Joe Kelly — and a generation passing

A generation is passing. Actually they have been passing for some time, the generation of the fighting years of the late 1960s, the 1970s, the 1980s and even the 1990s.

They campaigned variously for social housing; civil rights north and south; for human rights; against Church domination; against Unionist sectarianism; for free access to contraception; for right to divorce; for an end to censorship; for national self-determination; for Gaeltacht civil rights; for Irish language rights and Irish on TV; in support of political prisoners; the rights of women; for Irish Traveller rights; protection of heritage and environment; solidarity with many struggles around the world, including Cuba, Vietnam, Rhodesia, South Africa, Chile, the Black Panthers; against drug dealers; for freedom to choose lifestyle; decriminalisation of gay and lesbian life; for community projects in deprived areas including youthwork and, let’s not forget, organised, fought in and supported strikes.

 

That generation fought many battles, some of which they won and some which built bases for later battles and their story is told only in bits and pieces here and there. They organised, marched, sat in, occupied, wrote, made placards, painted slogans, put up posters and some fired guns; they were watched, raided, beaten, fined, jailed, calumnied, sacked, expelled, kept unemployed, derided from pulpit, press and judge’s bench, some were shot, and not just they but their families made to suffer too.

I am not referring to people of any specific age but of all those who were any age from young to old and active during those years. The causes of death have been many, from simple old age and life lived out to the death penalty.

But the death penalty was not in force in Ireland in the 1960s, you may think? Actually it was, it wasn’t abolished until 1990 in this state. But you’d be kind of correct as in practice no formal execution has been carried out by this state since 1954.

So, then what am I talking about? Maybe referring to the ‘United Kingdom’, since six counties of Ireland are included in that state? Yes, and no. The death sentence still exists in the UK only for “Arson in Her Majesty’s shipyards” but it was abolished in Britain for the crime of murder in 1965 and, in fact, no-one had been formally executed there from the year before. If the judicial death penalty had still been in force, the people in charge of that state might’ve been been spared the embarrassment of seeing nearly a score of Irish people they had wrongly convicted in 1974 walk free decades later as judges eventually had to find them ‘Not Guilty’.

A bit late for Giuseppe Conlon, against whom there had not even been a shred of doubtful evidence, but never mind. But had they all died in prison or been executed, people might not have worked so hard to see their convictions in court overturned – people among whom Joe Kelly, who died this week and who was cremated on Saturday, stands tall.

But the death penalty was not removed from the judges’ arsenal in that bastion of reaction, Six Counties state, until 1973, when the 30 Years’ War had entered its early years (somebody from the British state clearly had to sit down with the Unionist bigots and explain, although of course they sympathised with their loyal brethren, how bad it would be for Britain and the Queen if they started sentencing and executing IRA and INLA fighters).

There are more ways to skin a cat …. yes, and to kill too. The orange and SAS and MRF death squads killed more against whom there was not even a court conviction. And some of the Republicans killed one another too. And twelve died on hunger strike, one each in 1974 and in ’76 and ten in 1981. Actually, considering the brutality of force-feeding, it’s surprising there weren’t more deaths – Marian and Dolours Price were force-fed 167 times over 203 days in 1973 and it was the publicity around their case and the deaths of Gaughan and Stagg that ended the practice of force-feeding, ensuring that the Hunger Strikers of 1980 and ’81 at least did not have to endure that experience.

But there are more ways to kill …. Many of that generation of fighters died from ‘natural’ causes but died early – cancers, heart attacks, liver damage, despair ….. ah, yes, that brings to mind suicide, of which some also died. But despair also can drive you to drink, even more easily if it has been part of your experience of socialising and alcohol is one of the top killers in the world. And some died of drugs …. or drugs and alcohol …. or infections from unsafe drug injection …. But most who died early did so in summary from the wear and tear of struggle, of prison, of separation, of relationship breakdowns, of betrayal, despair.

Not all died, even those who are not among the fighters today. Some walked away from the struggle and though I can’t imagine being in their shoes, I do not begrudge them. So long as they didn’t betray any on their way out or make a living out of spitting on their former comrades and causes afterwards. But some, a very few, did exactly that and you can read what they have to say quite often in their articles or hear them quoted in the newspapers or on TV or radio.

Some found other ways to betray and did it in secret, feeding information to their handlers and some even diverting attention from themselves by accusing others, some innocent and some of a lesser grade of betrayal than that of the accusers. We know of some of them but may never learn about them all.

Joe Kelly

Poster displayed at memorial in Teacher's Club (photo accessed from a Facebook posting)
Poster displayed at memorial in Teacher’s Club (photo accessed from a Facebook posting)

A few have survived and are still around, fighting the struggle, whether in organisations or as independents. Joe Kelly was one in both categories, in a sense. I knew him but did not know him well and met him only in the last decade, after I had returned from decades living and working in London. I am given to understand that he had passed through a number of political organisations, including Fianna Fáil and the Labour Party. A strange CV, one might think, for a radical left-wing social and political activist. The last political group with which I had associated Joe was People Before Profit, on a local level, around Phibsboro. Joe invited me to attend a quiz they were running and I did so mainly to return a favour – he had attended, to contribute to the singing at my invitation, an evening of the Clé Club where I had been “Fear a’Tí” for that night. I was amazed to win a Blackberry at the quiz (sorry, Joe, I still haven’t gotten around to learning and using it!). Last I heard, he wasn’t with the PBP.

Somebody told me years back that he had been a central organiser of a solidarity event in Dublin for the Birmingham Six in which lights had been floated down the Liffey. Of course I was impressed – on a political/ human rights level but also for the poetic vision involved. I have found little about that event since and Joe, who I found a modest man, didn’t give me much in response to my pressing. A couple of searches on the Internet yielded me only a passing reference to the River Parade, of 1990, a year before the Birmingham Six were finally cleared in court and released. Likely I have not been asking the right people or looking in the right corners.

I met Joe by arrangement for a coffee a couple of times, while I tried to get him into something I was doing and he tried to get me into something he was working at – neither of us succeeding in our efforts to recruit the other. Since Joe was working for awhile in the community sector I also approached him to explore possibilities for me when, despite a long track record in the fields of working in homeless shelters and addiction as well as other community activism I was out of work, but he wasn’t able to help me.

And of course I bumped into him on demonstrations, as in those in solidarity with Palestine or against the Water Tax or against the Lisbon Treaty. For awhile we were active together in the Dublin branch of the Ireland Palestine Solidarity Committee and I believe he left like me after witnessing some nasty in-fighting years ago, though we both often turned up to protest pickets and demonstrations and public meetings called by the organisation. We would also meet at events in solidarity with the Cuban people.

I heard him described at his funeral service, by someone who should know, as a Republican. Certainly Joe was very proud of his father and uncle who had both fought in the 1916 Rising, the first in the GPO and the second in Bolands’ Mill and proudly displayed his father’s medal at a public event in the Teachers’ Club in Dublin.

Joe Kelly displaying his father's 1916 service medal at a 1916 commemoration event (photo: D.Breatnach)
Joe Kelly displaying and talking about his father’s 1916 service medal at a 1916 commemoration event (photo: D.Breatnach)

However, he was among the number that I invited but failed to get to events over the last decade to highlight the plight of Irish Republicans being hounded by the State and imprisoned without trial. That did puzzle me, for I knew Joe to have a track record of fighting for human rights. And this was shown not only in his campaigning for the Birmingham Six.

Joe fought for the rights of divorce and choice of abortion, as well for the right to freedom from partner abuse, in particular through the movement for women’s refuges, what many people still refer to as “battered wives hostels”. He was active in the campaign for the right to gay marriage, so amazingly successful in Ireland. And Joe was also active in campaigns against racism towards migrants.

“Conas atú tú?” or “Dia dhuit”, Joe would invariably greet me whenever we met. I would not call him exactly fluent but he could understand and speak Irish. I suppose I assumed he had some affection for the language and was also paying me, a known native speaker, the courtesy of addressing me in Irish and speaking awhile in the language. At his funeral service, I learned it went further than that. I heard his grandchildren say that he frequently spoke to them in Irish and when they did not understand him, would translate what the words meant. Some people in the audience chuckled to hear this. I felt sad and somewhat angry too, that a question so important to our cultural identity, an aspect so threatened today, should be treated so apparently lightly by some and that the only words to be spoken at his funeral service in Irish were those in the final sentence spoken by his brother, Jim, in his eulogy: “Slán leat, Joe”. In the booklet produced for the occasion and freely available at Club na Múinteoirí, there was however one dedication in Irish (and I have since learned that one of the speeches at the Teacher’s Club was in Irish) and I note that both grandchildren who spoke bear Irish-language names.

Paying respects and memorial service

On Saturday, laid out in the lovely Room 2 in the Teacher’s Club (sin Club na Múinteoirí, Joe) in Dublin’s Parnell Square, a venue often used for social, cultural and political events, in a closed wicker basket coffin, Joe received his visitors. And they were MANY. Feminists, Palestine solidarity activists, Cuba solidarity activists, community activists, independent political activists and a sprinkling of activists in various parties all attended and many contributed their memories or words dedicated to him while he was laid out there.  (I took many photos here and some at Mount Jerome but somehow seem to have lost them all).joe-kelly-speaking-at-event

Attending first another funeral (of another singer) that morning in Howth, then travelling into Dublin to take part in the Moore Street Awareness weekly table, I had to miss some of that. I spelled a comrade while he attended to pay his respects, then attended later while he took over back at the table.

Room No. 2 was still packed but so was the whole bar lounge area. I had missed all the eulogies and reminiscences and even singing – “The Foggy Dew” I was told. Had anyone sung “The Parting Glass”, I asked. No, apparently not. So then to ask his sister if it would be alright to do it, then the MC, his long-time collaborator, comrade and friend, Brendan Young. It would be welcome, I was told. And Fergus Russell (also his second funeral that day) and I did three verses together, using a mic so it might carry through to the lounge and, though we took turns at fluffing a line, not too badly. It is a great song for such occasions and each verse was particularly appropriate to Joe.1

A little later, the Internationale was sung by all (copies of the words of a verse and the chorus distributed beforehand), the wicker coffin (I must have one of those when my time comes!) was lifted on to shoulders by family and friends and brought through the respectful lines while Joe’s daughter sang The Night They Brought Old Dixie Down.2

Then the hearse came out and led the cortege to Mount Jerome cemetery. I didn’t know the protocol regarding cycling in a funeral cortege but followed anyway, managing to get temporarily lost on the way and arriving just as the hearse arrived at the cemetery. Again, the chapel was packed.

The ceremony was non-religious and officiated by Therese Caherty, ex-partner and friend. In turn Therese herself, his brother, his bereaved current partner, relatives and his comrade and friend Brendan Young all gave their moving eulogies and often funny anecdotes. Brendan emphasised that for Joe, the process of the conduct of a struggle was as important as the end to be reached, which I knew to be true from our time together in the Dublin IPSC and I’d be in agreement with Joe on that.

There were, despite the many I did see during those events, some faces I did not see in the congregation or at the Club na Múinteoirí before the service or later, when many returned to the Club to free sandwiches and soup laid on by the management there. It was their loss.

I never saw him dance but am told he loved it and taught his grandchildren not only to sing but to dance too. I did know he’d learned to tango. He’s left this dance floor now and gone on to another and whateverone steps and two steps and the divil knows what new steps”they are dancing there, I’m sure Joe is learning them and probably teaching a few of his own.

Slán leat, Joe – árdaigh iad!

A chríoch.

FOOTNOTES

1  “Of all the money that e’er I had, I spent it in good company


And all the harm that e’er I’ve done, alas, it was to none but me


And all I’ve done for want of wit to memory now I can’t recall


So fill to me the parting glass, good night and joy be with you all

“If I had money enough to spend and leisure time to sit awhile


There is a fair maid in this town, that sorely has my heart beguiled


Her rosy cheeks and ruby lips I own, she has my heart enthralled


So fill to me the parting glass, good night and joy be with you all

“Of all the comrades that e’er I’ve had, they are sorry for my going away


And all the sweethearts that e’er I’ve had,

they would wish me one more day to stay


But since it falls unto my lot that I should rise and you should not


I’ll gently rise and I’ll softly call good night and joy be with you all”

2  This song of nostalgia for the American Confederacy has a haunting melody but its ideology is often ignored by those who sing it.

3  Line from The Charladies’ Ball

WHEN DUBLIN WANTED MAYO TO WIN — MEN OF THE WEST AND THE MAN FROM DUBLIN

Diarmuid Breatnach

As Mayo began to prepare for a replay of the 2016 championship Gaelic Football final against Dublin, I stood with others on a very wet day in Dublin’s Croppies’ Acre to commemorate and honour Robert Emmet and the United Irishmen – an event replete with Mayo connections.

line-enniscorthy-group-at-monument
Eniscorthy Historical Reenactment Society inside the monument during the ceremony. (Photo: Paddy Reilly)

The event, organised by the Asgard Howth 1916 Society, was graced by the presence of the Enniscorthy Historical Reenactment Society, men and women in 1798 costume bearing pikes, including officer uniforms – they had travelled up from Wexford that morning to attend the event. Donal Fallon, historian, blogger, tour guide and broadcaster was to give the oration. Padraig Drummond, the organising persona, had asked me to sing two songs at the event, one near the start and the other near the end.

For the first song, I had chosen the Bold Robert Emmet ballad1 (originally known as The Last Moments of Robert Emmet2), a song that commonly sung more often a few decades ago but still reasonably well remembered. For the second, I was spoiled for choice of relevant songs: Anne Devlin, Boolavogue, The Croppy Boy, Henry Joy, The Irish Soldier Laddie. Kelly the Boy from Killane, The Rising of the Moon, Rodaí Mac Corlaí, Sliabh na mBan, the Three Flowers, The West’s Awake, The Wind That Shakes the Barley …… or I could finish learning some of which I knew bits, like the Sean Bhean Bhocht, General Munroe, Memory of the Dead (Who Fears to Speak of ’98?) or the Mayo version of An Spailpín Fánach.

Drawing depicting the trial of Robert Emmet in Green Street Courthouse, Dublin
Drawing depicting the trial of Robert Emmet in Green Street Courthouse, Dublin. (Photo source: Internet)

Though a beautiful song in lyrics and air, I felt Sliabh na mBan was too long for the event and cutting it would also feel wrong. Anne Devlin remembers an extremely brave comrade of the United Irishmen and gives rare acknowledgement to the role of women in the struggle for Irish freedom, which had me veering towards that choice. However, I eventually settled on Men of the West, celebrating the 1798 uprising in Mayo when a small French force under General Humbert landed to support them.

Diarmuid Breatnach singing "Men of the West/ Fir an Iarthair". (Photo: Paddy Reilly)
Diarmuid Breatnach singing “Men of the West/ Fir an Iarthair”.
(Photo: Paddy Reilly)

MEN OF THE WEST

The Mayo connection in the forthcoming GAA final was one reason for the choice, another was that this time of year is that which witnessed the repression in Mayo after the defeat of the last rising of that year (and the last forever, the British and their Orange supporters may have thought, until Emmet came out five years later). And other reasons were that I could sing it as a macaronic song (with some of the verses in Irish and some in English), the song was not too long and it has a chorus in which participants could join.

Bartholomew Teeling, with the French who landed at Mayo, captured when they surrendered at Baile na Muc. Hung in Dublin and his body thrown into the "Croppy Hole".
Bartholomew Teeling, with the French who landed at Mayo, captured when they surrendered at Baile na Muc. Hung in Dublin and his body thrown into the “Croppy Hole”. (Photo source: Internet)

There were yet other reasons for the choice too – not in our culture of song and game, nor in the calendar, but in the ground under our feet, for somewhere under there in what was first called “The Croppies’ Hole” and later “Croppies’ Acre”, the mass grave of many United Irish, lie the bodies of the executed Matthew Tone — younger brother of Theobald Wolfe Tone (who was soon after to give his own life to the Rising) – and Bartholomew Teeling. The younger Tone and Teeling had landed with the French in Mayo, been taken prisoner after the surrender of the French at Baile na Muc, in Co.Longford, brought to Dublin and, despite their French Republican Army officer rank, tried as rebels and hung there.

And in researching background for this article, I came across even further Mayo connections.

The lyrics of Men of the West were written by William Rooney and put to the air of an Irish song called Eoghan Chóir written in turn — and also air apparently composed — by a Mayo United Irishman and songwriter, Riocard Bairéad (Richard Barrett3), who composed the even better-known Preab San Ól4.

The lyrics of Men of the West were later translated into Irish by Conchúr Mag Uidhir, who won a prize for that work at a Feis Ceoil in 1903 – again in Mayo. It was the lyrics of both these versions that I combined to make the macaronic version I chose to sing at the commemoration at Croppies’ Acre5.

THE DUBLIN SONGWRITER — BACKGROUND

While I need to do some research to find out more about this Mag Uidhir, quite a lot is known about William Rooney (Liam Ó Maolruanaigh). Born in the Dublin former red-light district known as “The Monto”6 in 1873, Rooney grew up in a what had been considered the second city of the British Empire but had declined in status with the abolition of the Irish (colonial) Parliament in 1800. The city contained the residence of the Crown’s representative in Ireland, a number of British army barracks and the administration apparatus of the colony, the latter in Dublin Castle. Dublin also contained a substantial loyalist population of the Ascendancy, in addition to “Castle Catholics”7. However, Dublin was also a focal point in Irish nationalist and separatist politics. Relatives and descendants of members and sympathisers of the United Irishmen of 1798 and 1803 lived in the city and the events were in the living memories of some.

William Rooney, journalist, organiser, Irish language revivalist and author of songs.
William Rooney, journalist, organiser, Irish language revivalist and author of songs. (Photo source: Internet)

Irish Republicanism had seen a resurgence with the Young Irelanders of 1848 and some of their supporters were easily alive when William Rooney was born in 1873 and during his childhood. The founding of the Irish Republican Brotherhood in 1858 preceded Rooney’s birth by only 15 years and although the raid on the The Irish People newspaper took place in 1865, followed by the trial and conviction to penal servitude of Ó Donnobháin Rosa, Thomas Clarke Luby and John O’Leary, they would have been still talked about during Rooney’s childhood.

The following year, 1866 saw the failed rising of the Fenians in Ireland and also their shock invasion of Canada and, in 1867, the stirring freeing of the American Fenian prisoners in Manchester and the subsequent hanging of the three martyrs, Allen, Larkin and O’Brien. The spectacular rescue of escaping Fenian prisoners from Australia by the Catalpa and their celebrated delivery to the freedom in the United States took place in 1876.

Although these events were all over (or just occurring, in the case of the Catalpa) by the date of Rooney’s birth, their echoes remained – in living memory, in the cause of prisoners serving sentences in English jails or penal colonies and in agitation for a political prisoners’ amnesty. And God Save Ireland8, written to commemorate the Manchester Martyrs in 1866 by Timothy Daniel Sullivan would have been an extremely popular song among a wide section of the Dublin population during Rooney’s childhood, along with patriotic verses and songs by Thomas Moore (1779-1852), Thomas Davis (1814-1845) and James Clarence Mangan (1803-1849). Verse and songs by these poets were learned by ear and recited or sung but were also available in printed form, in songbooks, song sheets and nationalist publications.

Sullivan was a journalist, owning and editing the publications The Nation, Dublin Weekly News and Young Ireland. As a journalist, Sullivan published reports of meetings of the banned National League in December 1887, for which he was convicted and imprisoned for two months by the British administration. William Rooney was in his late teens at that time and Sullivan lived until 1914.

At the age of around thirteen William Rooney became acquainted with a leading Irish nationalist of his times, Arthur Griffith, through Rooney’s membership of The Irish Fireside Club, a literary discussion group. Both of them joined the Leinster Debating Society (which later became the Leinster Literary Society) which they soon led, Griffith as presidents and Rooney as Secretary. The early 1890s controversy surrounding Parnell’s relationship with Catherine O’Shea caused a serious disruption in the nationalist movement of the time and caused a serious split in the Irish Parliamentary Party of which the Leinster Literary Society became a casualty.

Rooney then formed the Celtic Literary Society in 1893, of which he became president; he also edited An Seanachuidhe (old spelling of “Seanchaí”, a story-teller, a relater of things past), the Society’s journal. The Society’s aims were the study of the Irish language, history, literature and music; it had branches in different parts of the country and its members included John O’Leary, Frank Hugh O’Donnell and Arthur Griffith.

AN GHAEILGE

William Rooney was fluent enough in the Irish language to write and to give orations in it and journalists of his times, after summarising a speech in English from the same platform, generally wrote only that he had spoken in Irish9. When he learned his Irish is not clear but he was teaching it in the offices of the Celtic Society. Then Eoin MacNeill got him to join the Gaelic League/ Connradh na Gaeilge after it was formed in 1893.

The Connradh was mainly concerned with promoting the Irish language and literature but also became a social focus in later years, hosting céilidhe (dances and occasion for songs, recitations). Patrick Pearse advocated a more political approach to promoting Irish culture and this accorded with Rooney’s opinion. On the other hand Rooney regarded Irish independence without the revival of the language and culture as meaningless and he castigated the Irish Parliamentary Party for its inaction on the Irish language.

Rooney gave an alternative example, traveling the country speaking publicly in Irish and in English on the need for Irish independence and for the revival of the Irish language.

JOURNALISM AND POLITICAL ORGANISATION

Building on his earlier writing in An Seanachuidhe, Rooney founded with Griffith The United Irishman newspaper in 1899 and his articles and other writings were published in a number of publications of his times:United Ireland, The Shamrock, Weekly Freeman, The Evening Herald, Shan Van Vocht and Northern Patriot (the latter two in Belfast).

Near the end of 1900, again in conjunction with Griffith, William Rooney helped found Cumann na nGaedheal.  The former Fenian John O’Leary was president and the Cumann was intended as an umbrella organisation to co-ordinate the activities of a number of nationalist groups (it was merged with others in 1907 to form the original Sinn Féin).

As the centenary of the 1798 Uprising approached, there was something of a fever of preparation with many indicating an interest in participation. Rooney would see his 25th birthday during centenary year and became of the most prominent organisers for the National Commemoration committee, if not, indeed, the main one.

The year 1898, somewhat similarly to the current centenary of the the 1916 Rising, saw commemorative plaques and monuments being erected, along with talks, meetings, lectures, articles and songs being written. According to historian Ruan O’Donnell, a feeling that the 1889 events had not reached an appropriate level led in 1903 to substantial commemorative events of Emmet’s rising in 1803. Many political working relationships were made during those years which were to survive into much more active days less than two decades since. Many of the songs we have today about the 1798 Rising were written during this period too and Rooney’s Men of the West was presumably also.

In the year of the 1798 centenary commemoration, one of the main centenary commemorations was held in Croppies’ Acre, attended by a reported 100,00010. Rooney was one of the main organisers and a stone was laid on the site which is there to this day.

Stone laid (or unveilled) during commemoration event in Croppies' Acre in 1898, the first centenary of the Rising. (Photo: Paddy Reilly)
Stone laid (or unveilled) during commemoration event in Croppies’ Acre in 1898, the first centenary of the Rising. The stone is on the ground near the north-west gate and corner of the park. (Photo: Paddy Reilly)

WILLIAM ROONEY IN MAYO

(The following text is taken from an article by Brian Hoban in the on-line edition of the Castlebar News for 22, Apr 2011)

William Rooney had visited Castlebar with Maud Gonne in 1898 for the centenary celebrations of ‘The Year of the French’. He gave a passionate speech in Irish in which he exhorted people to think for themselves, to educate themselves, and not to take their teachings from others.

He founded Castlebar’s first Public Library at the Town Hall, to which he dedicated his books. Three years later, at the early age of twenty-eight, William Rooney was dead, but the esteem in which he was held in Castlebar continued to grow. In 1911, a new Hurling Club in the town was named the ‘William Rooney’ in his honour. The following year “The Rooney Hall” was opened in Tucker Street. It became a local landmark for several generations, much used by various civic and voluntary organisations, including the PTAA.

The one surviving connection is in ‘Poems and Ballads’, a collection of Rooney’s poetry edited by Arthur Griffith and published in 1902, a year after his death. An original of this title is held by Mayo County Library where it can be consulted.

1798 Centennial Celebrations

William Rooney was one of the main protagonists in establishing the National Commemoration to celebrate the centennial of the 1798 rebellion. Only one month after its inception nationalists in Mayo formed the “Castlebar Central and Barony of Carra ’98 Centenary Association with James Daly appointed as president of the Connaught ’98 Centenary Council. On the 9th January 1898 a commemoration, which was presided over by James Daly, was held at Frenchill, near Castlebar. This was attended by Maud Gonne Mac Bride and addressed by James Rooney. ……………….

James Daly pointed out that the event was both about remembering dead patriots and undertaking “to abide by the principles of the men of ’98 until their country was free again and took its place among the nations of the earth.”

EARLY DEATH AND MEMORY

William Rooney died of TB in 1901 at the age of 27, shortly before he was due to marry. He is buried in Glasnevin Cemetery.

In 1902 the United Irishman published a collection of his writings and in 1908 a collection of his work edited by Griffith, Poems and Ballads of William Rooney, was published. The publication was reviewed disparagingly in the Daily Express that year by James Joyce but Yeats dedicated the 1908 edition of Cathleen Ni Houlihan “To the Memory of William Rooney”. A collection of his lectures and articles, from the United Irishman was published by M.H. Gill the following year.

Griffith described William Rooney as “the Thomas Davis of the new movement”. Brian Ó hUigín (“Brian na Banban1882–1963), editor for many years of The Wolfe Tonne Annual and himself no slouch as a writer of songs and verse, said of Rooney that “he blazed the trail to 1916 and gave his life for Ireland”.

And many of William Rooney’s songs are still being sung.

End.

Wreath being laid by Pól Ó Scannaill inside the monument on behalf of a number of groups. (Photo: Paddy Reilly)
Wreath being laid by Pól Ó Scannaill inside the monument on behalf of a number of groups.  Padraig Drummond of Asgard 1916 Society MC of event.
(Photo: Paddy Reilly)

 

APPENDIX

THE MACARONIC VERSION OF MEN OF THE WEST/ FIR AN IARTHAIR

(Arranged by D.Breatnach)

1.

Má mholtar le dán is le h-amhrán,

Na fir a bhi tréan agus fíor,

Donal Fallon, historian, blogger, tour guide and broadcaster who gave the main oration
Donal Fallon, historian, blogger, tour guide and broadcaster who gave the main oration

Chuir clú agus cáil lena ndánacht

Ar shruthán ‘s gleann agus sliabh:

1798-panel-monument-wall
One of the panels inside the circular monument. (Photo: Paddy Reilly)

Ná fágaidh ar deire na tréan-fhir

Do chruinnigh ar phlánai Mhuigheo –

Nuair a ghnóthaí na Gail I Loch gCarman,

Said muinntir an Iarthair ‘bhí beo.

Chorus

I give you the gallant old West, boys,

Where rallied our bravest and best;

When Ireland lay broken and bleeding:

Hurrah boys, hurrah for the West!

enniscorthy-marching-to-gat
(Photo: Paddy Reilly)

2.

The hilltops with glory were glowing

‘twas the eve of a bright harvest day,

And the ships we’d been wearily awaiting

Sailed into Killalla’s broad bay.

And over the hills went the slogan

To awaken in everyone’s breast

That spirit that’s never been broke’ boys

Among the true hearts of the West.

Curfá

Seo sláinte muinntir an Iarthair daoibh,

Section of Croppies Acre showing circular 1798 monument in middle distance and Collins Barracks Museum in the far background. View is from NE gate on Wolfe Tone Quay. (Photo: D.Breatnach)
Section of Croppies Acre on a drier day, showing open circular 1798 monument in middle distance and Collins Barracks Museum in the far background. View is from SE gate on Wolfe Tone Quay. (Photo: D.Breatnach)

Do chruinnigh le cunamh san áir,

Mar sheas siad in aimsir an ghéar-chaill:

Seo sláinte fear Chonnacht go brách!

3.

Níor bhuail sé an dó dhéag san oíche

Gur ghlan’mar Cill Ala go breá:

‘S ní dheachaidh an ghrian síos ‘na dhiadh sin

Go raibh brat glas ar chúirt Bhéal an Átha.

Chruinnigh na céadta le cúnamh,

Agus mairfidh an scéal sin go buan;

An chaoi inar ruaigeadh na redcoats

As Caisleán an Bharraigh go Tuaim!

Chorus

I give you the gallant old West, boys,

Where rallied our bravest and best;

When Ireland lay broken and bleeding:

Hurrah boys, hurrah for the West!

4.

Agus gairim na Franncaigh breá láidre

Do tháining le Humbert anall,

Mar thug siad dúinn croí agus misneach

Nuair a bhíomar go brónach sa ngabháil.

Agus trócaire Dé ar na céadta

Do thuit is do leagadh san áir;

Tá a gcnámha faoi fhód ghlas na hÉireann

‘s cuimhneoidh muid orthu go brách.

Curfá

Seo sláinte muinntir an Iarthair daoibh,

Do chruinnigh le cúnamh san áir,

Mar sheas siad in aimsir an ghéar-chaill:

Seo sláinte fear Chonnacht go brách!

5.

Though all the bright dreamings we cherished

Went down in disaster and woe,

That spirit of old is still with us

That never will yield to the foe;

And Connacht is ready and awaiting

When the loud rolling tuck of the drum

Rings out to awaken the echoes

to tell us the morning has come.

Chorus.

I give you the gallant old West, boys,

Where rallied our bravest and best;

When Ireland lay broken and bleeding:

And looked for revenge to the West!

THE VERSES OMITTED IN THE MACARONIC VERSION

IN THE TRANSLATION INTO IRISH

2.

Tháinig na longa lá Fómhair,

Go cuan Chill Ala ag snámh,

‘S bhíomar chomh fada ag súil leo

Gur shíleamar nach dtiocfadh go brách.

Agus thosaigh na hadharca ag séideadh,

Ag fógairt go raibh siad ar fáil,

Agus corraíodh spreagadh in Éirinn

Nach múchfar i gConnacht go brách!

5,

Má caitheadh le fána ár smaointe,

S ár ndóchas faoi scrios agus léan,

Tá an fíor-spiorad beo inár gcroíthe

Nach ngéillfidh don námhaid go héag!

Agus féach: Táimid réidh ar an nóiméad

A chluinfimid torann an áir

Ag fógairt ar chlanna na hÉireann

Go bhfuail saoirse ár n-oileáin ar fáil!

Also, the final chorus in the Irish version:

Seo sláinte na gConnachtach fíora

Do chruinnigh le cúnamh san ár!

Siad togha agus rogha na tíre:

Seo sláinte sean-Chonnacht go bráth!

IN THE ENGLISH ORIGINAL

1.

While you honour in song and in story

the names of the patriot men,

Whose valour has covered with glory

full many a mountain and glen,

Forget not the boys of the heather,

who marshalled their bravest and best,

When Éire was broken in Wexford,

and looked for revenge to the West.

4.

And pledge we “The stout sons of France”, boys,

bold Humbert and all his brave men,

Whose tramp, like the trumpet of battle,

brought hope to the drooping again.

Since Éire has caught to her bosom

on many a mountain and hill

The gallants who fell so they’re here, boys,

to cheer us to victory still.

MODERN LAST VERSE ADDITION TO “BOLD ROBERT EMMET”

11Erin, mo mhuirnín, my love and my country!

Ireland, my Ireland, though dead I shall be,

Hear now the words of my final oration:

Write me no epitaph ‘til my country is free!

FOOTNOTES

1

Unknown author but sometimes credited to Tom Maguire (1892– 1993, famed leader of the Mayo Flying Column [yet another Mayo connection!] in the War of Independence, who later took the Republican side in the Civil War). On the other hand Zimmermann (1967) gives the song its earliest appearance as c.1900, when Maguire would have been around only eight years of age. For Tom Maguire credit see http://thewildgeese.irish/profiles/blogs/robert-emmet and a number of other references, some of which state inaccurately that Emmet was “hung, drawn and quartered”; that was indeed his sentence but the British practice of cutting the body of “traitors and rebels”open while still alive to access the entrails had been discontinued for decades although the decapitation part was still practiced and was carried out on Emmet.

2Bottom p.159, Remember Emmet, Ruan O’Donnell

3In the very brief research I carried out on the Mayo songwriter, I came across another songwriter by the name of Richard “Richie” Barrett (1933– 2006), an Afro-American who was also a singer, musician and band promoter, involved with such famous rythm ‘n blues groups as the Chantels and Three Degrees. One might hope for a family connection ….

4Translated later into English, recorded by the Dubliners folk and ballad group under the title Another Round.

5For lyrics, see the Appendix after article body and Sources.

6No.39 Mabbot Street, D1

7A pejorative term to describe Catholics who cooperated with the colonial Ascedancy regime in Ireland and sought admission to their social circles (for example, to balls and receptions held at the Castle in the 19th Century). An even more contemptuous description for the behaviour of this stratum was the Irish “ag sodar i ndiaidh na h-uaisle” (‘trotting after the nobles’, i.e. like dogs or perhaps servants)

8He also wrote the All for Ireland! anthem, Song from the Backwoods and the Michael Dwyer ballad.

11This last verse was written in 2014 by Alan P. Barrett

INFORMATION SOURCES:

http://www.castlebar.ie/Nostalgia/HISTORIC-PAINTING-RETRIEVED.shtml

http://www.anphoblacht.com/contents/4034

http://www.ricorso.net/rx/az-data/authors/r/Rooney_W/life.htm

http://www.iol.com/~fagann/1798/songs.htm

http://www.ainm.ie/Bio.aspx?ID=1038 (NB: I am not the Diarmuid Breathnach, joint author of this piece — please note the slightly different spelling of his family name)

http://www.historyireland.com/20th-century-contemporary-history/and-william-rooney-spoke-in-irish/

https://rebelbreeze.wordpress.com/2016/08/01/mass-croppies-burial-ground-open-to-the-public-once-again/

https://rebelbreeze.wordpress.com/2014/03/23/captain-bartholomew-teeling-united-irishmen-hero-believed-to-be-buried-in-croppies-acre/

O’Donnell, Ruan: Remember Emmet: Images of the Life and Legacy of the Irish Revolutionary Robert Emmet, National Library of Ireland (2003)

Zimmermann, Georges-Denis, Songs of Irish Rebellion: Political Street Ballads and Rebel Songs 1780-1900 (1967), Allen Figgis, Dublin; reprinted (2012) by Four Courts Press.

BASQUE PIRATES ON THE WAVES

Diarmuid Breatnach

One of my appointments on a recent trip to Euskal Herria, the Basque Country, was with a “free radio station”, with a dual purpose: to learn about their operation and to give them an interview about my thinking on the political phenomena known to most people as “peace processes”. The radio station in question is Zintilik and located in the Orereta area of Errenteria town, not far north from Donosti/ San Sebastian, in the souther Basque province of Gipuzkoa and my hosts were Hektor Gartzia and Julen Etxegarai. 

View of side of building which houses Zintilik. Photo D.Breatnach
View of side of building which houses Zintilik. Photo D.Breatnach
Julen and Hektor setting up for the interview Photo D.Breatnach
Julen and Hektor setting up for the interview
Photo D.Breatnach

Not long after I arrived, one of my hosts related his memory of events in the area after a local ETA fighter had been killed. The Guardia Civil had swamped the area to prevent an “homenaje” (an event honouring the dead) taking place, guns pointing at men and women; the children, of which he had been one, gathered into their grandparents’ house ….. He showed me where the police vehicle had parked at the end of the street, his sweeping hand indicating the places where the armed police had stood.

THE “FREE RADIO”

The “free radio station”, also known as “pirate radio” has been broadcasting for 32 years, which I find amazing. It began broadcasting from an “okupa”, an occupation of a private empty building, turning it into an alternative social and political centre. Under popular pressure, the local authority, under the control at the time of the PSE, i.e. (Spanish unionist social democratic party), granted them the building they currently use.

Front of Zintilik building. Photo D.Breatnach
Front of Zintilik building from the street.
Photo D.Breatnach

Originally built to house a smithy, for some reason the building never saw service in that capacity. It is in my estimation an attractive building in a traditional-enough local style, of thick stone, compact without being squat. It has an attractive back yard, no doubt intended at one time to receive the horses with hooves in need of iron shoes, fitted and nailed. The roof is tiled in what seems the usual way for the Basque Country.

Zintilik broadcasts 24 hours a day, which it is able to do using repeats.  The Zintilik collective owns its equipment and funds itself through fund-raising concerts, txosnak (stalls/ marquees) at festivals and occasional donations. They run advertisements for

Julen and Hektor again. Photo D.Breatnach
Julen and Hektor again.
Photo D.Breatnach

local community groups and announce events but accept no commercial sponsorship – nor does their wish for independence stop there. “We don’t receive any funding from the local authority or from the Basque Autonomous Government,” declares Julen, “nor do we wish to.”

Funding from such sources comes with strings attached”, adds Hektor.

Or one becomes dependent on it and unable to function without it”, further explains Julen.

Partial scenic view from the back of the building. A block of flats to right just out of shot does restrict it however. (Photo D.Breatnach}
Partial scenic view from the back of the building. A block of flats to right just out of shot does restrict it however.
(Photo D.Breatnach}

As a further illustration of self-reliance, they tell me how they climbed on to the roof of their building to repair a leak, rather than ask the municipal authorities to do it. And it was the same when branches of a nearby plane tree needed cutting to prevent them knocking against the radio aerial on windy days.

We know it’s work that the local authority owes us and that we and the rest of the community pay their salaries but we prefer not to depend on them,” they explain.

As an example of how dependency – although of a different sort – can undermine a community resource, they relate the story of building which was occupied in order to be used as a community resource. As time passed, many were using it as a social resource but less people were volunteering for the work involved in maintenance at any level. Appeals of the four or so committed people who ended up doing everything fell on the deaf ears of the clientele until one day the four locked the centre doors after the last user had left for the evening and, the next day, handed the keys over to the local authority.

The back yard to the building where we ate a meal after the interview. Photo D.Breatnach
The back yard to the building where we ate a meal after the interview.  The structure there is an outhouse.  (Photo D.Breatnach)

As you imagine, this was a great shock to the clientele,” they tell me, “but it was the result of their own lack of commitment to the project.”

I reflect that many activists will identify in one way or another with that sad experience.

RECORDING THE INTERVIEW

Julen and Hektor discuss the format and general content of the interview with me and map it out, do sound checks and then we go to it. Hektor, who knows quite a bit about the more recent Irish history and about the current situation in the Six Counties, is my interviewer, while Julen monitors from the control room and occasionally joins in with comment or question.

Interview room. Photo D.Breatnach
Interview room.
Photo D.Breatnach

For music in between sections of interview, Irish Ways and Irish Laws (John Gibbs) and Where Is Our James Connolly? (Patrick Galvin) have been chosen, both sung by Christy Moore and Joe McDonnell (Brian Warfield), by the Wolfe Tones.

They also invited me to sing Back Home in Derry, Christy Moore’s lyrics arrangement of Bobby Sands’ poem – but to the air I composed for it. I am happy to oblige – I enjoy singing but it is more than that: I want the air I composed to get a hearing. Christy Moore used Gordon Lightfoot’s air to The Wreck of the Edmund Fitzgerald for Sands’ poem and, excellent though that fit is, especially with Moore’s chorus, I think that the poem (and its author) deserves an air of its own.

Recording room. Photo D.Breatnach
Recording room.
Photo D.Breatnach

Although the main focus of the interview was the phenomenon of “peace (sic) processes”, we discussed aspects of Irish, Spanish, Palestinian and South African recent history, including the 1916 Rising in Ireland, along with the backgrounds to the songs chosen. For the most part, I left it to my interviewers to draw conclusions relating to their experience of political processes in their own country.

FESTIVALS AND STORMS

Upstairs in the broadcasting/ recording and interview rooms, all is in good order: equipment and facilities. After the interview, I note that downstairs, in the main space, things are a in a bit of a mess, for which Julen apologises (he has never seen the state of my flat).

Some of the community groups we support store their placards and banners here,” he says. “Besides, we’ve just finished our local festival and everyone relaxes, dumps their equipment and goes on holiday.” Throughout the Summer and early Autumn, each village, town, city and even area will have its own week-long festival for which the community groups and campaigns will organise and participate.

Down in Donostia (San Sebastian), to where Hektor and Julen accompanied me after we ate the food they had prepared, the city was in the midst of its own festival and was heaving with people – tourists from everywhere, it seemed, as well as Basques.

With that picturesque bay and its island in our background, they got a passing young woman to take our photo, the three of us – the conversation with her was in Euskara only. I held up the placards I had prepared for the photo in turn, one in Irish and another in English, supporting the Moore Street quarter in Dublin.

R-L: Julen, Diarmuid, Hektor. Donosti bay in the background with island partly visible. Storm building in the sky.
R-L: Julen, Diarmuid, Hektor. Donosti bay in the background with island partly visible. Storm building in the sky.

Save M St Quarter Donosti backgroundDark clouds were gathering overhead and on the horizon the sky was a baleful orange. A storm or at least a downpour was being promised and, as we turned back towards the bus station, the first drops began to fall. In the humid heat, the light rain was welcome for awhile but for part of my solitary journey back to Bilbo, it formed a silvery curtain in the coach’s headlights and streamed down the windows.

I remembered being told that one can frequently witness a violent storm in the Donosti bay while not so far away in Bilbao, as a result of local conditions, all is calm. As for winter storms in Donosti, the waves hitting and surging over the seafront and piers have to be seen to be believed; occasionally the sea reaches inland, floods cellars and converts parked cars into boats or semi-submarines.

The rain eased off and stopped about half-way through my journey and when I got into San Mames station in Bilbo, the streets were not even wet.

end

Clenched Fists 3 Tzintilik Irratia 2016

THREE EVENTS IN ONE ON HOWTH PIER

Clive Sulish

Foreign tourists and Irish-based visitors looked on with curious interest at a gathering at the foot of the East Pier, Howth on Sunday 24th – the group contained a number in military-type uniform, some were carrying flags, each one of a different design and a number of people in ordinary civilian clothes were carrying floral wreaths.

The Asgard, Molly Childers and Mary Spring-Rice on board at Howth
The Asgard, Molly Childers and Mary Spring-Rice on board at Howth (photos from Internet)

Participants, Tourists and Visitors
Participants, Tourists and Visitors (photo D.Breatnach)

Most onlookers at that point would not have known that those gathered there had a threefold purpose:

  • to commemorate the landing of Mauser rifles for the Irish Volunteers

  • to commemorate the massacre of civilians by enraged soldiers later that same day on Bachelors Walk and to

  • launch the Asgard 1916 Society.

 

The men and women in uniform formed up with the flags as a colour party and led the procession the full length of the pier to its end. There the procession came to a halt in front of a plaque on the wall commemorating the landing of 900 Mauser M1871 single-shot rifles and 29,000 rounds of ammunition in 1914 by a crew skippered by Erskine Childers with his wife Molly and friend Mary Spring Rice. The arms were taken ashore and whisked away in an operation planned by Bulmer Hobson of the IRB and carried out by the Irish Volunteers and Na Fianna Éireann.

Colour Party Marching
Colour Party marching along the pier towards the ceremony (photo D.Breatnach)

The Dublin Metropolitan Police and British Army were mobilised by Dublin Castle authorities to seize the guns (unlike at the previous much larger operation by the Loyalist UVF at Larne) but only managed to get a few. As the disgruntled Scottish Borderers marched back into town, they were jeered by Dublin crowds and some cabbage stalks were thrown at them. On Bachelors Walk, very near the Ha’penny Bridge, an officer brought them to a halt and they faced the crowd with guns pointed, then opened fire. Three men and a woman were killed and 38 wounded, including the father of singer Luke Kelly of the Dubliners ballad group (also called Luke). One of the victims died of bayonet wounds.

Margaret McKearney speaking and chairing the occasion on the pier
Margaret McKearney speaking and chairing the occasion on the pier (photo D.Breatnach)

Margaret McKearney, who has had three brothers killed in the Six Counties during the 30-years war, stepped forward to address the crowd as tourists and visitors took photos or watched and listened. After giving a brief account of the Howth landing and of the massacre on the Dublin quays, also of the smaller landing at Kilcoole, McKearney called forward Pól Ó Scanaill of the 1916 Societies to read the 1916 Proclamation of Independence. After he had finished, McKearney called for the young bearers of two floral wreaths to make their presentations:
Ellen O’Neill, with a wreath in memory of those killed and injured by the British soldiers at Bachelors’ Walk;

Roibeard Drummond, whose uncle Michael Moore was a crew member of the Nugget, landing rifles at Kilcoole, laying a wreath for the Asgard 1916 Society to commemorate the landing of the rifles and those who carried them in battle in 1916.

Last of the wreath-layers was Denise Ní Chanain on behalf of the Anti-Internment Group of Ireland.

Ellie after laying wreath in memory of the dead and injured in the Bachelors' Walk massacre
Ellie O’Neill after laying wreath in memory of the dead and injured in the Bachelors’ Walk massacre (photo D.Breatnach)

 

 

 

 

 

 

 

 

 

 

 

 

 

MOORE STREET SPEECH

Roibeard Drummond, after laying wreath on behalf of the Asgard 1916 Society
Roibeard Drummond, after laying wreath on behalf of the Asgard 1916 Society (photo D.Breatnach)

Niamh McDonald gave a short speech on the current situation in the struggle to save the revolutionary quarter of Moore Street. She informed her audience that NAMA had sold the debt of the Irish speculator company Chartered Land (Joe O’Reilly) to Hammerson, a British-based vulture capitalist company, who are continuing with the plan to build a huge shopping centre over the whole historic quarter. Meanwhile, the Minister for Heritage, Heather Humphreys, is appealing the High Court judgement that the whole quarter is a national monument. McDonald asked people to keep an eye on the campaign’s

Denise Ní Chatháin bringing forth the wreath from the Anti-Internment Group of Ireland
Denise Ní Chanain bringing forth the wreath from the Anti-Internment Group of Ireland (photo D.Breatnach)

Facebook page for updates and for calls to support actions.

McKearney then called on Diarmuid Breatnach to sing Me Old Howth Gun, pointing out that guns landed at Howth had been the first to fire on the Lancers in O’Connell Street on Easter Monday 1916. Breatnach introduced the song as having been written apparently in 1921, that is a year before the outbreak of the Civil War, by James Doherty, who also used the pseudonym Seamas Mac Gallogly.

Niamh McDonald speaking on behalf of the Moore Street 2016 campaign
Niamh McDonald speaking on behalf of the Moore Street 2016 campaign (photo D.Breatnach)

MAIN SPEAKER — JOHN CRAWLEY FROM THE MARITA ANN
The next speaker to be introduced by McKearney was John Crawley who was arrested on board the Marita Ann trawler, intercepted off the Kerry coast by the Irish Naval Service on September 29, 1984, when seven tonnes of arms were seized. The US heavy machine guns recovered on the Marita Ann had special mountings allowing them to be used as anti-aircraft weapons. Another of those detained on board – and later jailed for 10 years – was Martin Ferris who went on to become a Kerry TD for Sinn Fein, while John Crawley has taken a line of opposition to the Good Friday Agreement.

John Crawley giving his oration with the plaque commemorating the landing of the Howth guns behind him
John Crawley giving his oration with the plaque commemorating the landing of the Howth guns behind him (photo D.Breatnach)

John Crawley gave the main speech at Howth, in which he traced the history of the struggle for the Irish Republic from the Volunteers onwards, pointing out that many who fought the British in 1916 had different aspirations for the country, which explained why they parted ways in 1921. Crawley stated that the British have always been able to pick out those whose primary intention was to survive the struggle from those whose intention was if necessary to give their lives for the objective of the Irish Republic.

Pól Ó Scanaill reading the 1916 Proclamation
Pól Ó Scanaill reading the 1916 Proclamation at the head of the East Pier, Howth (photo D.Breatnach)

Crawley pointed out that some people had led a section of the Republican movement in accepting the right of a foreign country to decide the future of a part of our country; they had joined in the colonial administration and had accepted the colonial police force.

After the applause for the speech died down, McKearney thanked those who had participated and asked Diarmuid Breatnach again to step forward to sing the national anthem. Breatnach sang it in Irish, first verse and chorus (and noticeably sang “Sinne Laochra Fáil” instead of “Sinne Fianna Fáil”). Participants joined in with the chorus and then all made their way along the pier towards a local pub where refreshments had been made available by the new 1916 Society.

Diarmuid Breatnach singing Amhrán na bhFiann at end of the ceremony. Earlier he had sung "Me Old Howth Gun".
Diarmuid Breatnach singing Amhrán na bhFiann at end of the ceremony. Earlier he had sung “Me Old Howth Gun”. (Photo: Des Keane from Sean Heuston 1916 Society page)

end

Video of the event by John Rooney and put on Youtube by him, posted on FB by Mick O’Riordan (see below)
https://www.youtube.com/watch?v=RrG_7VLytfw

PROTEST OUTSIDE LEINSTER HOUSE IN SOLIDARITY WITH DUBLIN THREE

Diarmuid Breatnach

On Tuesday 10th May a large crowd picketed Leinster House, the Irish Parliament, at short notice to protest the denial of civil rights to three irish Republicans by the Police Service of Northern Ireland who detained, arrested and charged them and by the judiciary who remanded them in custody, denying them bail.

Line of protesters outside Leinster House (Photo from Dublin Anti-Internment Committee)
Section of protesters outside Leinster House (Photo from Dublin Anti-Internment Committee)
Fifteen had been detained by the Police Service of Northern Ireland in harassment of a Republican funeral. Twelve are from the Six Counties and were released after some hours without charge. Three are from Dublin and were
a) charged and
b) refused bail.

The protesters at Leinster House chanted slogans such as “Free, free, the Dublin Three” and “End internment by remand”. A couple of songs were also sung: The Felons of Our Land” and “Take It Down From the Mast”.Long View Dail Picket Dublin 3

The protest was organised by the Irish Prisoners’ Welfare Association and was attended by other Republicans and by members of the Dublin Anti-Internment Committee, as well as by family members of the three men from Dublin.

Shortly after they convened, most of the protesters were approached by the Gardaí Special Branch and had their names and addresses taken by them in what was a clear case of politically-motivated intimidation and abuse of the rights to hold political beliefs, to organise politically and to peacefully demonstrate.  In fact, a similar harassment to that practiced by their brethren in the Six Counties.

Banner of the Dublin Anti-Internment Committee alongside another outside Leinster House
Banner of the Dublin Anti-Internment Committee alongside another outside Leinster House

Statement by IRPWA DEMANDS END TO POLITICAL POLICING

“On Thursday 5th May the 35th anniversary of the death of hunger striker Bobby Sands Republicans peacefully laid Republican Michael Barr to rest.

“After the funeral the PSNI arrested 15 IRPWA activists and released 12 of them with no charge after being held for a number of hours.
Three of those arrested were charged and refused bail for the sole reason of that they were from the 26 counties.

“Only a few short weeks after the Irish Government commemorated the 1916 rising we now have the situation were British courts in Ireland are locking up Irish citizens for no other reason that they live in the 26 counties.

Car of Special Branch (Irish plainclothes political police) who were watching and filming the protesters from across the road
Car of Special Branch (Irish plainclothes political police) who were watching and filming the protesters from across the road

“The IRPWA calls on the Irish Government to lobby for their immediate release and to make sure those responsible for this blatant abuse of power are held accountable for their actions.
We take this opportunity to remind you of the protest that takes place outside of Leinster House today at 6pm and call for all Republicans to support.

“We would also encourage everyone who is available tomorrow to attend the Belfast High courts at 9.30am and support the 3 men and their families.”


POSTSCRIPT

The three Dublin men were finally granted bail Wednesday morning but face further inconvenience, worry and expense in having to attend future court dates in the Six Counties.

WORKING CLASS HERO IS COMMEMORATED IN THE EAST WALL AREA WHERE HE LIVED

Diarmuid Breatnach

On Sunday 8th May a working-class hero was commemorated in the East Wall area in which he lived. Walter Carpenter was a native of Kent, in SE England and came to Ireland to help found the Socialist Party of Ireland 1 with James Connolly in 1909 in Dublin. Among other activities a campaigner around housing issues for the Dublin working class, he reared his sons in socialist belief so that it was no surprise that both Wally (Walter jnr) and Peter joined the Irish Citizen Army and fought in the 1916 Rising. As a result of the repression of the Rising, one son ended up in Frongoch concentration camp in Wales, while the other was in hiding. Later, both brothers also fought against the Free State in the Irish Civil War; Wally was interned and went on hunger strike.

Lining Up Outside SOCC
Assembling to march outside the Sean O’Casey Community Centre

Jailed for opposing British Royal visit to Dublin

Rising to be Secretary of the Dublin Branch of the SPI in 1911, Walter Carpenter was jailed for a month for the production while speaking on a public platform of Connolly’s leaflet attacking the Royal visit that same year. Soon afterwards he was an organiser for the newly-formed Irish & Transport Workers’ Union. During the Lockout, he was sent by Connolly to Britain to rally the support of trade unionists for the struggle of the Dublin workers and was apparently an effective speaker there. That same year Walter Carpenter was elected General Secretary of the Tailors, Machinists and Pressers’ trade union, generally known as “the Jewish Union” due to the preponderance of its members being from that background.

Two sections march
United in purpose but fragmented in marching

Walter also became active in municipal politics, striving to make Dublin City Council meet its housing regulation responsibilities in the terrible housing conditions of the city of that time. There were many other sides to this campaigner too, which a read of Ellen Galvin’s pamphlet will reveal.

The East Wall History Group had earlier had a plaque erected on the wall of the house where he had lived, No.8 Caledon Road and organised an event around its unveiling on Sunday. The event began with a gathering at the Sean O’Casey Community Centre in East Wall, where an introduction to the event and to Walter Carpenter’s importance in the revolutionary and radical social history of Ireland was given by Joe Mooney, one of the organisers of the event. As well as local historians, socialists and Republicans, the event was attended by his surviving grandson, great-grandchildren and partners and their children. Also present was Ellen Galvin, who wrote a booklet on his life which was launched after the unveiling, back in the Sean O’Casey Centre.

Joe Mooney with a few preliminary words about Walter Carpenter and the history of the area
Joe Mooney with a few preliminary words about Walter Carpenter and the history of the area

Misfortune struck the event before it had even begun, with the news that Christy O’Brien, the piper who was to lead a march to the unveiling, had his pipes stolen from his car that very morning. Christy gives his service as a piper to many commemorative events, funerals etc. and, with the announcement of the misfortune, Joe Mooney also called for the spreading of the news in order to aid the recovery of the instrument. A set of bagpipes will cost thousands to buy or have made but it would be a rare musician or pawnshop that would negotiate for a stolen set (one which furthermore might be recognised at a musical event in the future).
(see also https://www.facebook.com/eastwallhistory/photos/a.593335330735681.1073741828.580261572043057/1042532349149308/?type=3&theater)

March to plaque past previous addresses of Irish resistance fighters

The march set off from the Sean O’Casey Centre without the piper, led by supporters carrying the banner of the East Wall History Group, a Tricolour and a Starry Plough (original green and gold version). Walking alongside were two Gárdaí and one wit commented that not only were descendants of the Irish Citizen Army present but also of the Dublin Metropolitan Police! 2

Caitríona Ní Casaidthe presiding over the plaque unveiling
Caitríona Ní Casaidthe presiding over the plaque unveiling
Deputy Dublin Mayor Cieran Perry in the march -- he also spoke at the unveiling.
Deputy Dublin Mayor Cieran Perry in the march — he also spoke at the unveiling.

Joe Mooney had told the crowd before the march began that they would pass a number of locations where fighters for Irish and working-class freedom had lived. These were: St Marys Road, Tim O’Neill at No.8 and father and daughter Patrick Kavanagh and May Kavanagh at No.24. Christy Byrne lived at No.45 and his brother Joseph Byrne was from Boland’s Cottages off Church Road, where also Christopher Carberry lived on Myrtle Terrace on Church Rd. All these were Irish Volunteers, while May was in Cumann na mBan. In Northcourt Avenue (now demolished, roughly where the Catholic Church stands), Patrick & William Chaney were in the Irish Citizen Army and in Hawthorn Terrace lived James Fox (Irish Volunteer) and Willie Halpin (ICA).

Joe added that at the junction of St. Mary’s Road and Church Street, the local Irish Volunteers had mustered to participate in the Rising, 100 years ago and also reminded the gathering that that very day, the 8th of May, was the centenary of the executions by British firing squad of Michael Mallin of the Irish Citizen Army and of Irish Volunteers Eamonn Ceannt, Sean Heuston and Con Colbert.

Eamon Carpenter, 94, grandson of Walter Carpenter (Photo D.Breatnach)
Eamon Carpenter, 94, grandson of Walter Carpenter (Photo D.Breatnach)

Upon reaching No. 8 Caledon Road, the former home of Walter Carpenter, Caitríona Ní Chasaide of the East Wall History Group introduced Eamon Carpenter, 94 years of age and a grandson of Walter Carpenter, who addressed the crowd in thanks and also about the life of his grandfather.

“The struggles of the past are not merely for commemoration”

Next Caitríona introduced the Deputy Mayor of Dublin, Cieran Perry, who pointed out the parallels between the dire housing situation in the early part of the last century, which Walter Carpenter had campaigned against, and the housing crisis in Dublin today. He castigated the officials of Dublin City Council who, despite the votes of elected Left Councillors, refused to use all the land available to them on a number of sites to build social housing and were instead preparing it for private development with a only fraction for social housing. For as little as 5% of the €4 billion of Minister Kelly’s oft-repeated proposed finance for social housing. i.e. €200 million, Dublin City Council could build over 1,300 homes. The struggles of the past are not merely for commemoration, Cieran went on to say, but are for celebration and for continuation, as he concluded to applause.

Caitríona then called on James Carpenter to unveil the plaque, which he did, to loud applause.Walter Carpenter plaque

After relatives and others had taken photos and been photographed in turn by the plaque and/or beside James Carpenter, Joe Mooney called on Diarmuid Breatnach to sing The Felons Of Our Land. Joe explained that Walter Carpenter had been fond of singing that son, that in the course of their participation in the struggle he and his son had also been felons, as had Larkin and many others. Joe also informed the gathering that Sean O’Casey related that during his childhood, there had been a tram conductor who had been fond of singing patriotic songs, including the Felons Of Our Land, of which Casey’s mother had disapproved. It had been an revelation for O’Casey that one could be a Protestant and an Irish patriot too.

Diarmuid, dressed in approximation of period clothing, stepped forward and sang the four verses, of which the final lines are:

Diarmuid Breatnach singing "Felons of Our Land" outside former home of Walter Carpenter. (Photo East Wall History Group)
Diarmuid Breatnach singing “Felons of Our Land” outside former home of Walter Carpenter.
(Photo East Wall History Group)

Let cowards sneer and tyrants frown
O! little do we care–
A felon’s cap’s the noblest crown
An Irish head can wear.
And every Gael in Innisfail
(Who scorns the serf’s vile brand)
From Lee to Boyne would gladly join
The felons of our land.

The crowd then marched back to the Sean O’Casey Centre to attend the launch of the booklet on Carpenter’s life.

Launch of book on Walter Carpenter by his granddaughter and grandson of his comrade

On the stage in the Centre’s theatre, were seated the author of the booklet, Ellen Galvin, alongside Michael O’Brien of O’Brien Press.

Ellen Galvin on stage at the Sean O'Casey Community Centre theatre and Michael O'Brien launching the book about Walter Carpenter. (Photo D.Breatnach)
Ellen Galvin on stage at the Sean O’Casey Community Centre theatre and Michael O’Brien launching the book about Walter Carpenter. (Photo D.Breatnach)

Michael O’Brien, addressing the audience, said he had wondered what qualification he might have to launch the book but on investigation discovered that he had not a few connections. His own grandfather, who was Jewish, had been a founder member of the Tailors, Machinists and Pressers’ Union, of which Carpenter had been the General Secretary until his retirement and so they must have known one another at least fairly well.

Also, Bill O’Brien’s father, Thomas, had been a communist and was active with Walter Carpenter in the Republican Congress in the 1930s. Walter Carpenter and Thomas O’Brien had both also been active in the Bacon Shops’ Strike of the early 1930s. Thomas O’Brien had been jailed during that strike along with Jack Nalty and Dinny Coady, both of whom had East Wall connections; subsequently Thomas went to fight Franco and fascism in Spain, where Nalty and Coady were both killed.

Joe Mooney called on Tommy Seery to sing The Bold Labour Men, a song about the 1913 Lockout written by a local man, which he did to strong applause. (Tommy is a member of the East Wall PEG Drama and Variety Group, in which he acts and also often sings – a recent performance, from which Tommy was unfortunately absent due to illness, may be seen here https://rebelbreeze.wordpress.com/2016/05/02/from-lockout-to-revolution-performance-of-east-wall-peg-drama-variety-group/).

Tommy Seery singing "The Bold Labour Men" about the 1913 Lockout (Photo D.Breatnach)
Tommy Seery singing “The Bold Labour Men” about the 1913 Lockout (Photo D.Breatnach)

Ellen Galvin spoke about Walter Carpenter’s life and his dedication to the advance of the working class and the struggle for justice.  Walter had been a supporter of equality for all, including gender, a man who read much and widely, who apparently learned Irish and campaigned for allotments for rent on Council-owned land while it was unused for housing.  He was against the consumption of alcohol but sympathised with people driven to its use by terrible housing conditions.

Joe then called on Diarmuid Breatnach to sing Be Moderate, written by James Connolly, to illustrate what it was that people like Connolly and those of the Irish Citizen Army fought for and for which some had given their lives. Diarmuid took the stage and explained that the song had been published in New York in 1910, the same year that he had returned to Ireland from the USA. There had been no indication of an air to accompany the lyrics, as a result of which it has been sung to a number of airs. Diarmuid heard it sung in London by an English communist to the air of a Nation Once Again 3 and at least one good thing about this is that it provides a chorus, with which he encouraged the audience to join in. He then sang the song, of which the final lines are:

For workers long, with sighs and tears,
To their oppressors knelt.
But never yet, to aught save fears,
Did heart of tyrant melt.
We need not kneel, our cause is high
Of true hearts 4 there’s no dearth
And our victorious rallying cry
Shall be “We want the Earth!”

Many in the audience joined in on the chorus:
We only want the Earth, 
We only want the Earth,
And our demands most moderate are:
We only want the Earth!

Eamon Carpenter delivered an impromptu tribute to Ellen Galvin, who he told the audience had lost her mother at the age of 13 years of age, from which time she had taken over the mother’s role for her younger siblings, ensuring the were fed, dressed and cared for. This tribute was warmly applauded while Ellen seemed embarrassed but also pleased.

This was another successful commemoration of the revolutionary history and, in particular, of the working class history of their area by the East Wall History Group. It is of great importance that the working class be appraised of their own history as distinct from the dominant historical narratives and that their revolutionary traditions be remembered, not as something dead and in the past but as part of a continuum of struggle for the emancipation of the class.

If there is a weakness in a number of such commemorations it is the lack of participation by local adolescent youth in these events – which may also imply a lack of engagement by this age-group. Nevertheless, should they go searching at some future date for the information and their connection to the history of place and class, they will find a treasure trove waiting for them in the work of this History Group.

Children & Parents left plaque

CONTACTS
The East Wall History Group may be contacted or viewed on FB at https://www.facebook.com/eastwallhistory/?fref=ts

Mother & 2 Daughters

Local Photographer Exhibition SOCC

FOOTNOTES

 There exists today an organisation called the Socialist Party of Ireland (which often organises under the banner of the Anti-Austerity Alliance) but it is not directly descended from the party founded in Ireland in 1909; rather it is closer to being an offshoot of the Socialist Party of England and Wales, with which it has close fraternal relations.

The Dublin Metropolitan Police gained particular notoriety for the violence against organised workers on behalf of Dublin employers, especially during the 1913 Lockout, during which they killed a number of workers with their truncheons. In later years, the force became a Dublin police force under the Free State, which was later subsumed into the Garda Síochána, a fact not generally known.

3  Written by Thomas Davis, first published in The Nation, Dublin, 1844.

4  “of true men there’s no dearth” in the original

FROM LOCKOUT TO REVOLUTION — PERFORMANCE OF EAST WALL PEG DRAMA & VARIETY GROUP

“From the Lockout to Revolution”, performance of the East Wall PEG Drama & Variety Group at City Hall on April 9th 2016. This was part of a program of events organised in conjunction with the Cabra 1916 Rising Committee and Dublin City Council.

 

At the outset of the Easter Rising, City Hall was occupied by a detachment of the Irish Citizen Army and was the location of fierce fighting until the insurgents were forced to surrender.  Their commanding officer and another three fighters were killed there.

( Video produced and edited by Eoin McDonnell )

East Wall PEG Drama & Variety Group performers: Rebecca Dillon, Mary Colmey, Monica Horan, Paul Horan, Colm Meehan, Séamus Murphy, Tréasa Woods, with Diarmuid Breatnach.

THE GREAT HUNGER – WAS IT GENOCIDE?

Diarmuid Breatnach

That was the subject of a debate between historians Tim Pat Coogan and Liam Kennedy on Wednesday 20th, organised by the 1916 Societies’ San Heuston branch and held in Club na Múinteoirí, Parnell Square, Dublin.

Coogan has a long track record as a journalist and historian of a nationalist/ Republican perspective: for nearly two decades Editor of the now-defunct nationalist daily Irish Press, broadcaster and author of many works including The IRA, Ireland Since the Rising and biographies of Michael Collins and Éamonn De Valera. Kennedy is Professor Emeritus of Economic and Social History at Queen’s University, Belfast. He is the author of a number of articles and of books, most of the latter collaborations, including (with L.A. Clarkson et al), Mapping the Great Irish Famine (Dublin: Four Courts Press, 1999). His most recent, on his own, is Unhappy the Land: The Most Oppressed People Ever, the Irish? (Dublin: Irish Academic Press, 2015).

"Irish Famine Memorial/ Leacht Cuimneacháin na nGael" in Philadelphia. USA (Photo from Internet)
“Irish Famine Memorial/ Leacht Cuimneacháin na nGael” in Philadelphia. USA
(Photo from Internet)

Given that the Great Hunger or Famine is a subject on which historians tend to take oppositional sides and with at least one prominent historian on the panel, I would have expected a very large turnout. Therefore when I arrived and looked at the seats in the large hall of Club na Múinteoirí, I was surprised to see that although there was a respectable number in attendance, some of the seats laid out were unoccupied.

I had got the start time wrong (yes, even though I had shared the poster for the event on my Facebook page!) and so missed some of Tim Pat Coogan’s presentation (but a friend told me Coogan had mistaken the subject and began to talk about the 1916 Rising until he came back on track). When I entered, Coogan was dealing with the Great Hunger’s death toll and referring to the “accelerated deaths” method of calculating population loss that took into account further likely births had early deaths of potential parents not occurred. By that method, Coogan estimated the deaths at two million, not counting those who died on the “coffin ships” or after arrival at their destination.

Tim Pat Coogan (Photo from Internet)
Tim Pat Coogan
(Photo from Internet)

Coogan said that New York State included study of the Great Hunger under “Holocaust Studies” which he thought entirely appropriate and concluded by stating that the Great Hunger was indeed genocide.

Liam Kennedy
Liam Kennedy

Liam Kennedy then took the floor and began with a personal anecdote of the unveiling of a stained glass window in Belfast, dedicated to the Famine, at which he had been invited to speak some years ago. It was a somewhat rambling story through which his audience sat quietly, awaiting his arrival at the question up for debate.

During his anecdote, Kennedy related that he had, in the course of his speech, referred to punishment shootings and exiling” (instructions to leave the country) carried out by both Republican and Loyalist paramilitaries, which had angered in particular his Republican audience, including Gerry Adams (which he described but did not name). So of course, in retelling, he was once again referring to it – in a debate about whether the Great Hunger was genocide or not. Kennedy related this in the alleged context of showing that the Hunger is a controversial subject – of course it is, so it hardly needs any other controversial subjects dragged into the discussion.

Kennedy went on to allude to “amnesia” around the subject of the Great Hunger, which he compared to a similar “amnesia” which he believed attached to the issue of the thousands of Irishmen who had “fought for the Empire (or he may have said “England”, or “the UK”) and for Ireland during WWI.” Yes, it seem to me that he was engaging in a certain amount of coat-trailing in front of his audience which, given the Dublin location and the 1916 Societies host, he must have assumed to have many Republicans in its midst.

Eventually he got the job for which he had been invited and began, helpfully, by quoting part of a definition of “Genocide”. I cannot recall which authority he quoted but a search reveals many definitions, most of which entail intent. One of the most recent authorities is Article 6 of the Rome Statute which provides that “ “genocide” means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group …” and goes on to describe a number of means of carrying that out.

It was clear that Kennedy was going to rely on denying the intention to cause, rather than to deny the effect of the catastrophe; this was entirely as I expected and it is the stock approach of genocide deniers and colonial apologists (not always the same thing). But in reality he had little to say on this subject, other than to point at the “laissez-faire” nature of the UK Government’s economic policy at the time and the weakness of the Whig party in power, managing a minority government. To be fair, it is extremely difficult to prove lack of intent but all the same I would have expected something better.

In its absence, Liam Kennedy went on to talk about culpability, which is not the same thing – one might be to blame for something which one didn’t, however, intend. And Kennedy spread the net of blame pretty wide, throwing it not only over the British Government but on the Irish middle class (could have done more), the Catholic and Protestant Churches (opposition to emigration and continued church-building), the Irish landlords (absentee or callous), the Young Irelanders (had no solutions), O’Connell’s 40 MPs at Westminster (didn’t raise much trouble at Westminster, although they were supporting the minority government).

Kennedy didn’t stint however on the severity of the Great Hunger nor on its huge impact on Ireland and on its diaspora. On that he said he agreed with Coogan, although his estimate of deaths was closer to 1.5 than two million. Any disaster in which one in seven died was an extremely severe one — it was the worst disaster in Irish history and one of the worst internationally, Kennedy stated. And it was most severe on the poor – and here Kennedy quoted a sentence of Karl Marx – and proportionally struck hardest at the Irish-speaking areas.

THE DEBATE OPENED TO THE FLOOR

When Kennedy finished, the Chairperson Kevin Keane summed up the main points elaborated by each speaker and the meetings was thrown open to questions and contributions from the floor. I wanted to get my comment in early, as I was scheduled to sing as soon as the questions and answers were over; since for a moment no-one stirred, my hand was the first up. Handed the roving microphone, I thanked both speakers and remarked that the question of intentionality did not relate only to the Government of the time but also to the ruling class of the time – the British capitalist class. An analysis of their opinions as expressed in correspondence and in their media of the time, for example editorials in the London Times, has indeed revealed the intention to get rid of the Irish cottier class and, to a degree, the Irish landlord class too. They wanted most Irish agricultural land turned to grazing and deliberately used the opportunity to do so.

Other contributors talked about food leaving Ireland while people starved, the low numbers of Irish permitted to vote; another countered the criticism of the Young Irelanders by pointing to the Rising they attempted in 18481. Yet another contributor pointed to comparisons with famine in other areas due to the potato blight such as the Highlands of Scotland, Belgium and the Netherlands – but did not express an opinion from those studies on the question being debated here. One contributor amusingly took Kennedy to task on standard academic grounds relating to questions on examination papers: “Read the question carefully, prepare your answers, ensure they are relevant …”

RESPONSES OF THE SPEAKERS

Returning to both speakers for the final responses, Kennedy admitted that the Government had wanted to get rid of the Irish cottier class but not by famine and disease. The “coffin ships” were only relevant to one year of the Great Hunger, he maintained and also that the Irish had, according to statistics, survived the journey in better health than for example the Germans, who had a much higher mortality rate during the journey and on arrival. On hearing that, I wondered whether he was taking into account the giant graveyard of Grosse Isle on the St. Lawrence, where “5,424 persons who fleeing from Pestilence and Famine in Ireland in the year 1847 found in America but a Grave.”2

Grosse Isle Memorial bilingual notice, Quebec (Photo from Internet)
Grosse Isle Memorial bilingual notice, Quebec — 5,424 Irish people got no further than this spot, where they died and were buried, in 1847

 

The island mass graveyard of Grosse Isle, Quebec, from a distance (Photo from Internet)
The island mass graveyard of Grosse Isle, Quebec, from a distance
(Photo from Internet)

Kennedy returned again to the question of the “laissez-faire” economic doctrine and maintained that the rulers of the UK at that time were convinced that government interference in economics was not only undesirable but would make things ultimately worse. He also stated that we should not judge the people of then by the knowledge and beliefs of today – another argument often put forward by bourgeois historians (and to which I was going to reply in a very short poem I had written on the subject).

Tim Pat Coogan had the final say in the debate and wandered somewhat while however displaying the breadth of his learning. With regard to the Catholic Church he related that the Papacy in Rome had dictated to the Irish Church that they should continue building churches during the Great Hunger and he went on to criticise Rome in terms that might come as a surprise to those familiar with Irish nationalists/ Republicans of Coogan’s generation. He accused the Papacy, through a certain Cardinal, of instructing the Bishops in the Church to cover up cases of abuse, by the Cardinal’s admonition that the Bishops were to act as fathers to the priests and not as policemen.3 Coogan also defended O’Connell who was already sick then, dying in 1847, and the Irish MPs, having to go to Westminster, where they were in a small minority, to put their case and to where letters from Ireland could take a week to arrive.

Returning to the subject under discussion, Coogan made the trenchant point that the Government runs the country and ultimately responsibility lies with it; if it does not, then there is in fact no responsibility for anything, he implied. It was a good point with regard to culpability and he went on to deal with intentionality. He drew attention to a London gentlemen’s club whose members were influential in forming Government economic opinion, and a discussion reported among two members that one million deaths would be required to bring Ireland to a healthy economic state while the other disagreed, saying that two million would be required. “The potato blight gave them the opportunity and they took it”, said Coogan. “It was genocide.”

IN CONCLUSION

Poster for the event (image from 1916 Societies)
Poster for the event
(image from 1916 Societies)

Some points which did not get a response in my opinion were the issues of “bad Irish landlords” and “chaotic land tenancy” and perhaps the others “to blame” apart, of course, from the British ruling class and their Government. Briefly, who was to blame for the absentee landlord situation in Ireland? Who stole the land for them and then protected them and their agents with soldiers and police? Who bought out the Irish Parliament in 1800, giving the political class even less reason to hang around in Ireland? This was the result of invasion, colonisation, planting, repression and bribery – the principal culprit all along was English colonialism.

Yes the peasantry (and landless tenantry’s) situation was chaotic and yes they depended too much on the potato crop. Whose fault was that? Who organised the land in that way (and refused security of tenancy, penalised tenants for improvements by raising the rents, etc)? Who stifled profitable Irish industry if it competed with English and taxed Irish production for the English Crown? Again, British colonialism.  Could the country’s economics have been differently organised, to support that population (and even larger) in reasonable comfort?  Of course it could — but at that point in history, it would have needed an independent national capitalist class to organise it, something Ireland did not have (and has not had since that section of it she had in 1798 was beaten by Crown forces).

In the last analysis, it does not matter how badly one group or another behaved during the failure of the potato crop – the British Government was the principal body with the power to act to avert catastrophe and the real power behind them, the British ruling class, were the ones with the interest in doing nothing to avert the disaster.

Finally, a thought worth considering: would the British ruling class have tolerated a disaster on this scale in Britain? Laissez-faire economics or not, I am pretty sure they would not.

The 1916 Societies and in particular their Sean Heuston branch have been putting on talks and debates on important Irish historical questions for some time, some of which I have been fortunate to attend. The Great Hunger debate was worth having and the contenders were well known with a track record in historical studies and public fame – the debate promised to be interesting. Despite this however, I found the event overall somewhat flat. Kennedy’s presentation manner was hesitant in speech and devoid of liveliness; Coogan wandered off the core subject too often. One cannot blame the 1916 Societies for that, however.

HISTORY AND “SKIBBEREEN”

I was called up to the stage to sing my song which had been announced earlier; by now there were about half the audience remaining. I explained that the song I was going to sing was called “Skibbereen”, published in Boston in 1880, not far from the time of the Great Hunger, and attributed to Patrick Carpenter, a poet and native of Skibereen. The song is in the form of a dialogue between a migrant father and his son but I sing it as though his dialogue is with his daughter. I also intended to omit a verse, one which has the man’s wife dying in shock during the eviction – I felt that women were much stronger than that.

“That’s revisionist!” interjected Tim Pat Coogan.
“That’s right,” I replied, “but progressive revisionism.”

It’s revisionist!” Coogan said again.

I felt like reminding him that I had not heckled him during his public speaking. Instead I said

All history is revisionist. The issue is what kind of revisionism.
“No it’s not – not good history!” Coogan replied.

Reading the short poem "History" (Tim Pat Coogan in background) (photo Denis Finegan)
Reading the short poem “History” (Tim Pat Coogan in background)
(photo Denis Finegan)

I turned from him and read a short poem.

ALL our history is important,

not just 1916,


teaching us what we are


and what we have been.


How we came to reach the now;


of those who fought

or those who bowed,


                                                                                  through bloody pages,

                                                                                 down through the ages;


                                                                                  it relives the struggle to be free


                                                                                 and whispers soft what we might yet be.

                                                                                 (Diarmuid Breatnach, January 2016)

DB Singing Skibereen
Singing “Skibbereen”. In the background, L-R: Liam Kennedy, Kevin Keane and Tim Pat Coogan. (photo Denis Finegan)

I then sang Skibbereen.

As I leaned over to hand back the microphone after finishing the song, Coogan told me his mother had loved that song. I took this as a peace overture and smiled, murmuring something about it being a good song to love. But no, I was mistaken: “And she liked that verse”, he added.

“Well, that was her opinion,” I replied, “and this is mine,” and left the stage.

Liam Kennedy was much more polite. Up in the bar, in passing, he thanked me for the song and added that he had heard the slogan “Revenge for Skibbereen” (also an alternate title for the song) alright but never the song. I expressed amazement at this, since the song is well known and even more so among people of his generation. Kennedy was born “in rural Tipperary” and, I believe, raised there too.  There must have been many a kitchen and pub where that song was sung in Tipperary, surely?

End.

1In a longer debate, I could have pointed out that James Connolly himself had criticised the Young Irelanders’ response the the Hunger but that his solution would not have pleased Kennedy either – Connolly wrote that the Young Irelanders should have led the people in breaking open the granaries, feeding the starving and preventing food from leaving the country.

2http://www.historyireland.com/18th-19th-century-history/grosse-ile-canadas-island-famine-memorial/
3Actually, a highly secret instruction, including requirement of vows of secrecy and threats of excommunication for whistle-blowers, had been circulated by the Papacy to bishops around the world as far back 1962 http://www.theguardian.com/world/2003/aug/17/religion.childprotection

CABRA AND PHIBSBOROUGH 1916 RISING STORY — history book launch, talks, songs

Diarmuid Breatnach

Around a hundred people attended the Cabra 1916 Rising Committee’s exhibition and launch on Saturday (7/11/2015) of their publication Our Rising – Cabra and Phibsborough in Easter 1916.

The event took place in the Cabra area itself, in the parish hall of Christ the King church. To accompany the launch, the Irish Volunteers group put on a very interesting display of artifacts from the period, including uniforms and weapons, and provided some personnel also dressed in Irish Volunteer uniforms and IRA typical clothing of the War of Independence period. Along the walls there were many period photos and a wonderful display of schoolchildren’s art on the subject of the 1916 Rising.

A shot of the attendance at the start of the formal part of the launch (Photo D.Breatnach)
A shot of the attendance at the start of the formal part of the launch
(Photo D.Breatnach)
DB singing Cabra Phibsborough Our Rising book launch Nov2015
Diarmuid Breatnach introducing songs about to sing: “Sergeant William Bailey” by Peadar Kearney (with two additional verses by Breatnach) and “Where Is Our James Connolly?” by Patrick Galvin. (Photo A.Perry)

After some time allowed for people to gather, the MC Éamonn O’Hara called people to order and after they had sat down, gave a brief background to the work of the Cabra 1916 Rising Committee, then outlined the formal part of the book launch to follow. First he introduced singer Diarmuid Breatnach.

Breatnach took the floor and explained that the songs he was going to sing were from or related to the period. “During these years of commemorations,” he said, “we are told that we should remember the First World War. Some people disagree with that but I think it is right; we should remember the War but — not in the way most of those people mean. We should instead remember that hundreds of thousands were sent to murder their class brothers in other lands, sent to their deaths and millions more to injury and tragedy, for the profits of a few.”

Some of the uniforms and flags displayed by Irish Volunteers.org
Some of the uniforms and flags displayed by Irish Volunteers.org.   (Photo D. Breatnach)

Also, when we are told that we should commemorate the First World War, they don’t mean that we should remember those brave few who dared speak out publicly against the war, who held anti-recruitment rallies or who picketed army recruitment meetings and shouted slogans there. And who paid the price of imprisonment and sometimes even death for doing so.” And yet, Breatnach went on to elaborate, those things too are part of the history of war and to his mind the most important part, since among all the wars of the past and the present, it is that trend that holds out a hope for the future.

Breatnach related that Peadar Kearney was born not far from Phibsborough – in Dorset Street, around the corner from Inisfallen Parade, where Sean O’Casey was reared. When Kearney taught night classes in Irish, O’Casey was one of his pupils.

Among the songs that Kearney wrote was a three-verse song mocking a British Army recruiting sergeant, who apparently had a pitch at Dunphy’s Corner. According to a local historian, that was outside what is now Doyle’s pub, at the Phibsboro crossroads. Breatnach said that he had added two verses of his own composition to that song.

Of course, the 1916 Rising is a part of the history of the First World War too,” Breatnach continued, “and not only because it took place during that War. For the IRB, undoubtedly, it was a case of ‘England’s difficulty is Ireland’s opportunity’. But for some others, including Connolly, as he made clear a number of times in writing, the Rising was necessary to interrupt the War, to stop the bloodshed of class brother killing class brother across Europe.”

Some of the wonderful children's artistic impressions of the Rising on display at the launch
Some of the wonderful children’s artistic impressions of the Rising on display at the launch.   (Photo D. Breatnach)

Breatnach pointed out that the Rising in Ireland was one of the most significant internationally against that imperialist war and that it was not until February the following year in Russia that there would be another of such historical importance, to be followed later by the October socialist revolution.

Of the two better-knowns songs about James Connolly, Breatnach said one makes no mention of socialism, the Citizen Army or trade unions and that in his opinion “Where Is Our James Connolly?” is truer to Connolly’s ideology. It was written by Patrick Galvin who was, among other things a writer, playwright, screen writer and singer. Galvin died only four years ago.

Breatnach then went on to perform “Sergeant William Bailey”, followed by “Where Is Our James Connolly?” to audience applause.

The panel at the launch (seated L-R): Hugo McGuinness, Donal Fallon, Brian . Eamonn O'Hara (standing) was MC.
The panel of historians at the launch (seated L-R): Hugo McGuinness, Donal Fallon, Brian Hanley. Eamonn O’Hara (standing) was MC.   (Photo D. Breatnach)


O’Hara then introduced one of the authors of
“Our Rising”, historian Brian Hanley. “Phibsborough was an area with strong revolutionary connections,” pointed out Hanley and went on to list some of the many participants and even leaders of the 1916 Rising and later who lived in the area, including Michael O’Hanrahan, who was one of the executed sixteen.

Hanley said that although it was right of course that those who were executed for their part in the Rising should have a special place in our memories and be written about by historians, it was unfortunate that many other important participants were neglected. Nearly 100 were sentenced to death but most had their sentences commuted. Had they been executed instead, Hanley pointed out, we would have had many biographies of them, their upbringing and domestic arrangements examined, their words pored over ….. instead, we know next to nothing about them except that they participated and what their role was.

Memorabilia of the British Army were there too -- and a reminder that initially It was mostly Irish units fighting to suppress the Rising.
Memorabilia of the British Army were there too — and a reminder that initially It was mostly Irish units fighting to suppress the Rising.   (Photo D. Breatnach)


The British Army unit responsible for the suppression of insurgent activities and securing of the area was the Royal Dublin Fusiliers; this was in line with the reality of the British Army, Hanley went on to say, an organisation the main purpose of which was to suppress resistance to the British Empire in places like India, Afghanistan and Ireland. The Fusiliers killed three people in the Phibsborough area, two civilians and a Fianna scout.

Pointing out that most of those men and women who went out to fight in 1916 were not poets or dreamers, Hanley refuted the myth of blood sacrifice. Most of those people were ordinary enough, with all the hopes, excitement and fears of ordinary people, Hanley opined: “They went out with high hopes that they were going to win.”

Thanking various bodies that had supported the project, Hanley went on to point out that the book should not be considered all that had to be said on the subject and, while thanking those local people who had contributed stories and information, encouraged any others who had further information or stories, including corrections of what they had written, to get in touch with the society.

Some more of the wonderful children's artistic impressions of the Rising on display at the launch. (Photo D. Breatnach(
Some more of the wonderful children’s artistic impressions of the Rising on display at the launch. (Photo D. Breatnach)

Hanley’s presentation was followed by that of another historian, Dónal Fallon, co-author of Our Rising. “The commemoration of the 1916 Rising is much too important to leave to the Irish Government”, said Fallon, who admitted to being a newcomer to the area, in the community of which he was glad to live. Local history and community groups had a vital part to play in commemorating the important events of this centenary decade, he said, pointing out that we had already had the centenary of the Lockout, next year would be the centenary of the Rising, to be followed by centenaries of the War of Independence and the Civil War, which might be uncomfortable for some people but should not be shirked for all that.

Last of the panel to speak was historian Hugo McGuinness who said he was delighted to have contributed the Cathleen Seery-Redmond piece to the book. He laid stress on the importance of local history and people’s stories as the human element of history. McGuinness recalled that when Connolly and some others were planning a commemorative event, a female member of the committee proposed that it would be wonderful to see Connolly in uniform; Hugo commented that he found little stories like that added human charm to the big narrative of historic events. McGuinness strongly recommended people buy a copy.

"Uniform" more typical of IRA man in the War of Independence 1919-1921 or Civil War. But even in 1916, some Volunteers could not afford a uniform. Co-author Donal Fallon centre background. (Photo D. Breatnach(
“Uniform” more typical of IRA man in the War of Independence 1919-1921 or Civil War. But even in 1916, some Volunteers could not afford a uniform. Co-author Donal Fallon centre background.
(Photo D. Breatnach)

All the speakers were accorded warm applause. O’Hara thanked the speakers and asked whether there were any questions or comments. There were a few only and, announcing a historical walk to take place on the 29th, for which flyers had been placed on seats, the MC thanked the Irish Volunteers.org group for their display, thanked the audience for their attendance and concluded the formal part of the event. People remained to buy copies of the book and have them signed by the authors, or conversed or wandered among the exhibition for about an hour afterwards.

 (Photo D. Breatnach(
(Photo D. Breatnach)

end