Category: Song

JIMMY CLIFF, VIETNAM AND CARIBBEAN MIGRANTS

On By rebelbreezeIn Cultural Comment, Latin America, Song, US Imperialism2 Comments

Diarmuid Breatnach

(Reading time: 4 mins.)

The death is announced on mass media today at 81 year of age of Jamaican reggae singer, songwriter and author Jimmy Cliff,1 famous for songs such as The Harder They Come and for his role in a film of the same title.

As is usual in such cases, tributes have been posted on social media and quoted in the western mass media, including by Ali Campbell of the UB 40 band who was reported to be ‘so sad’2 (which to be honest, seems a little strange as Jimmy Cliff lived to a good 81 years of age before he died).

I first heard a few of Jimmy Cliff’s nearly 30 recordings among the Caribbean community of SE London.

Jimmy Cliff grew up James Chambers in a family of nine in St. James in Jamaica, often mistakenly thought of as the largest Caribbean island (which it is not – that is in fact Cuba). Jamaica, like Trinidad & Tobago, another larger island and Barbados, were among the British colonies in the Caribbean.

The Caribbean islands and coastline3 were first European-colonised by the Spanish, then by the French, Dutch and British Empires, often in armed conflict against its indigenous people but also among themselves, also against slave uprisings and later against local struggles for independence.4

Since WWII the dominant imperialist power in the Caribbean is undoubtedly the United States of America, though France retains some colonial possessions and a few remain part of the British Commonwealth.

Today the Caribbean is in the news through a large force of US Naval forces posted there, along with nearby posting of bombers, along with the murder of over 80 small boat sailors, allegedly drug smugglers (without evidence and as though drug smuggling gets the death sentence).5

According to threats of President of the USA Trump, he intends to target Venezuela and its President Nicolás Maduro, whom he claims – without a shred of evidence — to be the leader of a drug cartel.

Migrant communities and the spread of Reggae

During the decades I spent in London I had a fair amount of contact with parts of the Caribbean immigrant and diaspora community, partly through working alongside some of its members, partly through socialising in SE London and through activity in resistance to fascism and racism.

I first came across Reggae music while living as a migrant in the SE London areas of Lewisham, New Cross and Peckham. There were large Irish and Caribbean communities there with some but not a great deal of interaction between both communities but little hostility between them either.

Both communities were subject to institutional racism and politicised communal racism as organised by the fascist National Front and British Movement, both of which had connections to British Loyalist paramilitary organisations in Scotland and in the Six Counties in Ireland.

I recall reading in a British 1950s sociological study on ‘deviant behaviour’ that ‘Teddy Boy’ gangs would target the post-War newly-arrived Caribbean immigrants (but also the ‘Micks’, i.e the Irish) and a Jamaican workmate told me about the gangs waiting for them on Childeric Rise.6

How he went out armed with a home-made knuckle-duster and how the police would come to the fighting, arresting mostly the Caribbean victims. “Them turn me away when dem see me,” a Caribbean migrant discussing racism told me, “but dem turn you away when dem hear you.”

In Caribbean shebeens7 or illegal ‘clubs’ in that SE London area, one could buy for a modest sum a plate of goat curry and rice, or a can of pale ale or Guinness, while listening to vinyl records of Bluebeat, Ska, Rock Steady, Reggae and, to a lesser extent, Calypso.8 And dance, perhaps.9

Jimmy Cliff composed songs and rode the rising Reggae tide, for a short while rivalling Bob Marley for most popular position. What launched him and the Reggae ship into wider seas was the film The Harder They Come based on the novel of the same name featuring Cliff’s own song.

The Harder They Come novel by Ekwueme Michael Thelwell charting the fictionalised career of a Jamaican who fails to succeed as a reggae singer and becomes a gangster is based on the real life of Jamaican folk hero and reggae star Rhygin.10

But the film’s hero was performed by Jimmy Cliff and his music played as soundtrack.

In Peckham I watched the film years later and enjoyed it but I also read the novel. The latter gives an interesting background of the hero growing up in his grandmother’s care in rural Jamaica, before he goes to Kingston, while the film opens only with the hero’s arrival in the city by bus.

Famous folk singer Bob Dylan is reported to have said that Jimmy Cliff’s 1969 song Vietnam was the best protest song he had ever heard. It is hard to credit that as a true statement; Pete Seeger, Dylan’s contemporary, many others and Dylan himself had composed many better.

Jimmy Cliff’s Vietnam song takes as its theme a US soldier in Vietnam writing about his impending return home at the end of his tour of military service in Vietnam and his desire for his girlfriend, followed by another missive to the soldier’s mother announcing her son’s death in Vietnam.

The tragic juxtaposition of youth, romantic love, violent death and parental bereavement is an inherent theme of war and of course works on our emotions. But the song says nothing about who sent the soldier there nor the reasons for the Vietnam War, though one line calls for its end.

The lyrics tell us nothing about the devastation of the US war upon the peoples of Vietnam, Laos and Cambodia, nor about the heroism of the people’s resistance.11 Not even about the huge protests of many people in the USA — particularly youth — and in much of the western world.

Jimmy Cliff in performance (Photo credit Alastair Wison/ PA)

However, Jimmy Cliff’s performance of the song 20 years ago in Jamaica brings the point of the anti-war movement much more into context as in his introduction to the song on stage he castigates Tony Blair and George Bush and names a number of other imperialist wars.

It was a great performance of Cliff’s at the end of his sixth decade of life and I hope you enjoy it here on video.

https://www.youtube.com/watch?v=jCc5jSw0bSQ

End.

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FOOTNOTES

1https://www.independent.co.uk/arts-entertainment/music/news/jimmy-cliff-dead-age-cause-songs-reggae-b2871220.html and https://en.wikipedia.org/wiki/Jimmy_Cliff

2Facebook · UB40 Featuring Ali Campbell So sad James chambers has left a void in reggae music, his voice and influence was exemplary. He was a reggae pioneer, RlP Jimmy cliff.

3https://en.wikipedia.org/wiki/Caribbean

4https://en.wikipedia.org/wiki/History_of_the_Caribbean

5https://www.nbcnews.com/politics/national-security/top-military-lawyer-raised-legal-concerns-boat-strikes-rcna243694

6This rise gave on to the New Cross Road from terraced housing down below where a number of Caribbean families lived, in one house of which I shared a double room with another Irish migrant. Almost at the top of Childeric Rise itself was the entrance to The Harp Club Irish dance hall with an Irish pub on an opposite corner and another across the road.

7From the acknowledged Irish language word ‘síbín’, etymology uncertain but adopted as far away as the Caribbean and South Africa.

8Music mostly of Trinidad and Tobago, often accompanied by steel band instruments, based on folk dance music from a part of West Africa. https://en.wikipedia.org/wiki/Calypso_music

9Not very well to those rhythms, in my case.

10https://groveatlantic.com/book/the-harder-they-come/

11Estimates of Vietnamese soldiers and civilians killed range from 970,000 to 3 million. Some 275,000–310,000 Cambodians, 20,000–62,000 Laotians, and 58,220 US service members died. https://en.wikipedia.org/wiki/Vietnam_War#:~:text=The%20war%20exacted%20an%20enormous

SOURCES

https://www.independent.co.uk/arts-entertainment/music/news/jimmy-cliff-dead-age-cause-songs-reggae-b2871220.html and https://en.wikipedia.org/wiki/Jimmy_Cliff

https://en.wikipedia.org/wiki/Caribbean

COLONIAL PROXY MILITIAS, FROM IRELAND TO PALESTINE

On By rebelbreezeIn British imperialism, Current Affairs Comment, Imperialism, Indigenous or Original People, Ireland, irish history, Israeli Zionism, Middle East, National Liberation, Palestine, Political Analysis, Song, Song in Struggle, ZionismLeave a comment

Diarmuid Breatnach

Reading time main text: 5 mins.)

Currently the Palestinian Resistance is engaged in an important struggle to eliminate four Israeli-proxy militias. This type of militias of colonial and imperial powers have a long history, not least in Ireland from the 1800s to the present.

SETTLER AND NATIVE MILITIAS IN IRELAND

The British colonial occupation of Ireland had an army to quell native resistance but many settlers also organised themselves into armed bands (as in Palestine), such as the Hearts of Steel or Hearts of Oak in the late 18th Century in order to resist the big landlords.

The United Irishmen were successful in uniting a number of these, both native and settler bands such as the Whiteboys and Hearts of Oak, particularly in Antrim but the Peep O’Day Boys went mostly with the sectarian and royalist Orange Order.

The settlers also organised yeomanry militias which they labelled ‘Volunteers’, initially to defend against a feared invasion from Napoleonic France. Some of those contained Republican sympathisers and some quite the opposite.1

In response to the successful uniting efforts of the mostly Protestant-led United Irishmen, the Orange Order was founded by British loyalists and soon received official support in organising anti-Catholic pogroms and in exposing United supporters, especially among the Protestant communities.

LOW INTENSITY OPERATIONS AND “PSEUDO-GANGS”

During the three-decades war towards the end of the 20th Century mostly in the 6 Counties, the British Occupation also organised proxies such as the Ulster Volunteer Force and the Ulster Defence Association. These were recruited among the Protestant/unionist community.

But not only among civilians.

As has been a pattern among colonial possessions, the occupying power organised a gendarmerie, i.e an armed police force under central command of the occupying power. In Ireland that was the Royal Irish Constabulary which came to prominence in the suppression of the 1867 Fenian rising.

After the partition of Ireland by the British in May 1921, the RIC within the remaining direct colony of the Six Counties was renamed the Royal Ulster Constabulary2. British Intelligence used this force to channel intelligence, arms and recruits into the Loyalist gangs.

In addition, many members of the disbanded RUC’s semi-militia, the part-time B-Specials, were reorganised into the RUC Reserve of the colonial police or recruited into the British Army as the newly-formed Royal Ulster Regiment, from which the Loyalist militias could be supplied as before.

Brigadier Frank Kitson was a leading colonial counter-insurgency strategist who had served in Kenya and Malaya before he was sent to the Six County colony to coordinate the Loyalist militias and the official armed forces and gendarmerie, no doubt in coordination with MI5.

Kitson published Gangs and Pseudo-Gangs (1960) and Low Intensity Operations (19713) based on the experience of colonial resistance repression in Malaya and Kenya, going on to introduce these ideas organisationally in the occupation of the Six Counties.

Pseudo gangs give the occupying power deniability and, being generally from the occupied country,4 have local knowledge. They can carry on terrorism and assassinations at ‘a remove’ from the occupying power.5 In the case of criminal gangs, they have an existing organisation.

Such gangs may have family or other social relationships with some in the targeted community, introducing allegiances and communal fragmentation as has been occurring to some extent in Gaza. However, in Ireland, the gangs were all originating from the unionist community.

Frank Kitson (now Brigadier) in 1971 (Photo source: Internet)

Jeffrey Sluka summarises6 “… beginning in 1972, there has been a vicious, continuous campaign of sectarian assassination against Catholics in Northern Ireland waged by Loyalist paramilitary groups (the Ulster Defence Association [UDA] and Ulster Volunteer Force [UVF]) …

“… and their associated death squads (the Ulster Freedom Fighters [UFF], Red Hand Commandos, Protestant Action Force, etc.), who have killed nearly 700 innocent Catholic civilians – the largest category of casualties in the war.

“Thousands of other Catholics have survived Loyalist attempts to murder them.

“The existence of this campaign has never been publicly acknowledged by the British authorities, who have ignored it, downplayed it, and actively misrepresented it …

“… to influence the media and public in this regard, both at home and abroad, as an integral part of their counterinsurgency strategy.

“The official position of the British authorities is that there is no state terror in Northern Ireland, and certainly no death squads. When pressed, they admit that there is Loyalist terror against Catholics, but insist that they have nothing to do with it.

“When pressed with evidence such as the fact that hundreds of members of the Security Forces have been convicted of involvement with Loyalist paramilitaries, they claim that this collusion is informal – individual acts by rogue soldiers and policemen

“- and not a reflection of government policy or military strategy. All of these are political lies.”7

SEPOYS

The use of military forces recruited among the occupied people dates back further even than the Roman Empire and the British Empire used them extensively in India, where they called them ‘Sepoys’,8 which is what the Basque pro-independence people call the Basque Autonomous Police.9

In India, one of the most serious uprisings against British rule was sparked by a mutiny of its Sepoys.10

In Palestine, the ‘Zipaios’ equivalent are the police of the Fatah-controlled Palestine Authority. They are bad enough, brutally suppressing dissent, spying on and even attacking Palestine organisations in the West Bank, arresting and even killing critics.

The Royal Irish Constabulary in Ireland were a gendarmerie mostly composed of sepoys and of course there were many Irish regiments in the British Army and Irishmen also served in other British Army units, the Royal Navy and the Royal Air Force.

WORSE THAN SEPOYS

The militias in Gaza are however even worse. Based on criminal gangs and social groups, they have consistently looted aid trucks coming into Gaza before Israel closed all the gates, then selling the goods at high prices to the hungry population as Gaza starved and medicine became scarce.

According to reports there are currently four Zionist-linked militias in Gaza: Abu Shabab around Rafah in southern Gaza; Husam al-Astal in Khan Younis, Ashraf al-Mansi in Beit Lahia in the North, and Rami Heles in eastern Gaza.

Sourced from The Cradle based on Sky News investigation.

Their looting, supported by the Zionist state, was even used to try to blame on the Resistance, with Israeli spokespersons claiming that Hamas was stealing the aid. Conversely, as the Resistance strove to counter the proxy militias, the fighters were targeted by the Israeli Occupation Force.

Consequently it was almost impossible for the Resistance to suppress the proxy militias – until the current ‘ceasefire’. Now, able to operate to some extent more openly, the Resistance is settling accounts with the proxy militias. And it is very important that they do so.

Not only for what they have done, the plundering of emergency aid, attacks on displaced persons, torture and murder of famed journalist Salah al-Jafarawi.11 But because they are a serious infection, injected into Gazan society by the Zionazi occupation in order to cause serious harm to the society.

According to reports, undercover operatives of the Resistance have infiltrated the gangs and managed to appropriate a large number of weapons and vehicles of the gangs donated by the IOF or by the United Arab Emirates.12

Hamas advertised a truce for gang members to hand over their weapons and surrender themselves to the authorities, which some have done but many have not. The Resistance has operational clashes with the militias and has captured many. Some were publicly executed by gunshot.

Whether full-scale war returns to Gaza after this ‘ceasefire’ (full of IOF bombings, shelling and shooting) or not, their presence in Palestinian society cannot be tolerated, not by the civil government, nor by the broad community, nor by the armed resistance.

End.

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APPENDIX:

A Sky News investigation has revealed that Israel is backing four Palestinian militias inside Gaza to weaken Hamas as part of what militia leaders call “Project New Gaza.” Hossam al-Astal, head of one of the groups, said the militias are coordinating their efforts to remove Hamas from power.

He claimed that Yasser Abu Shabab and Ashraf al-Mansi, leaders of other groups, have also joined the project. All four militias are reportedly positioned along the yellow line in areas under Israeli control.

Astal told Sky News his headquarters is only 700 meters from an Israeli military outpost and that an Israeli coordinator had agreed to establish a “Green Zone” free of shelling or gunfire. Footage reviewed by the outlet showed militia vehicles with Hebrew markings scratched off.

Astal admitted the group receives logistical support and ammunition from outside Gaza and has bought Hamas weapons on the black market. A senior fighter in the Abu Shabab militia also said Israel had enabled the smuggling of guns, cash, and vehicles.

The militias reportedly coordinate their movements with Israeli forces at Kerem Shalom to bring in supplies, while western powers are said to provide indirect material support. Two of the militia leaders are former Palestinian Authority security officers.

While the Mansi militia denied direct contact with the Israeli military, it acknowledged coordination with Israel’s District Coordination Office. Abu Shabab previously told Army Radio he was open to working with Israel, calling Trump’s ceasefire plan “a way to end the war.”

“Soon we will achieve full control of the Gaza Strip,” he told Sky News.

(Summarised by The Cradle online news updates on Telegram 26 October 2025).

FOOTNOTES

1The yeomanry militias deployed in Wexford, such as the North Cork, proved to be the most vicious and indisciplined of the Occupation’s forces and are noted in a number of songs in English and Irish:
“… He led us on against the coming soldiers,And the cowardly yeomen we put to flight…” (Boolavogue, Patrick McCall, 1898);

“… Is go gcuirfeam yeomen ag crith in a mbrógaibh
Ag díol a gcomhair ar Shliabh na mBan.” (Sliabh na mBan, believed by Mícheál Óg Ó Longáin, 1798).

2Since then renamed the Police Service of Northern Ireland (sic).

3The same year that mass internment without trial was introduced by the British Occupation and that the Ballymurphy Massacre of protesting nationalist civilians was carried out by the Parachute Regiment.

4Sometimes even from the oppressed native community.

5They are more easily dispensed with too, should they be no longer needed or their relationship become too public.

6In his own chapter For God and Ulster: The culture of terror and Loyalist Death Squads in Northern Ireland in Death Squad: The Anthropology of State Terror, Ed. Jeffrey Sluka (200), USA.

7Excerpt from ibid, sourced in https://cain.ulster.ac.uk/issues/violence/docs/sluka00.htm

8The term in Persian originally denoted ‘soldier’ but borrowed into Urdu and Hindi and under British rule, denoted native soldiers and their units in the British armed forces.

9The Ertzaintza. The Navarran police (‘Forales’) could also be called ‘Sepoys’ but are more usually called by other uncomplimentary names.

10https://www.bbc.com/news/world-asia-india-40528129

11https://www.aljazeera.com/news/2025/10/12/palestinian-journalist-saleh-aljafarawi-shot-dead-in-gaza-city-clashes

12Weapons, warlords, and wasteland: Israel’s new strategy for Gaza

SOURCES

Weapons, warlords, and wasteland: Israel’s new strategy for Gaza

https://news.sky.com/story/revealed-the-plan-for-a-new-gaza-and-the-four-militias-israel-is-backing-to-defeat-hamas-13456416

SOLIDARITY AND RESISTANCE IN MUSIC AND SPOKEN WORD IN DUBLIN

On By rebelbreezeIn Cultural Comment, Current Event Report, Internationalist Solidarity, Ireland, National Liberation, Palestine, Police Violence, Political Analysis, Song, Song in Struggle, Workers' Struggles, World War OneLeave a comment

Clive Sulish

(Reading time: 3 mins.)

Thursday night (30th), with almost non-stop downpour of rain was a dreary and miserable one in Dublin. Not so however inside the Cobblestone’s back room where solidarity and resistance resounded in song, instrumental and spoken word.

The event organisers, Solidarity Sessions collective, an independent organisation founded late last year have declared a number of times that they wish to contribute to “creating a community of solidarity and resistance through culture.”

Certainly the flags on the stage of the Tricolour, Starry Plough and Palestine conveyed some of the context, as did posters of 1916 martyrs Connolly and Pearse with text pointing out that the first was a migrant and the second, son of a migrant.1

In addition a merchandise stall sold T-shirts figuring the Palestinian Resistance with funds raised going to Palestinian relief work on the ground. Solidarity Sessions have also donated to ‘buy’ a water truck from Uisce for Gaza and also donated to Streetlink Homeless Support in Dublin.

Mark Flynn performing at Solidarity Sessions No.3 in the Cobblestone. (Photo: R.Breeze)

The material performed on stage contributed much of solidarity and resistance also. This was the third event this year and the second at the Cobblestone pub, one other being at the International Bar and the fourth expected at the Peadar Brown pub on Southside’s Clanbrassil Street.

There was a lot of audience participation at times during the evening, with Alan Burke joined from the floor in the chorus of his spirited rendition of The Aul’ Triangle (to which he added a verse of his own) and Sive was accompanied on request by continuous refrain under her singing.

Mark Flynn was also backed by the audience in his adaptation of A Roving I’ll Go to a sailing to Portugal song he told his audience he had put together in minutes of a creative flash the like of which he ruefully admitted not having experienced since. Flynn also sang Bogle’s antiwar Waltzing Matilda.

Alan Burke performing at Solidarity Sessions No.3 in the Cobblestone. (Photo: R.Breeze)

The audience was extremely quiet during Dorothy Collin’s spoken word pieces about assassinations by the Zionist Occupation and Palestinian resistance, interrupting her performance with applause only after a haiku in Irish and at a point where she became visibly emotionally affected.

The Resistance Choir included in their performance an exuberant Bread and Roses, the lyrics originating in a speech at a mostly female textile workers’ strike in Massachusetts, USA in 1912 and Burke sang of an innocent miner framed on a murder charge and hanged – but pardoned posthumously.

Class struggle was also present in Burke’s singing My Name Is Dessie Warren, about a trade union activist with flying pickets2 during the 1970s construction workers’ strike in England. Some were tried under the Conspiracy Laws and jailed, including Ricky Tomlinson and Des Warren.3

The Resistance Choir about to perform at Solidarity Sessions No.3 in the Cobblestone, being introduced by the MC, Ru O’Shea. (Photo: R.Breeze)

ANNOUNCEMENTS

Three imminent resistance events were announced from the stage: Friday morning, due to appear in court4 were two Palestine solidarity activists attacked by Gardaí at Dublin Port and a good show of numbers in solidarity was requested.5

On Saturday a picket in solidarity with Irish Republican prisoners would be held outside Kilmainham Jail6 and on Sunday a demonstration to blockade Dublin Port was announced, people being requested to gather at The Point on the north Liffey quays.

Sive, who performed at Solidarity Sessions No.3 in the Cobblestone. (Photo sourced: Internet)

The organising collective, volunteers on door duty and the performers all donated their services free of charge. Further donations will be made to causes considered worthy, the collective assured their guests and supporters.

Ru O’Shea, MC for the evening, thanked all the performers who gave their services for free, the audience for their attendance, supporters staffing the door, the Cobblestone and sound engineer. The next Solidarity Sessions night will be at Peadar Brown’s on Thursday 4th December.

Ongoing “contributing to building a community of solidarity and resistance.” And outside, it had stopped raining for awhile.

End.
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FOOTNOTES

1James Connolly was born into the Irish diaspora in the poor area of Cowgate in Edinburgh and first came to Ireland as an adult in response to an invitation to found the Irish Socialist Republican Party. Subsequently Connolly went to the USA for a period before returning to Ireland (therefore 3 times a migrant). Patrick Pearse was born and raised in Dublin but his father was English. Both Pearse and Connolly were executed in Kilmainham Jail with another twelve by British bullets after their surrender of the 1916 Rising.

2‘Flying pickets’ operate in principle like the guerrilla ‘flying columns’, sending a large number of union picketers to specific locations chosen in secret, thereby reducing the opportunities for the police etc to mobilise at the spot in advance

3Ricky Tomlinson after release became a famous actor, mostly in comic roles. Warren developed Parkinson’s from forcible injections with restraining drugs and long periods in isolation in jail, dying not long after release. I remember the case and campaigns when I was working in England and a period afterwards when I was briefly active in the Construction Safety Campaign and read statistics about on average a construction worker killed weekly and one seriously injured daily on British construction sites.

4Yes, the Gardaí charging with criminal offences people they pepper-sprayed and batoned without warning.

5For report on that, see https://rebelbreeze.com/2025/10/31/strong-solidarity-support-for-arrested-port-blockade-activists/

6Kilmainham Jail was a British colonial prison in Dublin, also used for a while by the Irish Free State to imprison the Resistance during the Civil War/ Counterrevolution. It is now a very popular museum and holds the execution site of 14 prominent Irish Republicans after their surrender in 1916.

“WHEN MY COUNTRY TAKES ITS PLACE AMONG THE NATIONS OF THE EARTH”

On By rebelbreezeIn Cultural Comment, History, irish history, Irish Left, Irish Republicanism, National Liberation, Political Prisoners, Song, Torture, Uncategorized, USALeave a comment

Diarmuid Breatnach

(Reading time: 3 mins.)

Dublin Political History Tours Facebook page reminds us of the 20th September anniversary of the public execution on of “Bold Robert Emmet, the darling of Erin”, leader of the unsuccessful Republican insurrection in Dublin on 23rd July 1803.

Coloured drawing: The executioner holds up Robert Emmet’s head to the crowd, sections of which demonstrate their repugnance of the act and are repressed English soldiers on horseback. (Sourced: Internet)

I reproduce the Dublin Political History Tours text (reformatted for R. Breeze):

On Saturday we passed by the anniversary of the execution by the English occupation forces of Robert Emmet, United Irishman. Emmet had been condemned to death for planning an insurrection for Irish self-determination which the English Occupation called ‘treason’.

Leaving behind in Kilmainham Gaol his comrade Anne Devlin, who had endured torture and death of family members without giving the authorities any information, Emmet was taken to the front of St. Catherine’s Church.2

(This building is) on Thomas Street in Dublin’s Liberties area on the west side of the city centre. The site chosen was sending a message to the populace of the area that had nationalist and republican sympathies.

There, in front of a huge crowd and many soldiers, Emmet was hanged and then beheaded, the executioner holding up the dripping head to the crowd. His body was later returned to the Gaol before being later buried in Bully’s Acres in the grounds of the Royal Hospital Kilmainham.

Emmet’s corpse was later disinterred in secret and reburied elsewhere by friends or family and, despite a number of sites being speculated, its current location is unknown.

There is a monument to the execution inside the grounds of the St. Catherine’s building and a stone plaque on the wall outside it.

The monument inside the ground at the front of St. Catherine’s Church, Thomas Street, Dublin. (Source: Kilmainham Tales)

Robert Emmet was very popular in Ireland at the time and his memory is still. A statue in his honour stands in Dublin’s Stephens Green, a replica of another two at locations in the United States.

Anne Devlin endured three years in Kilmainham Gaol and according to Richard Madden (1798 – 5 February 1886), chronicler of the United Irishmen who sought her out, was followed everywhere in public by police.

(who were) observing anyone who she spoke to, as a result of which many were afraid to speak to her. Her body lies in Glasnevin Cemetery.

“Bold Robert Emmet” is a traditional ballad in the martyr’s honour and “Anne Devlin” also has a much more recent song in hers by Pete St.John.

(quoted passages end)

In the 1916 Proclamation of Independence, “the right of the people of Ireland to the ownership of Ireland” is proclaimed and that “six times in the past 300 years they have asserted it in arms”, probably referring to insurrections of 1641, 1689, 1798, 1803, 1848 and 1867.3

Historians have mostly dismissed the 1803 uprising as never likely to succeed but a minority have rated the preparations highly, including the innovations of signal rockets and folding pike handle for concealed personal carrying.

RH Madden, the first historian of the United Irishmen was of the opinion that the insurrection attempt was engineered by the English Occupation’s administration in Dublin Castle in order to justify continued repression of Irish republicanism and to eliminate some leaders.

Generally historians have tended not to give much credence to Madden on that issue but it is certain that the Occupation had a network of spies in operation in Ireland and that some had penetrated Emmet’s conspiracy.

Emmet on the scaffold with St. Catherine’s Church behind, the executioner beside him, the crowd in the street and many English soldiers, on foot and on horseback. The illustration was employed by Dublin Political History Tours but easily sourced on the Internet.

However it is not for the manner of the 1803 insurrection that Emmett has been fondly remembered in Ireland to this day 123 years later – and abroad for decades after his death4 – but for the calm manner in which he faced his enemies, including his executioner and for his eloquence at his trial.

Past insurrections contain lessons for us today and a serious evaluation should be attempted, perhaps with a number of submissions from historians of different opinions on the matter, to deal with questions around Emmet’s return from France and the planning of the insurrection in Ireland,.

For us today however, whether Republicans or more generally anti-colonialists and anti-imperialists, it is also necessary to revere the memory of revolutionary action for a democratic Irish Republican and to uphold his and Anne Devlin’s spirit of defiance in resistance.

End.

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Statue monument of Robert Emmet in Washington DC, a copy of which stands in St. Stephens Green, looking across the road to his erstwhile home and other copies stand in Emmetsburg, Iowa and Golden Gate Park, San Francisco, California. Those in the USA were all cast by the artist Jerome Connor between 1916 and 1919. (Photo sourced: Internet)
Statue monument in Rathfarnham dedicated to Anne Devlin from Wicklow, a member of the United Irishmen conspiracy, tortured and jailed but never gave her captors any information. Sculptor: Clodagh Emoe (Gracies, Maria, for bringing this to my attention).

FOOTNOTES

1From Emmet’s famous speech from the dock of the courthouse in Green Street that not until then should his epitaph be written. I have no doubt that Emmet meant “nation-states of the world” because Ireland was in his time more than what we would understand today from the vague term of “country” – it was clearly, though under foreign occupation, already a nation with its own unique culture and a long history. She has yet to take that place to which Emmet referred and aspired for her.

2Note that was the Anglican St. Catherine’s Church, as a Catholic St. Catherine’s is also located not far away on Meath St. The Anglican church was closed in the 1960s but later reopened and reconsecrated as an Anglican Church. The interior seems very untypical of Anglican churches. Emmet was raised in the Anglican faith.

3Believed to refer to, in sequence: the Irish and Norman Irish clans in the Confederation’s uprising, the Williamite War’s, United Irishmen’s, Robert Emmets’, Young Irelanders’, the Fenians’. Coincidentally, the large monument to uprisings in Ireland erected by the National Graves Association in the St. Paul’s section of Glasnevin Cemetery also includes only six dates but they are of Republican risings only, beginning with 1798 and ending with 1916.

4I read somewhere that even in England Radicals would read Emmet’s speech as a high point of their events including formal dinners.

SOURCES

https://www.facebook.com/profile.php

“A GREAT NIGHT” AT SECOND SOLIDARITY SESSIONS

On By rebelbreezeIn Cultural Comment, Current Event Report, Gaeilge, Internationalist Solidarity, Ireland, irish history, Irish Language, Irish Left, Irish Republicanism, Poetry, Political Prisoners, Resistance Art, Song, Song in Struggle, Traditions & Folk CustomLeave a comment

Clive Sulish

(Reading time: 3 mins.)

An Irish punk rock band, Mongolian throat-singers, a poet and Irish folk singers all performed at Solidarity Sessions No.2 to a good crowd in the International Bar, in in Dublin City centre Wicklow Street on Wednesday 17th..

An Irish and international resistance theme in decor was presented by flags of the Starry Plough and Palestine with Saoirse don Phalaistín as stage backdrop, while flags respectively of Cumann na mBan and Basque Antifa concealed the original decor’s ubiquitous photos of Michael Collins.

Flesh B. Bugged performing (Photo: Dermo Photography)

A PFLP1 flag was also taped to a wall. Hand-written signs on the stairs leading to the basement venue, alternatively in Irish and in English, asked for quiet/ ciúnas for the performance/ racaireacht. The Irish language was present too in some of the performances to follow.

MC for the night, Jimi Cullen, himself a singer-songwriter activist told the crowd the purpose of the organising collective was “to build a community of resistance and solidarity with our struggles and with struggles around the world” through culture in a social atmosphere.

Before the crowd — a flag temporarily changing the decor. (Photo: R. Breeze)

Themes of love, nature and emigration were covered in song; however the dominant theme was resistance – to prison regimes, foreign occupation, fascism, class oppression, racial discrimination – and solidarity with the struggles of others, near and far.

Diarmuid Breatnach, singing acapella kicked off the night with a selection of songs from the Irish resistance tradition and a couple of short ones from the USA civil rights movement. Some of the melodies however, of particular interest perhaps to Back Home in Derry2, were his own originals.

Diarmuid Breatnach performing (Photo: Dermo Photography)

Eoghan Ó Loingsigh, accompanying himself on guitar followed with more material from the same tradition, dedicating one to his late IRA father. A folk song Ó Loingsigh announced as ‘non-political’ performed acapella turned out to be very much political but on the issue of social class.

Áine Hayden followed with poems on a range of topics, from swimming in the Royal Canal during the Covid shut-down, deleting a personal relationship to a dedication to comedian and activist Mahmoud Sharab murdered with family in a “safe zone” tent by the Israeli Occupation Force.

Eoghan Ó Loingsigh performing (Photo: Dermo Photography)

The three performers were all introduced as activists as well as artists and the mostly-young crowd, apparently containing a strong representation of political and social activists, responded well to the performers with applause, yells of encouragement and often joining in on choruses.

More people arrived before, during and even after the break – including an elderly couple who had just arrived from the USA and could only pay in dollars but were admitted for free. Leaving later with thanks they promised a contribution to Palestine solidarity when they got home.

Before the crowd — a Cumann na mBan flag temporarily changing the decor. (Photo: Dermo Photography)

Also an activist, Ru O’Shea sang an Irish, Scottish, French and Italian selection, accompanied by bouzouki and guitar and performed a spoken word piece with a refrain of ‘Éire under attack’ before schooling the audience to sing the chorus of Robbie Burns’ Green Grow the Rushes Oh!

Áine Hayden performing (Photo: Dermo Photography)

Nomads were the next act. Composed of two Mongolian musicians playing violins in the style of the viola and a Dubliner modulating on a sound deck they were unusual enough but it was the amazing throat-singing of one of the Mongolians that had the audience enthralled.

It was amazing to learn that there are three different kinds of Mongolian throat-singing and then to hear them performed, one of which was a kind of whistling with a vibrating bass undertone wavering through it. The applause, particularly when they concluded, was rapturous and sustained.

Before the crowd — flags temporarily changing the decor. (Photo: R. Breeze)
Ru O’Shea performing (Photo: Dermo Photography)

The evening’s entertainment concluded with Flesh B. Bugged, a punk rock Irish duo of bass guitar and drums with spoken voice pieces in Irish from the bass guitar player. Their volume and beat got some of the crowd up and dancing and the wider crowd responded well to them too.

MC Jimi Cullen went up on stage for the last time to thank venue, performers, audience, doorkeepers, poster designers Ríona and Azzy O’Connor, also Diarmuid for original artwork. At a prompt from the crowd Cullen also got a round of applause from the audience for his MCing.

The Mongolian musicians of Nomads performing (Photo: D.Breatnach)

Remarking they’d “had a great night” and encouraging his listeners to follow the organising collective on its Instagram page, Cullen told them that details of Solidarity Sessions No.3 and the collective’s decisions on recipients of donations from money raised would be posted on there.

Diarmuid Breatnach told the audience that each individual could help build a community of resistance through attending the Solidarity Sessions and encouraging others to attend. He welcomed any ‘competion’ from solidarity sessions around the country.

Bass guitarist of Flesh B. Bugged (Photo: Dermo Photography)

The downstairs area of the International Bar is not perhaps the best layout for this kind of event but it worked out well enough for the collective, audience and performers on the night. Their next event will be back at their launch venue,The Cobblestone, Smithfield on Thursday 30th October.

End.

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The Mongolian throat-singer in Nomads (Photo: Dermo Photography)

FOOTNOTES

1People’s Front for the Liberation of Palestine, one of two specifically secular armed resistance organisations in Palestine.

2Irish mega folk singer Christy Moore had organised Bobby Sands’ poem into song to the melody of The Wreck of the Edmund Fitzgerald by Gordon Lightfoot.

USEFUL LINKS

@solidaritysessionseire

A SATURDAY IN DUBLIN: TWO MARCHES AND A CONCERT

On By rebelbreezeIn British imperialism, Guerrilla Action, History commemoration, Human Rights, Ireland, Irish Left, Irish Republicanism, National Sovereignty, Political Prisoners, Song, Song in StruggleLeave a comment

Clive Sulish

(Reading time: 4 mins.)

Dublin city centre on Saturday saw two marches scheduled to start at the same time from the Garden of Remembrance, both of which were drenched by heavy showers, as were fans attending the Robbie Williams concert in nearby Croke Park stadium.

The first march to set off was the largest, the Harvey Morrison protest, the Hunger Strike Commemoration organised by Dublin Independent Republicans waiting for the space to clear in order to assemble theirs, with pipers, band and various banners forming up.

Supporters of both marches are mingled here though the majority are there for the Harvey Morrison march. (Photo: R.Breeze)

The Harvey Morrison protest was about the long wait the named boy had for appropriate treatment from the Irish health service for his condition of spina bifada and scoliosis. As he waited, his spine continued to curve causing him pain and though underwent surgery last year died on July 29th.

It emerged last year that Harvey had been removed from Children’s Health Ireland’s (CHI) urgent scoliosis surgery waiting list, without his family being informed. In 2017 Simon Harris declared that no child would wait for more than four months for scoliosis treatment.

Apart from those requiring specialist treatment for rarer medical conditions, people with much more common complaints face many hours in A & E before being seen by a doctor or having an X-ray taken, with an average of 500 people admitted to hospital on trolleys daily awaiting beds.1

Seven different speakers addressed them at their rally on Custom House Quay, being well received by the crowd with a small exception, which was when a participant shouted ‘Traitor!’at Mary Lou Mac Donald, President of the Sinn Fein party, before being told by march stewards to keep quiet.

Calling SF (and any in Government) politicians ‘traitor’ is a frequent position of those on the Far-Right2 in the Irish State, for racist reasons. Indeed, a number of Far-Right activists were spotted among the marchers but it seems they were unable to dominate the event.

THE HUNGER STRIKE MARTYRS COMMEMORATION

A handful of fascists were also observed watching the Hunger Strike martyrs’ commemoration gather and photographing them but when some of their targets began to photograph them in turn, they walked away, presumably to go and promote themselves and their lies on social media.

Fascists who had been filming the Hunger Strike Commemoration moving off as a camera turns on them. (Photo: R.Breeze)

Irish Republicans, who are opposed to (and by) the Far-Right, also call Sinn Féin ‘traitors’ but for the reason that they consider the party has left the struggle and colludes with the neo-colonial ruling class of the state and with the English occupation in the Six Counties.

The pipers prior to setting off on the march. (Photo: R.Breeze)

Two pipers led off the Hunger Strike commemoration organised by Independent Dublin Republicans followed by a full colour party and the James Connolly Republican Flute Band, from Derry. In traditional two lines style they marched through onlooking crowds in O’Connell Street.

The march crossed the Liffey into D’Olier Street, back up O’Connell Street and after a pause at the Government-threatened GPO, into Parnell Street, then around the western and northern sides of the Square and back into the Remembrance Garden for the commemoration ceremony.

The Hunger Strike Commemoration march proceeding down from the Garden of Remembrance and just about to enter Dublin’s main thoroughfare, O’Connell Street. (Photo: R.Breeze)

And it rained – it poured down rain. Which was bad enough on the audience but much much worse on the colour party in shirt and trousers, the RFB members and those holding the portraits of the ten hunger strike martyrs and a number of banners.

Dixie Elliot was introduced as the main speaker, well-known in Republican circles, former member of the Provisional IRA, an ex-POW and ‘Blanketman’.3

(Photo: R.Breeze)

Seemingly undeterred by the pouring rain, Elliot spoke at substantial length though whether through lack of projection or faulty amplifier, much of what he said was lost to many in the audience. From snatches he could be heard going through the history of the recent three decades’ war.

The targets of his condemnation were not alone the British occupation and the Irish State’s complicity but also the leadership of the Irish Republican movement who had abandoned the struggle and become part of the colonial administration in the Six Counties.

(Photo: R.Breeze)
(Photo: R.Breeze)

Expressing solidarity with the Palestinian struggle and against imperialism, Elliot also condemned the far-Right in Ireland who claim to be ‘patriots’ in order to promote their racism and he counter-posed the example of Bobby Sands’ internationalism in his poem The Rhythm of Time.

The Connolly Memorial Republican Flute Band setting out on the march from Garden of Remembrance. (Photo: R.Breeze)

Both Elliot and the Chairperson called for solidarity with Irish Republican political prisoners and the framed Craigavon Two, convicted in a no-jury political Occupation court and still in jail 16 years later.

Finally chairperson Ado Perry thanked people for their attendance, the colour party and audience stood to attention and the piper played the air to the chorus of the song generally known as Amhrán na bhFiann (and of which the chorus melody is also the ‘National Anthem’ of the Irish State).

(Photo: R.Breeze)

CROKE PARK CONCERT

The Gaelic Athletic Association stadium in Croke Park was the venue for a Robbie Williams concert in Dublin and the fans were flocking into town in rainproof macs that the marchers could have done with. The previous weekend it had been the Manchester Gallaghers, i.e. Oasis there.

The finals in Gaelic football for men and women and in hurling have been played in Croke Park in previous weekends and now it seems it’s rock concerts season.

The far-Right protested the couple of occasions that the stadium was rented to celebrate the Muslim feast day of Eid. Apparently English musicians and bands playing there are are not problematic for them. But then nor are the banks and property speculators causing the housing crisis.4

End.

(Photo: R.Breeze)
(Photo: R.Breeze)
(Photo: R.Breeze)
Main speaker, Dixie Elliot, speaking at rally in Garden of Remembrance at end of Hunger Strike Commemoration march. (Photo: R.Breeze)

FOOTNOTES

FURTHER INFORMATION

https://www.irishtimes.com/politics/2025/08/13/family-of-recently-deceased-boy-harvey-morrison-sherratt-to-meet-simon-harris/

https://www.irishtimes.com/news/ireland/irish-news/adams-and-mcguinness-betrayed-everyone-a-former-ira-prisoner-reflects-on-troubles-1.4578091

https://www.facebook.com/p/Independent-Dublin-Republicans-100090801607007

1https://www.inmo.ie/News-Campaigns/Trolley-Watch/

2It is also the position of a number of Irish Republican organisations and individuals for entirely different reasons. See e.g https://www.irishtimes.com/news/ireland/irish-news/adams-and-mcguinness-betrayed-everyone-a-former-ira-prisoner-reflects-on-troubles-1.4578091

3One of the Irish Republican ‘blanket protester’ prisoners who resisted the attempt of the colonial prison service to make them wear regulation prison uniform, wearing underwear and a blanket instead. This condition degenerated into the ‘no wash’ and ‘dirty protests’ which the prisoners sought to overcome with the hunger strikes of 1980 and 1981 when 10 prisoners died.

4Which the Far-Right blame instead on migrants.

“Smash Landlords and Vultures – Universal Social Housing Now!”

On By rebelbreezeIn Capitalism, Current Affairs Comment, Current Event Report, Housing Struggle, Human Rights, Ireland, Irish Left, Irish Republicanism, Political Analysis, Socialist Revolution, SongLeave a comment

Diarmuid Breatnach

(Reading time: 4 mins.)

The Irish socialist Republican group Anti-Imperialist Action today issued a call to revolution centred around a need for universal social housing to resolve the chronic housing crisis in Ireland (and in particular in Dublin).

This housing crisis has at January’s count left nearly 15,300 living on the streets or in emergency accommodation1 with another unknown number in inappropriate accommodation such as sofa-surfing with friends and relatives or in IPAS centres for refugees.

Rampant property speculation has made a handful of bankers and speculators very rich and along with the social misery of thousands, facilitated the demolition of buildings of historical and architectural importance and their replacement by usually unsightly glass and concrete.2

Well, so what of AIA’s call? Different organisations make various calls at different times but do they have any effect? However, this one has some important distinctions, one of which is that this organisation actively practised its preaching when it called for the occupation of empty properties.

In May 2022 the AIA founded a sub-group called Revolutionary Housing League that occupied empty buildings in Dublin, refused to comply with court orders3 to evacuate or, in court, to agree to bail conditions that they would desist from further building occupations.

‘James Connolly House’ in occupation by the RHL in May/ June 2022. Photo: D.Breatnach)

The first building targeted on May 1st was a former Seamen’s Institute building on Eden Quay, renamed Connolly House, metres from O’Connell Bridge, empty for years since the Salvation Army, a religion-based charity NGO, had lost government funding for its youth homeless accommodation project.

On the morning of June 9th 2022 over a hundred Gardaí, with an armed unit on standby and a helicopter overhead, stormed the building4 and arrested the only occupants, two RHL supporters. In court later that day, they were bailed without making any promise not to re-occupy buildings.5

It seemed that the State was sensitive to the dangers of creating martyrs around the housing crisis.

Instead, RHL renewed its call for mass action across the country to occupy empty buildings. And went on to occupy other buildings, including Ionad Sean Heuston near the eponymous Bridge and another in Belvidere Road, eviction here also including massive police forces and helicopter.

Seen from the north bank of the Liffey, the Starry Plough flag flying high over the ‘Ionad Sean Heuston’ occupied building. The Heuston train station is behind the photographer while the Bridge is out of frame to the right. (Photo: D.Breatnach)

Success for the RHA’s campaign depended on, if not a mass, at least a substantial take-up of its call to occupy empty buildings backed by civil disobedience to the courts. Neither happened and the AIA was far too small to carry the campaign on its own and so suspended it.

It is worth noting that though many organisations and individuals had agitated around housing, including the high-media-profile occupation of Apollo House in December 2016, backed by noted individuals,6 none had initiated the steps advocated by RHA/ AIA.

‘Homes Not Hostels’ banner on Tara Street side of occupied Apollo House in December 2016 or January 2017. The building was later demolished and numbers of homeless people continued to rise.
(Photo: D.Breatnach)

Amongst a general lack of social condition agitation among the post-GFA7 Irish Republican movement, only the socialist-Republican éirigí organisation had militantly taken up the housing struggle while calling for universal social housing — but it had not led a campaign of occupations.

The electoral left and some anarchists had occupied some empty buildings but had either left when threatened by the State or been evicted by security thugs backed up by Gardaí, without a follow-up of further occupations. Nor had they contextualised housing occupations as part of revolution.

So the record of AIA is stand-alone among the Republican and Socialist Left so far and therefore, one might speculate, failed to inspire a mass movement.

I am not ashamed to say that I supported AIA’s campaign although I did not take part myself in any of the occupations. However I did not view it as an immediate cause for revolution, nor do I now. The Irish gombeen8 State, I believe, can survive the supply of universal social housing.

The ‘rack-renting’ landlords, both big and small, cannot. But the Gombeen class, closely linked to the landlords and speculators will ditch them if they are confronted – not with the suffering of the masses, about which they care not, nor protests – but with the real alternative of social revolution.

The State has access to the means to fund such a campaign of new housing construction and of renovation/ repurposing of existing empty buildings9 by local municipal authorities.

In such a radical change of the Irish neo-colonial capitalist system, people would have more disposable income and purchasing would increase dramatically, stimulating production and expansion of goods and services and raising people’s living standards (and expectations).

Property speculation would be hugely reduced in scope but would continue – in hotels and office blocks, for example and big projects such as transport networks. And possibly in sale of land to State and local authorities for housing projects.

So, essentially a reformist project, not revolutionary at all, right? No, not at all necessarily. Reformist projects fought for with revolutionary intent and energy, teach the masses their potential when they unite in struggle. It also tests their leaders before their eyes, in their experience.

I see universal social housing therefore as a social necessity for the mass of people living on the streets, in hotel-rooms, sofa-surfing, in insecure and inappropriate housing, facing eviction from debt-mortgaged housing (the cost of which has already been paid several times over).

Universal social housing is a social necessity and an urgent one and it is an objective for which all true humanity in Ireland should strive. Revolutionaries should fight for it, pointing towards the evils of the capitalist system and the need for its replacement by a socialist system.

The struggle should be fought relying on the strength and capacity of the working people and will need to embody civil disobedience and sacrifice, while at the same the movement needs to safeguard capacity for other struggles such as against fascism, imperialism and colonialism.

In that context therefore, I think we should unreservedly support the call of the AIA’s statement today and the headline of this article.

End

FOOTNOTES

SOURCES

Anti-Imperialist Action statement on Telegram 19/08/2025

Homelessness statistics:https://www.focusireland.ie/press-release/homeless-figures-increase-to-a-record-high-of-15286-as-focus-Ireland-urge-government-to-prioritise-new-social-housing-for-vulnerable-families/

Empty property statistics: https://www.socialjustice.ie/article/vacancy-and-dereliction-ireland

APPENDIX

Text of Anti-Imperialist Action statement 19/08/2025:

Housing is a key part of the Republican struggle for National Liberation and Socialist Revolution in Ireland.

Housing is one of the key pressure points in the class struggle in Ireland today, due to the artificial housing crisis created by those in power, designed at driving up profits for landlords and imperialist housing vultures.

Since the days of Tone, Irish Republicans have recognised that land and housing are completely tied to the fight for freedom, and today it is by showing the Republican struggle will solve the land and housing issue once and for all, to the benefit of the working class, that Republicans can mobilise our class to join the fight.

There should be no doubt about the Republican position on housing. The 1916 Proclamation stated that ‘the ownership of Ireland by the People of Ireland’. The Democratic Programme placed public right above private property and stated, It shall be the first duty of the Government of the Republic to make provision … to secure that no child shall suffer hunger or cold from lack of food, clothing, or shelter’.

Landlords and foreign imperialist housing vultures have no place in the Republican vision of a Free Ireland, where homes would be provided by the Republic to all Citizens.

AIA advocates a system of Universal Social Housing as the Republican Housing System that guarantees all citizens a home, and rents based on ability to pay. This system is the death knell for landlords and vultures and it is why the garrison class resists it.

AIA has played a leading roll in the militant housing direct actions of recent years and will continue to do so.

If you want to fight the landlords and vultures and work to bring about the conditions for a Republican system of Universal Social Housing, then join AIA!

Raise the cry of the working class: Smash Landlords and Vultures – Universal Social Housing Now!

1https://www.focusireland.ie/press-release/homeless-figures-increase-to-a-record-high-of-15286-as-focus-Ireland-urge-government-to-prioritise-new-social-housing-for-vulnerable-families/

2Taking history tour groups around Dublin I often comment that Dublin has suffered three period of architectural devastation, all in the last century: 1) the British artillery bombardment during the 1916 Rising; 2) the Irish neo-colonial State’s bombardment during its Civil War; 3) the property speculators’ rampage from the 1970s onwards.
Pete St. John, in his song Dublin In the Rare Aul’ Times:

“Fare thee well, sweet Anna Liffey,

I can no longer stay

And watch the new glass cages

Spring up along the quays …”

3In one of which I was wrongfully named myself since no evidence of my presence had been provided by the landlords to the court – merely an article by me describing the occupation of ‘Sean Heuston House’ reproducing some photographs taken inside. See https://rebelbreeze.com/2022/09/22/concert-in-occupied-building-murals-pickets-and-court-cases-the-revolutionary-housing-league-spreads-the-fight/

4https://www.facebook.com/JamesConnollyHouse/videos/2172514896242639

5I passed by this building recently which, three years later, appeared to be still empty.

6The occupiers eventually agreed to leave under a mixture of threat and promises and the building was demolished.

7The Good Friday Agreements of 1999, the Irish instalment of the imperialist pacification process, following South Africa’s and Palestine’s versions, later to visit Colombia and Turkish Kurdistan.

8From the Irish word gaimbín, first applied to the hustlers opportunistically buying up Irish land in the midst of the disaster of the Great Starvation (1845-1849) but now applied to the Irish comprador or foreign-dependent native capitalist class.

9https://www.socialjustice.ie/article/vacancy-and-dereliction-ireland

OASIS, MANCHESTER & THE FENIANS

On By rebelbreezeIn Britain, Cultural Comment, Current Affairs Comment, Current Event Report, Internationalist Solidarity, Ireland, Irish Diaspora, irish history, Irish Republicanism, National Liberation, Political Analysis, Political Prisoners, Song, Song in Struggle, Workers' Struggles2 Comments

Diarmuid Breatnach

(Reading time: 4 mins.)


The Oasis rock band are performing on 16 and 17 August in Croke Park, the Gaelic sports stadium in Dublin, to a sold out capacity of 82,300. Brothers Liam and Noel Gallagher are the two leading members of the band.

Oasis-marked t-shirts and caps are being sold from stalls in the city and posters announcing the forthcoming concerts adorned shop windows and lampposts but how many fans know the Gallaghers’ background?

Liam and Noel Gallagher of Oasis (Source imag: Internet)

Liam and Noel were born in Manchester to Irish migrant parents but their mother Peggy split from her abusive husband and moved elsewhere in Manchester, taking the kids with her. Liam dedicated Stand by Me to her on Saturday night and gave a shout-out to her her birthplace in Co. Mayo.1

Ireland fed the British ‘industrial revolution’ and the Irish have a long association with Manchester. In 1845 the city’s factories were already attracting Irish workers and its farms probably also agricultural workers to replace English labourers deserting the farms for the factories.

Friedrich Engels wrote The Condition of the Working Class in England,2 published in 1845 (the first year of the Great Hunger) and mentioned the Irish migrants not too favourably. He was writing mostly about Salford, the subject of Ewan McColl’s Dirty Old Town,3 just outside the city then.

By the time Engels’ book was published, the Great Starvation was gearing up. Uncomplimentary references to the Jews can also be found in that work but whatever about that ethnic minority,4 Engels changed his mind radically about the Irish in Britain and came to admire them greatly.

Instrumental in learning about the Irish for Engels were two Irish sisters living in Manchester, Lizzie and Mary Burns, illiterate but intelligent and militant mill workers. Mary and Friedrich became life partners and, after her death, Friedrich became Lizzie’s partner thereafter.

The Irish, as the natives and diaspora of what is often referred to as “England’s first colony” were of considerable interest to the revolutionary partnership of Engels and Karl Marx and more so still as the Fenian movement, the Irish Republican Brotherhood, spread throughout Britain.5

Karl Marx and Frederick Engels, leading theoreticians and activists of the revolutionary socialist movement. (Source: Workers Liberty)

A largely proletarian movement, the Fenians were admitted to the First International Workingmen’s Association6; no doubt the Irish struggle against British domination greatly influenced the political opinions of Marx and Engels in relation to nations under colonialist rule by capitalist states.

The struggle spilled over from Ireland into the Irish diaspora, particularly that in North America, Australia and Britain. In Australia the Fenians’ role seems to have been mostly in facilitating and escaping British jails there7 while in America, they invaded the British colony of Canada.8

The charge of the Fenians (wearing green uniforms) under Colonel John O’Neill at the Battle of Ridgeway, near Niagara, Canada West, on June 2, 1866. In reality, the Fenians had their own green flags but wore a very mixed bag of Union and Confederate uniforms (if they still had them, or parts of them left over from the Civil War), or civilian garb, with strips of green as arm or hat bands to distinguish themselves. (library and archives canada, c-18737)

In Britain itself, the Fenians went to war against the ruling class with dynamite. To spy on them, Scotland Yard created the Irish Special Branch which evolved into the Special Branch, the political police in Britain and in any colony the British had since then.9

The activities of the US Fenians intersected with those of Britain-based Fenians when two of the former, Thomas J. Kelly and Timothy Deasy, American Civil War veterans, were arrested in England. On their prison van’s journey to jail it was ambushed10 and both officers spirited away.

Artists’ impression of the rescue of the Fenian prisoners.
(Image source: Internet)

Unfortunately and entirely unintentionally, Constable Brett was killed during the breakout. Refusing to hand over the keys from inside the wagon, he was bending to look through the keyhole when in order to release the prisoners one of the Fenians fired at the lock, the bullet entering Brett’s brain.11

The British police swept vengefully through the Irish quarters of Manchester and Salford arresting at least 28 people but eventually sending five for trial on ‘murder’ charges. Three were hanged, all innocent of intentional killing and at least two probably not even present at the scene.

As sentence of death was passed upon them, all five cried “God save Ireland!” Although the sentences on two were commuted, Timothy Sullivan used those words for his ballad about The Manchester Martyrs, as the executed three became known among the Irish at home and abroad.

The song travelled quickly and became an unofficial national anthem of Ireland and the Irish until it was decisively supplantedafter the 1916 Rising by Peadar Kearney’s The Soldiers Song (latertranslated: Amhrán na bhFiann).12 A memorial to the three was erected in Mostyn Cemetery.

Artist’s impression of the trial of the five convicted including the three Manchester Martyrs.
(Image source: Internet)

Manchester continued to be a destination for Irish migrants, for factories still, including motor car production but also post-WW2 reconstruction and motorway building.

Manchester United FC, along with a number of other British soccer teams, recruited Irish players and Irishman Liam Whelan was one of the eight players killed in the Munich air crash of 1958. Another 30 Irish have played for the club at one time or another, some quite famous.13

The city is one of a number of British cities that has a name in the Irish language; Mancunians would probably be delighted to know that their city’s name in Irish is Manchuin.

From the late 1960s to late 1990s the city was host to an active branch of the Troops Out Movement in solidarity with Ireland, also from 1980s to an active branch of the Irish in Britain Representation Group; the Special Branch was active in monitoring and, from time to time, harassing their activists.

The Provisional IRA bombed the city in 1996 as part of its campaign against the British State and — despite a 90-minute warning — 212 were injured.

Today Manchester, alongside South Asian ethnic influences, continues its Irish ethnic presence with Irish traditional cultural activities14 and no doubt the sons and daughters of Manchester’s Irish diaspora will continue to contribute to other sport and artistic culture in Britain and in the world.

Footnotes

1https://www.breakingnews.ie/ireland/oasis-review-the-band-were-great-the-service-was-not-1793012.html

2https://en.wikipedia.org/wiki/The_Condition_of_the_Working_Class_in_England

3https://www.youtube.com/watch?v=s11BuatTuXk here performed by The Pogues

4Given that Marx, a German Jew, became his closest political comrade and writing partner, it’s likely he changed his bias against Jews also.

5https://www.marxists.org/history/international/iwma/documents/1867/fenians.htm and Introduction to https://journals.sagepub.com/doi/10.1177/030639688202400204

6https://en.wikipedia.org/wiki/International_Workingmen%27s_Association

7For example, the escape on board The Catalpa https://www.irishtimes.com/opinion/an-irish-diary/2023/11/01/the-greatest-escape-frank-mcnally-on-one-mans-mission-to-make-a-movie-about-the-catalpa-rescue/

8https://www.irishcentral.com/roots/history/irish-fenian-invasion-canada Unlike many other accounts easily available this one gives a reasonable assessment of the rationale for the invasion, including its potential and the reasons of its ultimate failure, the interests of the ruling class of the USA, which the Irish Republican movement should have learned from forever afterwards – but failed to do.

9Often referred to simply as ‘the Branch’ or ‘Branchmen’ (though the organisation of course also recruits women).

10The location, by an arch under a railway bridge, is still unofficially known as “Fenian Arch.”

11https://en.wikipedia.org/wiki/God_Save_Ireland

12https://en.wikipedia.org/wiki/God_Save_Ireland

13For example, George Best and Roy Keane.

14Manchester has a Comhaltas Ceoltóirí Éireann club (for Irish traditional music) and informal music sessions, also an Irish dancing school https://www.facebook.com/profile.php; Gaelic Athletic Association clubs  including St Brendan’s, St Peter’s, Oisín, and St. Lawrence’s.

Sources

The Fenian Ambush: https://ballymacoda.ie

The ballad: https://en.wikipedia.org/wiki/God_Save_Ireland

The First International and Fenians: https://www.marxists.org/history/international/iwma/documents/1867/fenians.htm

The Saturday concert in Croke Park: https://www.breakingnews.ie/ireland/oasis-review-the-band-were-great-the-service-was-not-1793012.html

A MOTHER’S HEART – A Review.

On By rebelbreezeIn Cultural Comment, Current Affairs Comment, Guerrilla Action, History, Internationalist Solidarity, Ireland, Palestine, Political Analysis, Song, Women1 Comment

Diarmuid Breatnach

(Reading time:4 mins.)

On August 1st singer Mary Black released A Mother’s Heart for Palestine, a soundtrack and video.1 The title and music built on the 1992 track by Mary Black and Eleanor McEvoy, A Woman’s Heart (title of album also).2

The voices are beautiful and the adaptations of the Arab women particularly so. Or at least, they affected me even more deeply.

Like actions by Mothers Against Genocide,3 the recording seeks to transverse borders in the mind, to represent Palestinians as humans, as human as ourselves, through the image of the mother, which almost all of us have had and which many women are or have been.

It is worth thinking about this a bit further. The image of the mother is a powerful one in all cultures for at least biological evolutionary reasons. The future of the human species depends on productive motherhood and in all cultures, in that capacity at least, pregnant women are protected.

The image is also overlain by personal affect, of ourselves nurtured (in most cases) by a mother or ourselves as a mother, nurturing in turn.

The image of the mother is also manipulated by all degrees of the Right, whether to uphold clerical control, to counter assertion of reproductive rights, or to deny the right of lesbian (and gay) sexuality. And ‘to protect ‘our women’’ from imagined migrant assault (or indeed intermarriage).

In Christian religious iconography, the Mother as Madonna is particularly prevalent and she is always passive, whether depicted serene or suffering.

A detail from the Madonna and child painting by Duccio, late 13th Century (Image sourced: on line)

The mother image is also employed by imperialists to send us to war and was crudely used for example in the UK (of which Ireland was then a part) in a WWI poster depicting a mother and child telling the man to go and fight (for them, of course – not for the imperialists, mar dhea!).

WW1 recruitment poster for Britain (Image sourced: on line)
A particularly offensive recruitment poster for the British Army in WW1 given that Ireland was under British occupation and only six decades after a British genocide of Irish people through starvation. (Image sourced: on line)

But in nearly all cases it is a passive representation of womanhood and is combined in the Mothers Heart video with images of sorrow – naturally, about all the children killed or starving, soon to die — which is also a passive emotion.

Many of the visual representations of Palestinian women are in domestic roles assigned to women around the world: food preparation, washing and drying clothes and of course child care.

Mothers are uniquely women but women are also more than mothers. Slightly more than one-half the human race, they are also workers,4 cultural producers, thinkers, leaders — and fighters. Even in revolutionary iconography we rarely see the woman, never mind mother, represented armed.

This is despite the 1970s images of a Mozambican or Vietnamese woman carrying a gun and a child. Or the famous staged INLA photo of a skirted woman in the Six Counties aiming an automatic rifle. Such images are very much exceptions to the rule.5

Poster promoting the Mozambique People’s Liberation Army. (Image sourced: on line)
Poster from the Vietnam War. (Image sourced: on line)

The music video shows Palestinian women, among their domestic roles, lamenting, speaking on mobile phones, presumably worried about relatives, carrying belongings, on the move, displaced. The lyrics also are of lament.

As complete counterpoint in the Arab world we have only one image that I know of, which is Leila Khaled with an automatic rifle, because her society too insists on a largely passive role for women, even though their position in that society otherwise seems very influential.

The women shown in the video accompanying the music and lyrics are apparently Arab, Arab-Irish and mostly Irish. On the Palestine solidarity marches here my impression is that born women are the majority over born males and many have taken militant action, for which some are facing prosecution.

Women, in particular Arab women, often lead these marches, calling out the chants for others to respond.

Newsreels show Palestinian and other Arab women abroad marching, shouting slogans, clenched fists in the air. I have seen them denouncing ‘Israeli’ soldiers for invasion and occupation, for mistreatment of children, for demolition of houses, one slapping an armed Israeli soldier in the face.

In our own history (as distinct from mythology and legend) we had few female figures of armed action and Pearse mythologised Gráinne Ní Mháille6 in song to epitomise resistance when he had her represent the nation. But compare that to his poem The Mother!

In recent years Markievicz, Skinnider7 and to a degree Farrell8 have part-emerged from history’s shadows bearing weapons but there is still a long way to go in changing the image of women (through all their biological phases) in the struggle.

This song for all that it affects me emotionally does not do that nor is it expected to and, more to the point, I fear will be used to reinforce passivity in the assigned role of women in struggles — fortitude and solidarity in suffering no doubt, but passivity none the less.

It seems to me that social democrats and liberals perpetuate the mother aspect of the woman manipulatively in order to promote pacifism and much as I appreciate this cultural production, it will be used in that way.

While enjoying cultural productions visually, in sound or in print, we need also to be aware of the social packages they carry and their effects upon us, intended or otherwise.

End.

(Image sourced: The Beat.ie)

FOOTNOTES

1https://www.mary-black.net/

2https://en.wikipedia.org/wiki/A_Woman%27s_Heart_(compilation_album)

3Whose official stamp is also on the video.

4Industrial, agricultural, municipal, health services, technical and scientific services.

5There was some coverage of armed Kurdish women in Syria fighting ISIS (I wrote about some myself) but it is now clear that was in the context of NATO coordination in the war to overthrow the non-western aligned regime.

6A 17th Century female chief of the Uí Máille clan in Mayo who led attacks on her enemies by land and sea. Pearse adapted the ancient bride-welcoming song to bid her welcome with armed warriors to reclaim her land and disperse the English occupiers.

7Both Markievicz (nee Gore-Booth) and Skinnider were members of the Irish Citizen Army and both carried and fired weapons in the 1916 Rising.

8Though unarmed, she was part of an Active Service Unit of the IRA when she and her two comrades were gunned down in the British colony of Gibraltar on 6th March 1988.

SOURCE

https://www.mary-black.net/

1https://www.mary-black.net/

2https://en.wikipedia.org/wiki/A_Woman%27s_Heart_(compilation_album)

3Whose official stamp is also on the video.

4Industrial, agricultural, municipal, health services, technical and scientific services.

5There was some coverage of armed Kurdish women in Syria fighting ISIS (I wrote about some myself) but it is now clear that was in the context of NATO coordination in the war to overthrow the non-western aligned regime.

6A 17th Century female chief of the Uí Máille clan in Mayo who led attacks on her enemies by land and sea. Pearse adapted the ancient bride-welcoming song to bid her welcome with armed warriors to reclaim her land and disperse the English occupiers.

7Both Markievicz (nee Gore-Booth) and Skinnider were members of the Irish Citizen Army and both carried and fired weapons in the 1916 Rising.

8Though unarmed, she was part of an Active Service Unit of the IRA when she and her two comrades were gunned down in the British colony of Gibraltar on 6th March 1988.

“Building resistance through culture”: successful Solidarity Sessions launch in Dublin

On By rebelbreezeIn Cultural Comment, Current Event Report, Folk Custom, Gaeilge, Genocide, Internationalist Solidarity, Ireland, Irish Language, Irish Left, Irish Republicanism, National Liberation, Palestine, Political Analysis, Popular Resistance, Resistance Art, Song, Traditions & Folk Custom2 Comments

Clive Sulish

(Reading time: 3 mins.)

Around 80 people attended a concert in the back room of Dublin’s Cobblestone pub launching an initiative to “build a community of solidarity and resistance through culture”. Flags of Irish and other struggles around the world decorated the venue.

The evening’s entertainment consisted of five musical acts and one of poetry. The MC for the evening, Diarmuid Breatnach, told the audience that Irish struggles had always found an expression in culture and that culture itself encouraged further resistance.

He gave the example of Thomas Davis who founded with others the patriotic newspaper The Nation in the mid-1800s, publishing contributed songs and poems and his own, including The West’s Awake and A Nation Once Again, songs still sung in Ireland nearly two centuries later.

The first act of the evening was the folk duo The Yearners, specialising in harmonies around renditions of song covers and their own song about the Mary of the New Testament, as a woman pressured to bear a child because “How can you say no to God?

The audience joining in on Pearse’s Gráinne Mhaol was followed by some songs with hard satirical edges like the Kinky Boots song from the Irish Republican repertoire and their own Save A Landlord.

The Yearners during their performance. (Photo credit with thanks: Dermo Photography)
Dúlamban during their performance. (Photo credit with thanks: Dermo Photography)

The MC introduced another all-female duo, Dúlamban, recently formed from two individual singer-musicians. Among their material, Sinéad on violin played two compositions of her own while Aisling sang her adaptation and translation of the Rising of the Moon: Ar Éirí na Geallaigh.

The one poet of the evening, Barry Currivan, performed a number of shorter and longer pieces of his repertoire. He was particularly applauded for his “anti-othering” piece Those People and his humorous concluding piece comparing himself to a good cup of tea or coffee.

After the break, the MC spent a few minutes outlining the Solidarity Sessions collective’s project and encouraging the audience to take part in it by spreading word of its events and supporting them in person, in addition to stepping forward to assist in organisation and in poster design.

Barry Currivan during his poetry performance at the Solidarity Sessions launch. (Photo credit with thanks: Dermo Photography)
Section of the audience presumably during Currivan’s performance. (Photo credit with thanks: Dermo Photography)

Another female duo took the stage, Sage Against the Machine on guitar accompanied by Ríona on violin, performing a number of love pop covers and SAM’s own song against patriarchy.

Some remarks about Bob Dylan’s Zionism followed in Sage’s introduction of the former’s Masters of War which she performed with great feeling and followed with El Gallo Rojo, an anti-fascist song from the Spanish ‘Civil War’.

Sage Against the Marchine (right) and Ríona during their performance. (Photo credit with thanks: Dermo Photography)
Jimi Cullen during his performance at the Solidarity Sessions launch. (Photo credit with thanks: Dermo Photography)

Breatnach then introduced Jimi Cullen who he said has been hosting a weekly musical protest picket for an hour on Wednesdays (2-3 pm) outside the US Embassy for a great many weeks, in which the MC had sometimes accompanied him amidst the solidarity beeping of passing traffic.

Jimi accompanied himself singing his Housing for All and Guthrie’s You Fascists Bound to Lose, then commenting on Bob Marley’s Zionism while introducing the latter’s One Love song, saying that love above all is what binds humanity together, a theme also of his We Are All Palestinians.

His monologue The Genocide Will Be Televised was much sharper and renewed an earlier Death, death to the IDF!1 chant from the audience.

Trad Sabbath during their performance. (Photo credit with thanks: Dermo Photography)

There was much irreverent comment about the name of the band to conclude the evening, Trad Sabbath, a four-piece band of guitars, banjo, bodhrán and fiddle, apparently in the context of the very recent death of the Black Sabbath band’s lead vocalist, Ozzie Osbourne.

Sardonic cries about “his poor widow”, Sharon Osbourne2 were also heard, a Zionist personality star in a ‘reality’ TV show about the late Ozzie’s family. To fill in the delay in their setting up with the sound engineer, Breatnach sang Kearney’s Down by the Glenside ballad.

The band concluded the evening with traditional melodies and some songs from Eoghan and Hat with others backing on choruses.

Poster advertising the event (Design: Ríona and D.Breatnach)

The MC thanked all for their attendance, performances and technical support before reiterating the Solidarity Sessions’ objective and encouraging participation. His comment that “Repression is here and more is coming down the road” was underlined by the presence there of a prominent victim.

In the audience was Richard Medhurst, the Britain-based journalist specialising in Middle Eastern coverage who was recently detained under anti-terror (sic) legislation and charged by British police as he returned from abroad and again later detained though not actually charged by Austrian police.

Richard Medhurst’s tweet during the evening at the event.

End.

FOOTNOTES

1Made famous by the Bob Vylan duo at Glastonbuy getting the audience chanting the slogan. The IDF is what the Israeli Occupation Forces call themselves.

2Who had called for the banning of the the Irish rap group Kneecap.