SAN FERMINES 2019: RETURN OF THE OLD REGIME AND THE BATTLE OF THE FLAGS

Introduction and translation by Diarmuid Breatnach

The San Fermines Festival in Iruña (Pamplona in Castillian) is renowned around much of the world for its colour and also danger with the running (corrida) of the bulls. But for many years it has been the occasion and site of sharp political struggle and there have been other dangers too.

ANTI-BASQUE NATIONALISM IN NAFARROA

          Although the city is Basque, centre of the medieval kingdom of Nafarroa (Navarre), it was run for decades by UPN (Union of Navarrese People), what some considered the Basque version of the Partido Popular, post-Franco Spanish political party founded by the Dictator’s supporters. Although in 2008 UPN broke from its fraternal relations with the PP, the party remains Spanish-unionist and conservative, strongly opposed to Basque independentism and wishing to remain separate from the rest of the Basque Country, whether the other three southern provinces or the three across the French border.

During the Spanish Republic of 1936, the ruling political interests in Nafarroa broke with the Basque nationalists and opted for supporting the military-fascist coup of Franco and the other three generals – the reactionary Nafarroan Carlists murdered 3,000 Basque nationalists, republicans, communists, anarchists and social democrats in their province alone. They also took part in fighting as part of the military-fascist forces.

For many years, the first day of the San Fermines festival has been the scene of struggle between those who sought to bring the Basque national flag, the Ikurriña, into the main square, to be present during the launch of the week of festivities. And beatings and for Basque independentists have resulted, even fines and jail sentences, especially when they have been successful.

But in the elections of 2015, a coalition of political parties of Basque independentism, nationalism, and left-social democracy took power in the Navarrese regional Government and began to change matters on a number of fronts. In 2017 the Ikurrina was flown from the official balcony and the the Spanish Government Delegation in the region took a judicial case against those responsible and the same people in 2018, EH Bildu, refrained from flying it, displaying instead a bare flagpole. However, that coalition lost its majority of seats in the elections this year and the UPN came back into power, with the resumption of ‘business as usual’.

ASSAULT AND RAPE

          In recent years, another menace has come to the fore, with some men assaulting women in the press of the crowd. Most horrifying was the multiple rape of an 18-year-old woman on July 7th, during the San Fermines festival of 2016. The woman, who approached a few men to help her find her way and was apparently under the influence of intoxicants, was led into a doorway, her phone taken off her and raped in a number of ways by each, who also videoed the event and put it up on the Internet. Due to the description to the Nafarroan police by the victim and their promotion of their act on social media, the perpetrators were soon arrested. But they were tried not for the more serious crime of rape but for sexual abuse, because she appeared not to resist and therefore no violence was necessary to restrain her – a feature of Spanish law.

The group of five violators and rapists had given themselves the boastful title of La Manada (the Wolf-Pack) contained a Spanish Army soldier and a Spanish Guardia Civil policeman among its members. And they on a previous occasion filmed themselves having sex with an intoxicated woman on the flat bed of a truck and put that too out on social media.

Gang-rapists, the self-styled La Manada (“the wolf-pack”) (Photo source: Internet)

The Pack claimed that their victim was willing but found it difficult to explain that she had only met them seven minutes before the assaults or their taking of her mobile phone and some other matters and were found guilty and sentenced to nine years jail but allowed bail when they appealed. Since their appeal might find them not guilty, one might argue that they were entitled to bail while awaiting the hearing.

BASQUE AND CATALAN INDEPENDENTISM V. RAPE

          However, the youth from Alsasua (Basque town in Nafarroa), who were accused of assaulting off-duty Guardia Civil policemen who entered a Basque independentist late-night bar as a provocation in October 2016, were not only kept in jail while awaiting trial in Madrid but also four of them while awaiting an appeal hearing (against sentences of between two and 13 years jail!). And the Catalan independence grass-roots campaign leaders and elected politicians who were charged with sedition, rebellion and misuse of public funds for organising a referendum on independence in October 2017, were kept in jail until their trial and are there still, now awaiting judgement. They include one who was elected an MP while in jail and another who was elected an MEP (Jordi Sanchez and Oriol Junqueras).

Many aspects of the Manada case led to an outcry over the whole Spanish state. Although the Prosecution had asked for sentences of 22 year and 10 months, they were sentenced to nine year jail. On December 5th 2018 their sentences were confirmed to those nine years, although two judges on the panel disagreed, wishing for sentences of a little over 14 years as they felt that there had been intimidation and coercion, there had been “degrading acts” and she had been left half-naked on the ground with her mobile phone taken (and memory cards removed). The five-judge panel however ordered the first court that tried them to issue another sentence for the filming and publishing of the rape as her privacy had been violated. The Defence lawyer has indicated that his clients would appeal the sentence as did also the City of Iruna (Pamplona).

THE BATTLE OF THE FLAGS

The town square of Iruna/ Pamplona, traditional site of the launch of the San Fermines folk festival, this year showing, despite threats of the UPN Mayor, Ikurrinak and banner against the dispersal of Baque political prisoners prominently displayed.
(Photo sourced: publico.es)

Translation of short article in Publico.es

          In the end, the ikurriña was present. The images of the first Sanfermines after the return of the Right to the City Council of Pamplona are already crossing the world and they do it with the ikurriña and the flag of Navarre displayed among the public. The earlier threats of Mayor Enrique Maya (UPN) had no effect, nor did the police deployment in the surrounding area.

Under an intense sun and in a crowded square, the txupinazo (firing of ceremonial rocket — Translator) of the Sanfermines – the act that marks the beginning of the festivities — took place at 12.00 o’clock. Minutes before, (many of) the attendees managed to deploy a ikurriña of great proportions, accompanied by the Flag of Navarra. A white placard also appeared in which the return of the ETA prisoners was demanded (i.e end of the dispersal of independentist prisoners all over the Spanish state — Trans).

“UPN, kanpora” (UPN, out!) was heard in the square when the Mayor was on the balcony. A few days before, Maya had issued a notice announcing that entering with fabric of large proportions was strictly forbidden, citing security reasons. However, the same Councilor said shortly after in an interview in the newspaper El Mundo that there would also be “a device” to prevent the EH Bildu councilors unfurling the Basque flag on the balcony of the town hall.

POLICE SEIZURE OF FLAGS

          One hour before the txupinazo, journalist Gara Aritz Intxusta reported by Twitter that local police had seized “150 small ikurriñas that were going to be used in a kalejira” (festival parade) that was going to be performed in the streets of the city to protest against the Mayor’s party.

Source: https://www.publico.es/politica/ikurrina-acto-presencia-sanfermines-gritos-upn-fuera.html

Video posted 2013

of daring event as the hour for the launch approached, Basque independentists in “disguise” of anglers, cast a line across from the rooftop on one side of the square to the other and then a stronger line was taken across with a giant ikurrina attached. One can see earlier, police rushing to confiscate a flag or banner and a giant political prisoners’ banner being held above many in the crowd. In 2013 the UPN Mayor deliberately delayed the launch past the traditional hour of noon so as to give secret police time to cut the line and not to have it happening with the Ikurrina hanging over the square.

End.

CASTLE TOUR – CASTLE IDEOLOGY

Diarmuid Breatnach

          Dublin Castle, located in the south city centre, has been the centre of the British occupation of Ireland since 1171 until 1921 (and even after that, some would say).The site offers one-hour guided tours to the public for much of the day, at approximately an hour apart, seven days a week and last year claimed a visitor total of nearly half a million. As a Dubliner interested in history and a walking tour guide, I was well overdue to take an official guided tour of the place, which I did recently.

          Overall the State Rooms Tour was interesting and I did learn some things but I was also aware of many gaps. Was this unavoidable in a tour of one hour covering more than eleven hundred years (given that Viking Dublin was also covered) of history? Of course – but in the choices of what to leave out, was there an ideology at play, one that sought to diminish the repressive history of the institution and the struggle against it?

An artist’s impression of Viking Dublin in 9th Century

The first presentation to us by the tour guide was of Viking Dublin, the settlement of which took place in the 7th Century. The Vikings had a confrontational occupation of England but this had not been the case here, we were told – the Vikings settled amongst us, intermarried, introduced personal and family names, place-names, etc.

Well, somehow the tour spiel had ignored the many battles between the Vikings and the natives in Ireland even after the settlement in Dublin (and other areas), leading up the famous Battle of Clontarf in 1014, fought on what is now the north side of Dublin city. The 12-hour battle was important enough to be recorded elsewhere in Europe and in a Viking saga. Yes, it had also been an inter-Irish battle, in particular between the King of Leinster and the High King of Ireland but Viking Dublin played an important part, as did Viking allies and mercenaries from Manx and the Orkneys – and its result had ended forever any possibility of a Viking takeover of Ireland.

A noticeable gap in Irish-Viking history of Dublin to omit it, one might say.

Nevertheless, the tour guide gave us interesting information about the Viking settlement and a map showed an artist’s impression of how it would have looked.

Down in the base of what had been the Powder Tower, it was interesting to see the stone work, to hear the guide talk about the foundation of the Viking wall below us and how the cement used to bind the stones was a mixture of sand, oxblood, horsehair and eggshells. To me it was also interesting to see the stone course lines of one pointed arch above a curved one but unsure what I was looking at — and we were a big group, the tour guide some distance away to ask.

Powder Tower base incorporating some of the original Viking wall.
Two separate arch stone courses, one above the other in the base of the Powder Tower.

Down below the walkway, where water lay on the ground a couple of inches deep, some green plant was growing in the lights illuminating the work. This was above the route of the Poddle, I supposed, which once fed the Linn Dubh (black pool) and which now runs underneath Castle and city before emptying into the Liffey.

“BEYOND THE PALE”

     The Normans reached Dublin in 1171 after landing in Wexford in 1169, our guide informed us but we were not told that in the process they defeated Irish resistance and the Dublin Vikings and, most curiously, there was no mention of the Pale. That would have been an interesting explanation to visitors of the origin of the expression “beyond the Pale” and what it implied1.

The guide did tell us later in the St. Patrick’s Hall (the State banquet room) that the paintings on the ceiling were to demonstrate to the Irish that all the civilising influences had come from the English to the Irish savages, that if the Irish were now civilised, their ranking was definitely below the English.

One of the ceiling paintings in St. Patrick’s Hall, where the Uachtarán is inaugurated and which is also the State’s banqueting hall

That might have been an appropriate time to mention of the Statutes of Killkenny 1366, nearly two centuries after the Norman invasion and how the Irish Normans had, outside Dublin, adopted ‘uncivilised’ Gaelic tongue, custom and even law, so that their cousins in England were now calling them “the degenerate English” who had become “more Irish than the Irish themselves”.

If the English Reformation got a mention I must have missed it but certainly there was nothing said about the imposition of the new religion on Ireland, colonists and natives alike and the many wars that resulted. Anglicanism had become the religion of the English State, with its monarch at the head of the Church but none of the Irish natives and most of the colonists did not wish to adopt that religion. So it led to many uprisings, first notably from the Irish Normans (Gall-Ghael), then by the Irish and a number of major wars, including the Cromwellian and Williamite ones, also to the Penal Laws. That State religion was the reason that Elizabeth I had founded Trinity College, so that the sons of the colonists would be educated in the “true faith”. Religion had been used by the coloniser to try to undermine unity among the inhabitants of Ireland and had been employed to physically divide the island in 1922, which had also led to a much more recent war of nearly three decades.

The Reformation and its effects seemed a quite significant portion to leave out of Irish history in general and of Dublin history in particular.

Apparently a Lord Lieutenant of Tudor times riding out of (or returning to) the Castle with his knights and soldiers to deal (or having dealt) with the troublesome Irish natives (a representation on display in the Castle).

As the Castle had briefly been acknowledged as being, among other things, a prison, it seemed strange to omit the escape after four years of captivity of Red Hugh O’Donnel and two O’Neill brothers in 1592 — particularly so since the whole experience had left O’Donnell with a seething hatred of the English occupation which only ended years later in a poisoned death in Spain at the hands of an English agent. Aodh Ruadh Ó Domhnaill, as he was known then to most of Ireland (and Scotland), fought the English occupation from 1591 to 1602. Apart from being an important part of the Castle’s history one would have thought it would make an exciting and interesting story for tourists.

Aodh Rua Ó Domhnaill monument
(Photo source: Internet)

However, the story was omitted – but then so were the tortures carried out in the Castle, the severed heads erected on spikes on Castle walls and, although it was said that it took the English 400 years to conquer the rest of Ireland, this was apparently because “there were no roads and there were lots of bogs”!

Commenting on later medieval Dublin city, the guide told us about the many diseases that were endemic, due to lack of sanitation in the city, along with blood-letting being the major medical treatment. It was strange that she did not mention the effects of the Black Death or Bubonic Plaque, which travelled through Ireland in 1634. The plague, carried by fleas on the black rat, affecting almost alone the city populations, almost wiped out the English colony in Ireland.

Artist’s impression of medieval Dublin City (perhaps 17th Century?). The guide told us it would have been pretty smelly.

IRISH WOOD, FAKE STONE COLUMNS

Chapel main stained glass window, looking east

     In the Chapel, the guide pointed out the names and coats of arms on each side as being those of Lord Lieutenants of Ireland, i.e the representatives of the English monarch in governing Ireland. There were of course no native Irish names among them and few even of the Gall-Ghael.

One that took my attention, near the doorway, was that of Cornwallis, dated 1798. Lord Cornwallis (“Cornwall’” in the traditional ballad The Croppy Boy) was in charge of the suppression of the United Irishmen uprising in 1798, at which he was successful but less so in the Thirteen Colonies of North America, which he lost to rebellious colonists, some of whom were relatives and friends of the beaten republicans in Ireland.

Among the other Lord Lieutenants of Ireland, Lord Cornwallis’ coat of arms; he was suppressor of the 1798 Rising in Ireland but lost the war against the 13 Colonies of North America.
The ‘fake stone’ columns and one line of coats of arms of former Lord Lieutenants of Ireland.

In response to an enquiry as to whether there were any questions, I asked who were represented by the sculpted heads along the chapel wall on the outside. Some represented Christian saints and some kings, such as Brian Boru2, she replied. Is there a list available of who they all are? No, I was told, only of some of them and I could consult that later.

Amazingly, only the floor and walls in the chapel were stone. The columns, she told us, were Irish oak plastered over to look like stone.

Section of ceiling and columns in the Chapel.

MONARCHS AND PRESIDENTS

     In her introduction to the tour, our guide had informed us that Lords, Kings, Queens and Presidents had visited the Castle. The creation of the role of President in the 1937 Constitution, she told us later, had been to replace that of the English Monarch. I had not been aware of that. She told us that he commanded the Army, which was news to me too (or I had forgotten) and it turns out to be true, though more so in form than in substance for, as she informed us, real power is vested in the Taoiseach (Prime Minister).

An extremely heavy chandelier in the Throne Room, mostly solid brass, with the emblems of the English Rose, the Scottish Thistle and the Irish Shamrock worked into it.
The ceremonial throne upon which Queen Victoria had to be lifted.

In the Throne Room we were told that Queen Victoria had visited Ireland 1n 1849 and had to be lifted up to the Throne, as she was so small (bit of a deflater for the lines in the “Monto” song!3).

In her visit to Ireland the guide told us, the Monarch had been shocked by the scenes of hunger during the “Famine” (the Great Hunger) and that aid to the starving improved after her visit. Well, perhaps but the effects of the Great Hunger were covered in newspapers and appeals long before 1849 and the worst of the holocaust was over before then, the statistics of which the guide gave us; in our folk history Victoria is referred to as “the Famine Queen”.

The guide made much of the fact that Queen Elizabeth II (who might be known in a republic as: “Ms. Elizabeth Windsor”), had visited the Castle, had spoken in Irish at the reception banquet and how this was the first time an English monarch had spoken English at a State occasion, though Elizabeth I she told us knew a few Irish phrases.4 The guide attached no little importance to Elizabeth I’s gesture and to the whole visit as an act of reconciliation and we know that no less than the Irish President at the time, Mary Mac Aleese, had looked around mouthing “Wow!” when the monarch spoke five words in Irish: “A Uachtaráin agus a chairde … (“President and friends” …).

Such is the sycophancy of the Castle Irish mentality, that five words in the native language of a country being visited by a head of a foreign state should evoke such wonder and gratitude in their hearts. Forgetting that the very colonial regime of that state had for centuries worked to stamp out that language, barring it from all public arenas and educational institutions. One must wonder that a monarch whose armed forces are in occupation of one-sixth of the nation’s territory should be so honoured by the head of this state and other dignitaries from the areas of politics and visual, written and performing arts!5

I could have commented that during the Monarch’s visit, huge areas of the city centre had been barred to traffic by the police force of this “republic” in a huge negation of civil liberties; that police had been taking down posters against the visit and ripping even Irish tricololour flags from the hands of protester to stuff them in rubbish bins and truck; that Dublin City Council workmen had been removing anti-Royal graffiti while workers’ housing estates had been waiting for years for a cleanup service.

Guiding a small Latin American tour through the Castle grounds a few days before the scheduled banquet-reception, we were accosted by secret police who required us to state and prove our identities, state our reasons for being there (!) and the tour group to hand over their cameras for the agents to scroll through their histories.  And the agents seemed surprised when I failed to agree with them that their actions had been reasonable.

I could have said that during Elizabeth Windsor’s reception banquet I had been with others in Thomas Street protesting her Castle reception and that at the corner with Patrick Street, we had been prevented by lines of riot Gardai from proceeding any further – not out of concern for her security but so that Her Majesty should not even hear any sound or see anything to disturb the serenity of her visit.

I did not say any of that – I still had a tour to finish and, besides, no doubt this is the Castle Tour Discourse, not to be blamed on one guide.

We were shown too the two banquet halls, the original and the one for state visits nowadays as the original was “too small”.6 And the sights of hunger outside the Castle walls in 1849 had not seemed to intrude on the guests enjoying the five-course meal served at Victoria’s welcoming banquet.

St. Patrick’s Hall, where the Uachtarán is inaugurated and which is also the State banquet room.

Seeming somewhat out of place, there was also an exhibition of Irish painting of the modernist school.

Portraits of the Presidents of the Irish State lined the corridor through which we passed to St. Patrick’s Hall (also the Irish State banquet room) and I could not help but contemplate that of the nine Presidents to date, one had been a founder of an organisation banned by the British occupation, another two had been soldiers against the British occupation but had since taken part in the suppression of their erstwhile comrades.

Portrait of Erskine Childers, one of the past Presidents of Ireland. His mother was a UStater, his father, also Erskine, was English and ran guns into Howth for the Irish Volunteers and later joined to fight for Ireland in the War of Independence. In the Irish Civil War he fought against the State, which captured and executed him.

Another was the son of an Englishman who became an Irish Republican and was executed by the Irish state and another had resigned after being insulted in the Dáil by a Minister of the Government.

Not surprisingly, perhaps, nothing was said about any of that, either.

NO CASTLE CATHOLICS OR COPS?

     Coming into more modern times, the I916 Rising got a reference, unsurprisingly as a detachment of the Irish Citizen Army had besieged the Castle for a couple of days, mostly from the nearby City Hall; the ICA’s leader, ironically, had been brought a wounded prisoner from Moore Street and treated in the Castle too. That was James Connolly and he was mentioned — though the ICA was not, nor were we informed that he was a revolutionary socialist. We were told we could visit the room named after him in which he had been held and treated on a bed there. After the end of the guided tour I went there and although it was an experience to enter the room of course the actual display was disappointingly sparse.

View of the Connolly Room with the supposed hospital bed on which he was treated for gangrene and also courtmartialed prior to being taken to Kilmainham Gaol and shot.
(Photo source: Internet)

As headquarters of the British occupation of Ireland and necessarily of repression of resistance, the Castle always had soldiers stationed or passing through there. But it also held a police force, the secret service of the Dublin Metropolitan Police. Usually unarmed with more than a truncheon up until 1916, the uniformed DMP maintained order and bourgeois public morality in Dublin but also repressed public resistance to the British occupation. Not only sex workers and drunks were arrested but so were singers of patriotic ballads, protesters and public speakers. During times of Fenian activity, the DMP also worked to counter the influence of Irish patriots in the city and the plain-clothes G Division was created in 1874 to recruit informers and hunt down active Fenians.

A section of the Fenians were however prepared to counter this with assassinations of informers, some DMP and attempts on the lives of senior DMP officials in the city7 during the mid 19th Century. In the early years of the 20th Century it was G Division which also spied on activists in the trade union and labour movement, nationalists, republicans, the Irish language movement and suffragettes and it was they who identified Irish insurgent prisoners captured by the British Army in 1916, ensuring the death sentence for many (though 14 were eventually executed in Dublin).

The DMP, mostly the uniformed officers, could in fact be credited with being the inspiration to form the Irish Citizen Army: the vicious and sometimes murderous attacks of the DMP on workers’ assemblies during the 1913 Dublin Lockout had decided James Connolly and Jim Larkin to call for the creation of the workers’ militia. During the Rising, it seems that three DMP were shot dead, all by members of the ICA, one of them being at the Dublin Castle entrance.

On Bloody Sunday 1920, during the War of Independence, two IRA officers and an Irish language enthusiast prisoners were tortured and killed in Dublin Castle by police, including the specially-recruited terrorists of the Auxiliary Division. In order to cover up their actions, the police staged photos which they claimed depicted the prisoners not properly guarded and then jumping their guards to seize their weapons, which is how they came by their deaths, according to the cover story.

Plaque commemorating the police murder of three prisoners on Bloody Sunday (erected by the independent National Graves Association).

Soon after that, G Division detectives were being killed in various parts of the city by Collins’ Squad and the Dublin IRA. In fact, a number of the officers and of British Army spies took up residence in the Castle itself, for protection.

After the creation of the Irish Free State in 1921, the independence movement split and in the following Civil War (1922-1923) the repression of the continuing resistance was mostly the work of the Irish National Army. However, when the Irish police force was established, the Gardaí Síochána, their Special Branch detectives were again based in Dublin Castle,8 though they are based elsewhere now.

First in the series of staged photos allegedly showing the three prisoners and their guards on Bloody Sunday
The second of the staged photos to cover up the police murders, even more ridiculous than the first.

Since there was no mention of any this on our tour, a significant part of Castle history was being omitted.

CASTLE CATHOLIC IDEOLOGY?

There existed during the British occupation a social group — or perhaps more than one — that in the commentary of most Irish, perhaps, were referred to as “Castle Catholics”. This was not a reference to Catholics who owned a castle but to those of the native and Norman-Irish stock, i.e nearly all Catholics who, while maintaining their religion, bowed to the English occupation in everything else. And particularly the more elevated echelons among that group, for whom attendance at functions in the Castle were the high point of their social calendars and indeed their lives. Ag sodar i ndiaidh na n-uaisle9, as the Irish have it in their native tongue.

With some exceptions, I thought the tour and commentary, although interesting and of course catering to the expectations of foreign tourists, had more than a little of “Castle Catholic” or, better said, “Castle Irish” to it.

And it therefore lost a lot in the telling.

End.

FOOTNOTES:

1Effectively an English anti-Irish racist term: “The Pale” referred at first to the areas enclosed by the Normans by an earthworks surmounted by a wooden palisade, i.e the area of colonist control. “Beyond the Pale” were the areas still under control of the Irish clans, uncivilised in the viewpoint of the colonists and the expression survives in English today to describe something as being a horror.

2A missed opportunity to mention the Battle of Clontarf and the defeat of the Dublin Viking and Irish Leinster forces!

3“The Queen she came to call on us,

She wanted to see all of us;

I’m glad she didn’t fall on us,

She’s eighteen stone! ….”

4Apparently Elizabeth I had a fair bit of linguistic ability, being fluent in English, Latin and French. It is believed by some that she knew more than a few phrases of Irish, having been taught by a tutor she recruited.

5Among them were the musicians The Chieftains and the poet laureate Heaney who had, some decades earlier written that “no glass was ever raised in our house to an English King or Queen”!

6There were 172 dinner guests at the banquet to welcome Elizabeth I of the UK.

7For a good atmospheric account of the struggle between the two forces, see The Shadow of the Brotherhood – the Temple Bar shootings by Barry Kennerc, Mercer (2010)

8An Irish Republican ballad of the early 1970s based on an earlier song had it thus:

“Oh the Special Branch in Dublin,
They’re something for to see:
They crawl out from the Castle
To inform on you and me.
But the day is coming soon me boys
And the rifles they will bark –

And the only snakes in Dublin

Will be up in Phoenix Park!”

(i.e in Dublin Zoo(

9“Trotting after the nobles.”

REFERENCES AND LINKS:

Dublin Castle OPW: http://www.dublincastle.ie/

Tour times and prices: http://www.dublincastle.ie/tickets-and-times/

Black Death in Ireland: https://www.historyireland.com/medieval-history-pre-1500/unheard-of-mortality-the-black-death-in-ireland/

What the British Queen said: https://www.thejournal.ie/%E2%80%9Ca-uachtarain-agus-a-chairde%E2%80%9D-%E2%80%93-queen-offers-%E2%80%9Csincere-sympathy%E2%80%9D-to-victims-of-anglo-irish-conflict-139244-May2011/

https://en.wikipedia.org/wiki/Dublin_Metropolitan_Police

MYSTERY OF THE 1916 RISING PAINTINGS

Diarmuid Breatnach

(Reading time 3 minutes)

In 1998, An Post, the Irish postal service (through the Department of Post and Telegraphs? Through the Office of Public Works, which manages national monuments?), commissioned a series of ten paintings of 1916 Rising scenes from painter Norman Teeling. For a number of years, these were on display in the General Post Office, site of the Headquarters of the 1916 Rising. Subsequently they were removed and enquirers were informed that they had been taken into storage. Complaints were made by organisations and individuals but no information was forthcoming as to when, if ever, they would be replaced in the GPO or put on display elsewhere. Now, it seems they are up for sale. How can this be?

Wreaths laid at the GPO by ordinary people in one of the many commemorations of Irish martyrs for self-determination.
(Photo: D.Breatnach)

THE MISSING PAINTINGS

     A recent discussion about the paintings in question led to my being sent a link, where the opening information said that they had been put on display in the Green Gallery, St. Stephen’s Green:

Through perseverance and dedication to the cause, Dermot O’Grady of The Green Gallery has arranged for all 10 paintings to take pride of place in a stunning new 1916exhibition on the Top Floor. St. Stephens Green Ctr Dublin 2. Opened by none other than Pat Liddy himself, the paintings have found an important rebirth and are now able to be enjoyed by everyone once again. 

However, a little further down the page, a notice declared that the exhibition had closed.

But elsewhere on the page, it had been announced that, as well as prints of the paintings, the original oil-paintings on canvas were for sale:

This suite of 10 paintings has now become available to the art market. As the original oil on canvas paintings and also, with permission of the artist, in Giclée print format.

How could this be? Had they not been purchased by the State?

A wikipedia search threw up two references to the series of paintings: one for the General Post Office and another for the 1916 Rising, with what seemed to be an excerpt from each. The GPO reference had the following:

An Post History and Heritage – The GPO Museum The 1916 Rising by Norman Teeling a ten-painting suite of events of the Easter Rising acquired for permanent ….

And the 1916 reference had this:

The Age, 27 April 1916 Press comments 1916–1996 The 1916 Rising by Norman Teeling a 10-painting suite acquired by An Post for permanent display at the

So from both of these I should find the information I required, i.e what had happened to the paintings. Right?

But no, neither Wikipedia page had any reference in the text to the painting series nor to the painter! Had the pages once contained the quoted references and more but these had since been removed? However, in the External Links of the both Wikipedia pages I found the sentence “The 1916 Rising by Norman Teeling a ten-painting suite of events of the Easter Rising acquired for permanent display at the GPO.” But they are not, are they?

“Beginning of the siege”, one of the GPO 1916 series of ten paintings by Norman Teeling.

 

THE EXPLANATION?

     A good investigative reporter would make enquiries of the painter, of the Green Gallery, of An Post, of the OPW …. but I am not such a reporter nor do I have the time to make those enquiries and perhaps, as has often been the case in the past, suffer long delays or even be given the run around.

A good investigative reporter would hold off writing until he had got to the bottom of the story or at least exhausted reasonable lines of investigation but, as has already been established, I am not one of those people. So I am putting it out there now, for some of you to make the necessary enquiries or, if you already know, to come back to me.

Had the State never in fact bought the paintings? Or if they had, were they now sold back to the painter or someone else? Had Teeling become frustrated with his paintings not being on display and bought them back from the State? If so, entirely understandable on his part.

But shame, shame and shame again upon the State!

The Surrender by Norman Teeling

End.

 

REFERENCES AND LINKS:

The GPO Paintings

https://en.wikipedia.org/wiki/Easter_Rising

https://en.wikipedia.org/wiki/General_Post_Office,_Dublin

http://www.normanteeling.com/rising.php

CÚPLA MÍLE PROTESTORS RATHER THAN MÍLE FÁILTE FOR TRUMP’S VISIT

Diarmuid Breatnach

          Ireland has broken off its love affair with the USA but the breakup’s been coming for a long time. Of course it was always a kind of mythical USA that was the love object, of film stars, rock n’ roll, friendly presidents, Irish-U.Stater politicians, of U.Stater tourists – never the real USA, good or bad. One could feel the tensions in the relationship during the Viet Nam War, though that was mostly to be seen in the youth and some lefties. But then came the lying scandals in the US Presidency of Nixon and Clinton and the naked warmongering throughout all, including the Bushes, Snr. and Jnr.

Looking southward from around the middle of the crowd in front of the Garden of Remembrance, Parnell Square, Dublin. (Photo: D.Breatnach)

          Ireland, below the level of its Gombeen politicians, has split up with the USA (at the level of ITS politicians and millionaires [often the same thing]) but it has been a relatively civilised breakup and thankfully with no children (well, apart from the Irish illegal immigrants – sorry, undocumented visitors).

While some businesses in an Dún Beag might have turned a profit out the Fear Mór’s visit, having the Chief of the World Superpower drop in on us has cost us – around 10 million euro, according to the Irish Independent. Loads of extra Gardaí on the ground in Co. Clare and Limerick, in the air and on sea, does not come cheap (though I’m sure the overtime was welcome). All would have been bad enough if we had invited him but we hadn’t. Will the Irish Government present the US Presidency with an itemised bill? Probably not.

Blimp rising — taken from northern edge of rally.
(Photo: D. Breatnach)

At the invitation of The Irish Examiner, a number of organisations and individuals had written letters to Trump for publication (see link below); most were critical and these included Amnesty International, Irish Council for Civil Liberties, Ireland Palestine Solidarity Campaign, National Union of Journalists, National Women’s Council of Ireland, National Union of Students; Brendan Ogle, Tara Flynn and Clare Daly. For entertainment value I’d pick out the IPSC’s and Tara Flynn’s (well, she is a comedian). The ICCL also had a newspaper advertisement criticising Trump, which was sponsored by the American Civil Liberties Union and figured logos of a number of other civil rights organisations.

There were protests in various parts of the country, including one to greet his arrival at Shannon airport (hopefully US munitions and troop carriers were pulled to one side so as not to hinder his landing). The Irish Times said there were about 200 protesters there so, on past reporting, there could have been anything between 300 and 1,000. It is not easy to get to Shannon airport unless one has a car, even from Galway the gaps between bus arrival times are substantial. And no train station.

(Photo: G.Guilfoyle)

DUBLIN RALLY

          Dublin had a showy and packed anti-Trump rally, with a Baby Trump blimp floating above the crowd outside the Garden of Remembrance. An activist brought big letter placards which, with the help of volunteers from the crowd, spelled out anti-trump messages in English and in Irish. Indeed an interesting feature was a number of placards partly or completely in Irish.

(Photo: D.Breatnach)
(Photo: G.Guilfoyle)

The theme of “welcome” or “fáilte” was of course played upon in reverse, in speech and placard, with more than a hinted reference to the old Bord Fáilte slogan inviting tourists to the land of “céad míle fáilte”.

On this placard play is made of the old “Céad míle fáilte” sentence (“a 100,000 welcomes”) but with a different twist.

The event was managed by Unite Against Racism which is, for the most part, People Before Profit, which in turn is really the Socialist Workers’ Party. A number of other left-wing party flags could be seen too. A group of Shinners were at the rally with their trademark flags (never go anywhere without the party’s flag) but no “dissidents” were present as a group, though I certainly noted some as individuals.

The speakers at the rally covered a number of themes, including of course misogyny, migrants, Palestine, war-making and imperialism. Liam Herrick of the ICCL was an unusual sight to see on an outdoors protest platform, speaking at the second part of the rally. Curiously, the rally organisers had sent a major part of the attendance off to march around the city centre for awhile and of course, when they got back, they had shed a great part of their numbers. A torrential downpour no doubt encouraged the desertions.

Glenda, “the woman of letters”, with some of her work.

Coming towards the end of the rally, a performer accompanied himself on guitar while he rendered some songs for the diminished attendance. Woody Guthrie’s “Plane Crash at Los Gatos” (also known as “Deportees”) would have been an apposite choice, a song about Mexican labourers being employed in the south-eastern US fruit harvests and then driven back across the Border. Guthrie was moved to sing about them when in 1948 a plane carrying mostly deported Mexicans crashed, killing all on board and though the names of the crew were given in the news reports, the Mexicans were referred to only as “deportees”.

At the rally, eventually Trump was deflated (the blimp, I mean), tethering weight bags emptied of water, placards were packed, flags furled …. and I went to get some shopping.

End.

(Photo: G.Guilfoyle)
(Photo: G.Guilfoyle)
(Photo: G.Guilfoyle)
(Photo: D.Breatnach)

REFERENCES AND FURTHER INFORMATION:

https://www.independent.ie/world-news/north-america/president-trump/ring-of-steel-to-protect-trump-for-two-days-will-cost-10m-38173483.html

https://www.irishexaminer.com/breakingnews/specialreports/letters-to-the-president-dear-mr-trump–928499.html?fbclid=IwAR0j1hb62cIjBWLxTaXhVwlUCaVaCD76SX-78s_RRJX1aN7ZJTOH2iJDwuU

INTERNATIONAL WORKERS’ DAY DUBLIN 2019

Clive Sulish

Two quite different celebrations of International Workers’ Day took place in Dublin on the afternoon of the appropriate date, 1st of May. One was small and of a decidely revolutionary flavour while the other, much larger, was of a more mixed nature and tending towards the reformist. In addition, a workers’ solidarity picket was mounted on a Dublin city centre eatery.

NOTHING TO LOSE BUT OUR CHAINS

          The first of the celebrations was organised by theAnti-Imperialist Action Ireland organisation and took place at the James Connolly Monument in Dublin’s Beresford Place. There a statue of James Connolly stands upon a plinth, behind the the design of the Irish Citizen Army flag, based upon the constellation that in Ireland is called the Starry Plough but in the USA is known as the Big Dipper. James Connolly was a revolutionary socialist and trade union organiser, historian, journalist and songwriter who was Commander of the Dublin insurrectionary forces in the 1916 Rising. The Irish Citizen Army, possibly the first formaly-organised army for and of the workers, had been formed during the Dublin Lockout as a defence force against the attacks of the Dublin Metropolitan Police.

The ICA took part in the 1916 Rising in Dublin and after the surrender of the insurrectionary forces, 16 participants, including two of the ICA, were executed by British firing squad: Michael Mallin on 8th May and James Connoly on 12th May.

In the here and now, on their way to the Connolly Monument, a number of participants were stopped by a man in plain clothes identifying himself as a police officer, i.e a member of the Garda Special Branch.  He wished to know their names, which they declined to give them.

At the Monument, both speakers for the Anti-Imperialist Action Ireland organisation were youths.

The first to speak gave his oration in Irish on behalf of Macra – Irish Socialist Republican Youth and said that they were there to celebrate socialism, trade unionism and workers oppressed throughout the world and, that although James Connolly had been murdered in Kilmainham Jail, his work was ongoing.

Stating that James Connolly and the Irish Citizen Army had gone out in 1916 to break with imperialism and found a socialist society, the youth went on to say that “Macra is a revolutionary organisation with socialism as one of our objectives and we also believe in the words of Pearse: ‘Ireland not only free but Gaelic, not only Gaelic but free.’ Free from the bankers, free from landlords, free from poverty.”

The speaker concluded in Irish and in English with the renowned sentence from the Communist Manifesto.: Bíodh critheagla ar aicmí cheannais roimh réabhlóid Chumannach. Níl tada le cailiúint ag na Prólatáirigh ach a slabhraí. Tá saol mór le gnóthú acu. Oibrithe an tSaoil Mhóir, cuirigí le chéile!”

Let the ruling classes tremble before a communist revolution. The Proletariat have nothing to lose but their chains, they have the whole world to gain. Workers of the world unite!”

The second speaker delivered his speech in English and linked the liberation of Ireland with the liberation of the working class and went on to praise Séamus Costello (1939-1977), which he said had embodied that aspiration. The youth praised the creation of the Irish Republican Socialist Party by Costello as well as the creation of the Irish National Liberation Army and Costello’s participation and membership in a number of democratic organisations — including his election to Bray District Council.

Condemning “the bankers and politicians” who bring deprivation to the workers, the speaker said that they try to point the finger instead at Muslims and migrants but it is not migrants who cause job losses, create homelessness etc but “the elite”. The speaker ended by saying he wished to remember all those who had given their lives for Irish freedom.

Assembled at the Connolly Monument, Beresford Place, Dublin (Photo: Anti-Imperialist Action Ireland)

WE WANT THE EARTH

          Diarmuid Breatnach was then introduced to sing Be Moderate, a song with an ironic title by James Connolly. “The Irish working class does not have a huge history in Ireland, apart from a short period in the early decades of the last century,” Breatnach said, giving as reasons the forced underdevelopment of Irish industry, the British-fostered sectarianism in the most industrialised north-east and the focus on the national struggle as a competing pole of attraction.

The Irish abroad, however, have made a huge contribution to the workers’ movement,” Breatnach said. “And in 1889, Jim Connell from near Cill Scíre in Co. Meath, composed lyrics of The Red Flag to the air of the White Cockade, starting it on the train to his home in South London from a demonstration in central London and apparently completing it in the home of another Irish man.

The song was later adopted by the International Workers of the World, a syndicalist organisation mostly active in the USA, Breatnach said and reminded them that James Connolly joined the IWW when he migrated to the USA. “In 1907, James Connolly published a songbook, Songs of Freedom, in which he included the lyrics of Be Moderate,” Breatnach stated and went on to say that no air had been published to which the words should be sung. As a result Be Moderate has been sung to a number of airs but in London Breatnach heard it sung by an avant-garde musical composer and Marxist-Leninist, Cornelius Cardew, to the air of A Nation Once Again. In Breatnach’s opinion the lyrics fit well to this air and it also provides a chorus, which he encouraged the participants to sing.

James Connolly’s lyrics were sung by Breatnach then, competing with sounds of passing traffic on the ground and the occasional trains rumbling by on the bridge overhead, participants joining in on the chorus:

We only want the Earth,

We only want the Earth

And our demands most moderate are:

We only want the Earth!

and the last line of the last verse “We want the Earth!” echoing across Beresford Place.

TRADE UNION AND POLITICAL ORGANISATION BANNERS

Section of the 1st May parade about to move off from outside the Garden of Remembrance, Parnell Square.
(Photo: D.Breatnach)

          Across the road, a stage and crowd barriers were being set up outside Liberty Hall, the multi-storeyed headquarters of SIPTU, the largest union in Ireland and which, by amalgamations, had grown from the Irish Transport & General Workers’ Union, originally formed early in the 20th Century by Jim Larkin, James Connolly and others (and the destruction of which had been the object of the 1913 Lockout). The stage was being prepared for speakers to address a rally which would follow a Mayday parade from Dublin’s Garden of Remembrance (a small park dedicated “to those who gave their lives for Irish freedom”).

Even the larger Mayday demonstrations in Dublin, although organised through the Dublin Council of Trade Unions, i.e with affiliation from most trade unions in the city, do not tend to be very big by comparison with other cities in many other parts of the world.

Anti-Pesco banner on 1st May parade (Photo: D.Breatnach)

Banners of some unions mixed with those of political organisations and campaign groups, including the Ireland Palestine Solidarity Campaign and another against Irish state participation in PESCO, which is seen by many as an embryonic EU Army and undermining the Irish state’s neutrality.

Section of the 1st May on the move down Parnell Square.
(Photo: D.Breatnach)

Led by a lone piper, the parade made its way past crowds of onlookers down Dublin city’s main thoroughfare, O’Connell Street, then left along Eden Quay to Liberty Hall where they were to be addressed by speakers on the temporary stage in Beresford Place, across from the Connolly Monument.

Anti-Pesco banner on 1st May parade (Photo: D.Breatnach)

 

Meanwhile, a small group had left, to form a picket line outside the Ivy Dawson Street restaurant, in solidarity with staff and in opposition to the management appropriating a portion of the tips left for staff, with more to join them there later from the Mayday parade.
(see
https://rebelbreeze.wordpress.com/2019/05/02/tipping-the-bosses/).

A NOTE ON THE HISTORICAL ORIGIN OF INTERNATIONAL WORKERS’ DAY

          The First of May has been celebrated as the international day for workers since 1892, to call for the 8-hour maximum working day, socialism and universal peace. Its inspiration was a train of events that began with a workers’ strike and demonstrations on May 1st 1886 in many parts of the USA but in Chicago ended in the State execution of four anarchists, with police and state militia massacres of workers along the way as well as with acts of workers’ resistance. The celebration and commemoration throughout the world was formally agreed at the Second Congress of the Second International Workers’ Association in Brussels in 1892 and at its Sixth Congress (Amsterdam, 1904) declared it mandatory for the proletarian organisations of all countries to stop work on that day, wherever that could be done without injury to the workers (bearing in mind violently repressive regimes).

Artwork depicting police attacking striking workers at McCormick’s factory who were agitating for the 8-hour working day.
(Image source: Internet)

In many states around the world now, the 1st of May is a public and bank holiday and has been so in Ireland since 1994. Its public celebration was banned under the fascist regimes in Spain and Portugal but is legal in both those states now; however it is still banned in some other states while in some areas, though not banned, may be subject to attack by police, army, state agents or by fascist elements.

End.

LARGE EASTER RISING COMMEMORATION BY ‘DISSIDENTS’ ON DUBLIN’S MAIN STREET

(Reading time 15 mins. approximately)

Clive Sulish

          The Irish Republican organisation Saoradh staged a large demonstration of its support on Dublin’s O’Connell Street on Saturday afternoon (20th April). Republican marching bands and hundreds of supporters followed the traditional ‘colour party’ flags and lines of men and some women dressed in green-brown military-style clothing, black berets and dark sunglasses.

view section of parade proceeding south along east side of O’Connell St.

   Beginning at the Garden of Remembrance, the procession, carrying large portraits of the executed martyrs of the 1916 Rising, wound its way down the main street past thousands of viewers, many of those taking photos and filming, down to the wall of Trinity College and the Bank of Ireland building, then back up Westmoreland street and up the west side of O’Connell Street to the GPO building, the site of the HQ of the Rising in 1916, for speeches as the ceremony of the commemoration.

Parade forming up at Garden of Remembrance
The Wolfe Tone RFB from Craigneuk, Glasgow, at the Parnell St/ O’Connell St. junction
Long view of section of the parade proceeding south along the east side of Parnell Square.

 

     The parade assembled at Dublin’s Garden of Remembrance and remained there for some time without the reason being clear, until the arrival of the participants dressed in green-brown military-style clothing, black berets and dark sunglasses, which many in the waiting crowd applauded. Presumably these were meant to represent the IRA but from the physical appearance of many it was clear that their active duty days, if they had them, were behind them. Presumably too, any organisation that did have an armed section would be reluctant to offer them up to the State for arrest on a parade and their all appearing at the last minute like that was also perhaps to reduce the opportunity for Garda harassment.

Another colur party but in War of Independence (1919-1921) period costume at the Garden of Remembrance, waiting to begin.

   However, the uniformed Garda presence was in low numbers and although the Special Branch had officers there, they did not appear to be harassing Republicans for their names and addresses, as is their usual wont.

The route of the parade had been prepared placards bearing the words “The Unfinished Revolution” and “Saoradh” with tricolour flags attached at intervals to traffic sign and street light posts, including also at least one Palestinian flag. As the colour party and people in uniform lined up with banners and a band behind them and set off down towards the city centre, people joined in behind the band, with another band bringing up the rear.

TRAGEDY AND CONDEMNATION

          The crowd appeared to contain many different elements, mostly men but quite a few women, some parents with small children and some teenagers, young men and older. Included among the attendance were a number of independent Republicans and socialists and a number expressed their decision to attend as having been influenced by the tragedy of the previous Thursday and the media campaign against ‘dissident’ Republicans, along with the apprehension that the Gardaí might take advantage of that to block or harass the paraders.

   A scheduled Easter commemoration by a committee including apparently members of Saoradh to be held in Derry on Easter Monday had been cancelled as a result of a tragic incident. The armed British colonial police force in the Six Counties, the PSNI, had been carrying out house searches in the Galiagh and Creggan areas of Derry, allegedly for arms, to which youth had responded with stones and petrol bombs. During that incident, a gun was fired from the direction of the youth towards the colonial police but struck Lyra McKee, a young female reporter standing near them instead. Tragically the wound was fatal.

Section of banners coming back across O’Connell Bridge towards the GPO

   Saoradh had issued a statement after the event expressing regret for the death and extending condolences to Lyra McKee’s family and friends but also putting the incident in the context of regular harassing raids by the PSNI on houses in ‘nationalist’ areas and the always likely result of resistance (see Links for full statement).

   Possibly in reference to that tragedy, a very tall long-haired man stepped in front of a section of marchers with his hands in the air. Stewards quickly blocked him peacefully and diverted participants around him.

   Past the objector and into O’Connell Street, both the east side pavement and the pedestrian middle reservation were thronged with people watching, photographing and filming. The parade passed on to O’Connell Bridge, into D’Olier Street, turned right towards the Bank of Ireland building and back up Westmoreland Street to the General Post Office, location of the HQ of the Rising in 1916, outside of which the 1916 Proclamation had been read on 24th April by Patrick Pearse with James Connolly by his side.

At the GPO, Saoradh party chairman Brian Kenna welcomed the participants.

Portraits of the executed 1916 martyrs being carried back across O’Connell Bridge

 

 

Section of the Coatbridge Unitedmen RFB, Glasgow, marching southward in O’Connell Street.

THE SPEECHES AND CEREMONY

          At the GPO, Saoradh party chairman Brian Kenna welcomed the participants. Republican Easter Rising commemorations tend to follow an established pattern, no matter which organisation is involved: the reading of the Proclamation; messages of solidarity from Republican prisoners; a speech by a representative of the organisation; the lowering of the flags to a drum roll and their raising again, in honour of the fallen; the singing of Amhrán na bhFiann, the Irish National Anthem. In the past, a statement from the IRA was also read but in recent years this have not been customary, for a number of reasons.

   The usual components of the ceremony were present on Saturday outside the GPO with a few variations: a poem by a supporter read out, “James Connolly, the Irish Rebel” sung by another and “Róisín Dubh” played on the uileann pipes. The James Connolly song, with some powerful imagery and an attractive slow air, gives no indication whatsoever of the man’s revolutionary socialism and seems to incorporate him into the IRA, instead of the Irish Citizen Army which he co-founded or even of the Irish Volunteers, with which he joined forces only weeks before the Rising.

In the distance at the GPO, Chairperson of Saoradh Brian Kenna, MC of the event

   The RFB (Republican Flute Band) marching bands were from Scotland: The Wolfe Tone RFB Craigneuk and the Coatbridge Unitedmen RFB. One of the bands played “Take It Down From the Mast, Irish Traitors”, the lyrics of which deny the Tricolour to the Free Staters who waged the Civil War against the Republicans, the legitimate bearers of the flag. A participant remarked that the song was sung first against Free Staters, later against Fianna Fáil, later still against the “Stickies” and more recently against Sinn Féin.

   In his speech on behalf of Saoradh, Dee Fennel from Belfast began by sending solidarity messages to Republican prisoners in Irish jails and to the relatives of all those who had fallen in the struggle against British imperialim. He said that the objectives set out in the 1916 Proclamation had not been achieved and referred to those participants in the struggle who had left it along the way, some to collude in upholding the two failed states of the divided nation.

(at right of photo) Dee Fennel of Saoradh delivering the main oration at the GPO

   Referring to his own activism, Fennel recollected how four years previously he had spoken at an Easter commemoration as an independent Republican, i.e not a member of any political party. He had spoken of the need for Republican activists to engage more with one another and also in the struggles of communities, women and trade unions. Fennel said that as a result of a discussion among Republicans, some had formed Saoradh, building on “maturity and commitment” while others “retreated to their flags” and went on to list the wide areas of struggle in which he said Saoradh activists could be found.

   Fennel also referred to the activity of the IRA and said that while British imperialism remains in possession of a part of Ireland and prevents the exercise of sovereignty of the nation, there will be some form of armed resistance and that this is borne out by history.

   Referring to the harassment and persecution to which Fennel said Saoradh activists were being subjected, including “tens of thousands of stop-and-searches, hundreds of house raids”, he linked that to the PSNI raids in the Creggan area of Derry earlier that week and the tragic accidental killing of Lyra McKee when “a Volunteer fired shots at PSNI forces”. Going on to say that the IRA do make mistakes from time to time, and referring to two women killed by the Provisional IRA in error years before, Fennel said that the IRA should admit and apologise for their mistakes (NB: The New IRA did later issue an apology and express condolences), though he also said that no words could compensate for the feeling of loss.

   In reference to Brexit, Fennel said that the discussion is being focused on what kind of Border is to be imposed, while Republicans object to any kind of Border whatsoever. He stated that as socialists they also object to “the increasingly neo-liberal EU” and concluded with a call for solidarity with Irish Republican prisoners “in Maghaberry, Portlaoise and Mountjoy” who “are in captivity for no other reason thantheir commitment to Republicanism and a 32-county, secular socialist Republic.”

Salute to the fallen as drums roll and flags are lowered slowly and then raised slowly.

TRADITION OF THE PAST AND CLAIM ON TOMORROW

          Republican organisations tend to commemorate the Easter Rising not only as a historic event but also to highlight that for which the Rising was fought has yet to be achieved. But they also do so to show that they are here, present, working for those objectives and often, to promote their organisation, to attract support.

   The display involved in this Easter commemoration was impressive (despite a media claim that the numbers were only “around two hundred”), particularly in view of the inevitable bad press following the death in Derry and the system politicians’ statements on what a social media poster dubbed “The Opportunist Condemnatory Bandwagon”. It also seemed to show an organisation not much harmed overall in Ireland by a recent split over an alleged lack of internal democracy.

end.

Floral wreath carriers re-crossing O’Connell Bridge in the parade on their way to the GPO

Floral wreath from the Information Group of Sweden
Floral wreaths deposited outside the GPO (at the window where the Cúchulainn sculpture symbolises the 1916 Rising.

LINKS

Saoradh statement on the killing of Lyra McKee: http://saoradh.ie/the-death-of-lyra-mckee-in-derry-saoradh-statement/?fbclid=IwAR2nH20ILtiGjgCyih2eo0HEpkK27_F89MRptEb_OIMfA0SbRz4YB8Fneiw

Media and politician reaction to “dissident” Easter Rising commemorations in Dublin (many other similar examples): https://www.independent.ie/irish-news/politics/video-an-insult-to-irish-people-republican-groups-march-48-hours-after-lyra-mckee-murder-dishonored-the-irish-flag-varadkar-38035393.html

Irish Times inaccurate reporting:

https://www.irishtimes.com/news/ireland/irish-news/revolutionary-party-saoradh-in-paramilitary-parade-through-dublin-1.3867379?fbclid=IwAR24E5sZ9iMfINxDcor0T9uRmF5-0yV9_bfWylcCfzC0rctjMaCfmFDfv6w

IRISH REPUBLIC DAY CELEBRATION – FIRST YEAR WITHOUT TOM STOKES

Diarmuid Breatnach

 

April 24th is Republic Day, the date on which the 1916 Rising began and when Patrick Pearse read out the 1916 Proclamation. Back in 2014, Tom Stokes began a campaign to have this date acknowledged as the Irish national day.  This year, it was celebrated in his absence.

The late Tom Stokes speaking at a Republic Day commemoration (Photo: D.Breatnach)

“Easter Monday is a moving date, different each year,” Tom Stokes had said. “St. Patrick’s Day is based on a religious feast day. The nation needs a fixed day and one to celebrate the Irish Republic.” Tom Stokes would have agree with those who might say that “the Irish Republic” was yet to be achieved, or that it was more aspirational than reality. As he spoke at each annual commemoration of the date, he railed against many of the faults of the Irish state and in particular on its treatment of women. He was a champion of Republican women of the past, for example Margaret Skinnider, Dr. Kathleen Lynne, Winnie Carney, Elizabeth O’Farrell and celebrated that some of the women had been lesbians, supported the right to choose abortion (though some Irish Republicans would have disagreed on the latter).

Banner leaning against the Arbour Hill monument wall.
(Photo B. Hoppenbrouwers)

Tom Stokes died December last year but some people were determined that the celebration of Republic Day should carry on. On the 24th April 2019, some of them gathered in Arbour Hill, by the monument to the executed in the 1916 Rising, the words of the Proclamation etched in large letters, in Irish and in English, on to the stone wall overlooking the site.

The event was chaired by Pearse Brugha (incidentally a descendant of Cathal Brugha, the 1916 Rising veteran and subsequently part-organiser of the IRA, killed by a Free State soldier in the early days of the Irish Civil Wa)r.

Pearse Brugha chairing the event. (Photo B. Hoppenbrouwers)

Brugha welcomed the attendance and in particular members of the Stokes family, then went through the background to Tom Stokes’ campaign for the commemoration of Republic Day, saying that Tom had wished it to be a national holiday. Brugha then asked on the attendance for a minute’s silence in memoriam and called on Tom’s widow Anne Stokes and their son to lay floral wreaths on behalf of the family at the 1916 Rising Monument.

Next, Brugha presented Cormac Bowel and his young son Fionn, who approached playing Fáinne Geal an Lae (“The Dawning of the Day”) on their bagpipes, Cormac in Volunteer officer uniform and Fionn in traditional piping kilt. It was only Fionn’s second public playing, the attendance were told.

Cormac Bowel reciting the 1916 Proclamation. (Photo B. Hoppenbrouwers)
Cormac Bowel and son Fionn approaching the monument while playing Fáinne Geal an Lae. (Photo B. Hoppenbrouwers)

A number of other parts of the ceremony followed.

Fergus Russell sang “The Foggy Dew” and Frank Allen, who had been involved with Frank Stokes in organising Republic Day commemorations, gave an oration praising Tom Stokes as a “true Republican” who believed passionately in equality and also as “a true internationalist, who would be just as likely to be found on a Palestine solidarity demonstration”. Allen also criticised heavily the Irish regime, as Stokes had done in his speeches.

Pat Waters played his own composition, “Where Is Our Republic?”, which he had composed at the request of Tom Stokes.

Cormac Bowell recited from memory the 1916 Proclamation and Fionn played a solo lament on the pipes.

Shane Stokes, speaking, also paid tribute to his father Tom Stokes and to the campaign to have a Republic Day on 24th April.

Fergus Russel singing The Foggy Dew.
(Photo B. Hoppenbrouwers)
Frank Allen speaking at the event. (Photo B. Hoppenbrouwers)
Pat Waters performing his own compostition “Where Is Our Republic?”
(Photo B. Hoppenbrouwers)
Shane Stokes, a son of Tom Stokes, speaking at the event.
(Photo B. Hoppenbrouwers)
Very young piper Fionn Bowel playing a solo lament.
(Photo B. Hoppenbrouwers)
(Photo B. Hoppenbrouwers)

Pearse Brugha, who had been chairing the event throughout, also recited all three verses of the Soldiers’ Song and then sang the chorus, then thanked all for their attendance.

Among those in attendance were members of the 1916 Performing Arts club, activists of the Save Moore Street From Demolition campaign group and Niall Ring, Lord Mayor of Dublin. Also present were Dave Swift, historian and enacter; Las and Dónal Fallon, historians and authors; Brian O’Neill; Deirdre O’Shea; Jim Connolly Heron.

BLESSINGS, CURSES, OATHS, THE FENIANS AND POPE PIUS IX

Diarmuid Breatnach

(Reading time: under 10 minutes)

This is an article about grammar, religion and politics. While the last two are often discussed in the same conversation, grammar is usually absent as a subject. But it has its place here.

 

SWEARING AND CURSING

          “Don’t curse!” or “Don’t swear!” a parent or an elder might have said to us when we were children or teenagers. And particularly when we were teenagers we did exactly what we had been told not to, certainly the boys, in a mistaken sign of manhood. As a verse in the English folk song The Shoals of Herring has it, in fact:

Well you’re up on deck, you’re a fisherman,

You can swear and show a manly bearing,

Take a turn on deck with the other fellows

As you hunt the bonny shoals of herring.”

A related admonition was against “taking the Lord’s name in vain”, which was a prohibition of blasphemy, the misuse of Yahweh’s name, taken from Exodus 20.7: “Thou shalt not take the name of the Lord they God in vain; for the Lord will not hold him guiltless that takes his name in vain.” 1

So most of us grew up thinking that swearing and cursing were the same thing and more or less careful about which company in which to use those words – or not. But we were mistaken, cursing and swearing are not the same thing at all.

We are familiar with swearing in some formal settings, such as courts of law, for example: “I swear by almighty God that the evidence I give shall be the truth, the whole truth ….”2 and also with swearing for entry into some organisations (frequently the armed forces).

Bejaysus”, common in Dublin, is from “by Jesus” and “bedad” is probably a disguised “by God”. The Cockney’s “Blimey” was originally “May God blind me” (e.g “if I am not telling the truth”).

The use of “Bloody” in informal society was often a swearing upon the “blood of Christ” or, strangely sometimes, the blood of “Mary”, the mother of Christ in the religions of “the Book” (Bible, Talmud or Koran). Of course “bloody” could be used pejoratively in the sense of “blood-stained”3, in which case it was not swearing but might still raise objections in some quarters of society, or descriptive of a massacre as in “Bloody Sunday”4.

In fact, swearing is to call a divine Power to witness the truth of what we are saying (in courts of law, for example) and that we intend to carry out the expectations of the organisation (e.g in the armed forces). In swearing, we utter an “oath”. Nowadays, most people who are not highly religious probably attach little importance to the form of words, though some institutions persevere with them. But in older times and not even so long ago, most people viewed an oath as a very important thing.

To break an oath of allegiance in some countries and in some periods incurred severe penalties, including death. “Oath-breaker” was an epithet that might be attached to the name of an “outlaw”, one who had broken his oath of service to a Saxon, Norman or English Lord in the Middle Ages.

The required Oath of Allegiance to the British Crown, simultaneously to the Head of the Anglican Church, prevented many Catholics for centuries from entry into many professions and from being elected as a public representative. And the British Crown was itself particularly worried for centuries by alternative “oath-bound societies” that were seeking united workers’ actions, such as agrarian defence organisations and trade unions, or equality and improvement in social conditions, for example political organisations. Laws were passed against the dispensing and swearing of such oaths.

Representation of the three witches in Shakespeare’s “Macbeth”. throwing a curse.
(Image sourced: Internet)

Cursing, although it may sometimes “take the Lord’s name in vain”, is something else completely. We know in Ireland of the “Curse of Cromwell” but more frequent probably was Mallacht na bPréacháin “the Curse of the crows”, which wished upon the victim a childless land, to be inherited only by the crows. Scread mhaidne was another ill-wish to lay upon someone, that he or she may die in agony, screaming into the morning. Ná feice tú Dia sounded less terrifying but might have been more frightening for a very religious person: “May you (never) see God!”.

Painting of Oliver Cromwell, an English Republican whose name became part of a curse in Ireland (including for Irish Republicans!).
(Image sourced: Internet)

 

Damn” and “Goddamn” are abbreviations of “May God damn …” (“you, her, it, them” etc) and to utter them in many circles in the USA is considered evidence of bad rearing. They are curses which are also oaths, in calling upon the Devine being to add power to the curse.

Typically, curses and oath-curses use the subjunctive in grammar and, although seemingly strange, this connects them to blessings and greetings. Go raibh maith agat (may you have good”) is the Irish for “thank you” and Go mba hé duit (“may it be [the same] for you”) is the reply to the Irish greetings Sé do bheatha or Móra duit. Slán abhaile (“Safe home”) is an abbreviation of Go dtéigh tú slán etc (“May you go safely home”). All of these are in the subjunctive form of speech.  Vaya con Dios (“May you go with God”) is a castillian-language (Spanish) farewell wish we might come across in tales set in the south-west USA or in Latin America; that is also in the subjunctive. In fact “farewell” was “fare thee well” and probably originally, “May thee fare well”. Instead of the “Go to Hell” or “I hope you break your neck” one might hear today, centuries ago one would have heard “May you go to Hell” or “May you break your neck”.

This constant use of the subjunctive to wish well or ill upon others suggests to me that it was widely believed, at some stage in society, at least in most European societies, that one could make something happen by using a certain form of words. That form was the subjunctive; however, according to many who study language, the subjunctive is disappearing in European language and remains most in use preserved in everyday greetings and well-wishes – and the occasional curse.

It seems to me that the reason for this gradual disappearance is that we no longer believe we can make things happen by the way that we say them. We may wish them – and show the object person that we wish them – but we can’t make them happen. Nor can we expect a thing to happen with anything like a confidence that invoking a God will bring the wish, for good or ill, to fruition.

FENIANS

          Earlier in this discussion I touched on oath-bound societies and the apprehension with which they were often regarded by those in power. Well, the Fenians were such an organisation. Formed on St. Patrick’s Day 1858, in Ireland as the Irish Republican Brotherhood and in the USA as the Irish Fenian Brotherhood, it was a popular movement until the Irish Civil War (1919-1922). Because of their revolutionary credentials and democratic program, they were accepted into the International Workingmen’s Association (the First Socialist International 1864-1889). As a true Republican organisation, they sought the separation of Church and State5 and in that, apparently incurred the wrath of Pope Pius IX (Giovanni Maria Mastai-Feretti, ruled from 1846 to his death in 1878). He excommunicated the Fenians.

Pope Pius IX
(Photo source: Internet)

Although a significant number of Fenians (particularly in the leadership) were of Protestant background (Presbyterian, Anglican, Methodist, Unitarian), most of the Fenians had been brought up in the religious faith of the majority in Ireland, Catholicism. Not only would excommunication be painful to Catholic Fenians but could also lead to their being shunned by other Catholics who might otherwise have supported them. In the end this did not occur to anything like the extent that would have pleased the Catholic Church hierarchy or the British rulers of Ireland, as Irish Catholics have historically shown an ability to set to one side the teachings of the Church when they appear in contradiction to their struggle for national self-determination.

But obviously the public excommunication did the movement some harm and hurt many Fenians who were also strongly Catholic, such as John O’Mahony, co-founder in the USA, who left the Fenians as he approached his death so that he might be administered the last rites of the Church6.

John O’Mayony, c.1867, a Catholic Fenian, excommunicated by Pius IX (Source photo: Internet)

SCHOOL SOPHISTRY

          In an Irish secondary school run by the Christian Brothers, we were taught that the opposition of the Catholic Church to the Fenians (and presumably to the subsequent Republican military organisations), rather than being due to their struggle for Irish independence, was the secret organisation’s dispensing and repetition of an oath of allegiance. Perhaps we were too ill-informed (I know that I was) to bring up the question of oaths given in other circumstances, such as in giving evidence in court or in military service, circumstances with which the Church appeared to have no problem.

Had one of us done so, our Christian Brother teachers might have replied that what was wrong was “taking the Lord’s name in vain” and explained that “in vain” did not, in the English at the time of translation of Bible texts, mean only “for no important purpose” but also “for no good purpose” and that would of course have included “for an evil purpose”.

Had we questioned what the “evil purpose” might have been in the case of the Fenians, we would have put our teachers in some difficulty.

What for example in the two versions of the Fenian Oath recorded, might be considered “evil”?

I, A.B., do solemnly swear, in the presence of Almighty God, that I will do my utmost, at every risk, while life lasts, to make Ireland an independent democratic republic; that I will yield implicit obedience, in all things not contrary to the law of God, to the commands of my superior officers; and that I shall preserve inviolable secrecy regarding all the transactions of this secret society that may be confided to me. So help me God! Amen.”

I, A.B., in the presence of Almighty God, do solemnly swear allegiance to the Irish Republic, now virtually established; and that I will do my very utmost, at every risk, while life lasts, to defend its independence and integrity; and, finally, that I will yield implicit obedience in all things, not contrary to the laws of God, to the commands of my superior officers. So help me God! Amen.

Would a Christian brother have admitted opposition, not only by himself but by the Catholic Church, the dogma of which he was explaining, to the establishment of an “Irish Republic”, or even to “an independent democratic republic”? And if not, what then? The use of armed force, i.e violence? Since when has the Catholic Church hierarchy been against violence in or of itself? Did it not support some side in most inter-European wars and Spanish, French and Portuguese colonial wars? In fact, did the Catholic hierarchy not itself initiate some wars and did the Vatican not have its own army, as pointed out by Fr. Sean McManus in the USA7?

If the objection were not to “a democratic Republic”, against which Pius IX was definitely set, in that he opposed the separation of Church and State, then surely the only honest reply could have been: “The Catholic Church hierarchy in Ireland made a deal first with the British occupation that if they gave Catholics equal rights and let us build up our power here, we would not support their overthrow. Since then we made a similar deal with the Irish State and its rulers. And we intend to honour that deal.”

End.

FOOTNOTES:

2In the courts of many countries one is now permitted to use the words “I affirm that the evidence I shall give …” and one may sometimes be asked by the presiding judge whether one is an atheist, or agnostic – presumably as otherwise the failure to “swear by Almighty God” might be regarded as suspect.

3“Bloody Queen Mary” was an example, Mary Tudor, Mary I Queen of England (1560-1558; ruled ’53-’58), who had nearly 300 Protestants burned at the stake for “heresy”. )

4In Irish history, three are generally recognised: Dublin 1913, Dublin 1920 and Derry 1972.

5Not all organisations dubbing themselves “Republican” do in fact uphold this principle and in fact it could be said that the Irish Republican movement from the early 20th Century until its end did not generally do so, in that it rarely confronted the Church on its social policies or interference in lay matters, except when the Church condemned Republican actions. Also a great many Republican commemorations included the officiating of a member of the Catholic clergy.

6See the Irish Echo article in Links & References.

7Ibid.

 

LINKS AND REFERENCES

https://www.google.com/search?q=Dictionary#dobs=excommunication

https://www.irishecho.com/2011/02/unholy-row-brews-over-anti-fenian-pope-pius-ix-2/

https://en.wikipedia.org/wiki/Syllabus_of_Errors

https://en.wikipedia.org/wiki/List_of_people_excommunicated_by_the_Catholic_Church

https://www.encyclopedia.com/international/encyclopedias-almanacs-transcripts-and-maps/two-fenian-oaths

CELEBRATED PALESTINIAN CARTOONIST EXHIBITS IN IRISH CITIES

(Lots of images but text reading time less than 5 minutes)

Diarmuid Breatnach

As Palestinians and their supporters around the world mark anniversaries of the Return to Palestine demonstrations and Land Day, Israeli snipers kill Palestinian children.  Dublin marks the day with a solidarity rally and exhibitions and talks by internationally-recognised Palestinian cartoonist Mohammad Saba’aneh.

          The Ireland-Palestine Solidarity Campaign organised a rally to mark the anniversary of the start of the Return to Palestine demonstrations last year and also Land Day. Sadly, marking a Palestinian anniversary usually involves marking the deaths of martyrs and this was no exception, as Israeli Occupation Force snipers killed four demonstrators, three of them 17 years of age.

Section of the Palestine solidarity rally at the Spire in O’Connell Street, as it was ending.

After the rally, of which I just caught the tail end because of the weekly Save Moore Street From Demolition campaign duty, I managed to catch the exhibition of noted Palestinian political cartoonist Mohammad Saba’aneh and to buy his book PALESTINE in black and white. Sadly, a prior appointment meant I had to miss his talk, which I would have loved to attend, especially as I dabble a little in cartoon-drawing myself.

The World (or its governments, including the Arab countries) ignores the oppression of Palestinians by the Israeli Zionists. Artist: Mohammad Saba’aneh.

Fortunately, Mohammad Saba’aneh was still there and was kind enough to autograph his book for me. When I took a photo of him with Fatin Al Tamimi, photographer and Chairperson of the IPSC, she insisted on taking a photo of me with him too – shukran.

Artist: Mohammad Saba’aneh and myself. (Photo: Fatin Al Tamimi with my camera phone)
Photographer and Chairperson IPSC with Artist Mohammad Saba’aneh.

On Thursday, Saba’aneh had also given a talk at the National College of Art & Design, along with Tuqa Al Saraj, also a Palestinian artist but today based in Dublin.

Mohammad Saba’aneh was born in 1978 in Ramallah in occupied Palestine, where he still lives. He is a Palestinian painter and caricaturist who has been imprisoned by Israel because of his art. He has a daily cartoon in the Palestinian newspaper al-Hayat al-Jadida and his work features in publications across the Arab world.

A veritable cartoon strip. Artist: Mohammad Saba’aneh.

HELPING THE DEAF AND THE TRAUMATISED WITH CARTOONS

          Saba’aneh used caricature with deaf students to help them adopt another language to express their feelings and with children who witnessed an Israeli assault to help them psychologically. He took part in many workshops designed for children to develop critical thinking. Saba’aneh was responsible for organizing an international fair at Mahmoud Darwish museum in 2014 in which more than 100 international artists participated. Freedom House chose one of his works in 2016 as one of the year’s most important photos. His first book was published in the US in April 2017.

Children in Israeli Zionist jails — one of my favourites. Artist: Mohammad Saba’aneh.

INTERNATIONAL WORK AND RECOGNITION

          Saba’aneh is the Middle East representative for Cartoonist Rights Network International and the Palestinian ambassador for United Sketches, an international association for freedom of expression and cartoonists in exile and participated in many international publications such as The truth has more than one face in Europe and Sketch of Freedom in the US. He. He is the recipient of numerous awards, including the 2017 Marseille International Cartoon Festival Prix d’Or. Pulitzerwinning cartoonist Matt Wuerker described him as “an inspiration for cartoonists around the world.” Noted graphic journalist Joe Sacco has said of this work that it is a “gut punch that gets straight to the essence of the stark reality of Palestinian life under Israeli occupation.”

Life for children in Palestine under the Israeli Zionists. Artist: Mohammad Saba’aneh.

PROGRAM DATES:

Thursday 28th March – NCAD (Dublin), 7pm, Harry Clarke Lecture Theatre
Friday 29th March – TCD (Dublin), 3pm, Room LTEE1, Hamilton Building
Saturday 30th March – Dublin, 2.30pm, The Pearse Centre, 27 Pearse St

All of the above now over.


Monday 1st April – Waterford, 7.30pm, The Tower Hotel
Tuesday 2nd April – Limerick, 8pm, Perys Hotel
Wednesday 3rd April – Galway, 7pm, Black Gate Cultural Centre
Thursday 4th April – Maynooth University, 4pm, Venue TBC (Afternoon)
Thursday 4th April – Celbridge, 8pm, Celbridge Manor Hotel

End.

Judicial Justice under the Israeli Zionists. Artist: Mohammad Saba’aneh.

SOURCES:

Background information: Wikipedia and IPSC FB page

Photos (unless otherwise indicated): D.Breatnach

LINKS:

IPSC: https://www.facebook.com/groups/20826333992/

Artist: Mohammad Saba’aneh.
A nod to Michaelangelo’s the “Birth of Adam”. Artist: Mohammad Saba’aneh.

 

 

 

The cost of NOT boycotting Israeli products. Artist: Mohammad Saba’aneh.
Posters on railings outside Pearse House.
Praise for Sen. Frances Black’s Bill to ban imports from the “Occupied Territories”. Artist: Mohammad Saba’aneh.

 

Artist: Mohammad Saba’aneh.
Symbols in Palestinian cartoons. The Key for the right to return is somewhat of an irony, as when the Christian Spanish Monarchs expelled the Sephardic Jews from Al Andalus, many of them also took the key to their house with them.

 

 

 

“THE LAST COLONY IN AFRICA” — REPRESENTATIVES SPEAK IN DUBLIN

(Approx. reading time: report 10 mins; background 2 mins.)

Report by Diarmuid Breatnach

On Tuesday March 5th a meeting in the Teachers’ Club, Parnell Square, was addressed by representatives of the Western Sahara people and by experts in human rights matters.

2015 protest by Saharawis, mostly women.
(Photo source: Internet)

          Western Sahara, a territory of 266,000 square kilometers (103,000 sq. miles) in the Maghreb, was part of Europe’s carve-up of North Africa, when it was known among most states as Spanish Sahara, in acknowledgement of the European state that occupied it. Its people speak Arabic and Castillian (Spanish) and some also speak French, an influence from neighbouring French ex-colonies.  Few speak Berber.

Mohamed Belsat of the Polisario speaking at the event (Photo: D.Breatnach)

The UN General Assembly in 1964 called on Spain to hold a referendum there which the Franco fascist regime declined to do but in 1975, after the dictator’s death, the new regime pulled out of the territory, practically handing it over to Morocco and Mauritania. After a conflict between those two states, Morocco emerged as the sole occupier and the conflict since then has been between the Kingdom of Morocco and the Saharawi people, who seek independence.

Chaired by Mark McLoughlin, filmmaker, the Dublin meeting had been arranged at short notice and its advertising further hampered by cancellation of a booking at Trinity College.

TRACING THE PLUNDER OF SAHARAWI NATURAL RESOURCES

          Erik Hagen, of Western Sahara Resource Watch, with a display projected on a screen, showed how his organisation traces the ships arriving at the territory and departing with phosphates mined there to their destinations. From the registered tonnage of the ships, the amount of phosphates plundered can be calculated. The companies involved claim that they are doing no wrong, since they pay Morocco for the cargoes.

Mark Hagen illustrating a point with reference to the display. (Photo: D.Breatnach)

But according to the UN, no state may extract resources from a disputed territory without the consent of the people. Hagen talked about how EU had changed the wording to replace “consent of” with “being of benefit to” and then went on to effectively falsify agreement on benefit, using a document on consultation with huge majority – and a total of Saharawi organisations – voting against as evidence for.

The only company currently exploring for oil in Western Sahara is San Leon, an Irish company, although they failed to find any and are currently fighting in financial difficulties.

Clive Symmonds, expert in international law talked about the policy of isolating produce from occupied territories, by first compelling their labeling as such, which, although that would not ban the products, would facilitate a ban if such were decided. The Control of Economic Activity (Occupied Territories) Bill 2018 introduced to the Oireachtas (Irish legislature) and currently being processed with cross-house support despite Government opposition, is an example of how such a ban may be implemented (and Senator Black’s Bill will also be valid for Western Sahara). Of course, as Symmonds pointed out, such labeling is left to the exporter which in this case would be the Kingdom of Morocco.

Clive Symmonds speaking on human rights legislation and W. Sahara (Photo: D.Breatnach)

 Symmonds also referred to the EU Fisheries Agreement which, in permitting fishing within what Morocco claims as its territorial waters without reference to the Saharawi people, is permitting the plunder of the Saharawi people’s fish stocks – and the Irish State is a party to this, having signed the Agreement. Symmonds pointed out that the judgement of the European Court of Justice on 21st December 2016, stated that Western Sahara is a “separate and distinct” territory from Morocco and that trade agreements between the EU and Morocco do not apply to the occupied territory. The EU is in violation of this judgement.

A REFERENDUM IS THE ONLY DEMOCRATIC WAY”

          Mohamed Belsat, Frente Polisario Ambassador to Europe, talked about the policies of the Irish state, the EU and, in particular, France. Belsat said that they were in collusion with the Kingdom of Morocco and that in particular, France often seemed to be the opponent of the Saharawi people even more than Morocco.

Referring to what he said was the only democratic of ascertaining the will of the Saharawi people, Belsat said that it was a referendum. Morocco had called for this since they had flooded Western Sahara with Moroccans but, since the process of registration of genuine and historical residents of the area had been completed by the UN, the Moroccan Kingdom had withdrawn all support for a referendum.

(Photo: D.Breatnach)

The cost of the occupation to the Moroccan kingdom is huge, in terms of military presence maintenance and so on,” Belsat said, adding that the cost of every litre of water supplied to the occupation forces was equal to four times the price of a litre of whiskey. Furthermore, the cost to the Kingdom exceeded the benefits it extracted from the colony. In January, Morocco had at last joined and signed up to the constitution of the African Union, the organisation of African states, of which Western Sahara is a founding member and which has a long-standing position on Western Sahara being an occupied colonyFor all these and other reasons, including dissatisfaction with the regime among the Moroccan general population, he felt that a campaign of pressure on Morocco and on the EU might well bear fruit in terms of the decolonisation of this “last colony in Africa”.

Later, Belsat’s response to a question from the audience amounted to an admission that there was no “peace process.” (sic) in operation (despite a reference to it by a number of speakers) and that as a result of this and the conditions under which they were kept by their oppressors, it was increasingly difficult to restrain the youth from resorting to armed resistance. At this a member of the audience commented that armed struggle against the army of the Moroccan Kingdom backed up by France would be “suicidal”.

57 POLITICAL PRISONERS BUT MANY MORE HAVE DISAPPEARED WITHOUT TRACE”

          ElGhalia Djimi, Vice-President of ASDH (Saharawi Association of Victims of grave violations of human rights by the Moroccan State), which cooperates with the League for the Protection of Western Sahara Political Prisoners in Moroccan Jails (LPPS), who had arrived in Ireland that day, made her presentation next.  Speaking in French through a translator, Djimi talked about the conditions of life under occupation for the Saharawi people. Djimi showed a compilation of clips of soldiers, police and people in civilian clothes physically assaulting protesting Saharawi women, pulling their hair, punching and kicking them and informed the meeting that those in plainclothes were Moroccan police.

ElGhalia Djimi speaking on Moroccan Kingdom repression of Saharawi people (Photo: D.Breatnach)

There are 57 Saharawi political prisoners in Moroccan jails,” ElGhalia Djimi said, “but many more that have disappeared without trace.”

Unemployment is high among the Western Sahara people and as a result of that and other deficiencies in their lives, a drug problem has arisen, she told her audience. There are no third-level education facilities in the territory, obliging them to go to institutions in Morocco. Although they can study to gain professional qualifications for civil employment, those available are not usually those required by the employers, which is not true for their equivalent in Morocco, with the result that often Moroccans fit into the administrative jobs better than do the Saharawi people. In terms of their treatment by the authorities, all Sahawaris carry a Moroccan ID card but letters on it indicate their ethnic origin (which Belsat likened to the Nazi State’s requirement that German Jews by identifiable in their national ID documentation).

Moroccan citizen settlement in Layoune, the capital of Western Sahara, had now placed the indigenous people, once the majority, in a minority.

Mark Hagen, of Western Sahara Resources Watch.
(Photo: D.Breatnach)

SOLIDARITY IN DUBLIN

          In conclusion of the speakers’ presentations, Mohamed Belsat asked for support from the Irish people with their “history of struggle for freedom and solidarity with other struggling nations”

A couple of members of the audience mentioned that there had been an active solidarity committee with Western Sahara in Dublin in the past and one wondered about the possibility of resuscitating it.

Comment: The solidarity Committee in Dublin was independent of any political party or organisation, its name was Western Sahara Action Ireland and its FB page is still in existence. Between 2011 and 2012, the group organised a number of public events, including: two protests about Moroccan repression of Saharawi protesters, one in Dame Street and another in O’Connell Street; a protest against the EU’s Fisheries Agreement outside the Dublin offices of the EU in Dawson Street; the construction and maintenance of a “Western Sahara Tent” at the Electric Picnic of 2012, along with an exhibition of photographs taken in the territory. The latter was visited by Michael O’Higgins who was then campaigning for the Presidency of Ireland (he also appeared in the film shown at the beginning of public meeting in Dublin).

On each of the Dublin street events, a small group of Moroccans had attended to harass and attempt to intimidate the protesters, almost certainly sent by the Moroccan Embassy but their efforts were to no avail.

Flag of the Western Sahara liberation movement.
(Photo source: Western Sahara Action Ireland)

BACKGROUND

          There had been many uprisings against colonial rule in the history of Western Sahara and the last Rif War, from 1920 to 1927, had cost the Spanish State military 23,000 casualties, of which 18,000 were fatalities. Only for the intervention of the French1, the forces led by Abd el Krim would have kicked the Spanish colonialists out of the footholds to which they were still clinging.2

Like the French in their North African colonies, the Spanish occupiers had suppressed risings not only by military force against insurgents and torture of captives, including electric shocks, but also by terror against the civilian population, including assassinations, massacres, rape and internment without trial.

Both European states also developed their own Foreign Legions. Forget about the 1924 Beau Geste novel by PC Wren and the various screenplays3 to which it gave rise; the Foreign Legions were tough terrorists in uniform, founded not to fight in open war but against resisting colonial peoples.

Since 1963, Western Sahara has been on the United Nations’ list of “non self-governing nations”.  In 1965, the UN General Assembly, in its first declaration on Western Sahara, called on the Spanish State to decolonise the territory and, in 1967, to hold a referendum on self-determination but Spain refused. From 1973 to 1975, the Frente Polisario fought an armed struggle for national liberation.

Western Sahara in context. (Source image: Internet)

After the Spanish State abruptly pulled out in 1975 (following the death of its fascist dictator General Franco) and – without allowing elections of an independent Saharawi government before doing so – it relinquished control to the Kingdom of Morocco (which had formally claimed the territory since 1957) and Mauritania and conflict broke out between those states. Mauritania in time abandoned its claim and Morocco moved in and seized Western Sahara.

The Saharawi people protested Morocco’s occupation of their land and were suppressed by military and police. The Frente Polisario fought the occupying Moroccan military from 1975 until a UN-brokered ceasefire in 1991, since which there has been no Saharawi armed struggle but plenty of Moroccan repression. One of the features of the struggle was the displacement of a large part of the Saharawi population as people fled the Moroccan military, many to Algeria (which had won independence from France in 1962 after a fierce and dirty war), where they remain in a refugee camp. The Moroccan Kingdom then built a wall to prevent Saharawis from returning, which it guards by troops and miles of landmines.

End.

FOOTNOTES

1The casualties of the French, according to Wikipedia, amounted to 10,000 with 2,500 killed in battle. The casualties of the insurgents and of the indigenous civilian population, as usual in these situations, is difficult to determine but, according to Wikipedia, came to 30,000, of which 10,000 were fatalities.

2For more on the Rif War 1920, read the article about it (see link in Resources and Useful Links).

3Including those of 1939 starring Gary Cooper and Ray Miland, 1966 with Telly Savalas and Doug McClure and the BBC serial of 1982.

 

REFERENCES AND USEFUL LINKS

Sahara Press Service: https://www.spsrasd.info/news/en

Western Sahara Resources Watch: https://www.wsrw.org/

Western Sahara Action Ireland facebook page (please bear in mind that at the time of writing this group is not active): https://www.facebook.com/groups/256377861125569/

Article on the Rif War 1920 by me: https://rebelbreeze.wordpress.com/2018/08/09/an-old-war-with-a-lesson-for-today/

Recent Amnesty International report on Western Sahara under Moroccan rule: https://www.refworld.org/docid/5a9938ac4.html