SATURDAY NOVEMBER 12th AN ANTI-FASCIST ACTION CONFERENCE WAS HELD IN DUBLIN CITY CENTRE, TITLED “THEY SHALL NOT PASS – 80 YEARS OF FIGHTING FASCISM”
The speakers were Dr.Brian Hanley, Dr.Mark Hayes and Ciaran Crossey, with the event chaired by Helen Keane.
Poster for the event which used as its main image a section of the Battle of Cable Street mural.
I missed the beginning of the conference and unfortunately the whole of Ciaran Crossey’s presentation, arriving near the start of Brian Hanley’s to a packed conference room.
Brian Hanley gave a comprehensive history of the main components of the development of fascism in Ireland in the 26 Counties until the collapse of its impetus at the end of the 1930s. Hanley’s talk built on his Pamphlet: Ireland’s shame: the Blueshirts, the Christian Front and the far right in Ireland, (Belfast, 2016) by adding a review of Ailtirí na hAiséirghe, the minor but energetic organisation formed in 1942 under the leadership of Gearóid Ó Cuinneagáin, which aimed for an anti-semitic Catholic and corporatist state.
Hanley packed all that into 45 minutes with apparently occasional deviations from his notes, full of interesting observations. Locating the thrust towards fascism in the strongly Catholic and anti-communist atmosphere of the 1930s in Ireland (with elements of anti-semitism), it was surprising to hear excerpts from speeches and right-wing periodicals of the period referring to the Fianna Fáil Government as “communist” and “under orders from Moscow”. It was interesting too to hear brief accounts of pitched battles between fascists and Republicans around the country during the height of the Blueshirt era, how much of a social base and energy the latter gave to the Fine Gael party and to accounts of the Soldiers’ Song (the Irish National Anthem) being attended to with the fascist salute (which led to violence in one cinema at least). Another interesting if somewhat disappointing snippet was that the AT&G, a trade union with HQ in Britain, was the one that most prominently took a stand against Franco in the 1930s while many Irish union leaderships took the opposite side.
The Chair announced a short break immediately after Hanley’s contribution which sadly resulted in no questions on Hanley’s contribution when the conference reconvened with perhaps 80% of the earlier attendance.
The post-break session began with a talk by Mark Hayes, well-known in Britain in particular as a veteran anti-fascist activist and organiser.
Hayes began by seeking to establish a description of fascism and then went on to dissect and disprove a number of reasons given by commentators for its incidence – religion, psychology of the masses of certain countries, psychology of fascist leaders, the middle class — but concluded that fascism occurs when the ruling class of a country is ready to implement it and able to do so. During the 1930s and ’40s, the ruling classes of a number of European countries opted for fascism while others did not. Britain for example had leaders who admired fascism, including Churchill (and Hayes quoted some of the latter’s public statements) but could not tolerate a Europe under the control of one country, which explained, Hayes said, why Britain went to war with Hitler and Mussolini.
Some individuals apart, the profile of fascists and supporters was “depressingly normal”, Hayes maintained which demonstrates that a successful rise of fascism is potentially possible anywhere. There is no firewall between capitalist democracies and fascism and commentators who maintain that “it couldn’t happen here” or that its time has run out, as one prominent commentator claims, are sadly mistaken.
The growth of fascism is assisted by the capitalist State with increasing attacks on civil freedoms and on the rights of workers. Hayes saw this as being particularly initiated in Britain under the Prime Ministership of Margaret Thatcher and her Government, with attacks on the legal rights of trade unions and the use of massed ranks of police. He drew attention to the “prevent” strategy in Britain today as a state-introduced oppressive and repressive measure.
Mark Hayes during his presentation. (Photo: D.Breatnach)
Questions & Contributions
At the end of Hayes’ presentation the Chairperson Helen Keane opened up the floor to questions.
There were four contributions from the floor, only one of which was a question: it was about the content of the Prevent Strategy which Hayes’ had mentioned earlier. Hayes replied that managers of colleges in “the UK” now have a legal obligation to identify and report to the authorities anyone exhibiting “extremism” which is turning them into part of the police force, which was an aspect of fascist rule in society. “Extremism” is problematically identified as being in opposition to “British values” which are formulated as “moderation, fair play”, etc but those alleged values completely ignore the history of Britain’s colonial conquest and imperialism.
A contributor addressed the liberal dismay at the election of Trump, criticised the alleged feminist politics of Hilary Clinton with regard to the USA’s war policies and their effects on women elsewhere in the world; finally he expressed his belief in the necessity to stand by Russia and Syria.
Anothercontribution framed as a question but in reality more of a comment was made in relation to the history of the growth of state fascism in Britain, which the contributor ascribed to the Prevention of Terrorism Act, introduced by a Labour Government a year before Thatcher’s Conservative Party gained a majority. That year, 1974 was also the year of the killing by police of the first known anti-fascist martyr in modern times in Britain, Kevin Gately in Red Lion Square in London.
The contributor went on to express the view that although AFA had made a huge and the principal contribution to the defeat of modern fascism in Britain, the policy of “No Free Speech for Fascists” had been put forward by the Communist Party of England (Marxist-Leninist) in the very early 1970s1 before the formation of AFA2, a policy which no other political party on the Left would support at the time. That policy had been popularised through the action of the Afro-Asian Student Society, which had close links with the CPE (m-l) and which was influential in bringing about the “no platform for fascists” policy in the National Union of Students in Britain in 1974.
A section of the attendance after the break in the conference. (Photo: D.Breatnach)
Hayes agreed that of course there had been earlier organisations and also stated that the actions of the Labour Government in Ireland had been fascist but felt that in Britain, Thatcher had brought about the definitive introduction of State fascism and that “in 30 minutes it’s not possible to cover every detail.”
The issue of the attitude towards “our only native ethnic minority”, the Irish Travellers, was raised by another contributor, attacking the endemic wrongs in the treatment of this group within the country and defending their need to be recognised as an ethnic minority.
The event ended with a reading by Máirín Ní Fháinnín of the translation into English of a short poem by Flor Cernuda, who after a period of post-war imprisonment in a concentration camp, worked for many years for the underground resistance against Franco’s regime. The poem’s title is Las Brigadas Internacionales.
CONCLUSION
The conference was full of interesting information and the speakers I heard were of good quality in presentation, in knowledge of history and in analysis. There was undoubtedly a lack of discussion, which was a pity. In addition I was surprised that the Dublin anti-fascists’ victory in denying Pegida their Irish launch was not mentioned – small-scale though the battle was, Dublin was as far as I’m aware the only city in a European state which Pegida had targeted to launch their party and had failed to do so, being driven out of the city centre by vigorous action.
Máirín Ní Fháinnín reading Flor Cernuda’s poem. (Photo: D.Breatnach)
You will not question the Leadership of the Organisation. That is disrespectful. Besides, they know better than you. They are more intelligent and/ or better educated or have been at it longer than you.
The Leadership are incorruptible and have suffered much along the way. That makes it disloyal to question them.
You don’t want to be disrespectful and disloyal, do you?
Let the Leadership do the thinking. Is that not easier?
You must not listen to those who challenge or criticise the Leadership. Those people are disloyal and disrespectful. Besides, some of the things they point out will make you uncomfortable. Put your trust and faith in the Leadership and be comfortable and at ease.
Those who challenge the Leadership are troublemakers. They seek to upset things. It is right that they be expelled and then things will return to the state with which we can be comfortable. If remaining inside the Organisation, they will create disorder. If they are outside the Organisation, their words should not be reported or their criticism printed. Their activities should not be publicised.
You know and your comrades know that you are not a troublemaker, or disrespectful or disloyal. But if you associate with those critics, the ones from outside or that left or were expelled, people will begin to suspect that you too are like them. You want the Leadership and comrades to trust you, to be at ease with you, don’t you? Best ignore the critics, not have anything to do with them.
Besides, what can they possibly have to offer, outside the Organisation?
Solidarity against the attacks of the enemy is a good thing, but not with the critics. They have forfeited any right to solidarity when they broke from or criticised the Leadership and the Organisation. They have brought all this down upon themselves.
Concentrate upon the path pointed out by the Leadership. Concentrate upon the tasks of the moment. All will be well. You are in good hands. The Organisation is in good hands. Everything is fine.
As Mayo began to prepare for a replay of the 2016 championship Gaelic Football final against Dublin, I stood with others on a very wet day in Dublin’s Croppies’ Acre to commemorate and honour Robert Emmet and the United Irishmen – an event replete with Mayo connections.
Eniscorthy Historical Reenactment Society inside the monument during the ceremony. (Photo: Paddy Reilly)
The event, organised by the Asgard Howth 1916 Society, was graced by the presence of the Enniscorthy Historical Reenactment Society, men and women in 1798 costume bearing pikes, including officer uniforms – they had travelled up from Wexford that morning to attend the event. Donal Fallon, historian, blogger, tour guide and broadcaster was to give the oration. Padraig Drummond, the organising persona, had asked me to sing two songs at the event, one near the start and the other near the end.
For the first song, I had chosen the Bold Robert Emmet ballad1 (originally known as The Last Moments of Robert Emmet2), a song that commonly sung more often a few decades ago but still reasonably well remembered. For the second, I was spoiled for choice of relevant songs: Anne Devlin, Boolavogue, The Croppy Boy, Henry Joy, The Irish Soldier Laddie. Kelly the Boy from Killane, The Rising of the Moon, Rodaí Mac Corlaí, Sliabh na mBan, the Three Flowers, The West’s Awake, The Wind That Shakes the Barley …… or I could finish learning some of which I knew bits, like the Sean Bhean Bhocht, General Munroe, Memory of the Dead (Who Fears to Speak of ’98?) or the Mayo version of An Spailpín Fánach.
Drawing depicting the trial of Robert Emmet in Green Street Courthouse, Dublin. (Photo source: Internet)
Though a beautiful song in lyrics and air, I felt Sliabh na mBan was too long for the event and cutting it would also feel wrong. Anne Devlin remembers an extremely brave comrade of the United Irishmen and gives rare acknowledgement to the role of women in the struggle for Irish freedom, which had me veering towards that choice. However, I eventually settled on Men of the West, celebrating the 1798 uprising in Mayo when a small French force under General Humbert landed to support them.
Diarmuid Breatnach singing “Men of the West/ Fir an Iarthair”. (Photo: Paddy Reilly)
MEN OF THE WEST
The Mayo connection in the forthcoming GAA final was one reason for the choice, another was that this time of year is that which witnessed the repression in Mayo after the defeat of the last rising of that year (and the last forever, the British and their Orange supporters may have thought, until Emmet came out five years later). And other reasons were that I could sing it as a macaronic song (with some of the verses in Irish and some in English), the song was not too long and it has a chorus in which participants could join.
Bartholomew Teeling, with the French who landed at Mayo, captured when they surrendered at Baile na Muc. Hung in Dublin and his body thrown into the “Croppy Hole”. (Photo source: Internet)
There were yet other reasons for the choice too – not in our culture of song and game, nor in the calendar, but in the ground under our feet, for somewhere under there in what was first called “The Croppies’ Hole” and later “Croppies’ Acre”, the mass grave of many United Irish, lie the bodies of the executed Matthew Tone — younger brother of Theobald Wolfe Tone (who was soon after to give his own life to the Rising) – and Bartholomew Teeling. The younger Tone and Teeling had landed with the French in Mayo, been taken prisoner after the surrender of the French at Baile na Muc, in Co.Longford, brought to Dublin and, despite their French Republican Army officer rank, tried as rebels and hung there.
And in researching background for this article, I came across even further Mayo connections.
The lyrics of Men of the West were written by William Rooney and put to the air of an Irish song called Eoghan Chóir written in turn — and also air apparently composed — by a Mayo United Irishman and songwriter, Riocard Bairéad (Richard Barrett3), who composed the even better-known Preab San Ól4.
The lyrics of Men of the West were later translated into Irish by Conchúr Mag Uidhir, who won a prize for that work at a Feis Ceoil in 1903 – again in Mayo. It was the lyrics of both these versions that I combined to make the macaronic version I chose to sing at the commemoration at Croppies’ Acre5.
THE DUBLIN SONGWRITER — BACKGROUND
While I need to do some research to find out more about this Mag Uidhir, quite a lot is known about William Rooney (Liam Ó Maolruanaigh). Born in the Dublin former red-light district known as “The Monto”6 in 1873, Rooney grew up in a what had been considered the second city of the British Empire but had declined in status with the abolition of the Irish (colonial) Parliament in 1800. The city contained the residence of the Crown’s representative in Ireland, a number of British army barracks and the administration apparatus of the colony, the latter in Dublin Castle. Dublin also contained a substantial loyalist population of the Ascendancy, in addition to “Castle Catholics”7. However, Dublin was also a focal point in Irish nationalist and separatist politics. Relatives and descendants of members and sympathisers of the United Irishmen of 1798 and 1803 lived in the city and the events were in the living memories of some.
William Rooney, journalist, organiser, Irish language revivalist and author of songs. (Photo source: Internet)
Irish Republicanism had seen a resurgence with the Young Irelanders of 1848 and some of their supporters were easily alive when William Rooney was born in 1873 and during his childhood. The founding of the Irish Republican Brotherhood in 1858 preceded Rooney’s birth by only 15 years and although the raid on the The Irish People newspaper took place in 1865, followed by the trial and conviction to penal servitude of Ó Donnobháin Rosa, Thomas Clarke Luby and John O’Leary, they would have been still talked about during Rooney’s childhood.
The following year, 1866 saw the failed rising of the Fenians in Ireland and also their shock invasion of Canada and, in 1867, the stirring freeing of the American Fenian prisoners in Manchester and the subsequent hanging of the three martyrs, Allen, Larkin and O’Brien. The spectacular rescue of escaping Fenian prisoners from Australia by the Catalpa and their celebrated delivery to the freedom in the United States took place in 1876.
Although these events were all over (or just occurring, in the case of the Catalpa) by the date of Rooney’s birth, their echoes remained – in living memory, in the cause of prisoners serving sentences in English jails or penal colonies and in agitation for a political prisoners’ amnesty. And God Save Ireland8, written to commemorate the Manchester Martyrs in 1866 by Timothy Daniel Sullivan would have been an extremely popular song among a wide section of the Dublin population during Rooney’s childhood, along with patriotic verses and songs by Thomas Moore (1779-1852), Thomas Davis (1814-1845) and James Clarence Mangan (1803-1849). Verse and songs by these poets were learned by ear and recited or sung but were also available in printed form, in songbooks, song sheets and nationalist publications.
Sullivan was a journalist, owning and editing the publications The Nation, Dublin Weekly News and Young Ireland. As a journalist, Sullivan published reports of meetings of the banned National League in December 1887, for which he was convicted and imprisoned for two months by the British administration. William Rooney was in his late teens at that time and Sullivan lived until 1914.
At the age of around thirteen William Rooney became acquainted with a leading Irish nationalist of his times, Arthur Griffith, through Rooney’s membership of The Irish Fireside Club, a literary discussion group. Both of them joined the Leinster Debating Society (which later became the Leinster Literary Society) which they soon led, Griffith as presidents and Rooney as Secretary. The early 1890s controversy surrounding Parnell’s relationship with Catherine O’Shea caused a serious disruption in the nationalist movement of the time and caused a serious split in the Irish Parliamentary Party of which the Leinster Literary Society became a casualty.
Rooney then formed the Celtic Literary Society in 1893, of which he became president; he also edited An Seanachuidhe (old spelling of “Seanchaí”, a story-teller, a relater of things past), the Society’s journal. The Society’s aims were the study of the Irish language, history, literature and music; it had branches in different parts of the country and its members included John O’Leary, Frank Hugh O’Donnell and Arthur Griffith.
AN GHAEILGE
William Rooney was fluent enough in the Irish language to write and to give orations in it and journalists of his times, after summarising a speech in English from the same platform, generally wrote only that he had spoken in Irish9. When he learned his Irish is not clear but he was teaching it in the offices of the Celtic Society. Then Eoin MacNeill got him to join the Gaelic League/ Connradh na Gaeilge after it was formed in 1893.
The Connradh was mainly concerned with promoting the Irish language and literature but also became a social focus in later years, hosting céilidhe (dances and occasion for songs, recitations). Patrick Pearse advocated a more political approach to promoting Irish culture and this accorded with Rooney’s opinion. On the other hand Rooney regarded Irish independence without the revival of the language and culture as meaningless and he castigated the Irish Parliamentary Party for its inaction on the Irish language.
Rooney gave an alternative example, traveling the country speaking publicly in Irish and in English on the need for Irish independence and for the revival of the Irish language.
JOURNALISM AND POLITICAL ORGANISATION
Building on his earlier writing in An Seanachuidhe, Rooney founded with Griffith The United Irishman newspaper in 1899 and his articles and other writings were published in a number of publications of his times:United Ireland, The Shamrock, Weekly Freeman, The Evening Herald, Shan Van Vocht and Northern Patriot (the latter two in Belfast).
Near the end of 1900, again in conjunction with Griffith, William Rooney helped found Cumann na nGaedheal. The former Fenian John O’Leary was president and the Cumann was intended as an umbrella organisation to co-ordinate the activities of a number of nationalist groups (it was merged with others in 1907 to form the original Sinn Féin).
As the centenary of the 1798 Uprising approached, there was something of a fever of preparation with many indicating an interest in participation. Rooney would see his 25th birthday during centenary year and becameof the most prominent organisers for the National Commemoration committee, if not, indeed, the main one.
The year 1898, somewhat similarly to the current centenary of the the 1916 Rising, saw commemorative plaques and monuments being erected, along with talks, meetings, lectures, articles and songs being written. According to historian Ruan O’Donnell, a feeling that the 1889 events had not reached an appropriate level led in 1903 to substantial commemorative events of Emmet’s rising in 1803. Many political working relationships were made during those years which were to survive into much more active days less than two decades since. Many of the songs we have today about the 1798 Rising were written during this period too and Rooney’s Men of the West was presumably also.
In the year of the 1798 centenary commemoration, one of the main centenary commemorations was held in Croppies’ Acre, attended by a reported 100,00010.Rooney was one of the main organisers and a stone was laid on the site which is there to this day.
Stone laid (or unveilled) during commemoration event in Croppies’ Acre in 1898, the first centenary of the Rising. The stone is on the ground near the north-west gate and corner of the park. (Photo: Paddy Reilly)
WILLIAM ROONEY IN MAYO
(The following text is taken from an article by Brian Hoban in the on-line edition of the Castlebar News for 22, Apr 2011)
William Rooney had visited Castlebar with Maud Gonne in 1898 for the centenary celebrations of ‘The Year of the French’. He gave a passionate speech in Irish in which he exhorted people to think for themselves, to educate themselves, and not to take their teachings from others.
He founded Castlebar’s first Public Library at the Town Hall, to which he dedicated his books. Three years later, at the early age of twenty-eight, William Rooney was dead, but the esteem in which he was held in Castlebar continued to grow. In 1911, a new Hurling Club in the town was named the ‘William Rooney’ in his honour. The following year “The Rooney Hall” was opened in Tucker Street. It became a local landmark for several generations, much used by various civic and voluntary organisations, including the PTAA.
The one surviving connection is in ‘Poems and Ballads’, a collection of Rooney’s poetry edited by Arthur Griffith and published in 1902, a year after his death. An original of this title is held by Mayo County Library where it can be consulted.
1798 Centennial Celebrations
William Rooney was one of the main protagonists in establishing the National Commemoration to celebrate the centennial of the 1798 rebellion. Only one month after its inception nationalists in Mayo formed the “Castlebar Central and Barony of Carra ’98 Centenary Association with James Daly appointed as president of the Connaught ’98 Centenary Council. On the 9th January 1898 a commemoration, which was presided over by James Daly, was held at Frenchill, near Castlebar. This was attended by Maud Gonne Mac Bride and addressed by James Rooney. ……………….
James Daly pointed out that the event was both about remembering dead patriots and undertaking “to abide by the principles of the men of ’98 until their country was free again and took its place among the nations of the earth.”
EARLY DEATH AND MEMORY
William Rooney died of TB in 1901 at the age of 27, shortly before he was due to marry. He is buried in Glasnevin Cemetery.
In 1902 the United Irishman published a collection of his writings and in 1908 a collection of his work edited by Griffith, Poems and Ballads of William Rooney, was published. The publication was reviewed disparagingly in the Daily Express that year by James Joyce but Yeats dedicated the 1908 edition of Cathleen Ni Houlihan “To the Memory of William Rooney”.A collection of his lectures and articles, from the United Irishman was published by M.H. Gill the following year.
Griffith described William Rooney as “the Thomas Davis of the new movement”. Brian Ó hUigín (“Brian na Banban” 1882–1963), editor for many years of The Wolfe Tonne Annual and himself no slouch as a writer of songs and verse, said of Rooney that “he blazed the trail to 1916 and gave his life for Ireland”.
And many of William Rooney’s songs are still being sung.
End.
Wreath being laid by Pól Ó Scannaill inside the monument on behalf of a number of groups. Padraig Drummond of Asgard 1916 Society MC of event. (Photo: Paddy Reilly)
APPENDIX
THE MACARONIC VERSION OF MEN OF THE WEST/ FIR AN IARTHAIR
(Arranged by D.Breatnach)
1.
Má mholtar le dán is le h-amhrán,
Na fir a bhi tréan agus fíor,
Donal Fallon, historian, blogger, tour guide and broadcaster who gave the main oration
‘Chuir clú agus cáil lena ndánacht
Ar shruthán ‘s gleann agus sliabh:
One of the panels inside the circular monument. (Photo: Paddy Reilly)
Ná fágaidh ar deire na tréan-fhir
Do chruinnigh ar phlánai Mhuigheo –
Nuair a ghnóthaí na Gail I Loch gCarman,
Said muinntir an Iarthair ‘bhí beo.
Chorus
I give you the gallant old West, boys,
Where rallied our bravest and best;
When Ireland lay broken and bleeding:
Hurrah boys, hurrah for the West!
(Photo: Paddy Reilly)
2.
The hilltops with glory were glowing
‘twas the eve of a bright harvest day,
And the ships we’d been wearily awaiting
Sailed into Killalla’s broad bay.
And over the hills went the slogan
To awaken in everyone’s breast
That spirit that’s never been broke’ boys
Among the true hearts of the West.
Curfá
Seo sláinte muinntir an Iarthair daoibh,
Section of Croppies Acre on a drier day, showing open circular 1798 monument in middle distance and Collins Barracks Museum in the far background. View is from SE gate on Wolfe Tone Quay. (Photo: D.Breatnach)
Unknown author but sometimes credited to Tom Maguire (1892– 1993, famed leader of the Mayo Flying Column [yet another Mayo connection!] in the War of Independence, who later took the Republican side in the Civil War). On the other hand Zimmermann (1967) gives the song its earliest appearance as c.1900, when Maguire would have been around only eight years of age. For Tom Maguire credit see http://thewildgeese.irish/profiles/blogs/robert-emmet and a number of other references, some of which state inaccurately that Emmet was “hung, drawn and quartered”; that was indeed his sentence but the British practice of cutting the body of “traitors and rebels”open while still alive to access the entrails had been discontinued for decades although the decapitation part was still practiced and was carried out on Emmet.
3In the very brief research I carried out on the Mayo songwriter, I came across another songwriter by the name of Richard “Richie” Barrett (1933– 2006), an Afro-American who was also a singer, musician and band promoter, involved with such famous rythm ‘n blues groups as the Chantels and Three Degrees. One might hope for a family connection ….
4Translated later into English, recorded by the Dubliners folk and ballad group under the title Another Round.
5For lyrics, see the Appendix after article body and Sources.
7A pejorative term to describe Catholics who cooperated with the colonial Ascedancy regime in Ireland and sought admission to their social circles (for example, to balls and receptions held at the Castle in the 19th Century). An even more contemptuous description for the behaviour of this stratum was the Irish “ag sodar i ndiaidh na h-uaisle” (‘trotting after the nobles’, i.e. like dogs or perhaps servants)
8He also wrote the All for Ireland! anthem, Song from the Backwoods and the Michael Dwyer ballad.
http://www.ainm.ie/Bio.aspx?ID=1038 (NB: I am not the Diarmuid Breathnach, joint author of this piece — please note the slightly different spelling of his family name)
O’Donnell, Ruan: Remember Emmet: Images of the Life and Legacy of the Irish Revolutionary Robert Emmet, National Library of Ireland (2003)
Zimmermann, Georges-Denis, Songs of Irish Rebellion: Political Street Ballads and Rebel Songs 1780-1900 (1967), Allen Figgis, Dublin; reprinted (2012) by Four Courts Press.
The Irish state’s Ministry of Arts, Heritage, Rural, Regional and Gaeltacht Affairs is facilitating speculators’ plans to demolish the Moore Street 1916 Historical Quarte (with the exception of four houses) in order that they may build a giant shopping centre (mall). (Non-revenue copying and distribution welcome but acknowledgement of source expected)
One of my appointments on a recent trip to Euskal Herria, the Basque Country, was with a “free radio station”, with a dual purpose: to learn about their operation and to give them an interview about my thinking on the political phenomena known to most people as “peace processes”. The radio station in question is Zintilik and located in the Orereta area of Errenteria town, not far north from Donosti/ San Sebastian, in the souther Basque province of Gipuzkoa and my hosts were Hektor Gartzia and Julen Etxegarai.
View of side of building which houses Zintilik. Photo D.BreatnachJulen and Hektor setting up for the interview Photo D.Breatnach
Not long after I arrived, one of my hosts related his memory of events in the area after a local ETA fighter had been killed. The Guardia Civil had swamped the area to prevent an “homenaje” (an event honouring the dead) taking place, guns pointing at men and women; the children, of which he had been one, gathered into their grandparents’ house ….. He showed me where the police vehicle had parked at the end of the street, his sweeping hand indicating the places where the armed police had stood.
THE “FREE RADIO”
The “free radio station”, also known as “pirate radio” has been broadcasting for 32 years, which I find amazing. It began broadcasting from an “okupa”, an occupation of a private empty building, turning it into an alternative social and political centre. Under popular pressure, the local authority, under the control at the time of the PSE, i.e. (Spanish unionist social democratic party), granted them the building they currently use.
Front of Zintilik building from the street. Photo D.Breatnach
Originally built to house a smithy, for some reason the building never saw service in that capacity. It is in my estimation an attractive building in a traditional-enough local style, of thick stone, compact without being squat. It has an attractive back yard, no doubt intended at one time to receive the horses with hooves in need of iron shoes, fitted and nailed. The roof is tiled in what seems the usual way for the Basque Country.
Zintilik broadcasts 24 hours a day, which it is able to do using repeats. The Zintilik collective owns its equipment and funds itself through fund-raising concerts, txosnak (stalls/ marquees) at festivals and occasional donations. They run advertisements for
Julen and Hektor again. Photo D.Breatnach
local community groups and announce events but accept no commercial sponsorship – nor does their wish for independence stop there. “We don’t receive any funding from the local authority or from the Basque Autonomous Government,” declares Julen, “nor do we wish to.”
“Funding from such sources comes with strings attached”, adds Hektor.
“Or one becomes dependent on it and unable to function without it”, further explains Julen.
Partial scenic view from the back of the building. A block of flats to right just out of shot does restrict it however. (Photo D.Breatnach}
As a further illustration of self-reliance, they tell me how they climbed on to the roof of their building to repair a leak, rather than ask the municipal authorities to do it. And it was the same when branches of a nearby plane tree needed cutting to prevent them knocking against the radio aerial on windy days.
“We know it’s work that the local authority owes us and that we and the rest of the community pay their salaries but we prefer not to depend on them,” they explain.
As an example of how dependency – although of a different sort – can undermine a community resource, they relate the story of building which was occupied in order to be used as a community resource. As time passed, many were using it as a social resource but less people were volunteering for the work involved in maintenance at any level. Appeals of the four or so committed people who ended up doing everything fell on the deaf ears of the clientele until one day the four locked the centre doors after the last user had left for the evening and, the next day, handed the keys over to the local authority.
The back yard to the building where we ate a meal after the interview. The structure there is an outhouse. (Photo D.Breatnach)
“As you imagine, this was a great shock to the clientele,” they tell me, “but it was the result of their own lack of commitment to the project.”
I reflect that many activists will identify in one way or another with that sad experience.
RECORDING THE INTERVIEW
Julen and Hektor discuss the format and general content of the interview with me and map it out, do sound checks and then we go to it. Hektor, who knows quite a bit about the more recent Irish history and about the current situation in the Six Counties, is my interviewer, while Julen monitors from the control room and occasionally joins in with comment or question.
Interview room. Photo D.Breatnach
For music in between sections of interview, Irish Ways and Irish Laws (John Gibbs) and Where Is Our James Connolly? (Patrick Galvin) have been chosen, both sung by Christy Moore and Joe McDonnell (Brian Warfield), by the Wolfe Tones.
They also invited me to sing Back Home in Derry, Christy Moore’s lyrics arrangement of Bobby Sands’ poem – but to the air I composed for it. I am happy to oblige – I enjoy singing but it is more than that: I want the air I composed to get a hearing. Christy Moore used Gordon Lightfoot’s air to The Wreck of the Edmund Fitzgerald for Sands’ poem and, excellent though that fit is, especially with Moore’s chorus, I think that the poem (and its author) deserves an air of its own.
Recording room. Photo D.Breatnach
Although the main focus of the interview was the phenomenon of “peace (sic) processes”, we discussed aspects of Irish, Spanish, Palestinian and South African recent history, including the 1916 Rising in Ireland, along with the backgrounds to the songs chosen. For the most part, I left it to my interviewers to draw conclusions relating to their experience of political processes in their own country.
FESTIVALS AND STORMS
Upstairs in the broadcasting/ recording and interview rooms, all is in good order: equipment and facilities. After the interview, I note that downstairs, in the main space, things are a in a bit of a mess, for which Julen apologises (he has never seen the state of my flat).
“Some of the community groups we support store their placards and banners here,” he says. “Besides, we’ve just finished our local festival and everyone relaxes, dumps their equipment and goes on holiday.” Throughout the Summer and early Autumn, each village, town, city and even area will have its own week-long festival for which the community groups and campaigns will organise and participate.
Down in Donostia (San Sebastian), to where Hektor and Julen accompanied me after we ate the food they had prepared, the city was in the midst of its own festival and was heaving with people – tourists from everywhere, it seemed, as well as Basques.
With that picturesque bay and its island in our background, they got a passing young woman to take our photo, the three of us – the conversation with her was in Euskara only. I held up the placards I had prepared for the photo in turn, one in Irish and another in English, supporting the Moore Street quarter in Dublin.
R-L: Julen, Diarmuid, Hektor. Donosti bay in the background with island partly visible. Storm building in the sky.
Dark clouds were gathering overhead and on the horizon the sky was a baleful orange. A storm or at least a downpour was being promised and, as we turned back towards the bus station, the first drops began to fall. In the humid heat, the light rain was welcome for awhile but for part of my solitary journey back to Bilbo, it formed a silvery curtain in the coach’s headlights and streamed down the windows.
I remembered being told that one can frequently witness a violent storm in the Donosti bay while not so far away in Bilbao, as a result of local conditions, all is calm. As for winter storms in Donosti, the waves hitting and surging over the seafront and piers have to be seen to be believed; occasionally the sea reaches inland, floods cellars and converts parked cars into boats or semi-submarines.
The rain eased off and stopped about half-way through my journey and when I got into San Mames station in Bilbo, the streets were not even wet.
“Almost slash and burn,” is how one of the people I am talking with describes the procedures they expect from Lisadell, the construction company employed by the Department of Heritage in Moore Street, to work on where the GPO Garrison retreated in the last days of the Easter Rising.
“The roof doesn’t need replacing,” says another. “It needs the hole in the roof fixed and the timbers carefully repaired, not replaced.” I remark that I’ve known people who’ve had water damage or dry rot and just had the timbers replaced. “Yes, of course, when conservation is not an issue. But when it is, the work is slow and painstaking, bit by bit, to conserve everything that can be conserved, putting in extra supports when needed.”
I am talking to people with expertise in the area of conservation of buildings of historical and/ or architectural value. They know what should be done to conserve the historic buildings in the Moore Street quarter and they feel certain that it will not be done. They feel impotent – they have the expertise, they care about conservation but they fear the combined powers of the State and big property speculators such as Hammerson, who plan to build a huge shopping centre over the whole Moore Street quarter. They will advise but if they go “too far”, they feel their professional lives will be seriously impaired. Perhaps they fear even more than that – who knows?
In 2007, just before Nos.14-17 Moore Street were made a national monument, TG4 in the their Iniúchadh Oidhreacht na Cásca program broadcast a remarkably in-depth exposure of the battle between Chartered Land and another firm of property speculators for control of the quarter and how Joe O’Reilly of Chartered Land, coming from behind, had been given an incredible advantage over his competitors with a preferential deal with the Planning Department of Dublin City Council. This took place among more than a whiff of corruption and of complaints by elected Councillors who were excluded from a secret meeting and at another, threatened with financial penalties. Joe O’Reilly of Chartered Land (and also joint owner with Irish Life of the ILAC shopping centre) gobbled up most of Moore Street and only a fierce campaign in the autumn of 2014 prevented the Planning Department getting authorisation to swap him two Council properties in the Street, thereby clearing the way for him to begin demolition of the terrace.
“THESE TIMBERS HEARD …. MACHINE GUNS … SCREAMS … THE PAINFUL DECISION TO SURRENDER …”
Another of the experts intervenes. “These timbers they are going to rip out are the ones that heard the discussion around whether to surrender or to go on fighting,” she says. I am a little surprised at such poetic imagery from a person whose work is in bricks and mortar, plaster, timbers and slates – but there is no denying the passion and there is more to come.
“Those timbers heard the chatter of British machine guns, the crack of their rifles, screams in the street, the occasional crack of a Volunteers’ rifle, perhaps an occasional groan from the wounded Connolly. They heard Elizabeth O’Farrell volunteering to go out under a white flag although civilians had already been shot down under such a flag. They heard the discussions upon her return, the painful decision to surrender, Pearse’s decision to go out with O’Farrell, Seán Mac Lochlainn’s orders to march out in military order ….”
Can damaged timbers and bricks be conserved? I ask. “Oh yes, they do it in England on historic buildings, even genuine Tudor ones. All kinds of damaged timbers can be conserved. But if at all possible you do it in place, in situ – removing timbers causes further damage.”
And bricks? And slates? “Well,” breaks in another, “you’d photograph everything carefully in advance or as you uncovered sections. Anything to be temporarily removed would be numbered, slates or bricks. Then the supporting timbers or brickwork is slowly treated, then everything put back in the same order.”
What about missing or broken bricks or slates? “Broken bricks can sometimes be repaired but otherwise you’d source bricks from the same brickyard. Or if the brickyard is no longer in business, you’d look for other buildings of the same bricks being demolished and buy the material. The same with slates.” I think of the descriptions by campaigners occupying the buildings of how they found timbers just thrown into a set-aside room, and all kinds of objects left leaning against plasterwork that was probably in need of conservation.
A woman shows me on her Ipad a section on restoration procedures on the website of Historic England, a body sponsored by the British Department of Media, Culture and Sports. I quickly record three paragraphs (I will look up the rest later). “A conservative approach is fundamental to good conservation – so retaining as much of the significant historic fabric and keeping changes to a minimum are of key importance when carrying out repair work to historic buildings.
“The unnecessary replacement of historic fabric, no matter how carefully the work is carried out, can in most situations have an adverse effect on character and significance.
“The detailed design of repairs should be preceded by a survey of the building’s structure and an investigation of the nature and condition of its materials and the causes and processes of decay.”
I remark that doesn’t seem to be what is going to happen to Nos.14-17 Moore Street. They nod – they agree.
“It’s just a building site to them,” says one. “What they have already done in defacing a national monument is criminal – but who will prosecute them?”
“They put more holes in the front of those buildings than British soldiers did in 1916,” says another man angrily. “Then they just ripped out their Hilti bolts and filled up the holes with an epoxy resin, instead of pointing material.”
This is a reference to the drilling of holes for the erection of a banner without planning permission, across Nos. 14-17 Moore Street, officially a national monument since 2007. Judge Barrett agreed it was illegal in the case taken by Colm Moore, the nominee of some 1916 fighters’ relatives. Although she is appealing that and other decisions of Barrett’s, the Minister had it taken down recently — but again using questionable methods.
“No wonder Humphreys doesn’t want independent inspection and monitoring”, says another, a reference to the Minister of Heritage’s consistent refusal to allow any independent conservation experts in, or indeed the Lord Mayor of last year, or a number of TDs and Councillors, always under the guise of “Health & Safety requirements” that no-one not of the workforce should enter. Yet when they had their media exercise after the Government’s purchase late last year, RTÉ camera crews were in there as was Caitriona Crowe of Trinity College, praising the purchase of the buildings and the Department’s alleged intentions. It later emerged that the demolition of three adjoining buildings was part of that plan but a five-day occupation of the building by concerned citizens put a stop to that, before an injunction was granted by Judge Barret preventing further demolition until the case taken against the State had been decided.
While the rest of the buildings in the quarter and the streets themselves, uncared for and subject to constant assault of weather and with broken drainpipes, heavy traffic and so on accelerate in deterioration, and the Minister’s appeal against the Barret Judgement will not even open until December next year, an assault is imminent on the roof and parapets of four of the buildings of the historic 1916 terrace, those with the best-preserved original frontages and among those with the highest specific historic importance within that terrace. If this were a case of some greedy or careless private owner or company, a complaint could be made to the National Monuments Service. Many such cases have ended in heavy fines for the perpetrators.
But Terry Allen, the Principal Officer of that very Service baldly said in his evidence to Judge Barrett that Moore Street was not a 1916 battlefield. His office comes under the Department of Arts, Heritage, Regional, Rural and Gaeltacht Affairs, of which Minister Heather Humphreys is the boss. And the Government’s Cabinet stands behind her, if not actually pushing her forward. We tend to look to the State to protect national monuments from people damaging them. But who can protect them from the State itself?
End.
NB: These conversations happened but not with all of the people present at the one time. I have put them together for the sake of a condensed narrative and for the protection of identities.
Further information:
Principles of Repair for Historic Buildings from Historic England website:
Croppies’* Acre, a piece of parkland believed to the site of a mass grave of United Irishmen insurgents and non-combatant victims, situated between the Liffey’s Wolfe Tone Quay and the Collins Barracks complex of the Irish National Museum, was some weeks ago reopened to the public for the first time in four years. Few if any of the campaigners for its saving or its reopening were invited to the event or given credit in the short newspaper report about the occasion.
This report seeks to correct that omission, to give a brief account of efforts made over the years and to comment on the care of the park today.
(* “Croppy” was a name given to supporters of the United Irishmen, apparently because of the males wearing their hair cut short and close to the scalp, in the style of the revolutionary French of the time. “Crapaí” and “Cnapaí” were the versions of the word in the Irish language).
The Pedestrian Gate on Wolfe Tone Quay, Liffey side, open to the public again after four years (Photo C. Sulish)
HISTORY OF THE SITE AND OF THE CAMPAIGNS AROUND IT
In 2012, after the site had been closed for some time allegedly due to health and safety concerns for visitors due to drug-injecting paraphernalia left there by people using the site at night-time, Pádraig Drummond and Diarmuid Breatnach set up the Croppies Acre Rejuvenation project with a Facebook page to promote the importance of the site and to gather forces to pressure the authorities into reopening the site and maintaining it properly.
Prior to this, a number of visits had been made by Irish Republicans (the 1916 Societies on some occasions, independent Republicans on others) to the closed site to collect and dispose safely of drug-injecting paraphernalia and other waste and it was felt that a public campaign was needed.
Memorial stone about halfway along the the Liffeyside of the park. In the distance, the heaped earth and earth-moving machine in October last year which had caused concern (Photo: D. Breatnach)
As part of the campaign a letter to the media was composed by Drummond and Breatnach in consultation with the National Graves Association (a voluntary independent organisation that marks and maintains the graves of those who fought for Irish freedom and which also erects plaques to commemorate people and events). Although none of the main media published the letter it is reproduced here not only as a document of the history of campaigning for the site in its own right but also because it summarises well what had gone before.
“Croppies Acre is remembered in Dublin folklore as the site of a mass grave in which the bodies of dead insurgents were thrown in 1798. Among those lying in Croppies’ Acre are reputedly the bones of Bartholomew Teeling and Matthew Tone (brother of Wolfe Tone — CS), both hanged at the Provost Prison on Arbour Hill after the Battle of Ballinamuck on 8 September 1798.
“In 1898, the centenary of the United Irish uprisings, 100,000 marched to the site and placed a plaque there. As many people will be aware, the centenary commemoration of the United Irish played a significant part in the creation of a national pro-independence culture which fed into the Easter 1916 Rising, less than twenty years later, and which in turn fed into the War of Independence 1919-’21 and the creation of an Irish state.
Memorial stone placed during 1798 centenary commemoration which was attended by 100,000 (Photo: D. Breatnach)
“Although a 1798 rising commemoration plaque was laid at the site by “soldiers of the Eastern Command” of the Irish Army in 1985, soldiers were sometimes to be seen playing football on the field until the mid-1990s, while Collins Barracks was still in use by the Irish Army. This practice ceased after a number of complaints from members of the public who felt the practice was not respectful to the dead insurgents. The Irish Army vacated Collins Barracks in 1996 or thereabouts and the National Museum moved into the buildings in 1997.
“In 1997 a proposal to turn the graves of the Patriot Dead into a car and bus park was all the more stunning as the bi-centenary of the United Irishmen’s Rising of 1798 was imminent and groups everywhere were renovating monuments and graves, organising seminars and lectures and planning pike marches.
“The then secretary of the National Graves Association, Tess Kearney (since deceased — SC), was in poor health, but decided that such an occasion required action regardless of her personal circumstances. Tess turned in a magnificent effort for the television cameras and organised a campaign to “Save the Croppies Acre”. Within days, various interested parties came together and, under the leadership of the NGA, the plan to build a coach park on the site was defeated and the Croppie’s Acre site was developed two years ago (i.e in 2010 — CS) as a national monument with an expenditure of some €35,000. The field layout is simple with `(some individual) flagstones throughout the site presumably symbolising the bodies lying below and a small open circular stone structure on which are reproduced parts of the text and facsimile typeface of the Droites del Homme (Rights of Man) document from the French Revolution (1789). Also featured is the text of Seamus Heaney’s poem “Croppies” and the motif of the barley seed head is reproduced on the stone in reference to the poem and Irish folk memory.
The enclosure monument in Croppies’ Acre, with National Museum, Collins Barracks in the background. (Photo: D.Breatnach)
The Drummond/ Breatnach letter, signed by a number of historians, history tour guides, authors and history enthusiasts, also noted that:
“The Office of Public Works has closed the site because it considers it unsafe to permit public access due to some night-time activities there. Recently some of us went to inspect the site and were shocked at the condition into which it has sunk. Used syringes, discarded needles, bottles, cans and other rubbish were found at a number of locations but especially inside the stone structure.
“Rubbish bags were filled and disposed of, with the hazardous waste disposed of in bio hazard containers that were then handed into the local authorities. A return visit found almost as much rubbish as had been disposed of previously. A third visit found even more. This is not acceptable and must change.
The letter concluded by stating that
“It may be that some will say that the expense, even though relatively small, of looking after a national monument, cannot be justified in the current climate of austerity. To those we would say that possibly, had we valued sufficiently our independence and the sacrifices made for it in the past, we would not have allowed foreign finance speculators to bring us to sad straits in which we find ourselves now. The image of our past locked away while we are plundered as a nation in the present is a stark contrast.
“However about that, the Office of Public Works must take the appropriate action to look after this site properly and offer safe access to the park during the hours of daylight seven days a week. At night, the site needs to be well-lit and protected. Mr. Brian Hayes, TD, Minister of State responsible for the OPW since 2011, must take urgent action.”
At the time, the OPW probably seemed a much safer bet as custodians than Dublin City Council, especially with the Council’s Planning Department having granted property speculators planning permission to construct a giant shopping centre over the Moore Street battleground and market. However, it was eventually Dublin City Council that took responsibility for the maintenance and reopening of the site to the public.
But throughout the years after the setting up of that campaign, from 2012 to 2014, nothing seemed to be happening to put matters right. Groups of Republican volunteers paid visits from time to time to clean up the site, collecting horrifying amounts of used hypodermic needles and other paraphernalia and waste but the authorities appeared unmoved.
Twice in February 2014, questions were asked in the Dáil, the Irish Parliament, of Minister for Public Expenditure and Reform Brian Hayes. Pádraig Drummond had written to TDs (elected representatives) Clary Daly and Maureen O’Sullivan, who received replies to their questions, the former written and the latter an oral reply. Daly’s reply from Minister of State Hayeswas that “The Office of Public Works and Dublin City Council have agreed in principle that the management and maintenance of the Croppies Acre Memorial Park will be undertaken by the Council. OPW and Dublin City Council are reviewing the Council’s proposals regarding improved access to the park prior to formalising a licence arrangement, following which the park is expected to re-open to the public.”
The oral reply was much longer but the nub of it was the same.
“We weren’t getting people signing up to form a campaigning group and we were running out of energy”, said one of the campaigners about those years.
In September 2015, soon after DCC staff were seen to have been cleaning up the site and cutting the grass, concerned Republicans visited the site and posted photos on the campaign FB page of drug paraphernalia and mess which had quickly accumulated again on the site.
In October of that year, Dublin City Council staff began work inside the park with earth removers. In the absence of any notice of what was intended and no public consultation, protesters — including Éirigí — mobilised and halted work. Dublin City Council gave a written guarantee (see photo) that the work was only to create or upgrade a circular pathway. The protests ceased but an eye was kept on proceedings.
However photographs taken during a visit by other concerned people that same month showed drug paraphernalia again accumulating at the site.
View from the west pedestrian gate to the east since the Acre opened (Photo: C. Sulish)The letter guarantee which led to calling off the protests in October 2014
THE SITE REOPENS TO THE PUBLIC
By June this year, the site had been cleaned up, planted, a path put through part of it and finally reopened to the public, four years after the campaign to reopen it had begun. The Daily Herald reported on the opening ceremony (see link for their report below) on the 15th, presided over by Lord Mayor Críona Ní Dhálaigh in one of her last acts before her year as Mayor was up.
The Herald report alluded to the years of closure and “problems with drug users” but not once did it mention the National Graves Association, the Republican groups that repeatedly visited the site and those that mobilised to protect it in October last year, or the campaign set up in 2012 and the letter to the media of that year and TDs questions in the Dáil.
A sleeping bag, perhaps, against the wall within the monument park weeks after reopening. (Photo: C.Sulish)
The report did mention Councillor Mannix Flynn who, it said, had been campaigning over the years for the site’s reopening. “Councillor Mannix Flynn, for all I know, may have been campaigning hard for the site’s reopening,” said Diarmuid Breatnach. “I can’t say he has and I can’t say he hasn’t. But I can say that not once in those years of agitation, campaigning and trying to raise the profile of the issue, did we ever hear from or about him in connection with Croppies’ Acre.”
This month, I visited the site again and found it open and being used by the public, reasonably clean and with some attractive plantings of flowers and grasses. But inside the circular monument, there was a small pile of excreta in one spot and, on the way out, I noted what seemed to be a sleeping bag against the eastern wall. The site will need continual watching.
End.
(Photo: C. Sulish)(Photo: C. Sulish)View southwards across the park (Photo: C. Sulish)The Tricolour in this case would have been better replaced by the green flag of the United Irish with the harp in gold. (Photo: C. Sulish)
APPENDIX
LINKS TO QUOTED AND RELATED MATERIAL
Letter sent to mass media in 2012, after DCC had locked up the site: http://www.politics.ie/…/221010-croppies-acre-rejuvenation.…
Daily Herald report on the reopening of Croppies’ Acre
Lynam’s Hotel in O’Connell Street is a building you could easily pass without realising what its business was. The hotel takes in mostly tourists on short-stay bookings but, as the homelessness crisis totally exceeds Dublin City Council’s minute stock and specific funded provision, DCC has also used it to place homeless families within it as with many other hotels around the city and county (and even further out).
When the owners of the hotel found themselves over-extended on loans, NAMA moved to take over the building; naturally the State agency would not wish to be seen evicting homeless families. Five families with a total of ten children were being placed there by Dublin City Council. The Hotel’s management at first wanted to cooperate with NAMA and force out the families but these, supported by Irish Housing Network, refused to leave as they had no suitable alternative accommodation (see their letter in the Appendix). One by one, the families won short extensions on their stay from the management. Incidentally, eight workers’ jobs are also at stake.
Campaign supporters and supportive members of the public at campaign table outside Lynam Hotel during the week (photo: D. Breatnach)
During the week, the IHN set up a campaign table outside the hotel, staffed by volunteers on a rota and some additional helpers; they began to collect signatures to a petition demanding Dublin City Council take over the hotel and for NAMA not to evict the families. They distributed leaflets (the IHN also have an on-line petition on their FB page) and by mid-week, had collected 1,000 signatures to the petition.
FAMILIES AND SUPPORTERS CONFRONT NAMA AND RECEIVERS
On Wednesday 27th, the families and supporters went to NAMA’s Head Office in Treasury Buildings, Grand Canal Street, D2 and from outside, asked to see the head of the state agency. Treasury Buildings management locked their building and called the police, who arrive in one squad car, then another, and then more of them on foot.
After talking to the police, NAMA offered to see one of the families only, accompanied by a supporter. The families discussed this and rejected it but offered the concession of two families plus supporter. The senior Garda officer seemed to be trying to persuade the families’ representative to accept the NAMA offer but they stood firm. After rejecting that offer, NAMA PR spokesperson Martin Whelan came out to speak to the families and their supporters from the steps of the building. One of the campaigners speculated that this was the first occasion ever for NAMA to explain their actions to the public.
Families and supporters outside NAMA building during the week Supporters and members of the public at campaign table outside Lynam Hotel during the week (photo: D. Breatnach)
Whelan’s position was, in essence, that NAMA had no choice but to put the properties it received on the market and to sell them on. He rejected the accusation of one of the campaigners that NAMA “takes over properties and sells them at knock-down prices to vulture capitalists,” maintaining that all properties are sold at their market value.
With regard to the demand that the building be put under management as a homeless hostel by Dublin City Council, Whelan would say only that they had received no offer from the Council. That would be a decision for the Receiver, he said, in a statement that many saw as an exercise in passing the parcel.
To those who quoted him some lines from NAMA’s founding charter that its purpose was, in part “… to address the compelling need ….. to contribute to the social and economic development of the State …”, Whelan had nothing to say apart from repeating what he had said previously.
The families and campaigners presented Whelan with 1,000 signatures on petitions and indicated they would return with more and began to leave, the police also leaving as they did so.
Families and supporters confronting NAMA PR representative Martin Whelan (in blue suit) (Photo: D. Breatnach)
However, the families and their supporters were not finished yet and headed off for the
Some of the police that NAMA called to protect them from homeless families and supporters with NAMA PR spokesperson Martin Whelan in the foreground (Photo: D. Breatnach)
Receivers’ office which, at Marine House, Clanwilliam Place, took some finding. Eventually located overlooking the canal in a very quiet section of the city, they entered and ascended to the 5th floor, to the business address of Crowe Howarth, a member company of the Swiss firm Crow Howarth International. The families and supporters asked to see the person in charge, Aiden Murphy, a partner in the Crow Howarth, who was allegedly outside the building and due back in ten minutes but who appeared from inside after keeping them waiting nearly an hour. Then he wanted to meet them in the lobby, which they refused and insisted on the respect of a meeting in a private office space, which Murphy eventually granted.
According to reports of that meeting, Murphy was civil to the families and assured them he would not be asking for their eviction prior to the court hearing on receivership of Lynam’s Hotel.
Some families and supporters in the lobby of Crow Howarth, Receivers (Photo source: IHN FB page)Upstairs in the Receivers’ lobby
He was due to meet the families the next day but, apparently worried about meeting demonstrators, arranged a meeting with them in the Gresham Hotel instead (no doubt chargeable to the public). His reticence for meeting possible demonstrators was somewhat different to his previous arrival as reported by sources. with a takeover workforce, bullying staff, changing locks and issuing orders.
View down to the ground from the Crowe Howarth lobby. Ordinary people must look very small from here. (Photo: D. Breatnach)
THE COURT CASE
In advance of the court hearing, hotel management seemed to be moving to place the families as a buffer between themselves and the Receiver and were reported to have asked the families for a letter stating that the accommodation offered by DCC was unsuitable. Judge Gilligan asked Dublin City Council to appear in court to answer whether they had alternative accommodation available.
On Friday 29th, DCC duly presented themselves at the High Court and assured Judge Gilligan that they had indeed alternative accommodation ready for the families. Judge Gilligan did not ask the DCC spokesperson to detail the type of accommodation they were offering nor its location and Crow Howarth made no move to do so either. The families themselves were not permitted to have a letter detailing their conditions and the type of “alternative accommodation” available (see Appendix) read out in court.
Some of the rota for the table outside the Lynam Hotel (Photo: D. Breatnach)
The outcome pf the case was that Lynam’s Hotel was wound up, ordered to cease trading beyond August 1st and the building is to be sold (if it is not, as rumoured, already sold) on behalf of the State to some unknown capitalist. The families will presumably be placed somewhere in the kind of conditions about which their letter complains, affecting not only the parents but the children now and into the future, perhaps for the rest of their lives.
And the housing crisis continues without any State agency or Dublin City Council making serious efforts to address it; according to the Irish Housing Network there are over 8,000 families homeless within the state and the total is growing daily. This is in the centenary year of the 1916 Rising when that inspirational document was printed in Liberty Hall, signed in Henry Street (around the corner from Lynam’s Hotel by seven who would be shot later by firing squad) and read out and posted on Easter Monday outside the GPO in the same street as the Hotel, declaring that “The Republic guarantees equal rights and equal opportunities to all its citizens, and declares its resolve to pursue the happiness and prosperity of the whole nation and of all its parts, cherishing all of the children of the nation equally …..”
We the Lynams families would like to thank you for your consideration of our situation in this High Court decision. We are choosing to remain anonymous due to fear of being targeted as we are under threat to take offers that are not suitable or find ourselves with no accommodation what so ever.
We appreciate that you realise that we are extremely vulnerable at this time and are being used as pawns in the political maneuvers of the Hotel management, DCC, the Receivers and NAMA.
As a group we would like to highlight the situation in Emergency Accommodation we are currently finding ourselves in.
We are HOMELESS, yes we are lucky to have a roof over our heads but we are without a fixed abode. We are under the control of the whims of Hotel Management and the DCC.
The accommodation we can usually find ourselves in is one double sized room for one family, two rooms if you have a larger family not necessarily in the same building. Imagine if you will having to live your whole life within the confines of this room where there is:
No drinking water. No fridges to store milk for young babies. No cooking facilities. No laundry facilities to wash your own or your children’s clothes. No area for the children to play, do homework or socialise with others.
We have been offered Alternative Accommodation which is below the standard that we currently experience at Lynams and is still not suitable for our families needs. In fact there is no minimum standard for Emergency Accommodation.
Families that enter Emergency Accommodation initially start off their journey in shock with a loss of home, structure, security. Children sit in their school uniforms waiting for the hotel restaurant to open in order to grab a quick breakfast before they start their long journey to the only anchor they know which is the school they were enrolled in, before they became homeless. Families cling to this anchor, in order to enable their children to have some degree of normalcy in their lives.
Those children who do not have a home and proof of residence do not have any chance of enrolling in school, getting a doctor‘s appointment, being referred to services or getting counseling.
Children spend their days trying to be quiet around adults that are stressed trying to find new accommodation for that night. Forbidden to associate with other children as per rules in certain establishments. They are hungry, as they wait for their parents to source food, often eating whatever food is left over from breakfast until they share one takeaway meal between the family. There is no money is left by the end of the week as it has been spent on transport. These children are disorientated, with some families ending up in hotels in Bray, Aughrim & Brittas Bay trying to get to school in north Dublin. These children lose any hope of being in a normal home, they cling to already anxious parents.
The average families moves every 5 days unless they are lucky to get a hotel/guesthouse that takes on DCC customers as permanent until placed, the length of time that takes can be upwards of 2 years. There is one family that was in Lynams for 7 months, and were informed by DCC with 4 days notice to move, they have been in hotels in several different counties in the space of 3 weeks since they moved.
We ask you to consider that this is our home, we are powerless to fight the combined forces of DCC, NAMA and the Receivers and the pressure they are putting on us. On July 22nd Management in Lynams continued to accommodate us when DCC failed us.
We ask you to consider that we are not just names on a list, we are real people, we have real lives, we have jobs, our children are being directly affected by the decision being made here today.
Even though we have no hope of a good outcome for our families we can only hope that you find it in your heart to consider all these issues of how the system for homeless families has failed us all and will continue to fail unless properly addressed.
Thank you for taking the time to read this letter.
Five families with a combined total of ten children are resisting eviction from a building on Dublin’s O’Connell Street where they have been placed in emergency accommodation by Dublin City Council. The building in question, Lynam’s Hotel, has been taken over from its owner by NAMA and the families have been told that they must leave so that it can be turned into temporary accommodation for tourists. Already there are many tourists renting the rest of the 43 suites.
Lynham’s Hotel, O’Connell Street, Dublin on Wednesday
The families however have decided that they are not going to leave and Irish Housing Network has organised support for them. Volunteers were outside on Wednesday as one of the parents had been told that day to leave with her child, which she was refusing to do. She was then given an extension until Friday but on Thursday, another family were told to move and they too were holding out with supporters nearby. Towards the end of the day that family too was given an extension.
Some of the families in question attended the Dáil late on Thursday afternoon, where Thomas Pringle, Independent TD, asked a question regarding the situation of a junior Government Minister for Housing. Clare Daly TD reportedly had been trying to get a question asked since Monday. Presumably this question has as part of its purpose to draw media attention to the issue and to put pressure on the landlord not to evict the families.
Some supporters of the five families on Wednesday
NAMA was set up allegedly to recoup money from speculators who had overextended their credit and could not clear their debts. The idea presented to the public was that, as the Government had bailed out with public money the banks who had lent out to speculators sums far in excess of what was commercially justifiable, the State would take the properties and sell them, putting the money gained back into the public purse. What has in fact been happening is that NAMA has been selling these properties off to vulture speculators, who are snapping them up at prices well below their market value. One of these vulture speculators is Hammerson, a British-based property speculator company, which is rumoured to be looking to buy the hotel. Hammerson also has bought Chartered Land’s (Joe Reilly) property empire and with it, planning permission to demolish all but four buildings of the Moore Street quarter and to build a huge shopping centre over the historic battleground and national monument.
Many acknowledge that there is a housing crisis currently in Ireland and in particular in Dublin. The Irish State that was created in 1922 has been since its inception in support of capitalists, including speculators, but against workers and lower-middle class people. Nevertheless in the past local authorities did build some social housing to rent but these days, Dublin City Council does not want the role of managing housing and has sold off most of its stock and not built any new houses for decades.
One of the people who fought against the State we have inherited was killed by Free State soldiers in O’Connell Street and a small plaque commemorates him on the corner of the building there now. Cathal Brugha had been wounded 25 times in the Easter Rising and beat the odds to survive, though he walked with a limp thereafter. In 1919 he organised the IRA from the Volunteers and Irish Citizen Army who were willing to join. In 1921 he voted against the Treaty and in 1922 led a force of IRA against the new Free State in order to ease the pressure on the Republican forces who were being shelled at the Four Courts. He was shot down in the street this month, 94 years ago, across the street from Lynam’s Hotel.
Cathal BrughaThe plaque to Cathal Brugha across from Lynam’s Hotel. Brugha was shot by Free State troops in the street there on 5th July1922 and died on the 7th.
On Friday 22nd, the IHN called a public protest outside the hotel. Although at short notice and called for 1pm, therefore during office hours, up to 30 people supported the protest. The event attracted considerable media and public attention.
Irish Housing Network is set to continue to support the families in resisting eviction and volunteers may wish to get in touch with the organisation to help maintain a support rota for the families https://www.facebook.com/irishhousingnetwork/.
IHN demonstration outside Lynam and the fundamental message on placard
The march called to save “the Revolutionary Quarter” of Moore Street followed the footsteps of the GPO garrison on Easter Monday but, upon reaching the GPO, continued on along the that week’s Saturday surrender route up to the Rotunda. Wheeling left then, the march proceeded on to the junction with Moore Street, where the British Army had their barricade and machine gun on Friday Easter Week — the cause, along with the sniper in the Rotunda tower, of many deaths and injuries in Moore Street. The march wheeled left again into Moore Street and proceeded to the rally outside the GPO, where speakers were to address them and artists to perform.
The Save Moore Street 2016 campaigners and supporters gathered well over an hour before the advertised time outside Liberty Hall where their wardrobe department was busy outfitting people while a steward organised people for photo shoots, leafleting and kept the crowd informed.
By the time the march set off from Liberty Hall it had gathered many, quite a few in period costume and some others joined it along the way. Many had come already dressed in period costume or were decked out by the wardrobe department of the Save Moore Street 2016 campaign and a solid group of them marched behind the new campaign banner.
Section of march crossing to west side O’Connell Street in foreground; section of march in background passing Wynne’s Hotel in Lower Abbey Street. (Photo: )
Others marched behind the original Save Moore Street (from demolition) 2016 banner while others carried banners of some organisations supporting the march: the Cabra 1916 Society, O’Hanrahan Car1ow 1916 Society, Dublin Says No, Munster Anti-Internment Committee, Republican Sinn Féin, Dublin IRSP …..
Led by two people with megaphones and, at times, spontaneously, they shouted: “Save Moore Street from demolition!”
With reference to the Chartered Land and now Hammerson’s huge shopping centre plan for the area, the marchers shouted:
“Do we need another shopping centre? No! Do we need our heritage? Yes! Do we need our street market? Yes!” Also, “What do we want? Hammerson out! When do we want it? Now!”
Amy and Josh youth supporters flank a march steward as the march passes one of the many kinds of 1916 tours being run in the city this year. (Photo: B.Hoppenbrouwers)
Up Lower Abbey Street the marchers went, in the footsteps of the GPO Garrison on that Easter Monday morning, past Wynne’s Hotel where Cumann na mBan had been formed in 1913, past the former Hibernia Bank on the corner of Abbey and O’Connell Street, where Volunteers fought and where Irish Volunteer Captain Thomas Weafer, from Enniscorthy was killed and his body consumed by the flames caused along the street by British shelling.
Turning into O’Connell Street, the marchers passed the location of Bloody Sunday 1913 when, after Jim Larkin defied a court ban to speak, the Dublin Metropolitan Police ran riot beating Lockout strikers and onlookers down to the ground with their truncheons.
COUNCILLORS, TDs, PROMINENT CAMPAIGNERS, ARTISTS AND HISTORIANS MARCHING
A number of elected representatives supported the march: seen in the crowd were Dublin City Councillors Cieran Perry, Pat Dunne, Anthony Conaghy and former Mayor Críona Ní Dhálaigh, also TDs Joan Collins and Maureen O’Sullivan.
Section of the march in upper O’Connell Street, heading northwards, showing prominent supporters TD Maureen O’Sullivan in foreground and Robert Ballagh in middle section, flanked by Patrick Cooney, one of the founders of the 1916 relatives’ campaign Save Moore Street.
Among the artistic and dramatic sector whose participation was noted were artist and activist Robert Ballagh, drama director Frank Allen (who also organised the first Arms Around Moore Street event in 2009 — and has the T-shirt to prove it!), Brendan O’Neill — also an actor and long-time campaigner — and actor Ger O’Leary.
Relatives of prominent fighters in 1916 also participated and Jim Connolly Heron, great-grandson of James Connolly and among the earliest campaigners for Moore Street and Donna Cooney, great-grandniece of Elizabeth O’Farrell, who went out into the killing zone to organise the surrender, were both noted marching. Patrick Cooney, also of the specific 1916 relatives’ group that brought the legal challenge to the High Court marched along too and spoke from the platform at the rally. Gabriel Brady, grand-nephew of the printer of the 1916 Proclamation, Christopher Brady, was there too, as was Eoin Mac Lochlainn, a relative of the Pearse brothers and a relative of Seán Mac Diarmada was also present and in fact helped carry one of the SMS2016 banners.
A number of historians walked among the marchers, including Ruan O’Donnell, Dónal Fallon, Ray Bateson, Hugo McGuinness, along with local history activists such as Joe Mooney (of East Wall History Group) and Terry Fagan (of North Dublin Inner City Folklore Project). Ciarán Murphy, joint blogger and joint author with Dónal Fallon of the Come Here To Me publication marched along too. From the non-history world of academia, Paul Horan, lecturer of Trinity College (and who wrote the letter published in the Irish Independent on July 2nd denouncing the Minister of Heritage appealing the Barrett High Court judgement that the whole Moore Street quarter is a national monument) marched in period costume too.
THE SURRENDER ROUTE
Passing the General Post Office, the marchers continued along the route of the GPO/ Moore Street Garrison as they surrendered on the Saturday of Easter Week, up to the Gresham, where they laid down their weapons and on to the Rotunda, in the garden of which many had been kept for two days without food or water, while detectives of G Division from Dublin Castle came down to identify prisoners for execution. On the way the marchers passed the Parnell Monument, where British officers had displayed the battle-damaged “Irish Republic” flag upside down as a trophy for a photographer.
On this Saturday in 2016, volunteers (some in costume) accompanied the marchers along the route, handing out leaflets, which were eagerly taken by onlookers, while others – all in costume — collected donations along the way, distributing stickers in exchange. Well in excess of five hundred leaflets were distributed in the period of the short march.
SILENCE IN MOORE STREET
The march stopped in Moore Street for a minute’s silence. (The building to the left is a section of the ILAC shopping centre; to the right may be seen a section of the hoarding in front of five buildings in the ‘1916 Terrace’ and the banner illegally placed on four of those houses (declared a ‘national monument’ since 2007) by the Department of Arts, Gaeltacht and Heritage.
Turning into and a little along Moore Street, the marchers were called to stop for a minute’s silence out of respect for the Irish Volunteers, Citizen Army and civilians who had been shot down in that street by British Army guns, for the six who had been shot by firing squad after they surrendered and for those who had risked their lives in an uprising against the biggest empire the world has ever seen.
All sound in the street died: marchers, street traders, bystanders, shoppers — all stood silent in a street which would otherwise be filled with the noise of a street market and busy shopping thoroughfare on a Saturday afternoon.
At the conclusion of the minute’s silence, the march recommenced, calling its demands with renewed vigour, out into Henry Street, right to O’Connell Street to form up for the rally by the stage in front of the GPO.
SPEAKERS AND PERFORMERS
The rapper Temper-Mental MissElayneous (Elaine Harrington) from Finglas was the first on the stage and performed her “Fakes and Manners” and “Buachaillí Dána” raps but continuous problems with the sound amplification at this stage of the rally meant much of what she was saying could not reach the audience (fortunately this was amended later).
Rapper Temper-Mental MissElayneous (Elayne Harrington) from Finglas performing with bodhrán
Niamh McDonald, chairing the rally, welcomed the crowd and said that the campaign to save the Moore Street quarter was at a crossroads; developments had brought Irish property developers and the State into opposition to the appropriate conservation of the quarter but also now foreign vulture capitalists. “Save Moore Street 2016 will do what it takes to defend this historic quarter” she said, reiterating three basic demands of the campaign:
That a full independent expert assessment be carried out of the battlefield area
that all construction or remedial work be accessible to expert independent monitoring and
that the whole process by transparent to the public.
It was time for the campaign now to take the fight to the speculators and the next in a series of monthly events would be a demonstration against Hammerson themselves, McDonald told the rally.
Niamh McDonald, chairing the rally and speaking on behalf of Save Moore Street 2016 addressing the rally as one of the march stewards (in period costume) holds the megaphone for her. (Photo: )
The first speaker was then announced, historian and author Ruan O’Donnell, who reminded the rally that the Government of the time had been prepared to demolish Kilmainham Jail. The site had languished until volunteers took up the work of restoring it as a museum and now it is so successful that one has to queue to gain access to it.
Ruan O’Donnell, historian, lecturer and author addressing the rally. (Photo: )
O’Donnell castigated the attitude and thinking of successive Irish governments and pointed out that the GPO and Moore Street are sites of crucial importance in the struggle of the Irish people for nationhood.
O’Donnell’s speech, as did McDonald’s, received cheering and applause a number of times during their course as well as at the end.
Dónal Fallon, also author and historian, then stepped up to address the rally and also denounced the Gombeen state that had followed the struggle for independence, in which property speculators grew fat while the people suffer in a housing crisis.
Donal Fallon, blogger, author & historian addressing the rally. (Photo: )
He reminded the rally of the struggle to save the Viking archaelogical site at Wood Quay and how, with Dublin City Council building over it, the writer and author of Strumpet City, James Plunkett, had said that Dublin had “shamed itself before the world.” Fallon said that Dublin needs to redeem itself and will do so in the struggle to save the Moore Street quarter.
Patrick Cooney (of the relatives’ group that took the High Court challenge against the Minister of Heritage) was then introduced and spoke of the recent Appeal Court appearance where the Minister’s team had been castigated by a Judge who insisted they had to specify against which part of Judge Barrett’s judgement they were appealing – her Department could not take a blanket position and say that they were against it all (SMS2016 comment: indeed, part of the judgement was that the banner erected on Nos.14-17 had been erected illegally, and the Minister has already stated that work would commence to remove it and to fill in the holes the builders put into the face of those buildings in order to fix the banner there). Cooney welcomed the announcement that the appeal would not be heard until December 2017, saying that this would give time for more pressure and perhaps a change of government.
Cooney also spoke of the long struggle to have the importance of the site acknowledged and to save it from property speculators and in passing also paid tribute to those who had occupied the building in January of this year.
Sean Doyle, in period costume, addressing the rally. (Photo: )
Last to speak was Seán Doyle, speaking on behalf of the Save Moore Street 2016 campaign. Seán questioned whether we were worthy of the inheritance which had been bestowed upon us.
Referring to speculators and their facilitators, Doyle concluded by saying that “men in suits can be more dangerous than men in armour”.
All those speeches were enthusiastically applauded.
By this time the technical problems of the sound amplification had been overcome with the assistance of a member of the audience and Paul O’Toole stepped up to the microphone. He recalled that the best stage he had ever performed upon had been a couple of pallets drawn up in front of No.16 Moore Street in order to play at a rallying event there.
Paul O’Toole playing and singing during the rally. (Photo: )
He then sang and played “The Foggy Dew” and “The Cry of the Morning”, followed by his own composition “We Will Not Lie Down”. The event could not end without Temper-Mental MissElayneous being given an opportunity to perform with the sound amplification in full working order and she launched into her “Fakes and Manners” rap.
The crowd having applauded the performers, everyone was thanked for contributing to the event, banners were rolled up and costumes packed back into cases. Some people stood around chatting while the lorry that had provided the stage pulled out into the traffic, one of the organisers gave a radio interview to Newstalk and MissElayneous, on a roll now, performed for a small audience and video camera with the GPO as a background.
Across the road, outside the GPO, to which it relocated after some of its activists went to participate in the march, having earlier completed its 94th Saturday on Moore Street through which it has collected more than 50,000 signatures in support of Moore Street, the Save Moore Street From Demolition campaign table was also wrapping up.
And, despite threatening sky and pessimistic forecasts – it hadn’t rained once.
rebelbreeze 