipes arising.

Though Scottish bag pipes are perhaps the most famous type of pipe, there are in fact lots of pipes throughout Europe and parts of Africa, Iran, Azerbaijan and even India.

Other instruments such as the banjo are African in origin, though the modern banjo has developed over time since it was first brought to the western world by slaves.

The piano accordion is a relatively recent European invention from the mid 1800s, a further development of the accordion, which was also a European instrument.

If we rejected all outside influences and demanded purity, we would have little in the way of Irish music or dance, were we to have any at all.

So, Kaitlyn Sardin should be celebrated. She is from the US, is black and more importantly is very good at what she does: dancing. The fact that she is not Irish or she recently produced a fusion routine is neither here nor there.

Any liberal who got lost on the internet and accidentally read this article will probably have nodded most of the way down: until now. The ridiculous statements made about Beyoncé and Sardin are generally rejected by liberals.

But when the cultural capitalists hiding behind identity politics make similar claims against white artists or indeed between other non-white artists this rubbish is taken seriously.

Culture does not belong to anyone, you don’t have to be white, black, Asian or Latin to perform in a particular style. Culture is a gently flowing river you bathe in, swimming ashore where you please along its route or letting it sweep you out into the sea.

It has always been thus and always will be, despite the attempts of cultural capitalists to appropriate culture for their own grubby money-making ends, or racists imagining some non-existent purity. It doesn’t mean that some of the commercial outings by Beyoncé and other artists do it well.

They don’t.

Beyoncé was criticised for her depiction of India as a white paradise and other artists such as Gwen Stefani, Nicki Minaj and Iggy Azalea have been accused of engaging in crass portrayals of the cultures they seek to borrow from(20) and in Ireland we know a thing or two about how crass Hollywood can be when it comes to depicting Irish music.

But that is another matter, many artists in particular genres have come up with really crass portrayals of their own cultures. The point is whether culture is pure, has lanes and you stick to them due to an accident or birth.

The legendary US folk singer Pete Seeger would joke that plagiarism was the basis of all culture and he was a wonderful plagiarist who introduced musical forms from around the world to a US audience at a time when there was no internet and it was not an easy feat.

He introduced the song Wimoweh to the world, which has gone through multiple adaptations,(21) some of them very good and others absolutely dire, such as that recorded by the English pop group Tight Fit in the 1980s.(22)

The original song however was quite different in style and written and recorded by the South African musician Solomon Linda(23) who was swindled out of the royalties on the song.

Had Seeger stayed in his lane, most of us would never have ever heard of Linda or the story behind his song.

Demands for cultural purity are inherently reactionary, as are demands to ‘stay in your lane’, be they levelled by whites, blacks or Asians. Culture is to be celebrated and expanded.

The accusation of appropriation would only make sense if someone like Seeger had said he wrote Wimoweh, that would be straightforward dishonesty, something he could never be accused of in his multiple adaptations of songs from Ireland, Japan, China, Indonesia, Scotland, Chile, Nicaragua amongst other places.

Beyoncé’s foray into country is perfectly fine, though personally, I don’t like her music, including her country. But that is my personal taste and has nothing to do with appropriation or other rubbish from cultural capitalists.

The Irish radio on Saturdays used to broadcast an Irish music show from the musical company Walton’s. It always finished off saying “If you do feel like singing a song, do sing an Irish one.” The exhortation was for all, not some; the point was to celebrate and enjoy music.

Let’s leave the cultural capitalists, purists, identitarians and racists to the handful of songs they mistakenly believe to be pure.

Notes

(1) See Ó Loingsigh, G. (02/05/2020) Cultural Appropriation: A Reactionary Debate.  https://socialistdemocracy.org/RecentArticles/RecentCulturalAppropriationAReactionaryDebate.html

(2) See Beyoncé’s version here https://www.youtube.com/watch?v=238Z4YaAr1g

(3) The Guardian (04/03/2024) I can guarantee Beyoncé has never stepped foot in here: Houston’s country saloons review Texas Hold ‘Em. Diana Gachman https://www.theguardian.com/music/2024/mar/04/beyonce-houston-country-saloons-review-texas-hold-em

(4) See for example Another Wasted Life https://www.youtube.com/watch?v=FQ2_2A4vP4I

(5) See https://www.mymusicrg.org/about

(6) Rhiannon Giddens Wayfaring stranger https://www.youtube.com/watch?v=b1Z4PAZX9Bs

(7) Johnny Cash Wayfaring Stranger https://www.youtube.com/watch?v=gIlbZAP8ASQ

(8) Tabernacle Choir Wayfaring Stranger https://www.youtube.com/watch?v=LtgKoJ5hoZw

(9) Ed Sheeran Wayfaring Stranger https://www.youtube.com/watch?v=buAzVkcH4YI

(10)  Vox (26/05/2024) Beyoncé’s country roots. Avishay Artsy.  https://www.youtube.com/watch?v=r2uWqRZpt50&list=OLAK5uy_nOFFn9idV9uhYSC9__4r4FNW_xNb-aZK0

(11)  See https://www.youtube.com/watch?v=nJQdR0ciwYg

(12)  See https://www.youtube.com/watch?v=r2uWqRZpt50&list=OLAK5uy_nOFFn9idV9uhYSC9__4r4FNW_xNb-aZK0

(13)  See https://www.youtube.com/watch?v=TbrvtGta1lk&list=PLgWmP-F0RTPOl1OjguwDkKwjFFiMmQZs5

(14)  The Guardian (08/03/2017) Samuel L Jackson criticises casting of black British actors in American films. Gwilym Mumford. https://www.theguardian.com/film/2017/mar/08/samuel-l-jackson-criticises-casting-of-black-british-actors-in-american-films

(15)  Irish Central (25/03/2024) Irish dancer’s fusion choreography goes viral, triggers racists. Kerry O’Shea https://www.irishcentral.com/culture/kaitlyn-sardin-irish-dance

(16)  See https://www.youtube.com/watch?v=thjctEd7O_Y

(17)  See https://www.youtube.com/watch?v=sQ85iotuEso

(18)  See https://www.youtube.com/watch?v=PK77a_XVzJY

(19)  See http://www.fusionfightersdance.com

(20)  Business Insider (14/01/2023) Gwen Stefani is only the latest glaring example of cultural appropriation in pop music. Callie Ahlgrim. https://www.businessinsider.com/gwen-stefani-cultural-appropriation-pop-music-problem-2023-1#:

(21)  See https://www.youtube.com/watch?v=2Y_TJ6Oht8k

(22)  See https://www.youtube.com/watch?v=hRv4cdZxTdQ

(23)  See https://www.youtube.com/watch?v=mrrQT4WkbNE

ANTI-IMPERIALIST ACTION HOLDS DUBLIN 1916 RISING COMMEMORATION

Clive Sulish

(Reading time: 6 mins.)

Easter is the time of year in Ireland for Easter Egg hunts and/or for attendance at religious services but for the Republican movement it is one of commemoration of the Easter Rising and its martyrs, with parades and speeches.

The commemoration parade proceeding along Phibsboro and approaching the Cross Guns canal bridge. (Photo: Rebel Breeze)

Easter Monday in Dublin saw one of those commemorations organised by the Socialist Republican organisation Anti-Imperialist Action at the Citizen Army plot in the St. Paul’s section of the famous Glasnevin Cemetery at the Republican Struggle Monument1.

Participants rallied near the Phibsboro Shopping Centre to march from there to the Cemetery, a distance of around two kilometres, over the “Cross Guns” bridge over the Royal Canal, then passing the main entrance to the Glasnevin Cemetery on the right before turning left for St. Paul’s.

Garda POU van parked extremely dangerously, hiding left turn from view of eastbound traffic, as they chat with other Gardaí and a ‘Branch man. As is said, one rule for the people …!”
In the laneway between houses visible in the background, a cameraman lurked taking photos. (Photo: Rebel Breeze)

In a marked departure from the previous year, the State’s political police, plainclothes Gardaí of the “Special Branch”2 did not approach the participants to attempt to intimidate them and gather intelligence, demanding their names and addresses under the Offences Against the State Act.3

That had been followed up by a raid on the home of one of the leading activists. Sunday’s police behaviour was an even greater difference from Saturday’s, when a different Republican group, Saoradh, had their Easter Rising commemoration in Dublin’s city centre.

Around 300 police, including many in riot cop uniform (Public Order Unit) had harassed the participants demanding names, addresses and other information, attempting to intimidate them. At least seven police vans had been in attendance also to the bemusement of onlookers.4

(Photo: Rebel Breeze)

LOCAL 1916 HISTORY

The Phibsboro/ Glasnevin area also figured in the 1916 Rising, with an insurgent barricade in Phibsboro and a Fianna youth, Sean Healy, mortally wounded at the crossroads by a British artillery shell fragment (a plaque on the ground at the SW corner commemorates his death.

Earlier, Irish Volunteers had guarded the canal bridge briefly; these were seen by the dozen Volunteers that marched along the canal from Maynooth, slept in Glasnevin Cemetery and got into the headquarters garrison at the General Post Office on Tuesday.

Later British soldiers set up a barricade on the Bridge preventing even foot traffic across and shooting dead a deaf and dumb man who could not hear their challenge.

EYE IN THE SKY? (Photo: Rebel Breeze)

PARADE THROUGH STREETS TO CEMETERY

The parade from Phibsboro on Sunday was led by the Glasgow Republican Flute band (formerly the Garngad RFB, which is where most of them are based) playing the airs of known Republican ballads, muted to regular tocks on their drums as they entered the housing estate.

(Photo: Rebel Breeze)

Also leading was the colour party dressed in white shirts, black trousers, jackets, berets and sunglasses, carrying the traditional flags for Republican colour parties: the Tricolour, Starry Plough, Sunburst, followed by the flags of the four provinces of Ireland: Connacht, Leinster, Munster and Ulster.

Over the marchers the flags of the Tricolour and the Starry Plough, flag of the Irish Citizen Army flew in the breeze while those of the Basque nation, Palestine and of the People’s Front for the Liberation of Palestine lent an international flavour to the commemoration of the Irish Rising.

There was some beeping of passing traffic and cheering from bystanders at the entrance to the laneway that leads to the bridge across the railway tracks to the St. Paul’s section of the graveyard. The marchers filed in and proceeded to the monument.

The Chair of the proceedings welcomed the attendance before reading from the 1916 Proclamation of Independence and calling a singer to step forward. Revolutionary activist Diarmuid Breatnach introduced the two songs he was going to sing as emphasising the role of the working class in the Rising.

(Photo: Rebel Breeze)

“The decision to go ahead with the Rising on Easter Monday was taken in Liberty Hall, the headquarters of the working class at the time,” he reminded the gathering, “which is also where the Proclamation of Independence was printed.”

He sang the “Jim Larkin Ballad”:
In Dublin City in 1913,
the boss was rich and the poor were slaves;
The women working, the children hungry,
till on came Larkin like a might wave …

Diarmuid Breatnach singing (Photo: Donated by participant)

Pausing to focus on a different key, the singer followed the ballad with Patrick Galvin’s Where Is Our James Connolly?

After applause, floral tributes were laid on behalf of Anti-Imperialism Action Ireland and of Dublin Republicans Against Fascism.

(Photo: Rebel Breeze)
(Photo: Donated by participant)

The chairperson asked for a minute’s silence in honour of those men and women who had given their lives in the struggle for freedom in Ireland. The colour party lowered their flags slowly in homage to the fallen, raising them again slowly to signify the continuation of the struggle.

(Photo: Rebel Breeze)

John Heaney, Republican ex-prisoner from Armagh was called to give the oration for the event, which he dedicated to all those men and women who had opened their doors and their homes to fighters in the struggle, whether the latter were in hiding or just resting – his audience applauded.

The speaker also congratulated on those who came forward to carry on the struggle, youth, women and stated he was proud to see the traditions of struggle being upheld in the process to achieve the Republic for which so many gave their lives.

The speaker, John Heaney delivering his oration. (Photo: Rebel Breeze)

The marching band then played the air of Amhrán na bhFiann/ The Soldiers’ Song, verse and chorus and the formal part of the event came to an end. Band members lined up in front of the Monument for photos and a little later played the air of “Black Is the Colour” on whistles, to general applause.

SECOND 1916 COMMEMORATION FOR AIA THIS EASTER

This was the second 1916 Rising Commemoration to be attended by Anti-Imperialist Action as they had also participated in another organised by the Seamus Costello Memorial Committee in Bray on the previous day.

AIA is a young organisation, founded by socialist Republicans unhappy with the direction of the Republican organisation of which they had been members but now containing many young people.

AIA gave rise to the Revolutionary Housing League that occupied empty buildings in a campaign against homelessness and called for a general occupation campaign across the state. A number of court cases against them followed but sadly their lead was not followed.

(Photo: Rebel Breeze)

AIA have also been very active against NATO, picketing promotional meetings and a number have been charged following a demonstration against a visiting British Navy ship in Dublin last November.5 They have also been active as part of the Saoirse don Phalaistín activist group.

Following the event in Glasnevin, many of the participants relaxed at a social evening in a different part of the city where many songs of struggle were sung.

(Photo: Rebel Breeze)

OTHER EASTER COMMEMORATIONS

Other Easter Rising commemorations have been held around this time, for example: Lasair Dhearg held one in Belfast on Easter Monday, while Independent Dublin Republicans held theirs in the capital, marching from Liberty Hall to the GPO, then to Moore Street to lay a floral tribute.

On Monday too the Derry 1916 Memorial Committee held an event in its city.6

Former revolutionary Republican party Sinn Féin held theirs in Arbour Hill7 cemetery on Sunday; a large part of their President’s address was devoted to justification of support for the EU and a plea to support the party whenever the state’s general elections are held (this year or next)8.

End.

(Photo: Rebel Breeze)

FOOTNOTES

SOURCES & FURTHER READING

Anti-Imperialist Action: https://t.me/aiaireland

Lasair Dhearg commemoration: https://www.facebook.com/LasairDhearg/

Derry commemoration: https://www.belfasttelegraph.co.uk/news/northern-ireland/petrol-bombs-thrown-at-media-during-dissident-parade-in-derry/a1835461558.html?

Sinn Féin commemoration: https://www.breakingnews.ie/ireland/mary-lou-mcdonald-makes-election-plea-at-1916-event-1608211.html

1My name for the Monument in the St. Paul’s part of Glasnevin Cemetery which stands in recognition of six periods of Irish Republican-led insurrectionary activity in Ireland: 1798-1916.

2Now officially the Special Detective Unit, they were previously known as the “Special Branch”, a name they inherited from the British occupation which had set up a political intelligence unit, the Irish Special Branch, to spy on and disrupt the Fenian movement among the Irish diaspora in British cities. Most political activists in Ireland continue to call them “the Special Branch” or simply “the Branch”. Their equivalent in Britain today and in a number of its colonies and former colonies continues to officially bear the name “Special Branch”.

3As amended in 1972 after a British Intelligence bombing killing two public transport workers in Dublin but blamed on the IRA; the amendment also permitted the setting up of no-jury Special Courts which are in existence to this day.

4In the context of assaults on persons in the city centre there have been regular complaints in the media and in the Parliament about the lack of Gardaí visibly patrolling the area.

5 https://ukdefencejournal.org.uk/irish-activists-shout-at-british-naval-vessel-in-dublin

6https://www.belfasttelegraph.co.uk/news/northern-ireland/petrol-bombs-thrown-at-media-during-dissident-parade-in-derry/a1835461558.html?

7Where the 14 Dublin 1916 executed were buried, now a national monument in a former prison and church graveyard around the back of the former military barracks and now National Museum of Collins Barracks

8https://www.breakingnews.ie/ireland/mary-lou-mcdonald-makes-election-plea-at-1916-event-1608211.html

IRELAND IN RUGBY – AND PALESTINE!

Clive Sulish

(Reading time: 3 mins.)

Thousands on Saturday (24th) witnessed Palestine supporters demonstrating outside the Israeli Embassy in Dublin’s Ballsbridge, their reactions for the most part ranging from neutral to applause, some having their photos taken alongside the picketers.

On this Saturday there was no Palestine solidarity march in Dublin and some instead attended a picket of the Zionist Embassy.

There were also a handful of hostile provocative reactions, ranging from mention of “the hostages” to cheering “Israel” and one who tried to make an issue of Jewishness but was firmly told that opposition to Zionism has nothing to do with anti-semitism.

Palestinian solidarity flag displaying designed by Brazilian political cartoonist Carlos Latuf during an earlier attack by the Zionist State on Palestinians. The building housing the Israeli Embassy is in the background. (Photo: Rebel Breeze)

Those who mention “the hostages” refer only to the 130 or so prisoners taken by the Palestinian resistance in their operation of October 7th, never to the thousands of civilians, including children, taken prisoner by the Zionist state and, if judicially processed, tried in Israeli military courts.

Initially the crowds leaving the Rugby game between the Irish and Welsh teams, seemed neutral as they passed the picketers but gradually grew warmer.

The handful of passersby who expressed support for the Zionist state were militantly denounced by the picketers as “Genocide supporters” but much more common from the crowds were signs of approval such as applause, thumbs-up and occasional cheers and clenched-fist gestures.

A few in the crowd also shook hands with or gave a fist-bump to a demonstrator and some also thanked the picketers.

Some asked to have their photos taken alongside a picketer, one also waving a borrowed Palestinian flag. A woman approached one of the demonstrators, removed her Ireland rugby colours scarf and wrapped it around the picketer’s neck, saying “We support you” before walking away.

One of the Palestine solidarity picketers wearing the Irish rugby colours scarf with which he was presented by one of the Irish team’s fans returning from the game. (Photo: Rebel Breeze)

The nearly non-stop chants of the picketers, led by a young man of Middle Eastern appearance in a keffiyeh were directed at solidarity with the Palestinians and denunciation of the Israeli State, including calls for boycott and sanctions and the expulsion of the Israeli Ambassador.

One of the female demonstrators, a regular at the site, is garbed in white “blood-stained shroud.” At least half the picketers appeared Irish by appearance and accent. A majority were female, which seems to be the pattern in pickets, rallies and marches in solidarity with Palestine.

The thousands who passed the picketers were in contrast to the earlier near-deserted Shelbourne Road, as the Gardaí had closed the road to vehicular traffic in the vicinity of the Aviva Stadium where the Ireland rugby team was playing the Welsh one.

A fragment of the rugby fans leaving the Aviva Stadium after the game and passing the picketers. (Photo: Rebel Breeze)

The Israeli Embassy moved in 2019 to its current location on the fifth floor of a multiple-business-occupied building at 23 Shelbourne Road. Formerly the zionist embassy occupied an upper floor at Carrisbrook House, Northumberland Road, with every other floor unoccupied.

Some of the occupants of the current building, which is protected by a Garda presence, have reportedly asked their landlord to remove the Embassy but the request was denied.

When Gardaí reopened the road a senior Garda officer directed the demonstrators, ‘for their safety’, to remove from the road in front of the Embassy building to the side. However, it is the Gardaí who have barricaded off the entire section of pedestrian pavement in front of the building.

It seems likely that this will become an issue at some point in the future.

The scene outside the Israeli Embassy in Dublin shortly before the commencement of the protest, showing the pedestrian footpath completely fenced off by Garda barricades. (Photo: Rebel Breeze)

THE RUGBY

The Irish team beat the Welsh one 31-7 on Saturday. The Irish rugby team is a 32-County team, unlike soccer, where the Irish state and the colony each has their own ‘national’ team and are obliged to compete against one another internationally.

However, the song played for the Irish rugby team is the anodyne Ireland’s Call and not Amhrán na bhFiann/ The Soldiers Song, which is played for the Irish soccer team and in Gaelic Athletic games.

Rugby has gained in wider popularity in Ireland in recent decades but formerly in most parts of Ireland was considered a game for Anglophiles or “West Brits”.

Also, with the exception of Limerick, socially a game of the upper middle class, being played in Anglican colleges and in Catholic colleges of the English public school model.

Until the advent of the now-defunct Irish Press(1931-1995), neither of the main national newspapers, The Irish Times nor The Irish Independent reported on Gaelic Athletic Association games, reporting instead on the minority rugby, hockey and cricket matches.

End.

(Photo: Rebel Breeze)

HO, HO – FATHER CHRISTMAS!

Diarmuid Breatnach

(Reading time: 6 mins.)

We now approach the festival called Christmas. A Christian festival, apparently, celebrating the birth of Christ, the baby Jesus. But are there darker aspects in its references?

Away in a manger
No crib for His bed
The little Lord Jesus
Lay down His sweet head

The stars in the sky
Look down where He lay
The little Lord Jesus
Asleep on the hay

Such a sweet, holy image.

But actually, when we look around us, it seems more like a festival of the pagan gods: of Bacchus, the god of alcohol and of Mammon, the god of wealth. Bacchus, because in non-Moslem countries, drinking of alcohol will be for most a big component of the festival.

Whiskey, brandy, wine and beer will be bought to stock up the house. Alcohol will be drunk at Christmas parties (including office parties, where for months afterwards some people will regret what they did or said – or even what they didn’t do or say).

Alcohol will be not just drunk but also put into some of the traditional food and even poured over it.

Then Mammon. Well, you can see the retail businesses stocking up for weeks or even months ahead of the festival which, after all, was only supposed to be a one or at most a two-day event.

Giving and receiving gifts has now become part of the festival and in most cases, gifts have to be bought. Which is a really big gift to the retail businesses and thence, really a sacrifice to Mammon.

In the Christian gospels of both Matthew and Luke, it is written that one “cannot serve both Mammon and God” — which goes to show how little they understood capitalism, where Mammon IS God.

A theologian of the Fourth Century saw Mammon as a personification of Beelzebub, which in his time was another name for Satan or the Devil.

Interestingly, Protestant Christianity, which some credit as having invented capitalism, at the same time regarded Mammon, or said they did, as “one of the Seven Princes of Hell”.

Cartoon depiction of Mammon, God of Wealth (Image sourced: Internet)
Sculpture representation of Bacchus, God of Alcohol, in California winery, USA (Image sourced: Internet)

SANTA

          Now, Santa Claus is also a big part of the Christmas festival, especially in western countries, a much more acceptable face than that of greedy Mammon and alcoholic Bacchus, right?

But originally, the Christians saw him a representation of St. Nicholas, 4th Century Bishop of the Greek city of Myra, a location now in Turkey. He was he patron saint of archers, repentant thieves, sailors and prostitutes. The prostitutes probably had to be repentant ones too, of course!

The sailors, who probably had at least as much recourse to prostitutes as had any other calling, were apparently not required to be repentant – to be in danger on the sea was deemed enough.

But St. Nicholas was also the patron saint of children, pawnbrokers and brewers, so we can see how close he was getting there to the modern spirit of Christmas.

GERMAN TRAPPINGS

          Now, the Christmas Tree, der tannenbaum, so much a part of the symbolism of modern western Christmas, came to us from Germany, as did the sled and the reindeer.

The reindeer are not autochthonous or endemic in historic times to Germany, so they must have been brought in their myths from Scandinavia from where originally, the Germanic tribes came.

In turn, the Christmas Tree, Yule Log, reindeer and sled were exported from Germany to England in the reign of Queen Victoria, by her consort Prince Albert, who was German.

And since the English ruled all of us in Victoria and Albert’s time, the Christmas Tree came to us too, to the cities first and then slowly spreading through the rural areas.

A representation of St. Nicholas (before he got the red suit makeover) looking more like a pagan god of the woods. (Image sourced: Internet)

***

When you think about it, this German-English worship of the tree was a bit ironic, since the English had wiped out most of our forests already and were still cutting down our remaining trees in Queen Victoria’s time.

***

And Victoria, through Albert, gave us the Santa Clause we know and love today. A jolly man, well fed, white beard, twinkly eyes, dressed all in red with white trim ….

IN RED?

          Now, wait a minute! It turns out he wasn’t always dressed in red. Originally, he was dressed in a brown, or green cloak. He was, originally among the Germanic people, a god of the forests – hence the evergreen Christmas tree.

And like any sensible woodsman, he dressed in appropriate colours, brown or green. Neither Albert nor Victoria ever represented him as dressed in red. So how did it become so that we are incapable of seeing him today in any other colour than red?

Well, it turns out that Coca Cola is the responsible party.

Yes, although it was the cartoonist Thomas Nast in 1870s United States who first portrayed Santa in a red suit with a belt but it was Coca Cola, in their advertising campaign of 1931 and onwards who made his clothes red world-wide.

Coca Cola is a drink served cold and almost undrinkable when warm but who needs a cold drink in cold weather? I guess Coca Cola needed a warm image to make it still attractive in winter. So therefore the warm, jolly man dressed in red, with a bottle of Coca Cola in his hand.

1931, Santa Clause first appears in red, in Coca Cola advertisement, USA. (Image source: Internet)

Coca Cola brand is worth about $106.1 billion dollars today,1 far ahead of any other cold drinks product. Which I guess brings us back to …. yes, Mammon.

You can mix the drink with a number of alcoholic beverages too, so tipping a nod – and a glass – to Bacchus.

Now, the German Santa Claus, this originally woodland god, is also thought to have been something like Thor, a god of fire and lightning. So can it be any coincidence that two of his reindeer are called Donner und Blitzen, i.e “Thunder” and “Lightning”? Nein – of course not!

A starry night over desert hills, like the Nativity scene but without the Guiding Star. (Photo source: Internet)

INVISIBLE

          Although we see the image of Santa Claus everywhere and even pretend Santa Clauses all over our city streets, everyone knows that nobody sees the real Santa Claus. Children have to be asleep when he arrives to distribute his presents and somehow adults don’t see him either.

Which I suppose is a good thing ….

I mean if you found an adult intruder in your house at night, not to mention near your children, you’d be liable to whack him with a hurley (that’s an Irish cultural reference) …. or a baseball bat (that’s a U S cultural reference) …. or stab him with a sharp kitchen knife (that’s an international cultural reference).

It was bad enough when somehow that portly – not to say fat – man could somehow come down your chimney and go up again, without waking anyone … but now he can get in your house or flat even when you don’t have a chimney.

Which is at least creepy, if not downright scary.

Oh, let’s lighten the mood and sing together:

You better watch out
You better not cry
You better not pout
I’m telling you why

Santa Claus is comin’ to town
Santa Claus is comin’ to town

He’s making a list
He’s checking it twice
He’s gonna find out
Who’s naughty or nice

Santa Claus is comin’ to town
Santa Claus is comin’ to town

He sees you when you’re sleeping
He knows when you’re awake
He knows if you’ve been bad or good
So be good for goodness sake

Yes, lovely but wait …

“You better watch out, you better not cry …” — Is it just me, or is that not downright threatening? And he knows when we’re sleeping or awake? He has our children under surveillance? In some kind of list?

HO! HO! HO! IN MORALITY PLAYS

          Morality Plays were a genre of theatrical performances of the medieval and Tudor eras in which a character was tempted by a personification of Vice.

Now Vice (not unlike a lot of police Vice Squads), was often seen as the epitome of evil, corruption and greed – in other words, the Devil. The playwrights tended to portray the Devil as somewhat of a comical character, perhaps to keep their audiences entertained (or to disarm them).

So the character who played the Devil would announce his arrival with a stage laugh: “Ho, Ho, Ho!”

You can probably see where I’m going with this.

Nowadays, we tend to see the Devil portrayed in black but in earlier times, he was more often seen as coloured in red. The colour in which Coca Cola just happens to have dressed Santa too.

The German or Nordic Santa was originally a god of fire also, while even the modern Santa drives a magical chariot pulled by horned beasts and he is portrayed all in red. Traditionally, the Devil is seen as residing in Hell, a supposed place of eternal flames below ground.

What does Santa Claus give to children who have not been good? A lump of coal! In other words, a mineral from underground that can burn to make fire.

NICHOLAS

          Santa Claus is supposed to be modelled on St. Nicholas …. and what is the popular abbreviated version of Nicholas, i.e the nickname? Yes, Nick.

And the common name for the Devil, Mammon, Beelzebub, Satan is ….. Old Nick!

We need to wake up! Guard our children!

HO, HO, HO!

End.

Footnotes

1https://www.statista.com/statistics/326065/coca-cola-brand-value/

GENOCIDAL SLOGANS?

Diarmuid Breatnach

(Reading time: 3 mins.)

Recently then-Minister for Home Affairs of the UK Suella Braverman claimed the common Palestinian solidarity slogan, From the River to the Sea, Palestine will be free! to be antisemitic, genocidal in effect and looked set to try to have it banned.

In some other western institutions, for example Columbia University USA, it HAS been banned and a Palestine solidarity student group has had its rights within the University revoked despite, reportedly, the opposition of the majority of students to that sanction.

Suella Braverman, MP, former UK Minister for Home Affairs. (Photo sourced: Internet)

How can a basic solidarity slogan be claimed to be genocidal?

Definition of a genocidal act: In the present Convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group …1

Obviously there can be such a thing as a genocidal slogan and, in fact, there are many examples in history: “The only good Indian (sic) is a dead Indian”2; “Juden raus”3; “To Hell or to Connaught”4; “Nits make lice”5; “Kill the cockroaches”6; “There are no Kurds, only mountain Turks”.7

Anti-Jewish racist and genocidal slogan in German with the Nazi Swastika symbol on wall in Florence, Italy.

But really, “From the River to the Sea, Palestine will be free”? Genocidal? For the Palestinian people to be free and in control of their own land, there has to be genocide?

Would “Scotland Free from Dunnet Head to Tweed” be considered a genocidal slogan? Or for example slogans such as “Ireland free from Donegal to Cork” or “A 32-County socialist Republic” be thought genocidal?

Oh, but the Palestinian one means Palestine for the Arabs only, no Jews!” Really? And you know this how? Before the British started driving Jews into Palestine the maximum size of the Jewish population there was 6% but there was no attempt by the mostly Arab people to drive them out.

Could the slogan not equally or even more likely be a call for a free, equal, democratic state across the whole of the original Palestine? Such as the stated objective of a number of Palestinian resistance organisations, the PFLP for example?

The nationalist slogans for Ireland and Scotland could be interpreted to mean clearing out all non-Scottish and non-Irish respectively but for the vast majority they not mean that nor are they generally thought to do so. So why suspect genocidal intention of the Palestinians?

The opposition to the slogan is not at all based on fear of genocide but in fact on support for it: the Zionist genocide against the Palestinians! It is based on denying the right to self-determination of the indigenous Palestinian people, of which a huge majority are Arab.

To deny the right of the Palestinians to self-determination is to support the right of the Zionists to colonise, a project entailing expulsion or massacre of the ethnically Arab Palestinian majority that existed in Palestine even up until 1948.

That Zionist project has continued with a constant ethnic cleansing pressure and genocidal attacks on the Palestinian people.

And the same people who oppose the slogan “From the River to the sea” etc support such slogans as “Israel has a right to self-defence” and “The Jewish people have a right to their own state”, which ARE racist and genocidal statements based on Zionist and European colonial ideology.

If Israel has a right to self-defence, what that means is that those who occupy a territory, steal the land and resources, colonise it and attack the indigenous people … have the right to defend themselves against the legitimate resistance of the people.

It gives the settlers the right to defend their occupation and repress the resistance, which naturally is given no rights at all. The robber has the right to the loot.

If the Jewish people have a right to their own state, where is that to be? Where will a land be found without people in it for them to take as their own?

And if such an empty land does not exist – which it does not – then what gives Jews or anyone else the right to occupy and settle a land, removing the rights of the indigenous people? An alleged promise by a being of religious belief? Or the backing of imperialist colonial powers?

The defence of the solidarity slogan’s content and the right to use it across the world are important democratic standards in the peoples’ struggles for justice and to express and build internationalist solidarity across the world.

The realisation of the slogan will be an important contribution to peace and justice in the world.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE!

End.

FOOTNOTES

1Article II, UN Convention on the Prevention and Punishment of the Crime of Genocide

2Whether correctly attributed to General Phillip Sheridan of the US Army or not it was certainly a popular saying in the white US colonial wars against the Indigenous native people.

3Nazi slogan, literally “Jews out!”

4Attributed to Oliver Cromwell in his mid-17th Century genocidal and ethnic cleansing campaign against the Irish Catholics.

5Horrific slogan justifying the killing of children because they will grow up to be the hated/ feared people. This slogan or saying has probably been heard at one time or another in most parts of the world but certainly against Native Americans in the USA; among Nazis against Jews, Slavs and Gypsies; in Israel against Palestinians.

6One of the slogans of the Hutu against the Tutsi in the 1994 ethnic cleansing and massacres in Rwanda.

7Remark attributed to the Turkish nationalist Kemal Ataturk with regard to the very large ethnically distinct Kurdish people in Turkey.

SOURCES

https://www.telegraph.co.uk/news/2023/10/16/suella-braverman-rows-anti-israel-chant/

https://www.un.org/en/genocideprevention/genocide.shtml

Basque actress Clara Galle hits back at criticism for not wearing a bra under her t-shirt.

Basque actress Clara Galle, criticised for not wearing a bra under her t-shirt at Basque team Osasuna’s football ground, kicks the ball back to score. “You have learned nothing,” she adds.

From Publico.es 09/26/2023 Translation by D.Breatnach (Reading time: 2 mins.)

The Navarrese actress Clara Galle went to Osasuna’s stadium, El Sadar, last weekend. As a famous fan of theirs, the club decided to honour her with a reception before the match against Sevilla. Luis Sabalza, president of Club Atlético Osasuna, gave her a t-shirt with her name on the back.

Actress Clara Galle photographed while watching her team play Sevilla at El Sadar, Osasuna’s stadium.

The visit was eagerly showcased on the official accounts of X and the club’s Instagram. However, as is often the case, the photos in which the outlines of her nipples were visible due to the absence of a bra triggered a multitude of sexist comments.

The actress, far from remaining silent, decided to respond forcefully with a comment on Instagram: “I’ve been going to El Sadar to see my team since I was a little girl … Given the comments I’ve read, I feel that I have to react.

“When I was getting dressed before arriving at the field, it didn’t occur to me that my nipples were to be such a topic of conversation,” she said. “If you notice them, it’s because I have them. I have never seen this kind of hullabaloo when any player from any team takes off his shirt on the field,” she added.

Osasuna’s president presents actress Clara Galle with a club t-shirt with her name on the back.

“I have a clear conscience, I’m not doing anything wrong by not wearing a bra.

“It doesn’t bother me that they say that I was wearing the two points that they didn’t win, it bothers me that my breasts are the only topic, among so many more interesting ones in existence, that many choose to talk about”, she declared.

Gale ended with an urgent reminder after the controversy over Luis Rubiales’ kiss of Jenni Hermoso: “It seems that we have learned nothing in recent weeks,” the actress concluded.

COMMENT

Sexism and adolescent behaviour by male adults is oppressive to women and at least tiresome to everyone else. It is an unfortunate feature of many – perhaps all – countries but the Spanish state seems to have a particularly high share of it.

End.

SWISS GOVERNMENT PLANS MASS SLAUGHTER OF WOLVES

Diarmuid Breatnach

(Reading time main text: 4 mins.)

The imagination’s land of the Red Cross, cheese, cuckoo clocks and chocolates plans the massacre of 70% of its wolf packs.1

In reality of course Switzerland is a very regulated country, with a rich financial/ industrial economy and is a major arms producer.

However in 2020 Swiss voters made their desire to protect endangered species clear, when 52% of voters rejected a hunting law that would have made it easier to kill endangered species such as wolves.2

Despite the vote, the Swiss parliament passed a new law in December 2022 that allows the wolf population to be ‘regulated’. Then, just days ago, the government proposed a regulation that will wipe out 19 of the 31 wolf packs remaining in Switzerland!

Eurasian Grey Wolf in snow (Photo sourced: Internet)

WOLF MYTH & REALITY

Childhood and adult fiction is replete with horror stories about wolves (to say nothing of werewolves) attacking humans but, when set against reality, these seem like propaganda. The reality is that it’s not to humans that wolves are generally a danger but to their livestock.

Wolves (Canis lupus) are highly intelligent pack canines and, apart from having donated the dog (Canis lupus famialaris) as a worker and companion for humans, is well aware of its survival boundaries with Earth’s very apex predator – humans (Homo sapiens).

Wolf fondling another; pack members are very affectionate to one another while the alphas maintain boundaries. (Photo source: Internet)

Wolves prey substantially on rodents but must also, for pack survival, prey on larger mammals such as deer, mountain goats and boar. When these are in poor supply or other prey is temptingly easy, such as cattle and sheep, they will take those too.

The traditional human fear of wolves is therefore not one based on self-preservation but on economic priorities. And in the moralistic story of “The Boy Who Cried ‘Wolf’” it is not the human villagers that are attacked by the wolf pack but the community’s sheep.

However, if humans are to continue consuming a diet that will include meat, they will of course need to protect their livestock from wolves and have being doing so even before history was written.

Traditionally the main agent in that protection has been, ironically perhaps, the wolves’ own descendant, the dog – or more specifically, several livestock guardian breeds of dog.

Known livestock guardian dog (LDG) breeds include the Aidi (Atlas Mountain Dog), Carpathian Shepherd, Estrela, Greek Shepherd, Komondor, several breeds of Mastiff and Sardinian Shepherd; a known extinct breed is the Alpine Mastiff (before 5th century BC to 19th century AD).3

Mastín (Mastiff) amidst sheep it guards near Lagunas de Somoza (León, Spain). (Photo sourced: Internet)

Livestock guardian dogs are socialised to the livestock and to their immediate human ‘family’ and will not tolerate the close approach of any potential predator (which often includes even other humans). The primary role is to protect the herd, warn of danger and if necessary, attack.

Where employed in the past, LGDs have been highly effective in protecting their charges, in most cases not even having to fight predators but rather intimidating them. If they have to fight, they are bred for fearlessness and tenacity and their throats also protected by a “wolf-collar”.

Anatolian or Kangol Livestock Guard Dog, with sheep herd it is protecting, Eastern Turkey. (Photo sourced: Internet)

Predators, however courageous, also have strong survival instincts which warn against danger to life or limb (the latter, for a predator in the wild, often in time equalling the first). Unless absolutely desperate they will move on to safer although more difficult-to-catch prey.

For a good LGD however, there is no backing down possible, it is in defence of its own (as a wolf pack might defend its pups). The herder, when present with a firearm, is mainly an additional protection, as well as an alpha member of the dog’s ‘pack’ to obey and protect.

In contemporary times, LGDs have proved effective throughout the world, even in the experimental reintroduction of wolves to the USA.4 So why are they not being more widely employed and, instead, the remaining large predators being exterminated?

Central Asian breed of Livestock Guardian Dog beside its owner (Photo sourced: Internet)

It is no doubt more profitable for big livestock famers to have huge herds roaming freely and when they run out of edible pasture, to move the herd by herding dogs, mechanised herding vehicles or even helicopters. But is it all-around better? And are huge herds environmentally viable?

Apart from other considerations, wolves have been shown to have an environmentally positive effect in a balance between predator, prey and the environment, including vegetation and even water courses, for example in the famous case of the reintroduction of wolves to Yellowstone.5

Deer are pretty to look at but eat young trees and cause damage to reachable branches, while wild goats will eat almost anything, right down to the roots. Wild boar can also be very destructive and, being omnivorous like humans, even prey on ground-nesting birds.

Eurasian Grey Wolf in woodland (Photo sourced: Internet)

All of those invade agricultural crop lands to eat, in the course of which they also trample other crops; wild boar6 are now invading villages and suburbs in a number of towns and cities, overturning large refuse containers for their edible contents.

Female wild boar with litter of piglets in German urban area (Photo cred: Florian Mollers)

Wolves and other predators keep those species down to numbers in better balance with the environment but also of less bother to human settlements. Wolf packs on the other hand do not grow in size beyond the food supply that is fairly safely available.

The human race has made a huge impact on the environment which is sustainable up to a point beyond which, however, we are rapidly passing. We live in a sustainable balance with the environment — or we perish. Perhaps “let the wolf live” can be part of the lesson we need.

End.

FOOTNOTES

1https://theswisstimes.ch/rssfeed/criticism-of-planned-wolf-culling-by-environmental-groups-in-graubunden/

2Including the European Brown Bear, European Lynx and Eagles.

3https://en.wikipedia.org/wiki/Livestock_guardian_dog

4“After the reintroduction of wolves, that were eliminated in the United States in the 1930s, American farmers were losing about a million sheep annually to wolf attacks. 76 farmers took part in the Coppingers program, which introduced European livestock guardian dogs into the US sheep breeding (in their project they used Anatolian Shepherd Dogs). In all farms, where, in the absence of dogs, up to two hundred attacks of wolves per year happened, not a single sheep was lost under the protection of LGDs. At the same time, none of the predators protected by law got killed: the dogs simply did not allow them to approach the herd.” – https://en.wikipedia.org/wiki/Livestock_guardian_dog

5https://www.yellowstonepark.com/things-to-do/wildlife/wolf-reintroduction-changes-ecosystem/

6A wild boar is much more likely to attack a human than is a wolf in Ireland, where the Wolfehound breed was famous, it was a boar that mortally gored Diarmuid of the legendary Fianna after his return from exile. Wild boar also carry diseases that can infect domestic pigs and humans.

SOURCES

Planned Swiss wolf massacre: https://theswisstimes.ch/rssfeed/criticism-of-planned-wolf-culling-by-environmental-groups-in-graubunden/
https://euro.dayfr.com/local/792716.html

Switzerland as arms exporter: https://www.swissinfo.ch/eng/politics/switzerland-contributes-to-global-arms-trade-boom/46565762
https://www.swissinfo.ch/eng/culture/arms-trade–swiss-neutrality-as-business-strategy/48457830
https://www.bloomberg.com/news/articles/2023-03-07/swiss-arms-exports-jump-29-as-industry-laments-neutrality#xj4y7vzkg

Livestock guardian dogs: https://en.wikipedia.org/wiki/Livestock_guardian_dog

Boars as a problem in urban areas: https://www.nationalgeographic.com/animals/article/wild-boars-are-wreaking-havoc-in-europe-spurring-creative-solutions
https://www.nationalgeographic.com/animals/article/hong-kong-urban-dwelling-wild-boars

The Yellowstone Park wolf introduction experiment: https://www.yellowstonepark.com/things-to-do/wildlife/wolf-reintroduction-changes-ecosystem/

CONCESSIONS TO COLONIAL LOYALISM

News & Views No.8Diarmuid Breatnach
(Reading time: 2 mins.)

According to media reports, Taoiseach Leo Varadkar said he expects to see a united Ireland in his lifetime. I think he’s wrong but he’s entitled to his opinion. However, some of his following remarks are objectionable and need to be challenged.

Varadkar claimed that in a united Ireland “there will be roughly a million people who are British.” That is false. There may – or may not – be a million IRISH PEOPLE who consider themselves British in a united Ireland, we’ll see. But they will be IRISH CITIZENS.

And they should have equal rights with all other citizens. They should have an equal right to vote, to housing, to their language, without any special restrictions, not to mention pogroms – in other words, nothing like the way their statelet treated its large Catholic minority.

A British soldier stands in front of a section of the burned out houses of Catholics in Bombay Street, Belfast in 1969 (which the Army did not try to prevent Loyalists burning). The arson was the Loyalist response to demands of Catholics for civil rights (while the colonial police response was batons, bullets and gas). (Photo source: Clonard Residents’ Association)

I agree with Varadkar that the quality of a country should be judged “by the way it treats its minorities.” So Varadkar, how did and does your Gombeen State treat its probably oldest ethnic minority? You know, the Irish Travellers?

It is true that “a Republican ballad, a nice song to sing, easy words to learn for some people can be deeply offensive to some people.” Presumably he means to Unionists and Loyalists. Yes, and antifascist and anti-racist songs can be deeply offensive to fascists and racists.

It is also true that some people in the Southern States sing songs about the Confederacy and Robert E. Lee and call it their culture. And the comparison fits – but not with Republicans but with Loyalists!

One of the charming annual expressions of Loyalist culture: a huge bonfire to burn Irish Tricolours and representations of Catholicism. Palestinian flags and representations of Celtic FC are frequently burned too. Slogans such as KAT (‘Kill All Teagues [i.e Catholics]) are often displayed also. (Photo source: Wikipedia)

It’s not Irish Republicans who spread racism and sectarianism: the Republican creed came into existence precisely against sectarianism. And we know Varadkar actually knows that because not long ago he made some remarks about the wide embrace of the Irish Tricolour.

The Irish Tricolour: a flag presented to revolutionary Irish Republicans by revolutionary French Republican women in Paris in 1848. Not a flag of monarchism, sectarianism or collusion with imperialism or colonialism.

While we uphold Republican principles we don’t have to apologise to anyone, least of all in our own country, Varadkar. It’s you and your party (and the rest of them serving the Gombeen class who threw away independence and slaughtered Irish Republicans) who need to be ashamed.

Leo Varadkar, Taoiseach (Prime Minister) of the current Coalition Government, who made the remarks this week. (Photo sourced: Internet)

People living in Ireland can think and feel what they like, good or bad. But in public, we will celebrate the valuable things in our history and culture. And we’ll do so proudly without apology to anyone.

On the other hand, public displays of Orange sectarianism, racism, homophobia, fascism and anti-LGBT targeting won’t be tolerated in an independent, reunited Ireland. Not for one minute.

End.

SOURCES:

https://www.breakingnews.ie/ireland/taoiseach-believes-there-will-be-a-united-ireland-in-his-lifetime-1524031.html

CIMARRON: GOING FERAL AND ETHNIC PREJUDICE

Diarmuid Breatnach (Reading time main text: 11 mins.)

LANGUAGE IS A TREASURE CHEST – 2

I observed in Language Is a Treasure Chest 1 that while language is full of wonders, it has some horrors in it too. And I found that to be true again.

I was reading a novel in which the word “Cimarron” appeared and, doing some quick research on the word, I came across a 2004 query in an email website or page called Word Wizard:

What is the etymology of the word cimarron? I’ve always been told that it means “runaway slave” in Mexican Spanish. Can anyone verify this?

The reply is dated the same day:

From Greek. It refers to people who live in perpetual mist and darkness, akin to the ‘land of the dead’. Latin ‘Cimmerius’, Greek ‘Kimmerios’, Assyrian ‘Gimirri’ even the bible ‘Gomer’ Gen.10:2 and Esk. 38:6.

In Western United States it refers to a stretch of land that gets rainfall when other near by areas are desert year round.

Apart from the topographical reference, I thought the expert’s explanation highly dubious. And in fact I happen to know something about the Spanish-language origins of the word.

The searcher replied:

Thanks, Jim. I just wonder what connection this word has to Hispanics of Mexican origin because it shows up in their surnames (although not as common as Lopez or Vargas or Garcia).

Is it just Mexican in origin or did that also come from Spain? So the “runaway slave” theory has no foundation then?

The expert’s reply did come back with a Spanish-language connection and he may be on to something with the topography, though I think he has it the wrong way around (as we shall see).

The “runaway slave” theory is not so obsolete. Mexico did not have slaves (outlawed in 1810) but American slaves who fled to Mexico had to pass through lands with water, or else parish (sic).

When relating their tales of woe to the locals the word ‘cimmaron’ arose to describe their flight through the South West desert.

Very curiously, there was no further contribution to the discussion. I tried to leave one of my own but was required to register, which I did (though wondering if worth the trouble) and never received confirmation1.

A view of the Cimarron National Grassland, the largest piece of public land in Kansas, a 108,175-acre property in the southwestern part of the state. It was recovered from the Dustbowl ecological devastation by soil recovery and management practices.” (Photo source: The Armchair Explorer – Kansas)
  1. THE FOLK MEMORY WAS TRUE

Continuing with a little light online research I found that the Castilian-language (Spanish) origin is the explanation most often given, with rarely a reference to Greek or other classical or archaic languages. For example, in yourdictionary.com:

American Spanish cimarrón, wild, unruly (from Old Spanish cimarra, thicket): probably origin, originally referring to the wild sheep (bighorn) found along its banks.

While in Wiktionary:

cimarrón (feminine singular cimarrona, masculine plural cimarrones, feminine plural cimarronas).

  1. (Latin America, of animals) feral (having returned to the wild)
  2. Synonyms: alzado, bagual, feral
  3. (Latin America, of people) rural; campestral
  4. (Latin America, of plants) of a wild cultivar.

But …. what about the “runaway slaves”? Under the title Cimarron People, Wikipedia has this to say: The Cimarrons in Panama were enslaved Africans who had escaped from their Spanish masters and lived together as outlaws.

In the 1570s, they allied with Francis Drake of England to defeat the Spanish conquest.

In Sir Francis Drake Revived (1572), Drake describes the Cimarrons as “a black people which about eighty years past fled from the Spaniards their masters, by reason of their cruelty, and are since grown to a nation, under two kings of their own.

The one inhabiteth to the west, the other to the east of the way from Nombre de Dios”. (location in Panama — DB)

We may indulge ourselves in a sardonic smile at commissioned pirate Francis Drake talking about the cruelty of others, or about slave-owning by a country other than England in 1570.

But we remember also that at the time Spain was the main competitor with England in the rush to plunder the Americas – and had got there well before them.2 Both colonial powers were already plundering Africa for raw materials and slaves.

The meanings of animals having gone “feral” or “returned to the wild” would easily have been applied by the society of the time to escaped African slaves.

A European society which, despite evidence to the contrary including agriculture in Africa, would have considered indigenous inhabitants of Africa as people living in the “wild”. Once escaped and no longer under European control, they would be seen as “returning to the wild”.

So what happened to the Cimarron People? Their settlements were subject to punitive raids by the Spanish, killing people and burning crops, so that in the end they came to a treaty with their old enemy.

The Wikipedia entry says no more except that the “Cimarrons” and the English quarrelled (not surprising, given that they were of no further use to the latter).

I believe some of their settlements in Florida were raided and burned by US “pioneers” and soldiers, the remainder becoming part of the Seminoles, a native American tribe that resisted the USA in the longest and most costly of the USA’s wars against the indigenous people.

The Seminole had many tribe members of part-African origin in their midst.

And here – a surprise: The word “Seminole” is derived from the Muscogee word simanó-li, which may itself be derived from the Spanish word cimarrón, meaning “runaway” or “wild one”!

So, in line with what that on-line searcher back in 2004 had heard, no doubt a folk belief, the word cimarron is, in Mexico (and in the USA), of Castillian (Spanish) language origin and is connected to escaped slaves of African origin.

Some of the sources for “cimarron” also give us “marron” or “marrón” which is also related to escaped slaves and, in English, became “Maroons”. These were escaped slaves inhabiting mountainous regions of Jamaica and elsewhere and became a great problem to English settlers.

The latter had taken the island from the Spanish but they failed totally to quell the Maroons, these emerging victorious in many military engagements.

In the Cockpits area of Jamaica, I have read, there is a place called Nanny Town, which is believed to be one of the settlements of the Maroons; their chief was said to be a woman called “Granny Nanny”3, whether because of her former slave occupation or for other reason4.

In the end, like the Spanish with the Cimarron People, the English had to treat with them. Sadly the treaty required the Maroons to return newly-escaped slaves, which they did and for which they received payment.

Maroons in treaty with the British, shown here in a reversal of the actual power relations in the “Pacification with Maroons on the Island of Jamaica”, by Agostino Runias (1728-96). (Source image: Internet)

However if instead of being a voluntary escapee to go to a wild place, you were forced by people or circumstance, well then, like Alexander Selkirk’s “Crusoe”, you’d be “marooned”!

Well then, what about the “cimarron strips” in the southwest of the USA? Could the word refer to strips of land “gone wild”? Or could the expert replying to the question in 2004 have been on to something?

If the slaves escaping through the desert from the USA to Mexico did indeed make their way through strips of watered land (not just for the water, as the expert speculates but for vegetation to conceal them), then there is a connection between escaped slaves and these strips of land.

But not as the expert sees it, rather the other way around: since the escaped slaves, the “cimarrones” were travelling the strips, they would be called by those who knew about it (escapee hunters, escapee helpers and just observers), “cimarron strips”.

Or in other words, “those strips through which the runaway slaves travel.”

2. CHRISTIAN ETHNIC PREJUDICE

However, if the word comes from Castilian (Spanish) what were the origins of the word in that language?

Perhaps a year before this word-quest, I was reading a book that described the Spanish State as having been characterised, contrary to many other European states, by mass expulsions and exiles on a number of occasions throughout its history5.

First on the list of expulsions was the well-known example of the Moors and the Jews.

Those who were not slaughtered by the forces of the “Christian Monarchs” of Ferdinand and Isabella in the “reconquest” were obliged to convert to Christianity or to leave “with only the clothes on their backs”. This also occurred in Portugal.

Those Jews who left were the Sephardim or Sephardic Jews, who spoke Ladino, an archaic kind of Iberian Romance6 language with Aramaic and Hebrew words, along with the Moors, who spoke an Iberian-Arabic mixture or Arabic.

The key of their houses or gates have been handed down to this day in families of both groups.7

Many converted, often referred to by Christians as “conversos” (Jews) or “moriscos” (Muslims) but were constantly under suspicion of reverting to their old religion even with the threat and constant trials and torture of the Spanish Inquisition.

According to what I have read the latter too were sometimes called “marronos”, i.e in the eyes of the Spanish Christian ruling class, those who had been “domesticated” (Christianised) but had “returned to the their wild way” (Moslem), i.e “gone feral”.

Forced conversions that had to appear genuine: “The Moorish Proselytes of Archbishop Ximenes”, Granada, 1500 by Edwin Long (1829–1891). (Image source: Internet)

Wikipedia on Marrones in Iberia confirms: The (Spanish) Inquisition was aimed mostly at Jews and Muslims who had overtly converted to Christianity but were thought to be practicing their faiths secretly. They were respectively called marranos and moriscos.

However, in 1567 King Phillip II directed Moriscos to give up their Arabic names and traditional dress, and prohibited the use of Arabic. In reaction, there was a Morisco uprising in the Alpujarras from 1568 to 1571. In the years from 1609 to 1614, the government expelled Moriscos.

3. THE BUSH FROM THE NUT?

And is “ci” or “cy” in “cimarron” then merely a prefix? The word “marrón” exists as a colour in Castilian and a number of Romance languages and came into English as the colour “maroon”.

Its development is taken as originating from the colour of the large ripe edible chestnut, rather than given to it later. Of course there are a number of words for colours or tints which have a botanical origin, “orange” being an obvious one.

Castanea Silva, the edible or Sweet Chestnut in Mallora. (Image source: Internet)

Alright, then the nut and tree might have been associated with uncultivated or “wild” areas, similar to those to which the “cimarrons” would escape.

But where did the “ci” suffix come from? Somewhere in the midst of what I have been researching I came across an explanation, derived from Latin, meaning “towering”, “high” etc. But can I find it now? No.

The online sources are telling me that the relevant pages are up for deletion and I can join the discussion. No thanks, I do not have anything like sufficient knowledge to enter a debate on that, nor the patience of an academic to research it thoroughly.

But “high” and “wild” could easily correspond, given that valleys and plains lend themselves more easily to cultivation, as a rule, than mountainy areas, which might remain wooded or with with thick undergrowth.

And that might also give us the “bush” or “thicket” referred to in a number of references for “cimarron”, which in turn might describe the “cimarron strips”. In parts of Latin America such as Chile (and for all I know, in all of them), a “cimarra” is also a thicket or densely-grown area.

The article in the Language Journal (see reference) comments that the “arra” cannot be a Romance language word-ending.

But even if true it seems to me that the author (or authors) quoted might be unaware that among those from Iberia who colonised or settled in the Americas, Romance language speakers were not alone. There were also Basques who spoke Euskera/ Euskara.

And for evidence, they applied a number of toponyms and left family names from the Basque Country (Basque descendants make up to 10% of the population of some Latin American countries). And “-arra” would be a common enough suffix or word-ending in Euskera.8

Opening title for the weekly TV Western series ‘Cimarron Strip’, starring Stuart Whitman, Judy Gleeson, Percy Herbert and Randy Boone. Though popular, only a years’ worth of episodes were screened. (Image source: Internet)

OKLAHOMA PANHANDLE AND THE CIMARRON STRIP

In the 19th Century wars between the Mexican Republic, the USA and the Native Americans in the area, the area was carved up with less and less left to the Native Americans.

Prior to the American Civil War, white Texas wanted to join the Union as a slave state and due to a US federal law prohibiting slavery north of 36°30′ parallel north, white Texas surrendered a strip of land north of that latitude.

The settlement (temporary of course), left a strip as “Neutral Territory” (one can only imagine the temptation for African slaves in Texas to make for there). After the Civil War big cattle ranchers moved in, disregarding treaties and named the area the Cimarron Strip.

Map of Oklahoma territory and “Neutral Strip” before the American Civil War.
(Image source: Wikipedia, Texas Panhandle)

But that was because the word ‘Cimarron’ was already in the area, from the “Cimarron Cutoff” leading to a crossing of the ‘Cimarron’ river.

And yes, there was a popular 1967-1968 TV series called “Cimarron Strip”, starring Stuart Whitman. But, though I have watched it, that is only faintly related to the story of the word that set me out on this quest.

End.

FOOTNOTES

1Which days later had still not arrived – perhaps the site is no longer in operation, which would explain the silence after those two posters.

2Columbus voyage to America 1641 and Spain’s first colonial settlement 1565 (now Florida); Mayflower expedition to America with English settlers 1587 (now Virginia). However, Europeans had founded settlements much earlier, as with the Norse in the 10th Century and very likely Irish monks in the 6th Century. But it was the English and Spanish who conquered most, the Dutch, French and Portuguese less. The descendants of the English settlers after gaining independence from England completed the seizure and colonisation of most of the North American continent, while English colonists remaining loyal to the English Crown seized land to form what is now Canada.

3https://en.wikipedia.org/wiki/Nanny_Town

4All the folk tradition, albeit conflicting on some points, declares that she had not been a slave which leaves one to wonder how she might have reached Jamaica from Africa without having been enslaved.

5I borrowed the book from the public library and cannot remember its title at the moment. Interestingly it mentioned Ireland as having the only comparable history (though of course there the ‘expulsions’ were due to colonial occupation rather than actions of the indigenous state.

6“Romance languages” is a name given to the group of Indo-European languages including Castilian (Spanish), Catalan, Galician, Portuguese, Romanian, Italian and French. They are sometimes called “Latin-based” or “Latin Languages” but there is some dispute about the origins and developments of these languages.

7Ironically, the door or gate “key” is also a symbol of return for Palestinian refugees driven from their homes by Zionist massacres, threats and fear during the founding of the State of Israel.

8Among toponyms of North America’s southwest, Durango (Colorado and Mexico), Navarro and Zavala Counties (Texas) are perhaps the best known; while Aguirre, Arana, Bolívar (Bolibar), Cortazar (Kortazar), Duhalde, Echevarria (Etxebarria), García, Guevara (Gebarra), Ibarra, Larrazábal, Mendiata, Muzika, Ortiz, Salazar, Ugarte, Urribe and Zabala are but some among a host of family names of Basque origin from the American south-west in Latin America. And of course the country of Bolivia, from Simon Bolívar, a Basque surname from a Basque toponym.

SOURCES, REFERENCES

http://www.wordwizard.com/phpbb3/viewtopic.php?t=1342

https://www.yourdictionary.com/cimarron

https://en.wiktionary.org/wiki/cimarr%C3%B3n

Excerpt on-line from Language journal, Linguistic Society of America, Leo Spitzer, Vol. 14, No. 2 (Apr. – Jun., 1938), pp. 145-147: https://www.jstor.org/stable/408879?seq=1

Cimarron People: https://en.wikipedia.org/wiki/Cimarron_people_(Panama )

Seminole People: https://en.wikipedia.org/wiki/Seminole

Marrons, Marrónes, Maroons: https://en.wikipedia.org/wiki/Jamaican_Maroons

“Marronos” in Iberia: https://en.wikipedia.org/wiki/Moors#Etymology

Marooned: https://www.etymonline.com/word/maroon

Marrón/ maroon as a colour, derived from the nut: https://www.etymonline.com/word/maroon

Basque diaspora to Latin America: https://en.wikipedia.org/wiki/Basque_diaspora

Family names of Basque origin in Latin America: https://www.academia.edu/7889462/Basque_legacy_in_the_New_World_on_the_surnames_of_Latin_American_presidents

Basque words ending in -arra: https://www.ezglot.com/words-ending-with.php?l=eus&w=arra

https://en.wikipedia.org/wiki/Oklahoma_Panhandle#Cimarron_Territory

Obituary: Sinéad O’Connor, 1966-2023

Gearóid Ó Loingsigh

26 July 2023 (First published in Socialist Democracy, reprinted by kind permission of author)

Sinéad O’Connor has died. Her death at the age of 56 was announced on RTÉ.

The evening news programmes went into overdrive to pay tribute to an incredibly talented musician. As with all such tributes, the great and good were asked for their opinions or they offered them in any case and they were carried uncritically.

Sinéad O’Conner and daughter Roisín on anti-racist demonstration, Dublin, 2000. (Photo sourced: Internet)

You are not supposed to speak ill of the dead in Ireland, but more than that, you shouldn’t speak ill of those who seek to praise the dead, no matter how hypocritical they are.

There were many milestones in her musical career, not least her rendition of Nothing Compares 2 U. The media highlighted her musical talent, her voice, sometimes describing her as controversial and outspoken and much loved by the public.

Yes, she was loved by the public, to a point, and also by other musicians around the world.  However, she was also despised by many, written off and derided by commentators. As with many artists when they die, there is a tendency to rewrite history.

Her politics were sometimes erratic and lurched from one thing to another, though she was always honest and forthright when she did so, unlike many a coward. As erratic as some of her opinions could be, there were no smug self-serving platitudes to fall from her lips. She was no Bono.

She was honest, frequently angry and went after the powerful at times.

The famous incident where she tore up a photo of then Polish Pope, Wojtla in protest at his covering up and enabling of child sexual abuse, a topic she was painfully personally aware of in her own personal life did not go down well with some of those now praising and lamenting her passing.

Bono doesn’t do tearing up photos of popes, he sups with George Bush, the late senator McCain, toured Africa with the head of the World Bank, to name just a few of the scumbags he was not only too happy to rub shoulders with but positively revelled in.

Fianna Fáil and Fine Gael leaders have expressed their sorrow at her death.

They weren’t expressing any support when she denounced child sexual abuse, the entire Irish political establishment were busy helping the Catholic Church cover it up, and later facilitated the institution to evade its legal, financial and moral responsibility.

Their attitude is best summarised in a typical hypocritical Irish attitude when dealing with those who make us uncomfortable that goes through phases of saying, “She’s mad, isn’t she great gas altogether, she may have a point but…, fair play to her, didn’t she speak up at the time”.

All of this without ever examining their own role in it all. The fact that, as we speak, reports of the sexual trafficking of children in care are being ignored by the government, says all you really need to know about their attitude.

If a new musician of her talent and courage were to speak out now, she would be cancelled and silenced by many of those now praising her, including some of those on the left, who have grown quite fond of not breaking ranks and clamping down on those who did.

She always spoke about mental health issues, though she became much more public about her own issues as she got older. She even broke down on a video about it, locked away in a hotel, crying. The video led to many expressing their concern, but also a bit of “there goes that one again”.

We will no doubt get many commentaries on air and in print about her struggles with her mental health, many expressing concern and sympathy with her plight. Many of them will be hypocritical.

It is true that Irish society is more open now about people who have mental health problems, though there is still a stigma attached to it.

Sinéad O’Connor (Photo sourced: Internet)

Ironically RTE followed up the news of her death with another story on the shambolic, criminal (my word, not the words of the media cowards) state of the child mental health services in Ireland (CAMHS).

Micheál Martin and Leo Varadkar may even refer to her troubles in their tributes, but they never cared about them then, they don’t care now and the proof is not only the state of CAMHS, but mental health facilities in general, with long waiting lists, a rush to medication and forgetting about the patient model of care.

Her politics were erratic in many ways, though in fairness they weren’t much more erratic than others who are not judged as quickly. She flirted with republicanism, then broke with them, even applied to join the more recent incarnation of Sinn Féin in 2014, before withdrawing it.

It may be hard to take that seriously, but it was no less ridiculous than Bono condemning the IRA and then spluttering out nonsense about how he admired Bobby Sands. He didn’t, never, ever, when it mattered.

Sineád for all her failings took positions that were unpopular unlike some of the vomit inducing smug types that populate the modern music industry.

For my own part, her politics on racism were without fault. Her song Black Boys on Mopeds is excellent. It points out the hypocrisy of Thatcher criticising China whilst British Police like James Bond had a licence to kill.

Margaret Thatcher on TV
Shocked by the deaths that took place in Beijing
It seems strange that she should be offended
The same orders are given by her”

The song goes on to say something truer today than before.

These are dangerous days
To say what you feel is to dig your own grave”

And then a description of England, that the great and good would run a mile from.

England’s not the mythical land of Madame George and roses
It’s the home of police who kill black boys on mopeds.”

Now she will be lionised in death, praised, described as troubled, talented, controversial and much loved. We should ignore the sanitised version we will be given and remember the Sineád O Connor who was treated with contempt and disdain at times.

Aside from her incredible musical talent, that is the version that is worth remembering and celebrating, the version they weren’t too happy to celebrate when she was alive.

In Ireland we like to celebrate talented uncomfortable artists and writers in death in a manner we don’t do when alive. She deserves some coherence from us on this.

End.