Although the 1916 Rising had been planned to take place on Easter Sunday, April 23rd, it was publicly cancelled by the titular head of the Irish Volunteers, Eoin Mac Néill and it went ahead instead on the 24th, the following day.
The 1916 Rising was unsuccessful but is considered the birth event of the Irish Republic and for some therefore Republic Day is on April 24th, the first day of that Rising and when Patrick Pearse, with James Connolly by his side, read out that remarkable Proclamation of Independence.
Banner of the Republic Day event organisers in Arbour Hill (Photo: R.Breeze)
Tom Stokes, an independent Irish Republican campaigned for some years for April 24th to be recognised as Ireland’s national day, replacing St. Patrick’s Day which is religious festival and now an excuse for excessive drinking and pseudo-Irishness.
Replacing too Easter Sunday and Monday, these being religious dates that move around on the calendar, never being on the same dates in any consecutive year.
Tom Stokes died in December 2018 and a small group of disparate independent Republicans have striven to keep his campaign going.
Stokes always held his Republic Day event at noon on the 24th in front of the GPO, the location of the first public reading of the Proclamation (as did also the Save Moore Street From Demolition one year) but this group carrying on his campaign have been holding their event in Arbour Hill.
This is the location of an old British prison containing the location of a mass grave into which had been put the bodies of 14 of those executed by British firing squads after the surrender of the leadership and majority of the fighters, their bodies covered in quicklime and earth.
The mass grave of 14 of the sixteen executed in 1916, with their names in Irish one side and in English on the other. (Photo: R.Breeze)
CEREMONY IN ‘ARBOUR HILL’
The name Arbour Hill is a corruption of the original Irish name for the location which meant something distinct from “arbour”: Cnoc (hill) an (of the) Arbhair (cereal crop). Today it is a quiet spot tastefully laid out, the names of the dead etched around the mass grave-site in both languages.
A little distance away is a tall flagpole bearing the Irish Tricolour in front of a high wall on which are chiselled the words of the Proclamation in their original English and also in Irish translation.
Dramatist Frank Allen welcomed those present, in particular members of Limerick Men’s Shed who had travelled a distance to be present at the event. He also referred to descendants who were present of martyrs of the struggle Cathal Brugha, Thomas McDonagh and Harry Boland.
Frank Allen as MC for the event (Photo: R.Breeze)
Allen also reviewed the history of Tom Stokes’ campaign for the marking of the date as Republic Day and a national holiday, outlining also the man’s background and his family connections to the struggle for Irish independence, along with his support for Palestine..
First to be called to perform was Pat Waters, professional musician and a regular contributor to the 1916 Performing Arts Club who accompanied himself singing his own composition Where Is Our Republic Day? composed at request from Tom Stokes.
Pat Waters performing his composition Where Is Our Republic? (Photo: R.Breeze)
Allen called on Glen Gannon also of the 1916 PAC to read the Proclamation and then on Shane Stokes to read one of his father’s articles which clearly outlined the man’s socialist Republican principles and their distance from the reality of the current national society and polity.
In succession Fergus Russell of the Goleen Singers organising committee was called to sing The Foggy Dew, a song about the 1916 Rising which he performs every year and Shannon Pritzel to read Patrick Pearse’s famous oration on the grave of Ó Donnabháin Rosa.
Aidan recited the eulogy poem to the 1916 fighters composed by an ex-British Army officer living in Ireland. Anne Waters of the 1916 PAC was asked to present red roses to a number of those present to lay on the named dead on the stonework surrounding the mass gravesite.
Larry Yorell (best known as a long-time activist of the National Graves Association)1, made an appeal for support for an initiative to build a monument to Patrick Pearse.
Aidan reciting a eulogy poem for the 1916 Rising fighters (Photo: R.Breeze)
Frank Allen declared total opposition to a trend seeking to eliminate Amhrán na bhFiann as the “National Anthem” for being thought too war-like.
The Anti-Imperialist Action group called a picket against imperialism to take place in the evening of the 24th outside the General Post Office, which had been the HQ of the Rising forces in 1916.
(Photo: R.Breeze)
While a number distributed leaflets, others lined out carrying a number of national flags of Palestine and one of the PFLP, in addition to a large Irish Tricolour, smaller Starry Plough and flags of the New Philippines Army.
Along with some of the standard Palestine solidarity slogans heard everywhere in Ireland on demonstrations, they called out “From Ireland to Palestine – Occupation is a crime!”; “There is only one solution – Intifada revolution!” and “Saoirse – don Phalaistín!”
Flag of the New People’s Army of the Phillippines displayed alongside other flags of anti-imperialist struggle. (Photo: R.Breeze)
A number of passers-by congratulated the picketers while some stopped to discuss. A representative of the organisers gave a short address regarding the background to Republic Day and the current situation in Ireland, commenting also on the zionist genocide in Palestine.
The event concluded with a youth reading the 1916 Proclamation out loud, followed by an acapella singer performing The Larkin Ballad which relates a compressed history of the 1913 Dublin Lockout but concludes with verses about the 1916 Rising.
A youth reads the text of the Proclamation of Independence near where Patrick Pearse read it out on 24th April 1916 (Photo: R.Breeze)
End.
Southward view of part of the group marking Republic Day with a statement against imperialism today. (Photo: R.Breeze)
FOOTNOTES
1The main organisation throughout Ireland maintaining and renovating and erecting monuments, graves, plaques in memory of Irish patriot men and women and battle sites; the NGA remains independent of political parties and declines to be in receipt of funding from government or political party.
2Kearney wrote the lyrics in 1907 in cooperation with musical composer Patrick Heeney. The music for the chorus was adopted by the Irish Free State as its national anthem. The lyrics were translated into Irish in the 1930s and unusually it is the Irish version that one most often hears, first verse and chorus. The opening sentence of the chorus “Sinne fianna fáil” (‘we are soldiers of destiny’) have been changed by some to “Sinne laochra fáil” (‘warriors of destiny) in order to avoid reference to a specific political party that called itself Fianna Fáil.
Beyoncé, Cowboy Carter (2024) (Image sourced: Internet)
Beyoncé was back in the news once again for a spot of cultural appropriation. It was not her first brush with cultural Neanderthals, she has been here before for apparently “stealing” Egyptian culture by dressing as Nefertiti.
Added into the mix was a lesser-known black artist, Kaitlyn Sardin, who excels at Irish dancing and dared produce some fusion dance routines.
I have dealt with Beyoncé and Rihanna wading into the murky cesspit of the cultural appropriation debate in the past when they were accused of appropriating Egyptian culture(1) and won’t deal with it here.
This time though, the debate is clearly about music, produced by people who are still around and not the attire of long dead Egyptians with little connection to the modern country.
The fact that white country music fans are still around to complain, doesn’t make the debate any less sterile or ridiculous.
Beyoncé’s faux pas was apparently to record a country & western album titled Cowboy Carter. Apparently, some were of the view that a black artist shouldn’t record a “white” song or perform in a “white” musical genre.
Her first release from the album was a song she composed, Texas Hold ‘Em.(2) And the hounds of hell were let loose to howl and drown out the music.
Some radio stations refused to play the song, though that didn’t stop it going to No.1 in the country music charts and the debate, though debate might be too fine a word to put on it, erupted.
She is not white, she is not part of the country music scene and she should stay in her lane, is a crude but accurate summary of most of those criticising her. She is actually from Houston, Texas, not that it matters.
One person interviewed by The Guardian responded that “It doesn’t matter that you came from Texas. It matters if you’re actually living a country lifestyle. It bothers me that her song is being called country.”(3) These words might be familiar to some.
They are normally advanced by identitarians when talking about whites playing genres considered “black” and in some cases other non-whites have levelled this accusation against a whole array of non-white artists including Beyoncé.
It is reactionary rubbish with the racism, in this case, hiding just under the surface, behind a veil of cultural purity. One even went as far as to say that he would bet that Beyoncé had never been in the country saloon he was being interviewed in.
Well, many black women would steer clear of such venues, for more than obvious reasons.
Cultures are not pure, ever. None. Not now, not ever, not even going back to the stone age.
I am very sure, no stone age hunter armed with a flintstone hatchet ever shouted “You’re appropriating my culture” when he realised some other village had come up with the same invention, or even just “stole” the idea.
Country music is not pure either and to the shock and horror of many a man yearning for the days he ran around in his white bedsheets, it isn’t even that white. Blacks have made significant contributions to country music, not least the musical instrument known as the Banjo.
What would country be without the banjo? Rhiannon Giddens, the black musician has dedicated her time to reviving the banjo as a black instrument and recording some excellent music, though unsurprisingly she doesn’t quite stick to genres either.(4)
Her site describes her thus: Singer, multi-instrumentalist, composer, and impresario, Rhiannon draws from many musical traditions including blues, jazz, folk, hiphop, African, Celtic, classical, and jug band. She bridges contemporary and traditional forms, and few musicians have done more to revitalize old-time influences in current music.(5)
Rhiannon Giddens with banjo (Image sourced: Extra.ie)
She composes her own songs, covers others, even ones such as Wayfaring Stranger, recorded by many white country artists, though actually written and composed by two Germans in the 1660s.
As far removed from her as from the whites who might like to claim the song as their own (Links below to Gidden’s version,(6) Johnny Cash’s(7) the Mormon Tabernacle Choir(8) and even Ed Sheeran’s(9) very uncountry version.
I have included links to all songs and routines mentioned in this article). The song belongs to whoever wants to sing it, however they wish to, though I personally think Sheeran murders the song with a flintstone hatchet, but each to their own.
So, Beyoncé is quite entitled to record in whatever style she wants. Part of what rankles some is that she went straight to No.1 and will make a fortune from the album and this is part of the ‘stay in your lane’ slogan applied to blacks and whites.
Elvis made a fortune singing what was essentially considered, at least initially, to be a black musical form and other white artists who have done this have been criticised by a black bourgeoisie who want that slice of the cake for themselves.
Some of the whites criticising Beyoncé are undoubtedly racist, some might just be musical purists, though music is one art form that just doesn’t lend itself to purity. Others, like identitarians everywhere, think that the money is theirs. Flip sides of the same coin.
Beyoncé is not the only black artist to venture into the world of country,(10) Charley Pride and Ray Charles did so back in the 1960s at times of heightened tensions in the midst of the racial violence meted out against those demanding civil rights for blacks.
When Charley Pride released his first country album, his image was not put on the record sleeve and they initially hid the fact he was black as part of their marketing strategy. He would eventually make it to the Grand Ole Opry in 1967.
He had a total of 52 top ten hits on the Billboard Hot Country Songs chart.(11) No mean feat and not a once-off foray into country music either, he was a country artist.
Linda Martell fared worse as she never hid that she was black and though she would also perform at the Grand Ole Opry in 1970, her album Color Me Country(12) never had the same success.
Ray Charles also dipped his fingers into the pond producing Modern Sounds in Country and Western Music(13) in 1962. It was a best seller, topping the charts. So, Beyoncé is by no means the only or even the first black artist to find success in the genre.
Black artists have always ventured into genres that were not considered to be black.
Others have gone the other way and identitarians tend to criticise white artists doing “black” music, though when Gene Autry, the white country and western singer, nicknamed The Singing Cowboy recorded a blues album, nobody accused him of cultural appropriation.
Though even non-whites get accused by the black bourgeoisie closely aligned to the US Democratic Party of cultural appropriation, Jews, Asians, even Africans get in the neck.
Samuel Jackson infamously accused black British actors of stealing their jobs because they were cheaper and questioned the cultural bonafides of British-Nigerian actor David Oyelowo when he was cast as Martin Luther King in the film Selma.(14)
He never criticised the decision to cast the black Yank, Morgan Freeman as Nelson Mandela in the film Invictus or Matt Damon as the white South African rugby captain in the same film.
Given the backlash against his comments he decided to keep his mouth shut when the British-Ugandan actor Daniel Kaluuya was chosen to play the black revolutionary leader of the Black Panther Party, Fred Hampton. No one is safe from the accusation.
It is a bit like the MacCarthy trials. “Are you now or have you ever been a homosexual? No, but I slept with a man who was. Have you ever appropriated a culture? No, but I hummed a tune by a man who had.”
Which brings us now to Kaitlyn Sardin, the US black Irish dancer. She has recently gone viral, though not for the first time, with her dance routines and not being as powerful as Beyoncé has come in for some vile racist abuse.(15)
She produced a new video which is what is now termed fusion i.e. Irish dance with some developments.
This is now quite common and there is a host of Irish groups producing fusion. My favourite is a routine called Freedom with the voice of Charles Chaplin and images from Belfast in the early seventies.(16)
Though the first person to do this was Michael Flatley with River Dance which not only broke many of the “rules” of Irish dancing, it even went as far as to incorporate the Lambeg War Drums in a much more positive sense than the annual announcement of Protestant supremacy for which they are used every July 12th.
Of course, Flatley, unlike Sardin is white and of Irish descent.
Kaitlyn Sardin (Image sourced: Internet)
As I said there are many fusion groups in Ireland, the one I previously mentioned and even one which is danced to classical music titled Fusion Fighters Perform Fusion Orchestra.(17) Again, all as white as the driven snow in Siberia.
There is even an all-female Fusion Fighters group from the USA that does a tap dance routine to William Tell.(18)
The particular group started off with Irish dance and moved into other styles over time, so much so that even their website acknowledges it has less to do with Irish dance than they used to.(19) It is what happens with culture. It evolves, all the time.
Again, they are white and no one said fusion is not Irish dancing and no one said anything about not being Irish, even though their Irish connections may be as tenuous as Darby O’Gill.
The term fusion is one of those designed to assuage musical purists more than racists. In reality there is no such thing as fusion music. ALL music and dance are fusion till it becomes accepted as the standard, when new deviations or fusions arrive.
Though dancing has existed in Ireland for centuries it has not been immune to outside influences such as French Quadrilles in the 1800s or other forms.
The clues are in the names, hornpipes and polkas for example are two types of music that you will find in other parts of Europe and indeed in the case of polkas they clearly originated in Eastern Europe, though most forms including reels and jigs are not exclusively Irish either.
All cultures borrow.
Most instruments used in Irish music are not Irish in origin. Some, like the flute have arisen in most cultures around the world and archaeological remains have thrown up examples everywhere of flutes and whistles made from everything, including animal bones.
Fiddles arose over a long process around the world and it is a bit difficult to pinpoint them to one country. Uillean pipes are Irish, though they too were part of a wider process in Europe with different types of pipes arising.
Though Scottish bag pipes are perhaps the most famous type of pipe, there are in fact lots of pipes throughout Europe and parts of Africa, Iran, Azerbaijan and even India.
Other instruments such as the banjo are African in origin, though the modern banjo has developed over time since it was first brought to the western world by slaves.
The piano accordion is a relatively recent European invention from the mid 1800s, a further development of the accordion, which was also a European instrument.
If we rejected all outside influences and demanded purity, we would have little in the way of Irish music or dance, were we to have any at all.
So, Kaitlyn Sardin should be celebrated. She is from the US, is black and more importantly is very good at what she does: dancing. The fact that she is not Irish or she recently produced a fusion routine is neither here nor there.
Any liberal who got lost on the internet and accidentally read this article will probably have nodded most of the way down: until now. The ridiculous statements made about Beyoncé and Sardin are generally rejected by liberals.
But when the cultural capitalists hiding behind identity politics make similar claims against white artists or indeed between other non-white artists this rubbish is taken seriously.
Culture does not belong to anyone, you don’t have to be white, black, Asian or Latin to perform in a particular style. Culture is a gently flowing river you bathe in, swimming ashore where you please along its route or letting it sweep you out into the sea.
It has always been thus and always will be, despite the attempts of cultural capitalists to appropriate culture for their own grubby money-making ends, or racists imagining some non-existent purity. It doesn’t mean that some of the commercial outings by Beyoncé and other artists do it well.
They don’t.
Beyoncé was criticised for her depiction of India as a white paradise and other artists such as Gwen Stefani, Nicki Minaj and Iggy Azalea have been accused of engaging in crass portrayals of the cultures they seek to borrow from(20) and in Ireland we know a thing or two about how crass Hollywood can be when it comes to depicting Irish music.
But that is another matter, many artists in particular genres have come up with really crass portrayals of their own cultures. The point is whether culture is pure, has lanes and you stick to them due to an accident or birth.
The legendary US folk singer Pete Seeger would joke that plagiarism was the basis of all culture and he was a wonderful plagiarist who introduced musical forms from around the world to a US audience at a time when there was no internet and it was not an easy feat.
He introduced the song Wimoweh to the world, which has gone through multiple adaptations,(21) some of them very good and others absolutely dire, such as that recorded by the English pop group Tight Fit in the 1980s.(22)
The original song however was quite different in style and written and recorded by the South African musician Solomon Linda(23) who was swindled out of the royalties on the song.
Had Seeger stayed in his lane, most of us would never have ever heard of Linda or the story behind his song.
Demands for cultural purity are inherently reactionary, as are demands to ‘stay in your lane’, be they levelled by whites, blacks or Asians. Culture is to be celebrated and expanded.
The accusation of appropriation would only make sense if someone like Seeger had said he wrote Wimoweh, that would be straightforward dishonesty, something he could never be accused of in his multiple adaptations of songs from Ireland, Japan, China, Indonesia, Scotland, Chile, Nicaragua amongst other places.
Beyoncé’s foray into country is perfectly fine, though personally, I don’t like her music, including her country. But that is my personal taste and has nothing to do with appropriation or other rubbish from cultural capitalists.
The Irish radio on Saturdays used to broadcast an Irish music show from the musical company Walton’s. It always finished off saying “If you do feel like singing a song, do sing an Irish one.” The exhortation was for all, not some; the point was to celebrate and enjoy music.
Let’s leave the cultural capitalists, purists, identitarians and racists to the handful of songs they mistakenly believe to be pure.
Easter is the time of year in Ireland for Easter Egg hunts and/or for attendance at religious services but for the Republican movement it is one of commemoration of the Easter Rising and its martyrs, with parades and speeches.
The commemoration parade proceeding along Phibsboro and approaching the Cross Guns canal bridge. (Photo: Rebel Breeze)
Easter Monday in Dublin saw one of those commemorations organised by the Socialist Republican organisation Anti-Imperialist Action at the Citizen Army plot in the St. Paul’s section of the famous Glasnevin Cemetery at the Republican Struggle Monument1.
Participants rallied near the Phibsboro Shopping Centre to march from there to the Cemetery, a distance of around two kilometres, over the “Cross Guns” bridge over the Royal Canal, then passing the main entrance to the Glasnevin Cemetery on the right before turning left for St. Paul’s.
Garda POU van parked extremely dangerously, hiding left turn from view of eastbound traffic, as they chat with other Gardaí and a ‘Branch man.As is said, “one rule for the people …!” In the laneway between houses visible in the background, a cameraman lurked taking photos. (Photo: Rebel Breeze)
In a marked departure from the previous year, the State’s political police, plainclothes Gardaí of the “Special Branch”2 did not approach the participants to attempt to intimidate them and gather intelligence, demanding their names and addresses under the Offences Against the State Act.3
That had been followed up by a raid on the home of one of the leading activists. Sunday’s police behaviour was an even greater difference from Saturday’s, when a different Republican group, Saoradh, had their Easter Rising commemoration in Dublin’s city centre.
Around 300 police, including many in riot cop uniform (Public Order Unit) had harassed the participants demanding names, addresses and other information, attempting to intimidate them. At least seven police vans had been in attendance also to the bemusement of onlookers.4
(Photo: Rebel Breeze)
LOCAL 1916 HISTORY
The Phibsboro/ Glasnevin area also figured in the 1916 Rising, with an insurgent barricade in Phibsboro and a Fianna youth, Sean Healy, mortally wounded at the crossroads by a British artillery shell fragment (a plaque on the ground at the SW corner commemorates his death.
Earlier, Irish Volunteers had guarded the canal bridge briefly; these were seen by the dozen Volunteers that marched along the canal from Maynooth, slept in Glasnevin Cemetery and got into the headquarters garrison at the General Post Office on Tuesday.
Later British soldiers set up a barricade on the Bridge preventing even foot traffic across and shooting dead a deaf and dumb man who could not hear their challenge.
EYE IN THE SKY? (Photo: Rebel Breeze)
PARADE THROUGH STREETS TO CEMETERY
The parade from Phibsboro on Sunday was led by the Glasgow Republican Flute band (formerly the Garngad RFB, which is where most of them are based) playing the airs of known Republican ballads, muted to regular tocks on their drums as they entered the housing estate.
(Photo: Rebel Breeze)
Also leading was the colour party dressed in white shirts, black trousers, jackets, berets and sunglasses, carrying the traditional flags for Republican colour parties: the Tricolour, Starry Plough, Sunburst, followed by the flags of the four provinces of Ireland: Connacht, Leinster, Munster and Ulster.
Over the marchers the flags of the Tricolour and the Starry Plough, flag of the Irish Citizen Army flew in the breeze while those of the Basque nation, Palestine and of the People’s Front for the Liberation of Palestine lent an international flavour to the commemoration of the Irish Rising.
There was some beeping of passing traffic and cheering from bystanders at the entrance to the laneway that leads to the bridge across the railway tracks to the St. Paul’s section of the graveyard. The marchers filed in and proceeded to the monument.
The Chair of the proceedings welcomed the attendance before reading from the 1916 Proclamation of Independence and calling a singer to step forward. Revolutionary activist Diarmuid Breatnach introduced the two songs he was going to sing as emphasising the role of the working class in the Rising.
(Photo: Rebel Breeze)
“The decision to go ahead with the Rising on Easter Monday was taken in Liberty Hall, the headquarters of the working class at the time,” he reminded the gathering, “which is also where the Proclamation of Independence was printed.”
He sang the “JimLarkin Ballad”: In Dublin City in 1913, the boss was rich and the poor were slaves; The women working, the children hungry, till on came Larkin like a might wave …
Diarmuid Breatnach singing(Photo: Donated by participant)
Pausing to focus on a different key, the singer followed the ballad with Patrick Galvin’s Where Is Our James Connolly?
After applause, floral tributes were laid on behalf of Anti-Imperialism Action Ireland and of Dublin Republicans Against Fascism.
(Photo: Rebel Breeze)(Photo: Donated by participant)
The chairperson asked for a minute’s silence in honour of those men and women who had given their lives in the struggle for freedom in Ireland. The colour party lowered their flags slowly in homage to the fallen, raising them again slowly to signify the continuation of the struggle.
(Photo: Rebel Breeze)
John Heaney, Republican ex-prisoner from Armagh was called to give the oration for the event, which he dedicated to all those men and women who had opened their doors and their homes to fighters in the struggle, whether the latter were in hiding or just resting – his audience applauded.
The speaker also congratulated on those who came forward to carry on the struggle, youth, women and stated he was proud to see the traditions of struggle being upheld in the process to achieve the Republic for which so many gave their lives.
The speaker, John Heaney delivering his oration. (Photo: Rebel Breeze)
The marching band then played the air of Amhrán na bhFiann/ The Soldiers’ Song, verse and chorus and the formal part of the event came to an end. Band members lined up in front of the Monument for photos and a little later played the air of “Black Is the Colour” on whistles, to general applause.
SECOND 1916 COMMEMORATION FOR AIA THIS EASTER
This was the second 1916 Rising Commemoration to be attended by Anti-Imperialist Action as they had also participated in another organised by the Seamus Costello Memorial Committee in Bray on the previous day.
AIA is a young organisation, founded by socialist Republicans unhappy with the direction of the Republican organisation of which they had been members but now containing many young people.
AIA gave rise to the Revolutionary Housing League that occupied empty buildings in a campaign against homelessness and called for a general occupation campaign across the state. A number of court cases against them followed but sadly their lead was not followed.
(Photo: Rebel Breeze)
AIA have also been very active against NATO, picketing promotional meetings and a number have been charged following a demonstration against a visiting British Navy ship in Dublin last November.5 They have also been active as part of the Saoirse don Phalaistín activist group.
Following the event in Glasnevin, many of the participants relaxed at a social evening in a different part of the city where many songs of struggle were sung.
(Photo: Rebel Breeze)
OTHER EASTER COMMEMORATIONS
Other Easter Rising commemorations have been held around this time, for example: Lasair Dhearg held one in Belfast on Easter Monday, while Independent Dublin Republicans held theirs in the capital, marching from Liberty Hall to the GPO, then to Moore Street to lay a floral tribute.
On Monday too the Derry 1916 Memorial Committee held an event in its city.6
Former revolutionary Republican party Sinn Féin held theirs in Arbour Hill7 cemetery on Sunday; a large part of their President’s address was devoted to justification of support for the EU and a plea to support the party whenever the state’s general elections are held (this year or next)8.
1My name for the Monument in the St. Paul’s part of Glasnevin Cemetery which stands in recognition of six periods of Irish Republican-led insurrectionary activity in Ireland: 1798-1916.
2Now officially the Special Detective Unit, they were previously known as the “Special Branch”, a name they inherited from the British occupation which had set up a political intelligence unit, the Irish Special Branch, to spy on and disrupt the Fenian movement among the Irish diaspora in British cities. Most political activists in Ireland continue to call them “the Special Branch” or simply “the Branch”. Their equivalent in Britain today and in a number of its colonies and former colonies continues to officially bear the name “Special Branch”.
3As amended in 1972 after a British Intelligence bombing killing two public transport workers in Dublin but blamed on the IRA; the amendment also permitted the setting up of no-jury Special Courts which are in existence to this day.
4In the context of assaults on persons in the city centre there have been regular complaints in the media and in the Parliament about the lack of Gardaí visibly patrolling the area.
7Where the 14 Dublin 1916 executed were buried, now a national monument in a former prison and church graveyard around the back of the former military barracks and now National Museum of Collins Barracks
In Dublin’s south docklands the property developers and the corporations dominate city planning and therefore the landscape. And the working class community there feel that they’re being squeezed out.
I’ve met with some concerned people from parts of this community in the past to report on their situation and concerns for Rebel Breeze and did so again recently.
A view eastward of a section of the south Liffey riverfront, showing a very small amount of more traditional buildings squashed between or loomed over by the “glass cages that spring up along the quay”. (Photo 1 March 2024: D.Breatnach)
YOUNG PEOPLE – education, training, socialising
“There’s nothing here for our young people” said one, expressing concern over the attraction for teenagers of physical confrontations with other teens from across the river which have taken place on the Samuel Beckett Bridge over the Liffey.
A young man training as an apprentice in engineering attends a mixed martial arts club but has to go miles away to another area to attend there. Between his industrial training, travel and athletic training he has little time to spare for socialising.
I comment that those sporting activities tend to concentrate on male youth and only some of those also but he tells me that nearly half the regular membership of his club is female. A community centre could provide space and time for such training but they say they have no such centre.
St. Andrew’s Hall is a community centre in the area and there are mixed opinions in the group about it but I know from my own enquiries that the available rooms are committed to weekly booked activities (and our meeting had to take place in a quiet corner of an hotel bar).
As a former youth worker and in voluntary centre management, I know that a community centre can serve all ages across the community, from parents and toddlers through youth clubs to sessions for adults and elders.
Discussing youth brings the talk into education and training. As discussed in a previous report of mine, the youth are not being trained in information technology, which is the employment offered in most of the corporations in “the glass cages that spring up along the quay.”1
Section of the south Liffey docks showing some of the few remaining older buildings as they are swamped by the “glass cages”. The building on the far right of photo, very near to Tara Street DART station, once an arts centre, is already targeted for demolition and replacement with commercial building. (Photo sourced: Internet)
“If they’re lucky, they’ll get work in the buildings as cleaners or serving lattes and snack in the new cafes”. Some opined that the corporations in the area should be providing their youth with the training while others thought Trinity College should be doing so.
HOUSING – price and air quality
Universal municipal housing in the area has declined due to privatisation of housing stock and refusal to build more. A former municipal block in Fenian Street, empty for years is now to be replaced but the “affordable” allocation has been progressively reduced, ending now at zero.
Pearse House in south Liffey docklands, believed earmarked for demolition and site sold to property speculators. (Photo 1 March 2024: D.Breatnach)
Property speculators (sorry, “developers”) with banker support are building office blocks and apartment blocks in the areas, the latter units priced beyond the range of most local people. The average rent for a two-bed apartment in the area is €2,385;2 to buy a 3-bedroom house €615,000.3
The Joyce House site and attached ground area could provide housing and a community centre but appears planned to go to speculators.
Continuation of ‘Pearse House site’ in south Liffey docklands, believed earmarked for demolition and site sold to property speculators. (Photo 1 March 2024: D.Breatnach)
The Markievicz swimming pool near Tara Street has been closed and the local people are told they can go to Ringsend for swimming, an area which already has better community facilities than are available to the communities further west along docklands
A huge amount of traffic goes through the area and one person stated that Macken Street tested as having the worst air quality in Ireland. “I have to close my windows to keep out the noise and pollution,” said another; “the curtains would be black.”
Townsend Street side of ‘Pearse House site’ in south Liffey docklands, believed earmarked for demolition and site sold to property speculators (prospective property speculators must be salivating). The gambling advertisement coincidentally erected there seems to show the likely social types to benefit from these kinds of deals. (Photo 1 March 2024: D.Breatnach)
‘They want us out’
If some town planner were intending to establish a community somewhere, s/he would plan for housing, obviously, so the people would have somewhere to live. But a proper plan would provide also for education and training, along with social facilities — and employment.
But if someone were intending instead to get rid of a community, s/he would target exactly the same elements, whittling them down or removing them altogether. This what some local people feel is intended for their community.
“We feel we’re not wanted here,” said one and others agreed, “They want us to move out.” “But we’re not going! We’re staying,” said another, to grim nodding of heads around.
HISTORY of struggle … and of neglect
In the late 1800s and early 1900s, Dublin had the worst housing in the United Kingdom and many of its elected municipal representatives – including a number of Nationalists of Redmond’s party – were themselves slum landlords.
When the Irish Transport and General Workers Union was formed by Jim Larkin with assistance from James Connolly and the Irish Women Workers’ Union founded by Delia Larkin, many of the dockers, carters and Bolands Mill workers who joined them came from the south docklands.
And when the employers’ consortium led by William Martin Murphy set out to break the ITGWU in 1913, many of those workers
… Stood by Larkin and told the bossman We’d fight or die but we would not shirk. For eight months we fought And eight months we starved, We stood by Larkin through thick and thin …4
And the women of Bolands’ Mill were the last to return to work, which they did singing, in February 1914.
They also formed part of the Irish Citizen Army, the first workers’ army in the world,5 to defend the striking and locked-out workers from the attacks of the Dublin Metropolitan Police and which later fought prominently in the 1916 Easter Rising.6
Many also joined the larger Irish Volunteers which later became the IRA, along with Cumann na mBan,7 fighting in the Rising, the War of Independence and the Civil War, supporting resistance of class and nation for decades after.
The Irish Republican Brotherhood (the Fenians) was founded in the area; Peadar Macken8 was from here and has a street named after him; Elizabeth O’Farrell9 is from the area too with a small park named after her and Constance Markievicz10 also lived locally.
The Pearse family lived in the area too and Willie Pearse and his father both worked on monumental sculpture at the same address; Connolly and his family for a while lived in South Lotts.
Home of the Pearse family and monumental sculpting business (Photo: Dublin Civic Trust)
The working class communities in urban Ireland suffered deprivation throughout the over a century of the existence of the Irish state and the colonial statelet. The communities in dockland suffered no less, traditional work gone, public and private housing in neglect in a post-industrial wasteland.
The population of Ireland remained static from the mid-1800s until the 1990s, despite traditionally large families — emigration in search of employment kept the numbers level. Married couples lived with parents and in-laws while waiting for a house or flat – or emigrated.
In the 1980s, like many parts of the world, Ireland fell prey to what has been described as the “heroin epidemic” and the neglected urban working class worst of all, with the State assigning resources to fight not so much the drug distributors as the anti-drug campaigners.
One of those in the meeting became outwardly emotional when he talked of “the squandered potential” of many people in the local community.
A workers’ day out trip on the Liffey ferry (Photo sourced: Dockers’ Preservation Trust)
The heirs of these then are the marginalised and abandoned that are targeted with disinformation and manipulated by the far-Right and fascists, to twist their anger and despair not against the causes of their situation but against harmless and vulnerable people.
But the Left has to take a share of the blame, for leaving them there in that situation, for not mobilising them in resistance. After all, issues like housing, education and employment are supposed to be standard concerns for socialists, of both the revolutionary and the reformist varieties.
Republicans cannot avoid the pointing finger either. These communities provided fighters and leaders not only in the early decades of the 20th Century but again from the late 1960s and throughout the 30 years war.
The Republicans led them in fighting for the occupied Six Counties but largely ignored their own economic, social and educational needs at home. Perhaps this is why the people are now organising themselves.
Protest placard by housing block in Macken Street protesting noise and dirt from nearby construction (Photo: Macken Street resident)
“THEY DON’T VOTE”
A number of the local people to whom I spoke quote a local TD (Teachta Dála, elected representative to the Irish parliament) who commented that most of the local residents don’t vote in elections.
Whether he meant, as some have interpreted, that therefore they don’t matter or, that without voting, they cannot effect change, is uncertain. However, community activism is not necessarily tied to voting in elections.
Protest placard by housing block in Macken Street protesting noise and dirt from nearby construction. (Photo: Macken Street resident)
As we know from our history and that of others around the world, voting is not the only way to bring about change and, arguably, not even the most effective one.
Whatever about that question, people are getting organised in these communities and those who hold the power may find that they are in for a fight.
End.
The landscape (and airscape) viewed from a housing block in Macken Street (Photo: Macken Street resident).
FOOTNOTES
1From song by Pet St. John, Dublin in the Rare Aul’ Times.
4From The Larkin Ballad, about the Lockout and the Rising, by Donagh McDonagh, whose father was one of the fourteen shot by British firing squad after the 1916 Rising.
5Formed in Dublin in 1913 to defend strikers and locked-out workers from the Dublin Metropolitan Police; members were required to be trade union members. The ICA was unique for another reason in its time: it recruited women and some of them were officers, commanding men and women.
6Historian Hugo McGuinness based on the other side of the Liffey believes that the reason the British troops sent to suppress the Rising disembarked at Dún Laoghaire rather than in the Dublin docks was because they feared the landing being opposed by the Irish Citizen Army and its local supporting communities.
7Republican Female military organisation, formed 1914.
8Fenian, socialist, trade unionist, house painter who learned and taught Irish language, joined the Irish Volunteers, fought in the Rising and was tragically shot by one of the Bolands Mill Garrison who went homicidally insane (and was himself shot dead).
9Member of the GPO Garrison in the 1916 Rising, subsequently negotiator of the Surrender in Moore Street/ Parnell Street and courier for the 1916 leadership to other fighting posts.
10Member of multiple nationalist organisations, also ICA and in the command echelon of the Stephens Green/ College of Surgeons Garrison. Also first woman elected to the British Parliament and first female Labour Minister in the world.
Thousands on Saturday (24th) witnessed Palestine supporters demonstrating outside the Israeli Embassy in Dublin’s Ballsbridge, their reactions for the most part ranging from neutral to applause, some having their photos taken alongside the picketers.
On this Saturday there was no Palestine solidarity march in Dublin and some instead attended a picket of the Zionist Embassy.
There were also a handful of hostile provocative reactions, ranging from mention of “the hostages” to cheering “Israel” and one who tried to make an issue of Jewishness but was firmly told that opposition to Zionism has nothing to do with anti-semitism.
Palestinian solidarity flag displaying designed by Brazilian political cartoonist Carlos Latuf during an earlier attack by the Zionist State on Palestinians.The building housing the Israeli Embassy is in the background. (Photo:Rebel Breeze)
Those who mention “the hostages” refer only to the 130 or so prisoners taken by the Palestinian resistance in their operation of October 7th, never to the thousands of civilians, including children, taken prisoner by the Zionist state and, if judicially processed, tried in Israeli military courts.
Initially the crowds leaving the Rugby game between the Irish and Welsh teams, seemed neutral as they passed the picketers but gradually grew warmer.
The handful of passersby who expressed support for the Zionist state were militantly denounced by the picketers as “Genocide supporters” but much more common from the crowds were signs of approval such as applause, thumbs-up and occasional cheers and clenched-fist gestures.
A few in the crowd also shook hands with or gave a fist-bump to a demonstrator and some also thanked the picketers.
Some asked to have their photos taken alongside a picketer, one also waving a borrowed Palestinian flag. A woman approached one of the demonstrators, removed her Ireland rugby colours scarf and wrapped it around the picketer’s neck, saying “We support you” before walking away.
One of the Palestine solidarity picketers wearing the Irish rugby colours scarf with which he was presented by one of the Irish team’s fans returning from the game. (Photo: Rebel Breeze)
The nearly non-stop chants of the picketers, led by a young man of Middle Eastern appearance in a keffiyeh were directed at solidarity with the Palestinians and denunciation of the Israeli State, including calls for boycott and sanctions and the expulsion of the Israeli Ambassador.
One of the female demonstrators, a regular at the site, is garbed in white “blood-stained shroud.” At least half the picketers appeared Irish by appearance and accent. A majority were female, which seems to be the pattern in pickets, rallies and marches in solidarity with Palestine.
The thousands who passed the picketers were in contrast to the earlier near-deserted Shelbourne Road, as the Gardaí had closed the road to vehicular traffic in the vicinity of the Aviva Stadium where the Ireland rugby team was playing the Welsh one.
A fragment of the rugby fans leaving the Aviva Stadium after the game and passing the picketers. (Photo: Rebel Breeze)
The Israeli Embassy moved in 2019 to its current location on the fifth floor of a multiple-business-occupied building at 23 Shelbourne Road. Formerly the zionist embassy occupied an upper floor at Carrisbrook House, Northumberland Road, with every other floor unoccupied.
Some of the occupants of the current building, which is protected by a Garda presence, have reportedly asked their landlord to remove the Embassy but the request was denied.
When Gardaí reopened the road a senior Garda officer directed the demonstrators, ‘for their safety’, to remove from the road in front of the Embassy building to the side. However, it is the Gardaí who have barricaded off the entire section of pedestrian pavement in front of the building.
It seems likely that this will become an issue at some point in the future.
The scene outside the Israeli Embassy in Dublin shortly before the commencement of the protest, showing the pedestrian footpath completely fenced off by Garda barricades. (Photo: Rebel Breeze)
THE RUGBY
The Irish team beat the Welsh one 31-7 on Saturday. The Irish rugby team is a 32-County team, unlike soccer, where the Irish state and the colony each has their own ‘national’ team and are obliged to compete against one another internationally.
However, the song played for the Irish rugby team is the anodyne Ireland’s Call and not Amhrán na bhFiann/ The Soldiers Song, which is played for the Irish soccer team and in Gaelic Athletic games.
Rugby has gained in wider popularity in Ireland in recent decades but formerly in most parts of Ireland was considered a game for Anglophiles or “West Brits”.
Also, with the exception of Limerick, socially a game of the upper middle class, being played in Anglican colleges and in Catholic colleges of the English public school model.
Until the advent of the now-defunct Irish Press(1931-1995), neither of the main national newspapers, TheIrish Times nor TheIrish Independent reported on Gaelic Athletic Association games, reporting instead on the minority rugby, hockey and cricket matches.
A far-right march containing known fascists and fascist organisations opposed to immigration or to providing housing for refugees confronted an antifascist counterprotest half its size in Dublin city centre’s main street on Monday.
The counter-protest was convened for 1pm by the United Against Racism organisation (a kind of liberal anti-racist and antifascist confederation set up by the People Before Profit party) in order to confront an advertised mobilisation of the far-Right on a broad racist platform.
The racists had been building for this ‘national’ march since early January.
A view of the west side of the anti-racist gathering some time before the arrival of the anti-immigration march. (Photo: D.Breatnach)
The antifascists gathered on the central pedestrian reservation while a group of less than 20 strutted in front of the GPO waving Tricolours,1 an Erin go Bragh flag2 and, most unusually, a Cumann na mBan3 flag. Did they know or care that one of the founders of that organisation was a migrant?4
Or that the Tricolour was presented to us in 1848 by women revolutionaries in Paris? The far-Right in Ireland is replete with ironies, whether ignorant of them or aware while manipulating their ignorant followers in neglected cross-generational families and communities.
Among the anti-racist gathering, at first there were red, rainbow and some Palestinian flags but not one specifically Irish one apart from a white Starry Plough on a red background, until a little later when a number of Irish Tricolours made their appearance among the anti-racists.
East side of the anti-racist gathering some time before the arrival of the anti-immigration march. (Photo: D.Breatnach)
This gives the unfortunate appearance that it’s the far-Right that cares about the national struggle and not the antifascists, which is untrue since the fascists have never lifted a finger for Irish freedom and unity (as pointed out by one of the placards displayed by the anti-racists).
It seemed strange that the anti-racists had not occupied the space directly in front of the GPO, thereby not only denying it to the far-Right but also giving them a position with a safe rear and only exposed from the front and flanks, as distinct from the central reservation, open on all sides.
Many Garda Public Order Unit vehicles had been seen at the Garden of Remembrance where the far-Right were rallying along with two mounted Garda, with another two of those outside the GPO and many police in ordinary uniform, along with a few POU there also.5
A strong turnout of Gardaí lined up in front of the GPO with their backs to the fascists and facing the antifascists, a formation clearly anticipating antifascists moving against the far-Right. A number of shouts were traded between the opposing forces.
Early view of section of the anti-racist demonstrators showing in the background a section of the far-Right demonstrators outside the GPO before they left to join their rally at the Garden of Remembrance. (Photo: D.Breatnach)
A senior Garda officer approached an anti-fascist and obliged her to remove her mask, an action that exposed her not only to Garda photographers but also to media and far-Right snaps and video.
Unlike a number of other occasions prior to and during the Covid emergency, the police restrained the fascists from crossing the road or even engaging in sustained exchanges. After awhile, the latter departed to join the others at their rally at the Garden of Remembrance
The antifascist gathering listened to speeches (or ignored them and chatted among themselves) and a number of a cappella songs about Irish emigration and anti-racism, regularly joining in slogans of “Say it loud and say it clear – Refugees are welcome here!” and “Fáilte – roimh theifigh!”
Another slogan6 shouted was “When refugees are under attack – Stand up, fight back!”
THE FASCIST MARCH
Word reached the antifascists that the far-Right had finally got into their march and the whole anti-racist gathering moved to face the east side of O’Connell Street, where stewards packed them in tighter and tighter and Gardaí lined up facing them with arms linked.
Photo taken of section of anti-racist protesters on east side of central reservation shortly before arrival of anti-immigration marchers – note the Gardai linked arms against the anti-racists, possibly out of habit before they reversed their positions as the far-Right protesters approached. The flag centre photo is of the Second Spanish Republic during the Spanish Antifascist War. (Photo: D.Breatnach)
A little later, perhaps conscious of the size of the far-Right march, the Gardaí turned their backs to the anti-racists and faced the street upon which the racists were going to march. The POU also deployed around the area and both mounted police moved across on to the central reservation.
The far-Right began to proceed southward along the street a couple of feet only away from the anti-fascists, from which the slogans in support of refugees were chanted in unison but there were also individual comments flying back and forth, along with gestures, between both groups.
Their stewards were clearly keen to keep them moving, however. At one point a large group of the far-Right mounted the central reservation and approached the antifascists aggressively but between the Gardaí and their own stewards they soon resumed their march south.
The anti-immigration marchers pause in order to hurl abuse at the anti-racist counter-protesters, some of who respond in kind. (Photo sourced: Internet)
It became clear that the racist march outnumbered the counter-protest in the order of around two to one. When banners of the National Party and the Irish Freedom Movement were seen (and placards of Síol na hÉireann)7 a roar of “Nazi scum off our streets!” emerged from the anti-racists.
There were also some cries of “MI5!” at those. Some large placards bearing the legend “Ireland is full” drew the reply: “No it’s not – you don’t know your history or your geography!”8
A racist and a fascist trope side by side: The “Replacement” conspiracy theory originated in white European settler colonies in fear of being replaced by the indigenous people, while fascists regularly demand freedom of speech for racism and lies but shut down all freedoms when they get into power. (Photo sourced: Internet)
The march passed and according to information received made its way to Custom House Quay for a rally. The antifascists were then called on to the street to march to the Garden of Remembrance in a move that puzzled some (one suggestion was that it was to “disinfect” the site!).
Later and photos from Anti-Imperialist Ireland confirmed the sighting of a number of known fascists at the racist rally, including Derek Bligh (IF), Jim Ferguson, Herman Kelly (IFM) and Rowan Croft, all with connections to British Loyalism and British Intelligence.
Four prominent fascists from different groups who were present (some as speakers) at the anti-refugee and immigration rally on Monday. (Photo source: AIA)
EVALUATION
The question must be asked how a minority of far-right and fascist parties in Ireland can outnumber the vastly numerically superior anti-fascist mass in the country at a public (and publicised) event? Clearly the counter-protest organisers failed to mobilise the wide anti-fascist masses.
View of section of the anti-immigration march. (Photo sourced: Internet)
Or the wide anti-fascist movement failed to respond to the call. Where were the Irish Republican forces, the specifically antifascist organisations, the anti-fascist trade unionists – and the broad masses that they can mobilise?
Some of those may say that they don’t trust the UAR group, that they’re not serious about confronting fascists, etc. That may be but it would be a poor and shameful excuse for allowing a successful fascist attack on an antifascist gathering.
On the other hand, when the UAR was being founded, it deliberately excluded those forces – Republicans, antifascist activists, anarchists – who had already been confronting the far-right in Dublin and had been in a number of clashes with the fascists.
A placard displayed by a migrant solidarity demonstrator. (Photo: D.Breatnach)
This is a most serious situation in which the democratic masses to be as the racists and fascists mobilise their thugs and feel the wind behind their sails while simultaneously the State surreptitiously encourages them and the capitalist system seeks to make the workers pay for its crisis.
The racist march took place in the context of a recent fascist mobilisation in the city centre burning cars and public transport and ongoing burning of buildings across the country earmarked – or just believed to be earmarked – for housing of refugees.
Government Ministers can claim shock and anger at such fascist mobilisations but how is it that the wave of arson attacks is being permitted? And how is it that communications of the culprits are not being monitored by the State’s intelligence services?
How is that there is not one case of Garda or property security being on hand and apprehending the arsonists?
We need not believe any nonsense about insufficient personnel because the private security industry employs over 30,000 people across a broad range of sectors9 and the Gardaí can mobilise 100 with helicopter back-up to evict a handful of housing activists occupying an empty building.10
The State is clearly allowing the fascists a loose rein whilst at the same time permitting an atmosphere favouring repression to build up – repression which as is usually the case will be used not against the fascists but against the antifascists and against the Left resistance in general.
We are being given warnings and it is up to all of us whether we act upon them. If we don’t not only we but our children will pay the price.
End.
FOOTNOTES
1The green, white and orange flag that became the ‘national’ flag of the Irish State.
2Anglicisation for pronunciation of Éirinn go Brách (Ireland for ever!), the slogan in gold on a green background, usually also bearing the emblem of the harp in gold was a common flag seen among gatherings of the Fenians (Irish Republican Brotherhood) in Ireland, Britain and the USA during the second half of the 19th and early 20th centuries.
3Possibly the world’s first female republican military organisation, it was founded in 1914 as an auxiliary to the male Irish Volunteers founded the year before; around 40 of them participated in the 1916 Rising. Later the organisation developed more independence.
4Constance Markievicz: A founding member of Fianna Éireann, Cumann na mBan and the Irish Citizen Army, she took part in the Easter Rising in 1916, when Irish republicans attempted to end British rule and establish an Irish Republic.
5And some in ordinary street clothes, clearly the political ‘undercover’ police (now officially the Special Detective Unit but still widely known among political activists (and some of its own officers) by their former name of “the Special Branch”).
7Three of the prominent fascist and racist organisations recently founded in Ireland, though not much of “Síol” has been seen for many months.
8Presumably a reference to the fact that in 1845 Ireland had a population of over 8 million and was not “full” even then while the population today is around 7 million.
Led by four Republican marching bands and containing a number of organisations, around 6,000 people supported the annual march in Derry on Sunday commemorating the 1972 massacre by the British Parachute Regiment in the city.
This year a special focus on solidarity with Palestine had been called for by the organisers of the Bloody Sunday massacre commemoration and Palestinian flags mixed with ones of Irish Republican organisations decorated the march route.
The march begins at the Creggan Heights, overlooking Derry, a steep walk up from the Bogside, the city’s centre near the river and winds its way down (with a great view of the Foyle river and surrounding area) but then up Westland Street again and along Marlborough Terrace.
Rear banner of the AIA contingent on the Bloody Sunday commemoration march Sunday. (Photo source: AIA)
For a number of years this commemoration has taken place in heavy rain and high winds, or snow, or sleet but it was dry this year – until the march started! However after a short period of strong gusts driving rain it stopped for the rest of the march.
Down Creggan Road to the Bogside once more and past the Bloody Sunday and H-Block memorials to the rally at Free Derry Corner where Kate Nash, one of the main organisers of the march for years and a sister of one of those murdered in the massacre, welcomed the marchers.
The Bloody Sunday 52nd commemoration march makes it way along Lone Moor Road towards the Brandywell on Sunday afternoon. (Photo: George Sweeney via Derry News.)
RALLY AND SPEAKERS
Nash condemned the punitive EU/ UK/ USA cutting of funds to the UNRWA organisation carrying out relief and educational work in Gaza following an Israeli State intelligence allegation1 and also called for no Irish politicians to attend the annual US Presidential St. Patrick’s Day event.2
Kate Nash’s brother Willie was murdered by the Parachute Regiment during the massacre and her father was wounded by fire while trying to reach his fallen son. Kate called for a minute’s silence for the dead and wounded that day but also for those in Gaza, in particular the children.
Kate Nash also mentioned the Noah Donohoe case as being close to everyone’s heart.
The names of the dead and wounded by the Parachute Regiment were read out by Damian Donaghy,3 son of Damian Donaghy one of the survivors on that day. Paddy Nash performed the civil rights anthem “We Shall Overcome” which was popular among marchers of the time.
Section of the rally to the right as facing Free Derry Corner with a mural based on an iconic photograph from the massacre. (Photo: D.Breatnach)
Kate Nash introduced Huda Ammori, a Manchester-based Palestinian activist and one of the Elbit Eight,4 who said she felt at home in Derry because of the people’s solidarity with Palestine.5 The State in Britain failed to convict all but one of any charges arising out of direct action against the arms company.
Ammori drew parallels between the Irish and Palestinian struggles against colonialism and stated that her grandfather had been assassinated for rising up against the British colonisation of Palestine in 1936, when it was a British “Mandate”.
Mural on a wall in the Bogside, Derry; the words “don Phalaistín” are obscured by a vehicle. (Photo: D.Breatnach)
AIA Short Video with Music Bloody Sunday Derry 2024 AIA Video.MP4 (viewable on FaceBook)
“The British signed away the land of Palestine in 1917,” Amori told the rally, “they colonised our lands and then they armed and trained the Zionist militia to commit a Nakba, to displace over 750,000 Palestinians in 1948, over half the indigenous population.”
Huda Ammori said weapons were used on Palestinians in Gaza and then marketed as ‘battle-tested’. She also praised those who had taken direct action in Derry against arms firms (e.g Raytheon).
Section of crowd gathering in front of the stage for the rally. (Photo: D.Breatnach)
Geraldine Doherty, niece of Gerard Donaghy, youngest of the Bloody Sunday victims, also spoke from the platform, saying it was ‘sad’ but ‘heartwarming’ to see so many people attending the march.
“More than half a century since British troops committed this massacre on these streets, innocent children like my murdered uncle Gerard and hundreds of others as well are still being denied justice”, she said and denounced the British State attempting to prevent the trial of legacy cases being tried.
Doherty spoke of the remaining “trauma for Derry and for Ireland” from which many families have never recovered, with long-term post-traumatic damage such as depression, addiction and divided families.
“But while the people of Derry were battered and imprisoned, we were never broken,” she said to cheers from the rally participants. “Derry has rediscovered its … voice and we are using that voice to oppose the murder of children and women and men, and we stand with the people of Palestine.”
Section of crowd to the left of the stage at the rally.(Photo:D.Breatnach)
ON THE MARCH
Over the years since I returned to Ireland, I have marched in that commemoration many times, either as an individual or as a member of a solidarity committee and this year was glad to be welcomed as part of the Socialist Republican contingent, with Anti-Imperialist Action.
The bloc carried two banners: the one at the front was a new one in which the AIA called for anti-imperialist revolution and socialism, while at the rear the banner celebrated the Palestinian resistance. In between the banners marchers carried flags and placards.
New banner of the AIA in the organisation’s contingent on the march on Sunday. (Photo: D.Breatnach)
In the bloc men and women marched with a flags of the AIA, the Starry Plough, Palestine and Cumann na mBan. From the contingent on many occasions could be heard slogans of solidarity with Palestine and some equally applicable to that nation’s resistance or to Ireland’s.
“In the face of occupation – Resistance is an obligation!” and “No justice – No peace!” were in the latter category while “From the River to the Sea – Palestine will be free!”, “Free, free – Palestine!” and “Saoirse don – Phalaistín!” were specifically supporting the Palestinian struggle.
Most Republican organisations and some Irish socialist organisations attend the annual event, along with campaign groups and on occasion solidarity groups from abroad or Irish ones in solidarity with struggles abroad. Sinn Féin no longer attends but some supporters would as individuals.
Giant Palestinian flag displayed below the Derry Walls above the rally below. (Photo: D.Breatnach)
THE MARCH ROUTE AND HISTORY
The Bloody Sunday march covers the same route as the anti-internment march in January 1972 when the British Paratroopers murdered 14 unarmed marchers and injured so many others. Preceded by the Ballymurphy Massacre in August 1971, it was followed by another in Springhill in July ‘72.
The British military claimed that the Derry victims had been armed and fired first and an inquiry tribunal headed by Lord Justice Widgery exonerated the Army and blamed the victims although the Derry Coroner, an ex-British Army officer had called it “sheer unadulterated murder”.
In 1998, presumably as part of the Good Friday Agreement deal, the British State began a new inquiry which however did not deliver a published verdict until 2010,6 stopping short of accusing the Army of murder but exonerating all the victims except one about which it was equivocal.
At that point, Sinn Féin’s Martin McGuinness said that the march should not be continued; however not one British soldier had even been charged, to say nothing of the commanders and Government Ministers who had either given the orders or arranged the cover-up – or both.
Banner of the organisation combining representation of trade unions in Derry. (Photo: D.Breatnach)
A small group of veterans of the original march and relatives, Kate Nash prominent among them, however decided to keep the march going and have done so every year, often in the face of accusations and disparaging remarks from supporters of Sinn Féin and others.
In 2022, the Massacre’s 50th anniversary, 20,000marched in it while the Bloody Sunday Trust, an institution and museum supported by the colonial state and Sinn Féin, organised a small “memorial walk” and indoors event in the Guild Hall – the only one reported by the mass media.7
An independent group, badly needed since the Coiste na nIarchimí is controlled by the Provisionals. (Photo: D.Breatnach)Display below Derry Walls created by the Saoradh Irish Republican organisation, according to their social media. (Photo: D.Breatnach)
Although veterans of the massacre and of the annual commemoration often meet one another only once a year at the commemoration, some having come from abroad, there are always new young people to be seen among them and hundreds come out to watch the march.
The march is an important commemoration of a massacre by British colonialism which still holds the colony of the Six Counties, a reminder no doubt inconvenient to unionists, neo-colonialists and those who have left the struggle, either through lack of will or for personal advancement.
In its championing and giving voice to other conflicts too, the commemoration march and other related events during the week are a strong expression of internationalist solidarity.
Wreath of the Bloody Sunday Commemoration Committee among others at the Bloody Sunday Monument. (Photo source:Bloody Sunday Commemoration Committee)
End.
FOOTNOTES
1The Israeli state intelligence agency reported that 12 out of 13,000 employees of UNRWA in Gaza had been implicated in the 7th October Palestinian raid following which at least some, possibly all, were sacked by UNRWA, apparently without any hearing or appeal process. The US, UK, Germany, Italy followed this up by suspending all funding to the relief organisation catering for 2 million people in dire circumstances.
2Traditionally, leading politicians of the main Irish political parties, both mainstream and Sinn Féin, have sent representatives to celebrate St. Patrick’s Day with US Presidents, many of whom are of Irish descent. This year a campaign has arisen calling on them not to do so but spokespersons of Fine Gael, Fianna Fáil and Sinn Féin have insisted they will attend, which the SDLP has declared it will not.
3Not to be confused with the family of Gerard V. Donaghy (20 February 1954 – 30 January 1972), sometimes transcribed as Gerald Donaghey, a native of the Bogside, Derry who was murdered by members of the 1st Battalion, Parachute Regiment on Bloody Sunday.
4Eight activists of British-based Palestine Action, a direct action organisation, who as a result of their actions against the Israeli-based military technology company Elbit in Britain, were charged with a total of 12 charges which included criminal damage, burglary and encouraging criminal damage. The trial, which commenced on November 13th, related to a series of actions taken during the first 6 months of Palestine Action’s existence from July 2020 to January 2021. In December last year, one activist was convicted on one charge by 10-2 majority, two were completely cleared and jury failed to reach a majority verdict on the rest of the charges on six remaining activists.
5That would be true of the majority ‘nationalist’ population of the city but not so much of the unionist minority, where support for Israel is more dominant, due in part to susceptibility to British propaganda and also simply out of sectarian hostility to anything favoured by the ‘nationalist’ community.
6At a cost of nearly £200m (€227.7m), half of which went in legal fees, a lawyer’s bonanza, to arrive at a decision that just about everyone in Ireland knew and many abroad knew already and which established no safeguards against a similar massacre being carried out by British military in future.
7Browser searches throw up report after media report, including Al Jazeera’s, of “hundreds” attending the early event, without a mention of the many THOUSANDS who marched later in the day.
Among Christmas shopping crowds in Dublin’s city centre, the calls for freedom of political prisoners rang out, while the Irish, Palestinian and Basque flags fluttered in the wind among festive lights and projected light-show.
The Ireland Anti-Internment Campaign was holding its annual political prisoner solidarity picket in the busy O’Connell street, supported by socialist Republican groups and independent activists.
View of picket line looking southward. (Photo: Rebel Breeze)
December is a traditional month in Ireland for focus on Republican prisoners. However, the IAIC campaign has always made a point of remembering political prisoners elsewhere too, with Palestinian and Basque flags erected on its regular pickets.
This year the Campaign had especially requested Palestinian flags and these were present, both the national flag and that of the Peoples Front for the Liberation Palestine, fluttering alongside Basque flags and the green-and-gold Starry Plough.1
In addition, one of the IAIC’s banner displayed a large copy of an image depicting a Palestinian’s arm extended through prison bars to grasp the hand of an Irish Republican prisoner’s hand also from nearby bars, from the original by political cartoonist Carlos Latuf,.
A black banner had been rigged with lights to spell “Saoirse”, the Irish word for “freedom” and the picketers set up in a line with other banners and flags facing the GPO building.2
Political prisoners sometimes have their family visits cancelled as a punishment and during the Covid pandemic prevention period it was used as an excuse to prevent Republican prisoners’ family visits. (Photo: Rebel Breeze)
SHOUTS
A speaker using a megaphone informed passers-by that internment without trial had not ceased in Ireland and that Republicans were being charged and then refused bail by non-jury courts on both sides of the British Border, spending two years in jail regardless of their trials’ outcomes.
All the Republican prisoners, the IAIC speaker said, had been convicted in non-jury special courts. Palestinians were also being convicted in special courts, he said, military courts and many were in jail – in “administrative detention”, i.e interned without ever having been convicted or tried.
Over 3,000 had been arrested in Israeli Army raids since October 7th,3 the speaker said through the megaphone, bringing the overall number of Palestinians in jail to over 7,000.4
(Photo: Rebel Breeze)
The recent exchange of prisoners between the Zionist state and the Palestinian resistance had resulted in liberty for 240 Palestinians, of which 1075 were children and 68 women.
There was regular chanting from the picket line including: “From Ireland to Palestine – Free all political prisoners!” “When there is occupation – Resistance is an obligation!” and “Free political prisoners – Free them now!”
At one point some kind of religious procession was briefly enacted in front of the GPO building and an elderly woman in apparent religious garb approached the picketers shouting something at them which they largely ignored, maintaining their solidarity slogans.
(Photo: Rebel Breeze)
In addition to interested people taking photos or filming video of the protest on their devices, some approached the participants to ask questions and to receive a leaflet, after which a number actually joined the protest line for a while (some until the end).
Occasional passing traffic also sounded their horns in solidarity.
The pavement in front of the GPO showing shoppers and people queuing for food distribution. (Photo: Rebel Breeze)
STATEMENT
As the end of the event’s allocated period approached, a representative of the IAIC asked the participants to gather around and spoke about how resistance brings repression and oppression brings resistance, resistance being the “crime” for which political activists are jailed.
The participants were thanked for their support, whether independents or activists of Ireland Anti-Imperialist Action and Saoirse Don Phalaistín organisations.
The event ended with the acapella singing of “The H-Block Song” by Diarmuid Breatnach, in an adaptation of the original air to the lyrics of what is “still a good song” he said, composed by a man who, along with his party, “no longer supported Republican prisoners”.6
(Photo: Rebel Breeze)
The lyrics recall the struggle of Republican prisoners in the late 1970s against the removal of their ‘Special Category’ political status, which began with refusal to wear prisoner uniform. The struggle escalated to the “no-wash protests” and to hunger strikes in 1980 with ten martyrs in 1981.
As the protesters collected their flags and wrapped up their banners, the nature of current Irish society was underlined by the queues forming up across the road for free food being distributed by charitable organisations.
Early view of picketers, looking northward. (Photo: Rebel Breeze)
INDEPENDENT AND OPEN DEMOCRATIC ORGANISATION
The IAIC is “an independent organisation and open democratic organisation” of ten years’ existence and although it has held events for specific cases such as the framed Craigavon Two,7 its main activity has been regular public pickets in Dublin to highlight ongoing internment in Ireland.
The Campaign group encourages participation by democratic people in its regular pickets, regardless of political organisation affiliation or none and, according to one of the organisers, expects to hold its next one in Dublin in January or February.
The IAIC expects also to take part again in the annual Bloody Sunday Commemoration march in Derry on Sunday 29th January 2024.
end.
Unintentionally impressionistic image, photo taken from the east side of O’Connell Street (Photo: Rebel Breeze)
APPENDIX: ANNIVERSARY OF HANGING OF IRISH REPUBLICAN
Though not mentioned in the discourse, the above event took place within days of the anniversary of the British colonial execution of an Irishman in revenge for his killing of an ex-Republican who had turned informer.
James Carey, in the midst of a ‘witness protection program’ provided as a reward for his betrayal of his comrades in giving evidence in court to ensure the jailing of some and hanging of five others, was killed in a gunfight with Pat O’Donnell.
Carey had been a leading member of the National Invincibles’ (a split from the Fenians) cell in Dublin, and had given the signal for the fatal stabbing of British Under-Secretary Burke and Chief Secretary Lord Frederick Cavendish in Phoenix Park on 6th May 1882.
However, Carey turned “Queen’s Evidence” to testify ensuring the conviction of his former colleagues and even gloated in court at their fate. His reward, but for O’Donnell, would have been a new life with pension under an assumed name with wife and children in the South African colony.
O’Donnell was an independent Republican from the Irish-speaking Gweedore area in Donegal but had been to the USA, where he had cousins who were prominent in the “Molly Maguires”, an Irish-led resistance organisation among miners in the USA.
O’Donnell was hanged on 17th December 1883 but is commemorated in the satirical song “Monto” and also in the serious “Ballad of Pat O’Donnell”. His home town of Gweedore also holds a monument in his honour.
end.
FOOTNOTES
1Flag of the Irish Citizen Army, the first workers’ army in the world, founded to protect workers from the police during the Dublin Lockout/ Strike of 1913.
2The General Post Office, iconic building on Dublin’s O’Connell Street, which was the HQ of the leadership of the 1916 Rising, left a shell by fire from British artillery bombardment but rebuilt later.
6Francis Brolly (1938-1920) of Provisional Sinn Féin, composed the song which was released in 1976. PSF abandoned the struggle in the imperialist-promoted pacification process towards the end of the last century and most of their prisoners were released under licence. However those who made public their disagreement with the colonial occupation and the pacification process were on occasion returned to jail while new “dissidents” were charged and refused bail in special no-jury courts, with tacit support of the PSF.
We now approach the festival called Christmas. A Christian festival, apparently, celebrating the birth of Christ, the baby Jesus. But are there darker aspects in its references?
Away in a manger No crib for His bed The little Lord Jesus Lay down His sweet head
The stars in the sky Look down where He lay The little Lord Jesus Asleep on the hay
Such a sweet, holy image.
But actually, when we look around us, it seems more like a festival of the pagan gods: of Bacchus, the god of alcohol and of Mammon, the god of wealth. Bacchus, because in non-Moslem countries, drinking of alcohol will be for most a big component of the festival.
Whiskey, brandy, wine and beer will be bought to stock up the house. Alcohol will be drunk at Christmas parties (including office parties, where for months afterwards some people will regret what they did or said – or even what they didn’t do or say).
Alcohol will be not just drunk but also put into some of the traditional food and even poured over it.
Then Mammon. Well, you can see the retail businesses stocking up for weeks or even months ahead of the festival which, after all, was only supposed to be a one or at most a two-day event.
Giving and receiving gifts has now become part of the festival and in most cases, gifts have to be bought. Which is a really big gift to the retail businesses and thence, really a sacrifice to Mammon.
In the Christian gospels of both Matthew and Luke, it is written that one “cannot serve both Mammon and God” — which goes to show how little they understood capitalism, where Mammon IS God.
A theologian of the Fourth Century saw Mammon as a personification of Beelzebub, which in his time was another name for Satan or the Devil.
Interestingly, Protestant Christianity, which some credit as having invented capitalism, at the same time regarded Mammon, or said they did, as “one of the Seven Princes of Hell”.
Cartoon depiction of Mammon, God of Wealth (Image sourced: Internet)
Sculpture representation of Bacchus, God of Alcohol, in California winery, USA (Image sourced: Internet)
SANTA
Now, Santa Claus is also a big part of the Christmas festival, especially in western countries, a much more acceptable face than that of greedy Mammon and alcoholic Bacchus, right?
But originally, the Christians saw him a representation of St. Nicholas, 4th Century Bishop of the Greek city of Myra, a location now in Turkey. He was he patron saint of archers, repentant thieves, sailors and prostitutes. The prostitutes probably had to be repentant ones too, of course!
The sailors, who probably had at least as much recourse to prostitutes as had any other calling, were apparently not required to be repentant – to be in danger on the sea was deemed enough.
But St. Nicholas was also the patron saint of children, pawnbrokers and brewers, so we can see how close he was getting there to the modern spirit of Christmas.
GERMAN TRAPPINGS
Now, the Christmas Tree, der tannenbaum, so much a part of the symbolism of modern western Christmas, came to us from Germany, as did the sled and the reindeer.
The reindeer are not autochthonous or endemic in historic times to Germany, so they must have been brought in their myths from Scandinavia from where originally, the Germanic tribes came.
In turn, the Christmas Tree, Yule Log, reindeer and sled were exported from Germany to England in the reign of Queen Victoria, by her consort Prince Albert, who was German.
And since the English ruled all of us in Victoria and Albert’s time, the Christmas Tree came to us too, to the cities first and then slowly spreading through the rural areas.
A representation of St. Nicholas (before he got the red suit makeover) looking more like a pagan god of the woods. (Image sourced: Internet)
***
When you think about it, this German-English worship of the tree was a bit ironic, since the English had wiped out most of our forests already and were still cutting down our remaining trees in Queen Victoria’s time.
***
And Victoria, through Albert, gave us the Santa Clause we know and love today. A jolly man, well fed, white beard, twinkly eyes, dressed all in red with white trim ….
IN RED?
Now, wait a minute! It turns out he wasn’t always dressed in red. Originally, he was dressed in a brown, or green cloak. He was, originally among the Germanic people, a god of the forests – hence the evergreen Christmas tree.
And like any sensible woodsman, he dressed in appropriate colours, brown or green. Neither Albert nor Victoria ever represented him as dressed in red. So how did it become so that we are incapable of seeing him today in any other colour than red?
Well, it turns out that Coca Cola is the responsible party.
Yes, although it was the cartoonist Thomas Nast in 1870s United States who first portrayed Santa in a red suit with a belt but it was Coca Cola, in their advertising campaign of 1931 and onwards who made his clothes red world-wide.
Coca Cola is a drink served cold and almost undrinkable when warm but who needs a cold drink in cold weather? I guess Coca Cola needed a warm image to make it still attractive in winter. So therefore the warm, jolly man dressed in red, with a bottle of Coca Cola in his hand.
1931, Santa Clause first appears in red, in Coca Cola advertisement, USA.
(Image source: Internet)
Coca Cola brand is worth about $106.1 billion dollars today,1 far ahead of any other cold drinks product. Which I guess brings us back to …. yes, Mammon.
You can mix the drink with a number of alcoholic beverages too, so tipping a nod – and a glass – to Bacchus.
Now, the German Santa Claus, this originally woodland god, is also thought to have been something like Thor, a god of fire and lightning. So can it be any coincidence that two of his reindeer are called Donner und Blitzen, i.e “Thunder” and “Lightning”? Nein – of course not!
A starry night over desert hills, like the Nativity scene but without the Guiding Star. (Photo source: Internet)
INVISIBLE
Although we see the image of Santa Claus everywhere and even pretend Santa Clauses all over our city streets, everyone knows that nobody sees the real Santa Claus. Children have to be asleep when he arrives to distribute his presents and somehow adults don’t see him either.
Which I suppose is a good thing ….
I mean if you found an adult intruder in your house at night, not to mention near your children, you’d be liable to whack him with a hurley (that’s an Irish cultural reference) …. or a baseball bat (that’s a U S cultural reference) …. or stab him with a sharp kitchen knife (that’s an international cultural reference).
It was bad enough when somehow that portly – not to say fat – man could somehow come down your chimney and go up again, without waking anyone … but now he can get in your house or flat even when you don’t have a chimney.
Which is at least creepy, if not downright scary.
Oh, let’s lighten the mood and sing together:
You better watch out You better not cry You better not pout I’m telling you why
Santa Claus is comin’ to town Santa Claus is comin’ to town
He’s making a list He’s checking it twice He’s gonna find out Who’s naughty or nice
Santa Claus is comin’ to town Santa Claus is comin’ to town
He sees you when you’re sleeping He knows when you’re awake He knows if you’ve been bad or good So be good for goodness sake
Yes, lovely but wait …
“You better watch out, you better not cry …” — Is it just me, or is that not downright threatening? And he knows when we’re sleeping or awake? He has our children under surveillance? In some kind of list?
HO! HO! HO! IN MORALITY PLAYS
Morality Plays were a genre of theatrical performances of the medieval and Tudor eras in which a character was tempted by a personification of Vice.
Now Vice (not unlike a lot of police Vice Squads), was often seen as the epitome of evil, corruption and greed – in other words, the Devil. The playwrights tended to portray the Devil as somewhat of a comical character, perhaps to keep their audiences entertained (or to disarm them).
So the character who played the Devil would announce his arrival with a stage laugh: “Ho, Ho, Ho!”
You can probably see where I’m going with this.
Nowadays, we tend to see the Devil portrayed in black but in earlier times, he was more often seen as coloured in red. The colour in which Coca Cola just happens to have dressed Santa too.
The German or Nordic Santa was originally a god of fire also, while even the modern Santa drives a magical chariot pulled by horned beasts and he is portrayed all in red. Traditionally, the Devil is seen as residing in Hell, a supposed place of eternal flames below ground.
What does Santa Claus give to children who have not been good? A lump of coal! In other words, a mineral from underground that can burn to make fire.
NICHOLAS
Santa Claus is supposed to be modelled on St. Nicholas …. and what is the popular abbreviated version of Nicholas, i.e the nickname? Yes, Nick.
And the common name for the Devil, Mammon, Beelzebub, Satan is ….. Old Nick!
Today marks 184 years since the greatest armed rebellion in 19th-century Britain when Chartist workers fought bloody gun battles with the police and army in the heart of industrial Wales, writes STEPHEN ARNELL
A sketch of the huge crowd in Newport in 1839 as it surrounded the Westgate Hotel hoping to free captive Chartist comrades (via the People’s History Museum).
“Come hail brothers, hail the shrill sound of the horn For ages deep wrongs have been hopelessly borne Despair shall no longer our spirits dismay Nor wither the arms when upraised for the fray; The conflict for freedom is gathering nigh: We live to secure it, or gloriously die.” — Chartist song of the South Wales miners
UNLIKE our friends across the channel in France, the inhabitants of Britain appear a remarkably supine people in the main, usually preferring well-organised demonstrations to anything that whiffs of pre-planned armed revolt, no matter how righteous the cause.
Yes, there have been mass meetings, marches and spontaneous events that took a wrong turn and descended into riots, but we seem singularly ill-equipped by nature to contemplate anything more serious.
But this would be doing this island race a disservice; to paraphrase the emperor Tiberius, there was a time when the British were not a people “fit to be slaves.”
There’s a long and storied history of the working classes attempting to seek redress from a variety of wrongs, including poll taxes (the Peasants’ Revolt, 1381), government corruption (Jack Cade’s Rebellion, 1450), religion (the Pilgrimage of Grace, 1536) and the later Pentrich Rising in Derbyshire of 1817, a muddled affair which aimed to cancel the national debt and repeal the Corn Laws.
1839’s Newport Rising was a more coherent and dangerous challenge than Pentrich, in possessing both a specific democratic political manifesto and its unprecedented scale.
That’s not to say the revolt was a carefully co-ordinated business that worked to a timetable with a pre-planned outcome, but the numbers involved, the potential for encouraging similar risings and the essential justice of the Chartist cause gave Lord Melbourne’s Whig government a serious jolt.
Newport had its origins in both national and local events.
The House of Commons rejection of the People’s Charter of 1838 calling for universal male suffrage, secret ballots, salaries for MPs, equal constituencies, and the end of the property qualification for voting on July 12 1839, and the following conviction and imprisonment in Monmouth of the Chartist leader Henry Vincent for conspiracy and unlawful assembly, stoked the fires of rebellion in industrial southern Wales, a stronghold for the movement.
Combined with this were reasons that directly concerned the rising’s leader, John Frost (1784-1877), namely his six-month imprisonment resulting from a dispute regarding his uncle’s will with Newport town clerk Thomas Prothero, and the wealthy political enemies he made on the way to becoming mayor of the Monmouthshire burgh.
A sketch of Chartist leader John Frost on trial at Monmouth after the uprising.
Despite this, Frost was supposedly reluctant to lead a full-scale armed uprising, and doubtful of its prospects, but the zeal of his supporters forced his hand and preparations were made for the march on Newport.
On Monday November 4 1839, Frost led 4,000 followers to the town, his group including allied coalminers, who armed themselves with home-made pikes, bludgeons, and firearms.
The authorities in Newport got wind of the march and detained several known Chartists at the Westgate Hotel in the town centre. This added impetus to Frost’s mission which was presumably to take over the town in the hope of starting a nationwide insurgency.
At 9.30am, a crowd of anything from 8,000 to 20,000 Chartists (ironically including Allan Pinkerton, later founder of the infamous US strikebreaking detective agency known as “the Pinkertons”) filled the square in front of the hotel, demanding the release of their comrades.
The mayor had gathered a mixed force of around 60 soldiers of the 45th Regiment of Foot and 500 special constables to defend the Westgate, all equipped with weaponry superior to the relatively small number of Chartists possessing guns.
To this day no-one knows for sure who fired the first shot, but a heated exchange between the two sides began, with the engagement lasting approximately half an hour. The result was a total rout for the Chartists.
Up to 24 rebels were slain, with around 50 injured. Four of the defenders were wounded, as was the mayor of Newport Thomas Phillips (later knighted by Queen Victoria), when the attackers briefly succeeded in entering the building. So ended the greatest armed rebellion in 19th-century Britain.
In comparison, the better-known Peterloo Massacre of August 1819 saw 18 people killed and as many as 700 injured when army regulars, special constables and local yeomanry charged peaceful demonstrators calling for parliamentary reform.
Unlike the French, with the storming of the Bastille, the March on Versailles and the Paris Commune, the Newport Chartists appeared to lack the killer instinct of their Gallic counterparts, which may say something of the passive British national character relating to the ruling class.
The leaders of the rising were convicted of treason and were sentenced to be hanged, drawn and quartered, the last in England and Wales to be condemned with this ghoulish form of execution.
Their sentences were commuted by Queen Victoria to transportation for life to Tasmania. Frost was given an unconditional pardon in 1856 and returned briefly to Newport, where he received a rapturous welcome.
His two co-conspirators were also pardoned, but both opted to stay in Australia. Watchmaker William Price continued to ply his trade, but without success and died in poverty; in contrast, collier Zephaniah Williams (who at one point had planned to escape) discovered coal in Tasmania and became one of the richest men in the colony.
Note: the last people to be hanged, drawn, and quartered for treason in Britain are said to be David Tyrie in 1782, and in 1798, Father James Coigly; both were convicted of spying for the French (the Bourbon and revolutionary regimes respectively).
In 1977, John Frost Square, in Newport city centre, was named in the Chartist’s honour. But in 2013, Kenneth Budd’s mosaic in the square commemorating the Chartists was demolished at the behest of the Labour-run Newport council, prompting widespread outrage (from the likes of actor Michael Sheen and former Archbishop of Canterbury Rowan Williams) and public demonstrations.
Comedian Jack Whitehall is a descendant of Welsh lawyer Thomas Jones Phillips, one of the chief opponents of the Newport Rising. Taking no pride in this fact, in 2019 he commented on BBC1’s Who Do You Think You Are, “What’s next? I suppose probably go and visit a mine our ancestor shut down or maybe an orphanage he burned to the ground.”
The Newport Rising also features in a graphic novel published in 2019, Newport Rising, written and illustrated by local artist Josh Cranton; the book was launched at the Westgate Hotel, which unlike Budd’s original mural still stands, recently reincarnated as a “live music, performance, arts and heritage venue.”
Rebel Breeze is grateful for this article about an instance in the long history of workers’ resistance to various features of capitalism.
The article would not have been diminished and might even be thought to be enhanced by mentioning the Irish diaspora’s contribution to the Chartists, both in rank-and-file membership and in leadership, with Bronterre O’Brien and Fergus O’Connor in the latter category.
Or to mention that despite the spying for the French charge against Fr. Ó Coigligh, the last man hanged, drawn and quartered by the civilised British Establishment, the real reason was his membership of and participation in the United Irishmen, an Irish revolutionary Republican organisation.
That organisation had also ‘infected’ the short-lived United Scotsmen and even shorter-lived United English, though in the latter case contributing to the leadership and organisation of the Spithead Naval Mutiny.
Revolt of the English sailors, On each ship they went to tackle, vintage engraved illustration. Journal des Voyage, Travel Journal, (1880-81).
Of course, such references might have tempted the writer to compare revolutionary uprisings in Britain with those in Ireland, rather than in France.
But then, the Communist Party of Great Britain, which owns The Morning Star where the article was published, has never been too fond of the Irish struggle for independence or the means we felt justified in employing.
rebelbreeze 