26 July 2023 (First published in Socialist Democracy, reprinted by kind permission of author)
Sinéad O’Connor has died. Her death at the age of 56 was announced on RTÉ.
The evening news programmes went into overdrive to pay tribute to an incredibly talented musician. As with all such tributes, the great and good were asked for their opinions or they offered them in any case and they were carried uncritically.
Sinéad O’Conner and daughter Roisín on anti-racist demonstration, Dublin, 2000. (Photo sourced: Internet)
You are not supposed to speak ill of the dead in Ireland, but more than that, you shouldn’t speak ill of those who seek to praise the dead, no matter how hypocritical they are.
There were many milestones in her musical career, not least her rendition of Nothing Compares 2 U. The media highlighted her musical talent, her voice, sometimes describing her as controversial and outspoken and much loved by the public.
Yes, she was loved by the public, to a point, and also by other musicians around the world. However, she was also despised by many, written off and derided by commentators. As with many artists when they die, there is a tendency to rewrite history.
Her politics were sometimes erratic and lurched from one thing to another, though she was always honest and forthright when she did so, unlike many a coward. As erratic as some of her opinions could be, there were no smug self-serving platitudes to fall from her lips. She was no Bono.
She was honest, frequently angry and went after the powerful at times.
The famous incident where she tore up a photo of then Polish Pope, Wojtla in protest at his covering up and enabling of child sexual abuse, a topic she was painfully personally aware of in her own personal life did not go down well with some of those now praising and lamenting her passing.
Bono doesn’t do tearing up photos of popes, he sups with George Bush, the late senator McCain, toured Africa with the head of the World Bank, to name just a few of the scumbags he was not only too happy to rub shoulders with but positively revelled in.
Fianna Fáil and Fine Gael leaders have expressed their sorrow at her death.
They weren’t expressing any support when she denounced child sexual abuse, the entire Irish political establishment were busy helping the Catholic Church cover it up, and later facilitated the institution to evade its legal, financial and moral responsibility.
Their attitude is best summarised in a typical hypocritical Irish attitude when dealing with those who make us uncomfortable that goes through phases of saying, “She’s mad, isn’t she great gas altogether, she may have a point but…, fair play to her, didn’t she speak up at the time”.
All of this without ever examining their own role in it all. The fact that, as we speak, reports of the sexual trafficking of children in care are being ignored by the government, says all you really need to know about their attitude.
If a new musician of her talent and courage were to speak out now, she would be cancelled and silenced by many of those now praising her, including some of those on the left, who have grown quite fond of not breaking ranks and clamping down on those who did.
She always spoke about mental health issues, though she became much more public about her own issues as she got older. She even broke down on a video about it, locked away in a hotel, crying. The video led to many expressing their concern, but also a bit of “there goes that one again”.
We will no doubt get many commentaries on air and in print about her struggles with her mental health, many expressing concern and sympathy with her plight. Many of them will be hypocritical.
It is true that Irish society is more open now about people who have mental health problems, though there is still a stigma attached to it.
Sinéad O’Connor (Photo sourced: Internet)
Ironically RTE followed up the news of her death with another story on the shambolic, criminal (my word, not the words of the media cowards) state of the child mental health services in Ireland (CAMHS).
Micheál Martin and Leo Varadkar may even refer to her troubles in their tributes, but they never cared about them then, they don’t care now and the proof is not only the state of CAMHS, but mental health facilities in general, with long waiting lists, a rush to medication and forgetting about the patient model of care.
Her politics were erratic in many ways, though in fairness they weren’t much more erratic than others who are not judged as quickly. She flirted with republicanism, then broke with them, even applied to join the more recent incarnation of Sinn Féin in 2014, before withdrawing it.
It may be hard to take that seriously, but it was no less ridiculous than Bono condemning the IRA and then spluttering out nonsense about how he admired Bobby Sands. He didn’t, never, ever, when it mattered.
Sineád for all her failings took positions that were unpopular unlike some of the vomit inducing smug types that populate the modern music industry.
For my own part, her politics on racism were without fault. Her song Black Boys on Mopeds is excellent. It points out the hypocrisy of Thatcher criticising China whilst British Police like James Bond had a licence to kill.
“Margaret Thatcher on TV Shocked by the deaths that took place in Beijing It seems strange that she should be offended The same orders are given by her”
The song goes on to say something truer today than before.
“These are dangerous days To say what you feel is to dig your own grave”
And then a description of England, that the great and good would run a mile from.
“England’s not the mythical land of Madame George and roses It’s the home of police who kill black boys on mopeds.”
Now she will be lionised in death, praised, described as troubled, talented, controversial and much loved. We should ignore the sanitised version we will be given and remember the Sineád O Connor who was treated with contempt and disdain at times.
Aside from her incredible musical talent, that is the version that is worth remembering and celebrating, the version they weren’t too happy to celebrate when she was alive.
In Ireland we like to celebrate talented uncomfortable artists and writers in death in a manner we don’t do when alive. She deserves some coherence from us on this.
A broad group of socialist Republicans gathered at the grave of Theobald Wolfe Tone on Sunday 2nd July to honour his memory and to reiterate their commitment to an independent and socialist Ireland outside of imperialist military alliances.
Wolfe Tone’s grave in the Bodenstown Church graveyard has been a place of pilgrimage for Irish Republicans at least since the days of Thomas Davis1 of the Young Irelanders of the 1840s, who wrote of his own visit to the grave and composed the song “In Bodenstown’s Churchyard”.
The late 1960s saw huge numbers of people in attendance at annual commemorations there near the village of Sallins, Co. Kildare, including not only Sinn Féin2, who led them, but many political and social organisations, GAA clubs, along with many non-aligned people.
Over the years, the voluntary and unfunded National Graves Association has improved the site comprehensively and sensitively, leaving the ruins of the Protestant church as they are but building a stage attached to one side, fronted with plaques and commemorative flag stones.
Commemorations currently are usually organised around a Sunday near the date of the patriot leader’s birthday on 20th June but have to be managed between different groups wishing to hold their own commemorations.
Speeches, songs and Garda harassment
The Annual Wolfe Tone commemoration organised by the Wolfe Tone Commemoration Committee took place over the weekend with members of a number of groups and Independent Republicans in attendance.
A Socialist Republican Colour party led the march up from the bottom of the road, turning in to the graveyard through a side gate and taking up positions in front and to one side of the monument, at ordú scíthe (parade rest) position but with flags held high.
Colour party in front of Wolfe Tone monument, Bodenstown Churchyard (Photo: Rebel Breeze)
Behind the colour party followed a crowd carrying banners bearing the legends “Irish Republicans against NATO”, “We serve Neither King nor Kaiser but Ireland” and an assortment of flags including green-and-gold Starry Ploughs, Irish Tricolour, Palestinian and Basque national flags.
The event was chaired by a young Socialist Republican who spoke about the importance of the event before introducing a representative of a midland Republican commemoration group who read a short message of solidarity.
This was followed by a socialist republican accompanying himself on guitar singing The Three Flowers.3
The main oration was delivered by veteran Independent East Tyrone Republican Margaret McKearney who linked the past with the present, including the current housing crisis, the British occupation and the Irish State’s push to join PESCO and NATO military alliances.
Musician performing The Three Flowersat the Wolfe Tone monument (Photo: Rebel Breeze)Veteran Republican from Tyrone delivering the oration at the commemoration event (Photo: Rebel Breeze)
There was a clear message at the event that the push towards NATO will be energetically resisted at every turn by the people of Ireland.
Wreaths were laid and a minute’s silence was observed, while the colour party lowered the flags in memory of all those who paid the ultimate sacrifice in the ongoing struggle for Irish Freedom. The event was brought to a close with the musician playing and singing Amhrán na bhFiann.
A handful of Gardaí4 in uniform and in plainclothes (Special Branch, the political police) were parked outside the graveyard watching people arriving and leaving but at that point having no direct interaction with those attending the event.
Part of long tail-back cause by Garda checkpoint very near to Bodenstown Churchyard after the commemoration event (Photo: Rebel Breeze)Gardaí in uniform and Special Branch in plain clothes harassing and attempting to intimidate people who had attended the commemoration event (Photo: Rebel Breeze)
However, once the event concluded, the Gardaí set up a checkpoint at the bottom of the road and began to harass and attempt to intimidate drivers of vehicles, stopping them, asking for identification, where they were from etc, causing a long tailback.
This is part of the regular harassment of Irish Republicans by police on both sides of the British Border.
“The Father of Irish Republicanism”
Theobald Wolfe Tone (1763-1798) was formally a member of the Church of Ireland5 congregation (Anglican), in his time the dominant religious group in England-occupied Ireland but also one of the smallest.
No-one could be elected to the Irish Parliament unless of that congregation.
In the early 19th Century a section of the Irish bourgeoisie, nearly all Anglican or of the other Protestant churches, “dissenters”, wished to develop the Irish economy free of interference, control, patronage and bribery associated with being an English colony.
Many of them understood the need for a strong base in the population, for which they recognised the need to include representation for the majority population in the country, the Catholics, along with the most populous of the Protestants, the Presbyterians.6
When the liberal but pro-English Crown Henry Grattan brought the issue to a vote in the Westminster Parliament, his motion failed due to many MPs’ sectarianism or vested interests, a situation which continued for decades afterwards.7
That seemed to point to revolution as the only logical way forward.
Theobald Wolfe Tone was one of the founders of the Society of United Irishmen in October 1971, the first broad Republican organisation in Ireland, which soon developed a comprehensive revolutionary agenda, for Irish independence and a Republic based on universal male suffrage.8
In order to accomplish a successful uprising, they invited assistance from Republican France and planned a simultaneous uprising across Ireland, with particular concentration on Antrim (largely Presbyterian and Anglican), Wexford and Wicklow, Midlands and Mayo (largely Catholic).
Colour party leading a march towards the Wolfe Tone monument (Photo: Rebel Breeze)
Spies and informers working for the English occupation betrayed some of their plans and most of the Leinster Directorate of the United Irishmen, including Wolfe Tone, were arrested, a disaster for uprising plans in Dublin but also for overall leadership in Leinster.
The 1798 Rising had initial great success in the south-east, particularly in Wexford but was quickly and bloodily suppressed in the Midlands and in Antrim. Mayo rose when a too-small detachment of French soldiers arrived under Humbert in Kilalla but they were outnumbered and beaten.
Tone was was unapologetic at his trial, was sentenced to death by hanging but appears to have attempted to take his own life while awaiting execution, surviving for a few days in great pain before dying on 19th November 1798 as British and Orange loyalist repression swept the country9.
Wolfe Tone Monument by Edward Delaney (d.2009) at S.E entrance to Stephen’s Green, Dublin city centre (image sourced: Internet)
Many leaders of the United Irishmen are honoured in song, writing and in commemorative events to this day but Theobald Wolfe Tone is still the most widely remembered of them all.
End.
The Colour Party and some of the participants line up for a group photo by the monument (Photo: AIA)
FOOTNOTES
1Thomas Davis (1814-1845), journalist, author of the song A Nation Once Again and other works, also co-founder of The Nation newspaper.
2Prior to its split resulting in Provisional Sinn Féin and the later split resulting in the Irish Republican Socialist Party.
3Composed by Norman G. Reddin, a Republican ballad honouring the memory of three United Irish leaders, Robert Emmet, Michael Dwyer and Wolfe Tone. Both Tone and Emmet were sentenced to execution, the latter carried out in 1803 on Thomas Street in Dublin. Dwyer was transported to exile in Australia where he was later accused of planning an uprising in New South Wales for which he was twice imprisoned and tried but exonerated, became Police Chief in Liverpool, Sydney in 1813 but was imprisoned again in 1825 for alleged non-payment of a £100 debt, contracted dysentery, was released again and died very soon afterwards.
5A branch of the Church of England, the state religion of the UK of which their Monarch is the titular head (in addition to being the commander-in-chief of the Armed Forces).
6“Catholic, Protestant and Dissenter”, as Wolfe Tone famously called the alliance.
7In May 1808 Grattan proposed emancipation in the House of Commons, with certain qualifications, but his motion was defeated by 281 votes to 128. In June 1812 the Commons accepted, by 225 votes to 106, a motion in favour of considering Catholic claims. An emancipation Bill, introduced in February 1813, received a second reading but was lost in committee by a narrow margin. Frustration at this lack of progress led to the formation of the Catholic Association in 1823 (of which Wolfe Tone was an active member). Parliament passed an Act to restrict the Association’s activities two years later.
8Very few radical or revolutionary individuals, not to mention movements of the 18th (or even much of the 19th or early 20th) Centuries proposed universal female suffrage, one reason why the 1916 Proclamation of Irish Independence is such a remarkable document, beginning its address with the words “Irishmen and Irish women”.
9Which many, in particular Protestants, fled the country to escape, some settling in the United States and in Canada. The great Catholic emigration from Ireland did not occur until the Great Hunger of the mid-19th Century and later.
Recently the Taoiseach1 of the Irish State criticised people protesting the Government’s plans to slide the state into external military alliances of “misappropriating” the Irish Tricolour and, incredibly, even of “weaponising” it.
The Irish tricolour was a weapon from the moment it was sewn – a psychological weapon, laden with political meaning, sewn by French revolutionaries, presented to and flown by Irish Republican revolutionaries from generation to generation.
Painting by Philoppoteaux depicting the revolutionaries of the French 1848 Revolution outside the Paris Town Hall and Lamartine rejecting the Red Flag in favour of the French Republican one. Women participants in this revolution presented the Irish Tricolour sewn in silk to Young Irelanders including Thomas Francis Meagher (Source photo: Wikipeda) [When Paris rose again in 1871 under the Paris Commune, the preference was for the Red flag.]
Prior to the advent of the Tricolour, the Irish Republican flag was typically the gold harp on a green background2 but when a group of Young Irelanders went to Paris in solidarity with the revolution of 1848 there, the Tricolour sewn in silk was presented to them by revolutionary French women.
The symbolism of the Tricolour was firstly in its form; the French Revolution adopted a tricolour in opposition to the monarchist Fleur-de-Lison a blue background and different tricolours became popular as flags of new republics.
In the Irish Tricolour, the ancient Irish and the Norman-Irish, basically Catholics, were represented symbolically by green, with orange for the settlers (after William of Orange) of one sect or another of the Protestant faith; the colour white, symbolised peaceful national unity in an Irish Republic.
And it presented an equal unity, as opposed to the unity of Scotland and Ireland with England but under the clear domination of the latter, as represented in the Union Jack, which incorporates the St. Andrew’s and St. Patrick’s crosses with the English one of St. George.
THE TRICOLOUR UNFURLED IN IRELAND
The Irish Tricolour we know was first unfurled by Thomas Francis Meagher “of the Sword” at the Wolfe Tone Club in Wexford on 7th March 1848 and in Dublin in Lower Abbey Street on 13th April 1848.
Meagher’s nickname was due to his renunciation of the Gombeens of his day trying to deny the right to resort to arms if necessary to win freedom3.
Meagher and other Young Irelanders were arrested around the failed uprising of 1848, just after the worst year of the Great Hunger and, after wide-scale international and domestic protests at the sentences of execution, transported to penal colonies, from which many escaped.
Taking his Republicanism and inclusivity seriously, both in Ireland and abroad, Meagher raised and commanded the Irish Brigade (composed of five regiments4) in the United States, fondly nicknamed Mrs. Meagher’s Own, to fight for the Union against the Confederacy and slavery.
As the years of struggle progressed, the Tricolour took its place among the ranks of Irish Republicans alongside the older Harp on Green or, for some Fenians, the gold or orange Sunburst on a blue background and so it was in the 1916 Rising when it began to be the most chosen.
Other flags were flown during the 1916 Rising also but the Tricolour was one of two erected on the roof of the GPO, headquarters of the Rising and became the most prominent during the War of Independence (1919-1921).
The Irish Tricolour in modern times flying over the General Post Office building in Dublin City’s main street (Source photo: Internet)
During the Irish Civil war by the British-supported, armed and provisioned Free State Army against the Republican movement (1922-1923), it was flown by both sides. Even after the defeat of the Republican movement and repression, it was not immediately named the state’s flag.
Though it was displayed by the Free State when joining the League of Nations in 1923, and denounced by the Republican movement as an usurpation, it did not seem that the new state was too attached to it5 and some Irish ships flew the British Red Ensign until 1939 and WW2.
The first time the Tricolour was formally adopted by the Irish State was in the 1937 Bunreacht (Constitution) which was brought in by De Valera’s Fianna Fáil6 Government and even then it was under a pretence of Republicanism with claim laid to the whole of Ireland.
Display of the Tricolour was suppressed in the Six Counties colony from 1922 and officially banned under the Flags and Emblems Acts (1954). Many a battle was fought with the colonial police by people asserting their right to display it, the Act not being repealed until 1987.7
“A FLAG OF INCLUSIVITY, MISAPPROPRIATED BY A MINORITY”
One must agree with Varadkar that the flag signifies inclusivity and was misappropriated by fascists and other racists in recent years but it is shameful of him to attribute similar exclusivity to Republicans, who in many cases fought those same fascists to which he referred.
Leo Varadkar, current Taoiseach of the Irish Government, who accused protesters for Irish neutrality of “weaponising” the Irish Tricolour (Source photo: Internet)
Not only fought them in recent years but also back in the 1930s, when Irish fascists were called the Blueshirts. Surely Varadgar is familiar with the latter’s history also, since they were one of three reactionary groups that joined to create Fine Gael – yes, Varadkar’s own political party.
And the first Irish Republicans, the United Irishmen, sought the unity of “Catholic, Protestant (Anglican) and Dissenter (other Protestant sects)” for an independent Republic, an ideology carried on by all Republican groups thereafter and given expression in the 1916 Proclamation.
But this is not the first time that people in authority have tried to equate Irish Republicans with fascists, as a few years ago Garda Commissioner Drew Harris issued a press statement in which he accused Republicans of having organised a far-Right demonstration — which he later recanted.
One would think Drew Harris, ex-Assistant Commissioner of the British colonial police force, the PSNI8, well-known for their sectarianism and collusion with the colonial brand of fascism, the Loyalists, would be able to distinguish between Irish Republicans and fascists with ease.
Varadkar is ridiculous in accusing Republicans of “weaponising” the Tricolour since it wasalways an ideological weapon from the moment of its creation and then eventually used by the State to try, with monumental lack of success, to deny it to Republicans.
But Varadkar is right in that the Irish Tricolour has been misappropriated by a minority; but rather than Republicans, that minority is the Gombeen ruling class, foreign-dependent, neo-liberal, selling out the country’s resources and networks to foreign capitalist monopolies.
And causing homelessness, or rent and mortgage hopelessness, emigration and austerity for the vast majority of the people in the Irish state, both native and immigrant, for the benefit of a tiny minority of parasites incapable of even developing a viable Irish national economy.
Republican groups, like all groups are minorities but so are the elites, though even smaller. But in representation? Republicans, whatever faults they may have from time to time clearly represent a much larger and wider section of society than do the Gombeens.
This has been evidenced by the militant opposition of wide Irish society to triple water taxation and privatisation, repugnance for the celebration of British occupation forces and the wide opposition to joining a military alliance, all projects pushed by the Gombeens in different governments.
The Irish Tricolour has been commented upon in a number of Irish Republican songs, sometimes even in the song title: White, Orange and Green and Green, White and Gold.
Probably it is most appropriately referenced in the chorus of a song directed at the Gombeens, the very minority who have misappropriated it:
Take it down from the mast, Irish Traitors, It’s the flag we Republicans claim; It can never belong to Free Staters For you’ve brought on it nothing but shame9.
End.
The Irish Tricolour that was flown over the GPO in 1916 (Source photo: 1916 Rebellion Tours)
FOOTNOTES
1 Currently Prime Minister of the Coalition Government of Fianna Fáil, Fine Gael and the Greens.
2 Flag of the Society of United Irishmen, who led insurrections in 1798 and 1803.
3 Daniel O’Connell’s son intended to force a motion of that kind on the Irish Repeal Association founded by his father and also sought to have the motion passed without debate. O’Meagher said that while he did not exalt violence, neither would he allow his sword to be taken from him in case it should be needed. He and others such as Thomas Davis left the Association at that point and became known as “the Young Irelanders”, first mockingly and later with pride.
4 Including the 69th New York Infantry or “Fitghting 69th”. 7,715 men served in the brigade, 961 were killed or mortally wounded and around 3,000 were wounded. (Wikipedia The Irish Brigade)
5 A 1928 British document said: The government in Ireland have taken over the so called Free State Flag in order to forestall its use by republican element and avoid legislative regulation, to leave them free to adopt a more suitable emblem later. (Wikipedia)
6 The party was a split from the losers of the Civil War of which De Valera had been leader, formed in order to participate in elections for Government and presented itself as Republican. The 1937 Bunreacht also laid claim in Articles 2 & 3 to the whole of Ireland which were removed in
7 During a period of direct rule by the British Government.
8 The colonial gendarmerie, formerly the Royal Ulster Constabulary for the Six Counties, preceded by the Royal Irish Constabulary for the whole of Ireland.
9 Soldiers of ‘22 by Brian Ó hUigín, acclaiming the Republican resistance to the counter-revolution of the Free State during the Civil War.
An organisation by the name of Anti-Imperialist Action yesterday held an anti-monarchist march and rally in Dublin, including a mock execution of royalty, where their speaker was arrested by Gardaí.
The protesters met first at the James Connolly monument in Beresford Place and after some words marched up Abbey Street to Dublin’s main street and to the General Post Office building to hold their anti-monarchy rally.
Royalty and guillotine beside James Connolly monument at start of event (Photo: AIA)
At the GPO the gathering of socialist republicans, socialists and anarchists had grown. As the mock-up guillotine carried out mock execution of the dummy representing royalty, a large force of Gardaí arrested the speaker. Participants then went to Store Street Garda station to demand his release.
At Store Street the protesters were met by a line of Gardaí1 drawn up in front of the entrance to the police station. In speeches and slogans, the protestors denounced the police for the arrest of the speaker at the GPO, also denouncing the monarchy and the State.
Line of Gardaí barring entrance to Store Street Garda Station (Photo:Rebel Breeze)View of protesters outside Store Street Garda Station (Photo: Rebel Breeze)
Some speakers criticised also the national broadcaster RTÉ which was devoting four hours to the coronation.
The most frequent chants were: When Republicans are under attack – stand up, fight back!2 One, Two, Three, Four – Occupation no more; Five, Six, Seven Eight – Smash the Free State!3 Brit King – Guillotine! No democracy – under a monarchy! No democracy – in the Free State4!
One of the protesters, accompanying himself on guitar, sang the Republican ballad popularly known as “Come Out Yez Black ‘n Tans”, the attendance joining in on the chorus. They displayed a banner with a slogan from Liberty Hall5 in WW1: We serve neither King nor Kaiser but Ireland.
Using a loudhailer, another protester read out James Connolly’s6 1911 denunciation of the monarchy. Yet another speaker quoted Garda Commissioner Drew Harris’ recent words saying the Gardaí were the “biggest gang”, the protester calling them “an MI5-directed gang”.
Eventually news of the release of the arrested man reached the protestors and they marched up Talbot Street with Starry Plough7 flags and a Basque Ikurrina flying, back to the GPO, outside of which they held an impromptu rally.
Along with portraits of Irish hunger-strike martyrs of 1981 there was a portrait of Palestinian martyr Khader Adnan carried also in recognition of the international role of British imperialism and its Head of State.
Many looked on in interest while some applauded them, both in Talbot Street, where a taxi driver enquired the reason for the protest and wished them well and also outside the GPO. Gardaí arrived and stood across from the building to watch the protesters but in smaller numbers than before.
The protestors return to the GPO for an impromptu rally in place of the planned one interrupted by the Garda attack and arrest of speaker (Photo: Rebel Breeze)
Another speaker said the protesters were “health workers, working to rid Ireland of a dangerous disease affecting politicians, media and State forces, a disease that makes them go to their knees in front of royalty and a foreign state, extending their tongues to lick a certain part of the anatomy.”
Interest from the pedestrian reservation in O’Connell Street across from the GPO, including much smaller number of uniformed Gardaí (Photo: Rebel Breeze)
The speaker said they were working “to rid Ireland of this dangerous disease, to enable the people to stand up straight once more, to claim their Republic, celebrate their history and speak out against foreign domination and monarchy”.
He drew attention also to arrest of a Republican speaker outside the iconic GPO, headquarters of the 1916 Rising8 and which still bears the scars of British bullets9.
Reference was also made a number of times by protesters to the arrests of English Republicans in London who were prevented by from holding a protest against the monarchy.
The victim of the police attack returned from police custody and briefly spoke thanking those who had demanded his release; people who had stopped to listen applauded and the group dispersed without further arrest.
End.
Photo taken at GPO before police attack (Photo: AIA)
2This seems adapted from a slogan often chanted by Irish socialist groups.
3This too seems an adaptation but from the Palestine solidarity movement.
4The new state of 26 Counties (missing six, which are in the British colony) and which fought a Civil War against the Republicans was called “the Free State” and though the name was changed (and to a ‘republic’) Irish Republicans and many nationalists in the British colony call it the “Free State” in irony and in negation of its legitimacy.
5Liberty Hall is a very tall building housing SIPTU but the trade union’s ancestor, the ITGWU had purchased the previous building on the same site which was destroyed by the British during the 1916 Rising. The slogan “We serve neither …” etc had been displayed across the front earlier during WWI.
6Revolutionary socialist leader, trade union organiser, writer and historian who brought the Irish Citizen Army to participate in the Rising, during which he was made Dublin Commandant, afterwards being shot by British firing squad.
7Originally flag of the Irish Citizen Army, the first workers’ Army in the world, formed to defend the workers in 1913 Lockout against police attacks and which also took part in the 1916 Rising.
8The rising 24-29 April 1916 was the first against world war and contained many other ‘firsts’ – six different organisations played a prominent part in it, including women. The Rising is regarded as leading to the War of Independence 1919-1922.
9One of many buildings in Dublin that bear the scars of conflict, this one is an imposing building in the city’s main thoroughfare, O’Connell Street. With the building in flames from British artillery on Easter Friday, the garrison, including five of the Seven Signatories of the Proclamation of Independence (which was read out at the start of the Rising) relocated to nearby Moore Street, where the decision was taken to surrender.
Useful link and Reference:
"We confess to having more respect and honour for the raggedest child of the poorest labourer in Ireland today than for any, even the most virtuous, descendant of the long array of murderers, adulterers and madmen who have sat upon the throne of England." – James Connolly pic.twitter.com/o8inKRr5Fi
— Anti Imperialist Action Ireland (@AIAIreland) May 6, 2023
Kontxi Arana, code name “Rita”, was a fighter of the Basque armed organisation ETA and also of the Sandinista movement. A ceremony of homage to her memory on 22nd April was also the occasion of an antifascist conference with representatives from a number of European countries.
The event took place in Gernika, the SW Basque town infamously bombed by German and Italian Nazi and Fascist squadrons during the Spanish Civil/ Ant-Fascist War, the act which inspired the Catalan painter Picasso´s famous piece on the event (which he called by its Spanish name, “Guernica” (sic)). The venue was the disused Astra factory, formerly manufacturer of handguns.
The Origins and Nature of Fascism
The day-long anti-fascist conference began with a talk on the origins and basic nature of fascism by Iñaki Gil de San Vincente, Marxist theoretician and veteran of the Basque Left Patriotic Movement from which leadership of however he has broken for a number of years.
Speaking in Castillian, he declared the essential nature of fascism to be authoritarianism, deriving from the development of the bourgeois family. The central authority figure in that family, later reproduced in other social classes including the working class is the Father, represented in capitalist society by the employer and the Church.
It is an authority to which all are required to submit: patriarchical, homophobic and intolerant of criticism or deviation.
De San Vincente spoke at length about this development and about early descriptions of fascism, for example by Clara Zetkin and Lukacs and described it as a production of capitalism and imperialism and therefore represented today most clearly in the actions of US Imperialism and the NATO over which it exercises hegemony.
The speaker also highlighted the development of NATO and its recruitment of Nazis as well as the development of its Vatican route for Nazis to leave Europe and enter Latin American countries where they would form fascist centres.
This talk was followed by a representative of Ezkerraldea Antifaxistako (Antifascist Left) who, speaking mostly in Castilian, outlined the history of the development of fascism in the Spanish state following the military-fascist uprising and the four decades of dictatorship, and how the organisation he represented responded to that.
The final speaker of the morning session was from Mugimendu Socialistako (the Socialist Movement – organisation with a large membership, according to a participant) who spoke entirely in Euskera (Basque language). Although simultaneous translation was provided into Castilian (Spanish), the volume of such was too low to be understood by many.
Morning session of the anti-fascist conference in Gernika (Photo: DRAF)
According to a participant, the content of that speaker´s contribution was similar to that of the previous speaker, although he mentioned the existence of Frente Obrero (Workers´Front), a Basque organisation which, despite its name, is a fascist organisation. The existence of that latter group appeared to be news to many present.
These talks were followed by a break and, upon resumption, there were some contributions from the floor and some responses from the panel, after which all repaired to the green outside the Astra building to where the ceremony of respect to the memory of Kontxi “Rita” Arana was to take place.
Kontxi Arana: A leading Basque liberation fighter who also joined the Sandinistas in the liberation struggle of Nicaragua
A Basque woman of the independent Patriotic Left movement blew the traditional cow or bull horn to summon attention, while the speaker in the Basque language introduced the program and speakers along with a short history of this internationalist anti-imperialist and anti-fascist fighter.
Kontxi Arana was an active member of the Basque armed liberation organisation ETA who avoided capture while on operations in the Spanish State but was arrested in the French state and exiled to an island, from which she and others escaped. Sometime later she surfaced in Nicaragua, where she had joined the Sandinista armed liberation movement.
Around the end of the 1990s, the leadership of the Basque Patriotic Left asked some exiles to return to the Basque Country to help push the pacification process and release of prisoners but the Spanish State refused to play, though they did not arrest Kontxi (however according to reports arrangements were not well organised to support her).
Most of the crowd present at the Gernika commemoration and homage to Kontxi “Rita” Arana, with the Astra building in the background and the railway line fence just visible in the left background.
The homage to her memory
A man formerly of the official patriotic Left movement spoke in Spanish about the need for internationalist solidarity, through which however mistakes can be made (e.g. in supporting corrupt leadership) which however does not alter the importance of such solidarity, without which the revolution cannot advance.
This was followed by a man from Dublin Republicans Against Fascism who briefy explained in Castilian (Spanish) the history behind Christy Moore´s “Viva La Quince Brigada“, which the Dubliner then sang in its original English.
Dublin Republicans Against Fascism representative singing Christy Moore’s Viva La Quinze Brigada.
The homage event concluded with red carnations being laid by members of the audience in front of a portrait of Kontxi “Rita” Arana. Two ex-political prisoners played the ´txistu´ (Basque three-hole flute), one of them also beating a rhythm on a small drum (´tamborina´). A young woman stepped forward and danced the ´aurresku´, a traditional honour dance.
Crowd queuing to lay red carnations in front of a portrait of Kontxi Arana
This dance was traditionally danced by a male, then by male dancers, then by male and female dancers until today, when it may be performed by any of those combinations or by a lone female, as in this case, and often enough in ordinary clothing as was the case on this occasion, though she did wear dancing shoes laced to the ankles.
The young woman performing the honour Aurresku dance in one of the high kicks of the dance with, to the far right, the ex-political prisoner txistulari (players of the Basque flute). In the immediate background, participants and organisers. (Photo: DRAF)
The musicians then played the air of The Internationale, which most could be heard singing in Euskera, followed by Eusko Gudariak (“Basque Soldiers”), the Basque national resistance song, similar to the Soldiers’ Song/ Amhrán na bhFiann of Ireland in content. Many had raised clenched fists as the songs were sung.
Suddenly, a wild high-pitched yodelling cry rang out from a female throat, the Irrintzi, traditional Basque battle-cry which probably echoed around the mountains in olden days.
All the audience then repaired to the Astra building where a hot meal was served to all on long tables with a bottle of wine to share among each group of several people (those present had purchased tickets to the event either in advance or upon attendance).
Afternoon session: Presentations from Turkish, Irish and Catalan antifascists.
The afternoon session started a little late as people straggled in. The chairperson, speaking in Euskera, introduced the theme of the session which was for antifascists from Turkey, Ireland and Catalonia to describe the situation with regard to fascism in their countries and how it was being confronted.
Turkey
Two people from the Turkish-based revolutionary organisation Anti-Imperialist Front presented their contribution while using a video of images, some subtitled in Castilian but where not, spoken by the woman in English while her comrade translated simultaneously into Castilian.
Overall, the presentation was about the development of state fascism in Turkey and the failed military coup of 2016. The DHKP/C organisation had resisted this on the streets but a major struggle with the Erdogan government took place in trials and in the jails.
Through hunger strikes and physical resistance in the jails, hundreds of martyrs had lost their lives, said the speaker but had remained undefeated. Also martyred had been members of the Group Yorum music group which has played revolutionary songs heard by millions.
Another struggle was carried out through public hunger strikes by elderly relatives seeking the uncovering of mass graves in the bodies of fighters, their sons, had been thrown by the Turkish military.
As a result two mass graves had been eventually disinterred, permitting the remains of fighters of the DHKP/C and of the PKK (Kurdish patriotic socialist organisation) to be returned to their families for respectful re-burial.
The Turkish speakers concluded by stating the necessity for anti-fascism to be anti-imperialist and calling for internationalist solidarity and victory to peoples’ struggles.
Section of audience at afternoon session of the anti-fascist conference in Gernika, Basque Country.
Ireland
The next speaker was from Dublin Republicans Against Fascism, explaining that eight centuries of occupation of his country by England has ensured that the dominant struggle had been one of national liberation and that all armed struggles since 1798 had been led by Republicans of various kinds: 1801, 1848, 1867, 1882 and 1916.
The Irish State that came into being after the War of Independence in 1921 had been a client of the UK, conceding over one-fifth of its national territory as a direct colony. The armed forces of the State had formally executed over 80 of the IRA and instituted a wave of repression including kidnappings, torture, murders including of prisoners.
In keeping with the rise of fascism across 1930s Europe, Ireland saw the Blueshirt movement, led by former police chief Eoin O’Duffy. The Republican movement and socialists fought these on the streets, the speaker said.
The Dubliner recounted briefly the history of Irish Republicans and socialists going to fight Franco in the Spanish state and the Irish diaspora fighting the British fascists, the Blackshirts, in British cities and in defence of Eastern European Jews in famous Battle of Capel Street in the East End of London against over 7,000 police.
He went on to recount some more recent successful physical attacks by joint Republican groups against fascist organisations, the Pegida group in 2016 and even more recently the National Party. Recently too, Republican ex-prisoners had released a video stating the opposition of Republicanism to fascism with a growing list of signatures.
In conclusion, the speaker said that Ireland’s history made it difficult for fascism to advance in Ireland (except in the Loyalist areas) but as long as capitalism exists so too does the danger of fascism, particularly if the progressive forces do not fight effectively against the attacks of Capital on working people.
Catalonia
The representative of the Anti-Repression Platform of Catalonia, speaking in Castilian (Spanish), explained their organisation had come into existence after the repression of the Independence Referendum in 2017 and the subsequent frame-ups and allegations of terrorism against the Committees for the Defence of the Republic.
The speaker alluded to the jailing of the revolutionary socialist rapper Pablo Hasel and comrades who were charged with terrorism merely for expressing and organising solidarity for those being repressed.
“Don’t try to frighten us with threats of a fascist party getting into government”, he said in a reference to the growth of the Spanish fascist party Vox, because we have had a fascist government in the Spanish state since 1939!” (The year that the military-fascist forces defeated the Second Republic and founded four decades of dictatorship).
The Catalan went on to denounce the social-democratic party PSOE (currently in coalition government with Podemos Unitas), pointing out that it has had more political prisoners in jail and fatal victims than any other party in Spanish government (he was probably including the sponsoring the GAL terrorists of the 1980s).
“There has not been a year in which there were no political prisoners in the Spanish state”, he went on to say but also denounced the current Catalan Government, led by the allegedly pro-independence and leftist ERC party and its repression of socialists and independence activists.
He pointed out that fascists would make no distinction between communists and anarchists and asked “so then why should we?” He declared that all who resist repression now, regardless of before, are welcome to take part in their organisation.
The panel at the afternoon session: from left to right: speakers from Catalonia and Ireland, Basque chairperson, Turkish speakers and translator.
Prisoners on hunger-strike
The chairperson of the panel thanked the speakers and drew together elements from each of their presentations.
He went on to announce the declared intention of a small group of Basque political prisoners to embark on a hunger strike and to outline solidarity events being organised. The prisoners concerned are in the non-compliance minority of Basque political prisoners with a regime that forbids them referring to themselves as political prisoners.
The prison authorities intended to make the prisoners share a cell with other political prisoners who are however in compliance, intending to undermine the resistance of the small group and also posing the danger of conflicts within the cell. (A few days later news came that the hunger-striking prisoners had won their demands).
Amnistia organisation solidarity poster announcing forthcoming hunger-strike of political prisoners, now over because they won their demand.
Summary
The conference in its organisation and content of contributions drew anti-fascism together with imperialism and internationalist solidarity, all from an anti-capitalist perspective. It also drew connections between solidarity with political prisoners and resistance to repression.
All of the Basque organisations represented are in opposition to the trajectory of the leadership of what had been the Basque Left Patriotic movement, now represented by the EH Bildu party led by Otegi (with daily newspaper GARA, its trade union organisation LAB) and many of the older people were ex-supporters of that leadership.
That included some prominent ones such as Inaki Gil de San Vincente and the speakers and organisers of the conference and of the homage to the memory of Kontxi “Rita” Arana. The younger participants might have included ex-members or had come into political consciousness in opposition to that leadership.
Taken together, they are what many call ‘dissidents’ though some reject that term, saying that they are in fact sticking to the original line of independence and socialism and that it is the official leadership and their followers who have deviated. Their numbers are comparatively small at the moment but they are growing.
Earlier this month I attended a group singing in Basque, a language of which I only know a few phrases, as we walked through streets of the town of Bermeo, in Bizkaia province of the Basque Country.
I was invited by one of the organisers to whom I had been introduced the previous evening by a Basque friend as we walked on an errand through the narrow streets. At the appointed time and place I met the walking singers and about four guitarists, male and female.
Around 40 mostly women, the majority ranging in age from middle-aged to elderly with a scattering of teenagers met in the Town Hall square. Unusually, the Basque ikurrina (national flag) hung from a flagpole there without the legally-required presence of the Spanish State’s flag.
Singing around the port area
Spanish State law decrees that its flag must accompany any others on or in front of municipal buildings throughout the state, be they Basque, Catalan, Galician or other. And that the State’s flag be elevated higher than the others.
However, the municipal building was damaged by fire, it is not open for ordinary business while being repaired, so …
The singing group, Kanta, Kanta Lorue (‘Sing, Sing, Parrot’) was addressed at some length by a woman, apparently their Secretary or Chairperson with I guessed, from the names of towns and dates, a schedule for the month or so ahead. At least one location named is across the border.1
Each of the participants had a songbook or the lyrics saved into their Iphones or tablets and I was loaned a songbook by my contact, who was one of the guitarists. A local man (who could have been Irish by his features) led the singing with great energy, throwing his whole body into the role.
Picking up the airs, I joined in singing the lyrics in Basque of which, as noted earlier, I speak only a few phrases2. This is quite easily done as, like much of Irish, knowing the sound of the vowels one can read the words without knowing what they mean.
The consonants too are simple (unlike in Irish) providing one remembers that TX is pronounced like the TCH in English and X as SH; the J as the English J (not usually as the Spanish J, pronounced like the Irish lenited C, i.e Ch) and that the H is silent (as in Spanish and French).
Pronunciation of individual words is not the problem but what can be difficult is that the Basques often cram a lot of syllables into one line. At times I laughed helplessly as I stumbled to a halt while the rest of the singers pronounced each word to the air, passing on to the next line without difficulty.
Photo of some of the singing group from their Facebook page which is however unused with part of the port harbour visible behind (and also some banners that seem to be the work of the Amnistia prisoners’ solidarity group).
The group proceeded down to the port where the singing continued outside one tavern, then outside another (some wine and beer glasses appearing in the crowd); from there on to the central park area, stopping outside two more pubs.
I am given to understand that the themes of the songs were a mixture, as on might expect, of love for the land, the people, romantic love, seafaring and a few of opposition to foreign occupation and fascism (without naming any names!).
Sometimes the singing included some doing harmonies and once of different sections of the group singing one line behind the others.
Recovering from being unwell and feeling tired, I enquired politely how many more stops we were due to make. “Only a few more” I was assured but it soon became clear that I was being teased, this was the last stop. And here one of the guitarists was urged to play and sing an Irish song in English.
After a little reluctance, he did so and it turned out to be The Wild Rover3ballad. I sang along and soon took over the verses as, to my surprise, I recalled lyrics I had not sung in probably over two decades, with some of the ensemble joining in on the chorus. Then it was agur, gabon and etxera.
There are around 140 such singing groups throughout the Basque Country, one of the participants told me, some meeting monthly, some more often and others still only on special occasions (such as local festivals). The accompanying instruments too may vary.4
The occasion was an enjoyable one for me and seemed so for the other participants, who take to the local streets one evening a month. This is an activity we in Ireland could easily emulate: we have probably many more songs (at least in English) and likely more musicians than do the Basques.
End.
Footnotes
1The Basque Country consists of seven (zazpi) provinces (zazpiak bat = ‘the seven [are] one’), three currently in the French state and four currently in the Spanish state.
2Although my mother was born and raised in the Basque Country, neither she nor her mother spoke the language and her father was German. The language was forbidden during the Franco dictatorship of four decades and her part of the family may not have had much Basque nationalist feeling. As a result, the language I learned from my mother is Castilian Spanish, with which I can converse with Basques from the Spanish state, though I try to use whatever Basque I have learned since. Hori da.
3In case there should be others, this is the one with the opening line of I’ve been a wild rover for many’s the year … Although it has been in the Irish repertoire for centuries, it’s actual national origin is unclear.
4For example, the Taberna Ibilitaria group in Bilbao includes acoustic and electric guitars, txistu (3-hole Basque flute), ordinary 6-hole flute or whistle (which they call “Irish”), piano accordion, trikitsa (small diatonic accordion) and pandera (small open one-sided drum like the tambourine but without the ringing pieces).
On Sunday participants in a 1916 Rising Commemoration organised by the Irish organisation Anti-Imperialist Action were harassed by police as they gathered to march to the Irish Citizen Army Republican plot in Glasnevin Cemetery.
Six political police in plain clothes walked among those gathered beside Phibsborough shops demanding names and addresses of the participants, most of whom were fairly young. Four uniformed Gardaí also stood nearby and a Public Order Unit van parked at the cemetery entrance.
The participants declined to be intimidated and set off on their march, led by a lone piper playing Irish marching airs, followed by a colour party with different banners interspersed among the marchers, among which fluttered many flags.
Organisers had learned that the coach carrying members of the Republican Flute Band from Scotland that was to lead the parade had been prevented by police there from taking the ferry to Ireland.
Centre photo: Four of the six plainclothes political police violating the civil rights of the peaceful people commemorating the Easter Rising. (Photo: D.Breatnach)Centre photo, another two plainclothes political police. The bald man joked while he harassed people. (Photo: D.Breatnach) (Photo: D.Breatnach)
Historical background
In 1916 a broad alliance the Irish Volunteers, Irish Citizen Army, Cumann na mBan, na Fianna Éireann and Hibernian Rifles1 took part in a Rising organised by the Irish Republican Brotherhood against British rule in Ireland and against world war.
Due to a number of unfortunate circumstances, the leader of the Volunteers cancelled the Rising which however went ahead a day later than planned and was for the most part confined to Dublin, where a third of the numbers in the original plan took part and fought for a week.
The occupying British Army shelled the city centre from a gunship in the river Liffey and also from artillery on land. Explosions and resulting fires destroyed much of the city centre including the General Post Office in the main street, which had been the headquarters of the insurrection.2
After a week with the city centre including the GPO in flames, the rebel garrison evacuated to Moore Street where the following day, surrounded and vastly outnumbered, the decision was taken to surrender.3 A British military court passed death sentences on nearly a hundred prisoners.
All but fifteen of those sentences were commuted to long jail periods but the seven Signatories of the 1916 Proclamation4 and another seven were shot by British firing squad in Dublin, a fifteenth in Cork and after trial months later a sixteenth was hanged in Pentonville Jail, London.
At Easter 1917 Irish Republican and Socialist women commemorated the 1916 Rising; ever since then Irish Republicans and sometimes Socialists in Ireland and in many parts of the diaspora have commemorated the Rising, whether legally5 or otherwise, in jail or at liberty.
The War of Independence began in 1919 with many of the Rising’s survivors participating6.
(Photo: D.Breatnach)
(Photo: D.Breatnach)
(Photo: D.Breatnach)
The Parade on Sunday – local and national historical memory marked
At Cross Guns Bridge over the Royal Canal the parade halted and flares were lit in memory of events there in 1916.
Marching along the Cabra Road, the wall and a watchtower of the north side of Glasnevin Cemetery on the left of photo. (Photo: D.Breatnach)
On Easter Monday 1916 a small group of Irish Volunteers had marched from Maynooth along the canal bank to join the Rising in Dublin and found guarding the bridge two Irish Volunteers who advised them to wait until the following day to go into the city centre.
The Maynooth group spent the night in Glasnevin and the following day marched into the GPO, passing an empty Cross Guns Bridge on the way. Back towards Phibsborough, British artillery had blown a barricade and killed Seán Healy, a Fianna member at the Nth. Circular Road crossroads.
Later, the Dublin Fusiliers unit of the British Army blockaded the bridge, preventing people from crossing it in either direction. They shot dead a deaf local man who failed to heed their challenge because he did not hear it.
We Serve Neither King nor Kaiser but Ireland declared one banner carried last Sunday, Britain/NATO Out of Ireland another, This Is Our Mandate7, Our Republic and Collusion Is No Illusion, It Is State-Sponsored Murder were another two.
A large banner also declared alongside the image of James Connolly that Only Socialism Can Be the Solution for Ireland. Some organisations also carried their own banners, such as those of Dublin Independent Republicans, Ireland Anti-Internment Campaign and Irish Socialist Republicans.
Flags fluttering included those bearing the logo of the organising group Anti-Imperialist Action and others bearing the slogan “Always Anti-Fascist”, green-and-gold Starry Ploughs, a couple of Ikurrinak (Basque flags) and another two of Red with Hammer & Sickle in yellow.
Basque and antifascist flags (Photo: D.Breatnach)
At the Monument: speeches and songs
At the monument (Photo: D.Breatnach)
Glasnevin Cemetery (ReiligGhlas Naíonn) covers over 120 acres in North Dublin city and is in two parts, each with Republican Plots separated by the Cabra Road and contains the graves of both famous and ordinary people.
On the north side there is also access to the Botanic Gardens, both on the south banks of the Tolka river. The imposing Monument to numerous Republican uprisings and the Irish Citizen Army Republican plot is on the south side, across the pedestrian bridge over the railway line.
(Photo: D.Breatnach)
A man chaired the event for Anti-Imperialist Action and spoke briefly, introducing people for readings (all of which were from James Connolly) and for orations. The presentations of these were evenly divided between men and women, three of those being of young people.
Three songs were sung: a woman sang The Foggy Dew (by Charles O’Neill) and Erin Go Bragh (by Peadar Kearney), while a man sang Patrick Galvin’s Where Is Our James Connolly? Two women read out pieces by James Connolly and another read out the 1916 Proclamation.
Person chairing the event (Photo: D.Breatnach)
The words of the chairperson and of those giving orations were different but there were common themes: upholding the historic Irish spirit of resistance, the importance of the working class in history and the objective of a socialist Republic encompassing the whole of the Irish nation.
These words were balanced by denunciation of US and British imperialism and the colonial/ NATO occupation of the Six Counties by the latter; the Irish client regime; the special no-jury courts8 of both administrations in Ireland and repression by police forces and occupation army.
One of the singers (Photo: D.Breatnach)
One of the readers (Photo: D.Breatnach)
One of the readers (Photo: D.Breatnach)
Also denounced were those political parties that had abandoned the struggle for the Republic and instead had become part of the colonial and neo-colonial administrations or, in the latter case, were on their way to becoming so.9
Floral tributes were laid by representatives of a number of announced organisations and then others came forward to lay floral tributes also. The colour party lowered flags for a minute’s silence in homage and salute before slowly raising them again and the piper played Amhrán na bhFiann.
The other singer Lowering of the colour party flags in homage to the fallen in the struggle (Photo: D.Breatnach)Colour party raises flags again in symbolism of the struggle continuing (Photo: D.Breatnach)
The chairperson thanked all for attendance, listing organisations by name and cautioning all to stay close together as they left, due to the threatening presence of Gardaí and in particular the Public Order Unit. In the event, the celebrants exited the cemetery and dispersed without incident.
1A small unit, an armed wing of a split from the more socially conservative USA version of the Ancient Order of Hibernians, their participation in the Rising was notable.
2Photos of much of the destruction are available on the Internet and accessible by search browser.
3The terrace they occupied still stands and is the object of a historical memory and conservation struggle against property speculator plans approved by the municipal city managers and Government political parties (see smsfd.ie).
4A remarkable document, the text of which is available from many postings on the Internet.
5Irish women commemorated it in public in contravention of British WWI martial legislation in 1917 and 1918 and for decades the public commemoration of the 1916 Rising (and even the flying of the Irish Tricolour) was forbidden in the British colony of the Six Counties with attendant colonial police attacks on any attempt to do so.
6Sometimes inaccurately called “the Tan War” (reference to a special colonial police auxiliary force that became known as the “Black n’ Tans”), the war saw the birth of the IRA and lasted from 1919-1921. A British “peace” proposal opened deep divisions in the nationalist coalition and was followed by a Civil War 1922-1923, in which the pro-Treaty government and armed forces were armed and supplied by the British to defeat the Republicans in a campaign of repression and jailing, military actions, kidnapping and torture, murder of prisoners, assassinations and over 80 formal executions.
7Also displaying text referring to the First Dáil’s Democratic Program of 1919.
8The Diplock court in the colony and the Special Criminal Courts in the Irish State, political special courts in all but name, with low proof bar and abnormally high conviction rate and refusal of bail while awaiting trial.
9References to 1) the 1930s split from the Sinn Féin party, the Fianna Fáil political party that became a preferred Government party of the foreign-dependent Irish ruling bourgeoisie and 2) to the Provisional Sinn Féin party who endorsed the British pacification plan in 1998 and embarked on the road to becoming a party of reformist nationalism in the colony and is heading for neo-colonial (and neo liberal capitalist) coalition government at the moment.
An event was held on a busy Saturday afternoon in Dublin’s city centre to commemorate IRA volunteer Patrick O’Brien, killed by soldiers of the Irish State.
The event included bagpipe airs, a colour party, speeches and a resistance song.
A colour party with Irish Tricolour and the flags of the four provinces, led by a lone piper marched into and a short distance westward up Talbot Street towards where a crowd waited beside a memorial sign that had been erected shortly earlier. The colour party took up station on the opposite side of the road.
Led by a piper playing Irish airs, the colour party (i.e carrying the flags – the Irish Tricolour and those of the four provinces of Ireland) approaches as the start of the commemoration. (Photo: D.Breatnach)
Among the airs being played on the short march were Thomas Moore’s Let Erin Remember and The Wearing of the Green or The Rising of the Moon, the same traditional air to both different songs referring to the 1798 Rising.
THE SHORT LIFE OF A LOYAL REPUBLICAN
Framed portrait photo of Vol. Patrick O’Brien on display at the commemoration (Photo: D.Breatnach)
Gina Nicoletti, chairing the event, recounted to the crowd a short history of Volunteer Patrick O’Brien who was born on 17 August 1898 in the townland of Woodlands near Castledermot in County Kildare to a local agricultural working couple.
The O’Brien family had 16 children, all of whom survived and ten of whom lived with Patrick and his parents in a three-room house at the time of the 1911 Census.
An obituary published in a Republican newspaper on the anniversary of his death suggests that Patrick moved to Dublin in 1915, joining the Irish Volunteers in December of that year aged 17. He took part in the 1916 Easter Rising under the command of Edward Daly.
Evading capture in 1916 and returning home, O’Brien joined the local Irish Volunteers company in Castledermot but returned to Dublin in May 1917 and became attached to E Company, 3 Battalion, Dublin Brigade, Irish Volunteers, which was based on the south side of the city.
Sean Óg sings The Foggy Dew while accompanying himself on guitar and centre of photo is Gina Nicoletti, who chaired the event. (Photo: D.Breatnach)
An active IRA member during the War of Independence, Vol. O’Brien took the anti-Treaty side in the IRA split in March 1922.
In a response to a renewal of executions of IRA men by the Free State government, Liam Lynch (IRA Chief of Staff) issued the ‘Amusements Order’ on 13 March 1923 banning all cinema, theatre and sports events “at a time of national mourning” with action threatened against non-compliance.
At midnight on 23 March 1923, Patrick took part in an operation to blow up the Carleton Picture House, O’Connell Street (then near the Parnell Monument opposite the Savoy Cinema). The cinema had closed an hour before a landmine at the front entrance shattered the glass of several windows.
There were no injuries but newspaper articles reported that the sound of the explosion was heard several miles away. Accounts of what happened afterwards were gathered from one of the IRA unit, Volunteer Joseph Doody in his pension application.
The unit unexpectedly encountered Free State soldiers coming from the Parnell Monument who opened fire on them and another patrol was approaching from the southern end of O’Connell Street and the unit retreated through Findlater Place and out to Marlborough Street.
In the running firefight in Talbot Street, O’Brien was hit by at least four bullets (three in his left leg and one in his right leg). He fell wounded on the pavement between Speidel’s pork butchers and the Masterpiece Picture Palace at 99 Talbot Street and died about 30 minutes after arrival at hospital.
The colour party lowers the flags in honour of a martyr as the piper plays a lament (Photo: D.Breatnach)
Patrick O’Brien was 24 and his death certificate listed his occupation as an employee of a railway company. His address was 28 Cadogan Road, Fairview which is a cul de sac of Victorian redbrick houses close to Annesley Bridge and opposite the Sean Russell statue.
Only three weeks before Patrick’s death, the Free State CID1 had raided no. 43 Cadogan Road and captured the press used to print the Sinn Féin2 paper An Phoblacht along with eight people who were on site. A number of prominent IRA families lived in the vicinity, including the Brughas.
Patrick O’Brien was buried in the Republican Plot, Glasnevin Cemetery and a volley was fired over his grave, presumably following the funeral in the cover of darkness as the IRA could not have risked such a public display during the burial, in a time of martial law.
The colour party raise the flags again in symbolism of the struggle carrying on after honouring a martyr (Photo: D.Breatnach)
Despite the hard repression by the Irish State on combatants, their relatives and friends, O’Brien’s family were proud of Patrick as displayed in an anniversary notice placed in The Nationalist & Leinster Times.
The Irish Independent reported on 27 March 1923 that at the inquest of Patrick’s death, his brother James told those present:
“[My brother] … belonged to the IRA since 1915 being then about 15 years of age. He had never changed his principles since then. He always intended to die as he did … rather than change his principles as he swore allegiance to the Republic in 1916.”
FLORAL WREATH, SONG AND SPEECH
A representative of Anti-Imperialist Action was called upon and stepped forward to attach a green, white and orange floral wreath to the pole beneath the commemorative sign.
The plaque/ placard commemorating Vol. Patrick O’Brien attached in Talbot Street by Independent Republicans with the floral wreath from Anti-Imperialist Action attached below it (Photo: D.Breatnach)
Seán Óg accompanied himself on guitar singing The Foggy Dew, a popular Republican ballad about the 1916 Rising composed by Fr. Charles O’Neill.
Dublin City Councillor Cieran Perry gave a fairly short speech stressing the importance of these acts of remembrance upholding traditions of resistance in the Dublin working class, also denouncing the fake patriots who stir up racist divisions and hostility in the community.
Perry’s speech also listed some of the crimes of the Irish state, facts underlined when Joe Mooney read out the list of 70 IRA Volunteers formally executed by the Irish state along with those killed in battle or after they surrendered, or were abducted, tortured and murdered in Dublin 1922-’23.
Cnclr. Cieran Perry speaking at the commemoration. (Photo: D.Breatnach)
TRAFFIC AND PEOPLE
Traffic was light along the narrow Talbot Street during the event and slowed down to ease past the crowd that had spilled from the pedestrian pavement into the street. A few minutes’ eastward of the spot is the plaque commemorating the killing of Sean Treacy by the British in November 1920.
There was a substantial number of people in support of the event on both pavements of the one-way street but others gathered too, whether out of curiosity or in sympathy. Some of those present consisted of visitors from other countries, whether as students, tourists or workers.
The crowd grew and spilled on to Talbot Street. [The plaque to Vol. Sean Treacy killed by British soldiers in 1920 is high on the front of a building just beyond the tree on the right of photo] (Photo: D.Breatnach).
Not for the first time I thought that having leaflets to distribute summarising the event and the reason for it would be useful. I spent a little time explaining some aspects of the event and its history to a couple of visitors from Sweden who seemed very interested.
The uniformed Gardaí kept away from the event, though no doubt the plain-clothed political Special Branch had a few of their own in the vicinity to collect faces and try to match names.
THE ORGANISERS: INDEPENDENT REPUBLICANS
The commemorative event was organised by a group by the name Independent Republicans which has been doing great work in conserving and promoting historical memory associated with events such as the 1916 Rising, the War of Independence and the Civil War.
The Irish Free State came to power as an instrument of British imperialism which clothed, armed and otherwise supplied the state’s National (sic) Army. Independent Republicans have collected the names of 70 Irish Republicans killed in Dublin by that Army.
The group has also devoted time and effort to researching the backgrounds and circumstances of death of many on that list, a substantial undertaking for which we owe them a great debt. Their erection of ‘plaque’ signs around the city at the spot where the fighters fell is also great work.
The commemorative plaque/ placard to Vol. Patrick O’Brien’s memory being erected shortly before the start of the event (Photo: D.Breatnach)
On Easter Saturday (8 April) Independent Republicans will be holding a 1916 Rising commemoration in Dublin city centre, details below.
Anti-Imperialist Action will be holding theirs on Easter Sunday (9 April), details below.
End.
FOOTNOTES:
1Criminal Investigation Department, based at Oriel House, where police detectives and some soldiers of the Free State organised operations against Republicans including raids, assassinations, abductions and torture.
2This is not the party of the same name today. Sinn Féin began as a dual-monarchy Irish nationalist party, adopting Republicanism later in 1918. Those who later supported the anti-Republican status of the country and partition by England left the party and another large number left to join the Fianna Fáil party upon the latter’s founding. Briefly in the 1960s the party espoused socialism but split at the end of the decade and Sinn Féin under the Provisionals briefly adopted socialism again during the 1970s. The party of that name today is neither socialist nor even Republican.
Many people know that March 17th is St. Patrick’s Day, a national holiday in Ireland and a public holiday in some other places in the world where the Irish diaspora has had an impact1. But why? And why the shamrock and the colour green?
The Christian Saint Patrick, an escaped Welsh slave of the Irish returned as Christian missionary to Ireland is credited with the main role in the conversion of the Irish from their pagan religions to Christianity. As such, he is revered by the Catholic and many Protestant churches.
Unlike many places in Europe, the conversion seems to have been largely peaceful with no evidence of the fire and sword by which it was imposed on many other lands. Perhaps because of this, Irish monks recorded much of the rich mythology and legends of pagan Ireland.
But there is absolutely no historical reason to associate Patrick with the shamrock. The claim that he used it to demonstrate the three-in-one of the Christian Trinity is a fable and copies of his Confessio, widely accepted as Patrick’s authentic autobiography, do not mention it.
Reference to this fable is not recorded until centuries later but a much more convincing argument against its veracity is that pagans had many deistic trinities and the Irish were no exception, among which the Mór-Righean goddess2 in the Táin saga3 is the best remembered.
In fact, there seems little reason to believe that the druids favoured the shamrock either and searching the internet years ago threw up no references at all until more recently one reference only surfaced that gave no source for its claim.
So, no authentic reason for the shamrock – but what about the colour green? It turns out that the association of the Irish with the colour green is historically recent also, with blue having an earlier association. Even today only one of the four provinces, Leinster, has green on its flag.
A similar flag to the Leinster one, a golden harp on a green background was first flown and introduced by Eoghan Rua Ó Néill to the Catholic Confederacy, the Irish and Norman settler alliance against Cromwell and the English Parliament in 1642.
A number of versions of Harp and Crown on flags followed but the first mass Irish Republican organisation, the United Irishmen brought the Harp without the Crown back on to a green background for their flag, with the motto “it is newly strung and shall be heard” next to the harp.
The United Irish emblem; the harp was reproduced in gold on a green background for the flag. (Image sourced: Internet)
John Sheils, a Drogheda Presbyterian and United Irishman, in his aisling-style song The Rights of Man composed sometime before the 1798 Rising, brought the icons of a female Ireland, the Harp, colour Green, St. Patrick and the shamrock together in his call for unity against England.
Alluding to “the three-leaved plant” Sheils has St.Patrick declaim that “it is three in one, to prove its unity in that community that holds with impunity to the Rights of Man.”
The “three in one” is an obvious reference to the unity of “Catholic, Protestant and Dissenter4” sought by the United Irishmen and vocalised by Wolfe Tone among other leaders. However, there is no evidence of wide-scale use by the Unitedmen of the shamrock to signify that unity.
And the green may have been inspired by the colour which Camille Desmoulins called on Parisians to wear in their hats as a sign of revolution two days before the storming of the Bastille in 17895, though they soon chose blue in emulation of the American Revolution.
The failure of the United Irish risings in 1798 and 1803 was followed by severe repression, reflecting the fear of the Crown and its loyal settlers of losing its Irish colony. The weak Irish Parliament was abolished by bribery and Ireland became a formal part of the United Kingdom.
The Wearing of the Green
As a Christian festival, St. Patrick’s Day might have seemed an innocuous feast day, acceptable to ruler and ruled, therefore safe to celebrate and wearing the shamrock as something innocuous.
It seems likely to me that in an atmosphere of wide-scale repression, people of Irish Republican sympathies might well choose to wear green in public at least one day a year, that being in the form of the shamrock on “St. Patrick’s Day.”
The song The Wearing of the Green references the repression following the United Irish uprising of 1798 with the lyrics “they’re hanging men and women for the wearing of the green” and “the shamrock is by law forbade to grow on Irish ground.”6
The Irish Republican Brotherhood, formed on St. Patrick’s Day 1856 simultaneously in New York, USA and in Dublin, Ireland, adopted the golden Harp on a Green background for their flag, though they also used the Sunburst, believed symbol of the legendary Fianna warriors.
(Image sourced: History Ireland)
The formation of the IRB, or “the Fenians” as they became known by both friend and foe, occurred in a time of huge Irish emigration, then overwhelmingly Catholic in religion and surpassing by far that of the mostly Protestant and Dissenters of the late 18th Century to the USA and Canada.
Waves of Irish emigrants followed those who managed to leave Ireland during the Great Hunger of 1845-1848. Whenever they went to an English-speaking country or colony, the Catholic Irish suffered discrimination from the White Anglo-Saxon Protestants settled there before them.
The Irish who formed a battalion to fight the USA’s second expansionist war against Mexico (1846-48) may have flown the green flag and harp; certainly they named their unit the St. Patrick’s Battalion and were known by Latin Americans as “Los San Patricios“.
St. Patrick’s Day in Exile
St. Patrick’s Day became one of celebrating Irish identity, more ethnic than religious, a way even of flaunting that identity in the face of their detractors and persecutors. The Irish fighting in huge numbers in the Union Army celebrated it during the actual American Civil War (1861-65).
In their first invasion of Canada in 1866, American Civil War veterans organised by a branch of the Fenians flew a green flag with a harp and, it is said, with the letters “IRA” on it, the first such use of the acronym in history.
Painting depicting the Battle of Ridgeway, Fenian invasion of Canada, 1866 – note the Irish flag (Image sourced: Internet).
After the War, the Irish in the US celebrated St. Patrick’s Day in mass parades with their Union Army veterans in their regimental uniforms, flinging their identity and their contribution to the USA in the face of their persecutors, not only the highbrow WASPs but the nativist “Know Nothings”.7
Irish convicts in Australia celebrated the feast day in 17958 and, since sentenced 1798 and 1803 United Irish were sent there in chains, likely celebrated often afterwards by them, as well as by subsequent political prisoners, Young Irelanders in 1848 and Fenians in 1867.
The Irish diaspora in Australia, who were maligned due to the opposition of many to fighting for the British Empire in WW19, marched in parade on St. Patrick’s Day in 1921 with WW1 veterans in uniform at the front,10 calling for self-determination for Ireland.
As an Irish community activist in Britain, there was never any question as to where I would be on March 17th – I’d be celebrating the feast day with the community in the event we’d organised, whether a parade or a reception.
During a time of IRA bombings and widespread repression of the Irish community11 in Britain there were some calls to abandon St. Patrick’s parades but I and others felt it more important than ever to hold them in public at a time when the community was under attack and we did so.
James Connolly must have experienced celebrating St. Patrick’s Day in his Irish diaspora community in Edinburgh, later as an immigrant to Ireland, again as an immigrant to New York and back again as an immigrant once more to Ireland.
James Connolly Monument, Beresford Place, Dublin. (Photo sourced: Internet)
In March 1916, a month before his joint leadership of the Rising for which he would be shot by British firing squad, Connolly wrote supporting the celebration by the Irish of St. Patrick’s Day.
“ … the Irish mind, unable because of the serfdom or bondage of the Irish race to give body and material existence to its noblest thoughts, creates an emblem to typify that spiritual conception for which the Irish race laboured in vain.
“If that spiritual conception of religion, of freedom, of nationality exists or existed nowhere save in the Irish mind, it is nevertheless as much a great historical reality as if it were embodied in a statute book, or had a material existence vouched for by all the pages of history.”
“Therefore we honour St. Patrick’s Day (and its allied legend of the shamrock) because in it we see the spiritual conception of the separate identity of the Irish race – an ideal of unity in diversity, of diversity not conflicting with unity.12”
He did not call for – and would have certainly repudiated — the celebrating of the feast day by a British Army unit wearing sprigs of shamrock or by Irish Gombeen politicians celebrating it with leaders of US imperialism.
Commenting on the reverse journey of that kind when President Reagan came to Ireland (amidst widescale Irish State repression of opposition) in 1984, Irish bard of folksong Christy Moore sang in Hey Ronnie Regan:
You’ll be wearing the greeen Down in Ballyporeen The ‘town of the little potato’; Put your arms around Garrett And dangle your carrot But you’ll never get me to join NATO.
The Anglo-Irish poet and Nobel Literature Laureate WB Yeats wrote about the colour green in reflection on the 1916 Rising: Now and in time to be, Wherever green is worn, Are changed, changed utterly: A terrible beauty is born.
It should be “terrible” only to the enemies of Irish freedom and self-determination, to imperialists, colonisers and their fascist and racist supporters but truly beautiful to all others.
In parting, let us come again to John Sheils’ 1790s words which he put in Ireland’s, Gráinne’s mouth:
Let each community detest disunity; in love and unity walk hand in hand; And believe old Gráinne That proud Britannia No more shall rob ye of the Rights of Man.
End.
Trifolium dubium, the Lesser or Yellow Clover, an Seamair Bhuí, top of the candidate list for the “shamrock” title. (Photo sourced: Internet)
Footnotes:
1Newfoundland in Canada and the Caribbean island of Monserrat. It is also the most widely-celebrated of all national feast days across the world.
2Usually rendered in English as “the Morrigan”, a trinity composed of three sisters, sometimes Badb, Macha (number of places named after her, including Ard Mhacha [Armagh]) and Nemain, at other times as Badb, Macha and Anand. They were sometimes represented as sisters of another triad, Banba, Éiriu (from which the name of the country Éire is derived) and Fódla. The triads may be three aspects of the one Goddess in each case.
3Táin Bó Cuailgne/ The Cattle Raid of Cooley, a part of the Ulster Cycle of stories, featuring the legendary warrior Sétanta or Cú Chulainn.
4Catholic (the vast majority of the Irish), Anglican (the tiny minority but reigning religious group) and the other protestant sects, in particular the Presbyterians, which had a much larger following than the Anglicans.
5The Unitedmen were greatly influenced by the French Revolution, of course.
6 The best-known version is by dramatist Dion Boucicault, adapted for his 1864 play Arragh na Pogue, or the Wicklow Wedding, set in Co. Wicklow during the 1798 rebellion (Wikipedia)
7‘Nativist’ gangs of earlier USA settlers that mobilised violently against the Irish and African Americans; when tried in court they claimed to ‘know nothing’.
9Such was the popular opposition that the British feared to impose conscription and instead held a referendum which voted not to have conscription. A second referendum failed again though by a smaller majority. Nevertheless many Australian volunteers were killed fighting for the British Empire.
10Of course such identification with the ‘new country’ of settlement may in itself be problematic, particularly should that country be or become imperialist, as has indeed been the case with the USA and with Australia (in subservient partnership with the UK and with the USA).
11Particularly from 1974 onwards until the community’s resurgence in support of the Hunger Strikers in 1981.
12Underlining mine, surely an appropriate message for these times.
The stage production of Tales From the Holywell, written and performed by Damien Dempsey, is currently running at the Abbey until the 18th – and possibly beyond. Once advertised it was booked out for three weeks (with possible access through cancellations).
It was through cancellations that I and a few others faithfully waiting got in to see the performance on the 7th (it was closed on the bank holiday of the 6th). I really enjoyed it and cried laughing at times.
The whole audience gave him a standing ovation at the end and joined in singing one of his songs during his encore.
The stage set was bare and without background, with stage lighting showing Dempsey alone at times and at others, revealing players of keyboard, violin, double bass and percussion. Dempsey accompanied himself, alternating between two guitars.
The production consisted of Dempsey talking about his upbringing, his difficulties with his father but with whom he went to live when his mother left home, childhood and adolescent battles, his struggles and desires as an artist – all interjected with humorous cracks and songs.
He comes across as a man committed to his art and with integrity.
Dempsey performing at Abbey Theatre (Photo sourced: Internet; audience photos were prohibited)
Dempsey was raised in Holywell Crescent, a collection of local authority houses constructed on the site of an ancient holy freshwater well. This was one of probably thousands of wells across Ireland, each thought to be inhabited by a pagan spirit and then given a saint’s name by Christianity.
The well after which Dempsey’s street was named was St. Donagh’s Well (probably misnamed, see Links below) near Killbarrack and as the area became anglicised, called only “the Holy well”, then “Holywell” and the pool itself filled in and built over.
Whether he can speak it or not I have no idea but the Irish language made an appearance from time to time in Dempsey’s narrative, always with respect and, one might say, even reverence. And I was amazed to hear him sing a verse from An Cúlfhionn a capella, totally in Irish.
His song Colony – some might say masterpiece – gives a clear indication of what Dempsey feels about the long colonisation of Ireland and its parallels elsewhere in the world. I hoped he might take the opportunity to comment on the growing racist mobilisations in Ireland but was disappointed.
Dempsey performing (Photo sourced: Internet)
Conor McPherson directed the production which was written and performed by Damien Dempsey.
Apart from Dempsey’s, other music was provided by Lucia McPartlin (fiddle, vocals), Aura Stone (double bass) and Courtney Cullen (drums, percussion, vocals). I noted no name given in the theatre program for the keyboard and vocals performer.
I’m a great fan of Damo’s lyrics but less so of his singing; a question of musical and cultural taste, I suppose. But still I rose, wholeheartedly with the rest, to applaud his performance.
Whether its run will be extended I don’t know but currently it’s advertised to end on 18th February. If you haven’t booked, it’s well worth getting there early and hoping for a cancellation.
rebelbreeze 