AN GORTA MÓR COMMEMORATED IN SLIGO, DUBLIN AND CELTIC PARK
(Reading time of article text: 5 minutes)
Clive Sulish
Michael and Olivia Blanch and piper halt the procession for a moment’s reflection outside the GPO building, HQ of the Easter Rising in 1916.
A small crowd gathered at the Garden of Remembrance, Dublin on Sunday afternoon to commemorate the Great Hunger, an Gorta Mór on National Famine Day. Led by a lone piper, they marched through O’Connell St., the city’s main street, some of them in period costume, to the Great Hunger Memorial on the Custom House Quay, North Dock and later on to the iconic sailing ship, the Jeannie Johnson.
Participants proceed after a moment’s reflection at the GPO building, HQ of the Easter Rising 1916 and pass by Jim Larkin’s monument, “who also agitated for the poor of Dublin”.
With some adults and children dressed in period clothes, some of them tattered to represent the destitution of the starving poor, they marched down O’Connell Street led by the lone piper and turned left at the Bridge, proceeding along to Custom Quay’s North Dock and the Great Hunger memorial. There they were addressed by Michael Blanch of the organising committee and by Niall Ring, Lord Mayor (coming to the end of his year in that role), who had accompanied them from the Garden of Remembrance.
Lord Mayor Niall Ring speaking at the Famine Memorial.
Some sentences in Irish were spoken by the MC of the event and by the Lord Mayor, while Michael Blanch referenced the deadly impact the Great Hunger had on the Irish language (i.e with the depopulation of the main Irish-speaking areas of the western seaboard). The Irish Tricolour came in for a mention in the Dublin commemoration also; it had been presented to William Smith O’Brien by women in Paris during the revolution there of 1848 and the Young Irelanders had staged their own uprising that year also, small and certainly too late, easily crushed by the British colonial forces. The huge Irish diaspora was also mostly a result of the Great Hunger and had contributed significantly to the formation and membership of the Irish Republican Brotherhood, also known as the Fenians, founded simultaneously in 1858 on St. Patrick’s Day in Dublin and in New York. The IRB, in turn, had been the main driving force behind the 1916 Rising.
Section of crowd at Famine Memorial (and unintentional illustration of clashing architectural styles and building heights on the south quays opposite).Piper playing lament and Michael Blanch at the Famine Memorial.Michael Balanch and MC of proceedings at the Famine Memorial and banner of the Committee.
Tourists and other passers-by stopped to watch as wreaths were laid on on the statues of the monument and an Irish-language version of Amazing Grace was sung by a young girl in period costume. A currach (small traditional Irish sea-craft), containing a woman and two young girls in period costume and rowed by a man, pulled into place on the Liffey across from the group; one of the girls placed a wreath in a cardboard box into the river, to commemorate the Irish diaspora and those who had perished during their journeys. Participants then threw single red roses bouquets into the river also and floral wreaths were deposited around the statues of the 1977 memorial by sculptor Rowan Gillespie. And the piper played a lament, Hector the Hero.
Girl singing “Amazing Grace” in Irish.
The gathering moved on then to the sailing ship the Jeannie Johnson, to hear Evelyn Campbell sing her Famine Song and Diarmuid Breatnach sing Skibereen and Fields of Athenry. After that, some repaired to the Teachers’ Club, where tea, sandwiches, gur cake and biscuits were on offer. By coincidence, a Musical Society were relaxing there too and it was not long before songs from different parts of the world were being exchanged from different parts of the room.
Somewhat incongruous, the top floors of the International Finance Services Centre, which looms over the Famine Memorial, commissioned by Nora Smurfit of the Irish capitalist family.
Evelyn Campbell on board the Jeannie Johnson, accompanying herself on guitar while she sings her Famine Song.
THE CAMPAIGN FOR A NATIONAL IRISH FAMINE DAY
The currach on the Liffey near the Famine Memorial on the quay.
The commemorative wreath is lowered into the Liffey from the currach.Participants prepare to throw stem roses into the Liffey to commemorate those who died during emigration and the diaspora that survived.Some of the stem roses floating in the Liffey.
The Great Hunger is the preferred term in English by many for the terrible disaster that struck Ireland in the mid-19th Century, for people starved alongside what was for a while at least, an abundance of food.
Mast and some of the rope work of the Jeannie Johnson sailing ship.
For three successive years, a fungus-like oomycete infested the potato crop, staple diet of most of the population. AlthoughPhytophthora infestanshad attacked the potato crops on the European mainland and in Britain also, nowhere was the disaster of the dimensions it grew to in Ireland: nowhere else were the the majority of the population obliged to sustain themselves on the potato while yielding up every other edible product (except perhaps milk) to pay the landlord’s rent on land conquered from the ancestors of the starving, thousands of soldiers and police being on hand to ensure the hungry paid up. “The Almighty indeed sent the potato blight”, wrote Young Irelander journalist John Mitchell, “but the English created the Famine.”
Well over one million Irish starved or died of attendant diseases in less than five years during the reign of Queen Victoria, while ships left Irish ports laden with food and grain was fermented to make lucrative whiskey and beer. Another million emigrated and it is estimated that about one third of those also died – of drowning, of disease aboard ship or of the various dangers migrants faced. Five years after the potato crop failed, estimates put the population of Ireland at around six million, from the over 8 million of before. Over the next decade, another million would leave, paid to go, lied to go, forced to go, or gone out of desperation and loss of faith in any future in the country of their birth under foreign domination.
The floral wreath deposited from the currach earlier floats past the Jeannie Johnson.
In 2008 it was agreed by the Irish Government that there would be a national Famine Day in the Irish calendar of national events and it would take place on the third Sunday in May. The State commemoration this year was held in Sligo, attended by Leo Varadkar (who was met by a protest of the Sligo Women’s Cervical Smear Action Group). The ceremony was covered in the RTÉ news which was shown on TV in the Teacher’s Club. Michael Blanch told those present that the campaign he and his wife had started in 2004 through the Committee for the Commemoration of Irish Famine Victims, had resulted in this national event and that it was also being commemorated by the Glasgow Celtic team in the special jerseys they wore that day (in their Scottish Premiership win 2-1 against Hearts). The symbol is black and white which are the colours of the Commemoration and he had also wanted GAA teams playing on this day to wear it on their jerseys (the Munster Hurling Championship match between Limerick and Cork was also being shown that afternoon on the TV screen in the Teachers’ Club).
End.
People commemorating stand among the ghosts of the victims who, as a result of the Great Hunger, died in Ireland or in emigration.
Two quite different celebrations of International Workers’ Day took place in Dublin on the afternoon of the appropriate date, 1st of May. One was small and of a decidely revolutionary flavour while the other, much larger, was of a more mixed nature and tending towards the reformist. In addition, a workers’ solidarity picket was mounted on a Dublin city centre eatery.
NOTHING TO LOSE BUT OUR CHAINS
The first of the celebrations was organised by theAnti-Imperialist Action Ireland organisation and took place at the James Connolly Monument in Dublin’s Beresford Place. There a statue of James Connolly stands upon a plinth, behind the the design of the Irish Citizen Army flag, based upon the constellation that in Ireland is called the Starry Plough but in the USA is known as the Big Dipper. James Connolly was a revolutionary socialist and trade union organiser, historian, journalist and songwriter who was Commander of the Dublin insurrectionary forces in the 1916 Rising. The Irish Citizen Army, possibly the first formaly-organised army for and of the workers, had been formed during the Dublin Lockout as a defence force against the attacks of the Dublin Metropolitan Police.
The ICA took part in the 1916 Rising in Dublin and after the surrender of the insurrectionary forces, 16 participants, including two of the ICA, were executed by British firing squad: Michael Mallin on 8th May and James Connoly on 12th May.
In the here and now, on their way to the Connolly Monument, a number of participants were stopped by a man in plain clothes identifying himself as a police officer, i.e a member of the Garda Special Branch. He wished to know their names, which they declined to give them.
At the Monument, both speakers for the Anti-Imperialist Action Ireland organisation were youths.
The first to speak gave his oration in Irish on behalf of Macra – Irish Socialist Republican Youth and said that they were there to celebrate socialism, trade unionism and workers oppressed throughout the world and, that although James Connolly had been murdered in Kilmainham Jail, his work was ongoing.
Stating that James Connolly and the Irish Citizen Army had gone out in 1916 to break with imperialism and found a socialist society, the youth went on to say that “Macra is a revolutionary organisation with socialism as one of our objectives and we also believe in the words of Pearse: ‘Ireland not only free but Gaelic, not only Gaelic but free.’ Free from the bankers, free from landlords, free from poverty.”
The speaker concluded in Irish and in English with the renowned sentence from the Communist Manifesto.: “Bíodh critheagla ar aicmí cheannais roimh réabhlóid Chumannach. Níl tada le cailiúint ag na Prólatáirigh ach a slabhraí. Tá saol mór le gnóthú acu. Oibrithe an tSaoil Mhóir, cuirigí le chéile!”
“Let the ruling classes tremble before a communist revolution. The Proletariat have nothing to lose but their chains, they have the whole world to gain. Workers of the world unite!”
The second speaker delivered his speech in English and linked the liberation of Ireland with the liberation of the working class and went on to praise Séamus Costello (1939-1977), which he said had embodied that aspiration. The youth praised the creation of the Irish Republican Socialist Party by Costello as well as the creation of the Irish National Liberation Army and Costello’s participation and membership in a number of democratic organisations — including his election to Bray District Council.
Condemning “the bankers and politicians” who bring deprivation to the workers, the speaker said that they try to point the finger instead at Muslims and migrants but it is not migrants who cause job losses, create homelessness etc but “the elite”. The speaker ended by saying he wished to remember all those who had given their lives for Irish freedom.
Assembled at the Connolly Monument, Beresford Place, Dublin (Photo: Anti-Imperialist Action Ireland)
WE WANT THE EARTH
Diarmuid Breatnach was then introduced to sing Be Moderate, a song with an ironic title by James Connolly. “The Irish working class does not have a huge history in Ireland, apart from a short period in the early decades of the last century,” Breatnach said, giving as reasons the forced underdevelopment of Irish industry, the British-fostered sectarianism in the most industrialised north-east and the focus on the national struggle as a competing pole of attraction.
“The Irish abroad, however, have made a huge contribution to the workers’ movement,” Breatnach said. “And in 1889, Jim Connell from near Cill Scíre in Co. Meath, composed lyrics of The Red Flag to the air of the White Cockade, starting it on the train to his home in South London from a demonstration in central London and apparently completing it in the home of another Irish man.
The song was later adopted by the International Workers of the World, a syndicalist organisation mostly active in the USA, Breatnach said and reminded them that James Connolly joined the IWW when he migrated to the USA. “In 1907, James Connolly published a songbook, Songs of Freedom, in which he included the lyrics of Be Moderate,” Breatnach stated and went on to say that no air had been published to which the words should be sung. As a result Be Moderate has been sung to a number of airs but in London Breatnach heard it sung by an avant-garde musical composer and Marxist-Leninist, Cornelius Cardew, to the air of A Nation Once Again. In Breatnach’s opinion the lyrics fit well to this air and it also provides a chorus, which he encouraged the participants to sing.
James Connolly’s lyrics were sung by Breatnach then, competing with sounds of passing traffic on the ground and the occasional trains rumbling by on the bridge overhead, participants joining in on the chorus:
We only want the Earth,
We only want the Earth
And our demands most moderate are:
We only want the Earth!
and the last line of the last verse “We want the Earth!” echoing across Beresford Place.
TRADE UNION AND POLITICAL ORGANISATION BANNERS
Section of the 1st May parade about to move off from outside the Garden of Remembrance, Parnell Square. (Photo: D.Breatnach)
Across the road, a stage and crowd barriers were being set up outside Liberty Hall, the multi-storeyed headquarters of SIPTU, the largest union in Ireland and which, by amalgamations, had grown from the Irish Transport & General Workers’ Union, originally formed early in the 20th Century by Jim Larkin, James Connolly and others (and the destruction of which had been the object of the 1913 Lockout). The stage was being prepared for speakers to address a rally which would follow a Mayday parade from Dublin’s Garden of Remembrance (a small park dedicated “to those who gave their lives for Irish freedom”).
Even the larger Mayday demonstrations in Dublin, although organised through the Dublin Council of Trade Unions, i.e with affiliation from most trade unions in the city, do not tend to be very big by comparison with other cities in many other parts of the world.
Anti-Pesco banner on 1st May parade (Photo: D.Breatnach)
Banners of some unions mixed with those of political organisations and campaign groups, including the Ireland Palestine Solidarity Campaign and another against Irish state participation in PESCO, which is seen by many as an embryonic EU Army and undermining the Irish state’s neutrality.
Section of the 1st May on the move down Parnell Square. (Photo: D.Breatnach)
Led by a lone piper, the parade made its way past crowds of onlookers down Dublin city’s main thoroughfare, O’Connell Street, then left along Eden Quay to Liberty Hall where they were to be addressed by speakers on the temporary stage in Beresford Place, across from the Connolly Monument.
Anti-Pesco banner on 1st May parade (Photo: D.Breatnach)
Meanwhile, a small group had left, to form a picket line outside the Ivy Dawson Street restaurant, in solidarity with staff and in opposition to the management appropriating a portion of the tips left for staff, with more to join them there later from the Mayday parade.
(see https://rebelbreeze.wordpress.com/2019/05/02/tipping-the-bosses/).
A NOTE ON THE HISTORICAL ORIGIN OF INTERNATIONAL WORKERS’ DAY
The First of May has been celebrated as the international day for workers since 1892, to call for the 8-hour maximum working day, socialism and universal peace. Its inspiration was a train of events that began with a workers’ strike and demonstrations on May 1st 1886 in many parts of the USA but in Chicago ended in the State execution of four anarchists, with police and state militia massacres of workers along the way as well as with acts of workers’ resistance. The celebration and commemoration throughout the world was formally agreed at the Second Congress of the Second International Workers’ Association in Brussels in 1892 and at its Sixth Congress (Amsterdam, 1904) declared it mandatory for the proletarian organisations of all countries to stop work on that day, wherever that could be done without injury to the workers(bearing in mind violently repressive regimes).
Artwork depicting police attacking striking workers at McCormick’s factory who were agitating for the 8-hour working day. (Image source: Internet)
In many states around the world now, the 1st of May is a public and bank holiday and has been so in Ireland since 1994. Its public celebration was banned under the fascist regimes in Spain and Portugal but is legal in both those states now; however it is still banned in some other states while in some areas, though not banned, may be subject to attack by police, army, state agents or by fascist elements.
April 24th is Republic Day, the date on which the 1916 Rising began and when Patrick Pearse read out the 1916 Proclamation. Back in 2014, Tom Stokes began a campaign to have this date acknowledged as the Irish national day. This year, it was celebrated in his absence.
The late Tom Stokes speaking at a Republic Day commemoration (Photo: D.Breatnach)
“Easter Monday is a moving date, different each year,” Tom Stokes had said. “St. Patrick’s Day is based on a religious feast day. The nation needs a fixed day and one to celebrate the Irish Republic.” Tom Stokes would have agree with those who might say that “the Irish Republic” was yet to be achieved, or that it was more aspirational than reality. As he spoke at each annual commemoration of the date, he railed against many of the faults of the Irish state and in particular on its treatment of women. He was a champion of Republican women of the past, for example Margaret Skinnider, Dr. Kathleen Lynne, Winnie Carney, Elizabeth O’Farrell and celebrated that some of the women had been lesbians, supported the right to choose abortion (though some Irish Republicans would have disagreed on the latter).
Banner leaning against the Arbour Hill monument wall. (Photo B. Hoppenbrouwers)
Tom Stokes died December last year but some people were determined that the celebration of Republic Day should carry on. On the 24th April 2019, some of them gathered in Arbour Hill, by the monument to the executed in the 1916 Rising, the words of the Proclamation etched in large letters, in Irish and in English, on to the stone wall overlooking the site.
The event was chaired by Pearse Brugha (incidentally a descendant of Cathal Brugha, the 1916 Rising veteran and subsequently part-organiser of the IRA, killed by a Free State soldier in the early days of the Irish Civil Wa)r.
Pearse Brugha chairing the event. (Photo B. Hoppenbrouwers)
Brugha welcomed the attendance and in particular members of the Stokes family, then went through the background to Tom Stokes’ campaign for the commemoration of Republic Day, saying that Tom had wished it to be a national holiday. Brugha then asked on the attendance for a minute’s silence in memoriam and called on Tom’s widow Anne Stokes and their son to lay floral wreaths on behalf of the family at the 1916 Rising Monument.
Next, Brugha presented Cormac Bowel and his young son Fionn, who approached playing Fáinne Geal an Lae (“The Dawning of the Day”) on their bagpipes, Cormac in Volunteer officer uniform and Fionn in traditional piping kilt. It was only Fionn’s second public playing, the attendance were told.
Cormac Bowel reciting the 1916 Proclamation. (Photo B. Hoppenbrouwers)Cormac Bowel and son Fionn approaching the monument while playing Fáinne Geal an Lae. (Photo B. Hoppenbrouwers)
A number of other parts of the ceremony followed.
Fergus Russell sang “The Foggy Dew” and Frank Allen, who had been involved with Frank Stokes in organising Republic Day commemorations, gave an oration praising Tom Stokes as a “true Republican” who believed passionately in equality and also as “a true internationalist, who would be just as likely to be found on a Palestine solidarity demonstration”. Allen also criticised heavily the Irish regime, as Stokes had done in his speeches.
Pat Waters played his own composition, “Where Is Our Republic?”, which he had composed at the request of Tom Stokes.
Cormac Bowell recited from memory the 1916 Proclamation and Fionn played a solo lament on the pipes.
Shane Stokes, speaking, also paid tribute to his father Tom Stokes and to the campaign to have a Republic Day on 24th April.
Fergus Russel singing The Foggy Dew. (Photo B. Hoppenbrouwers)Frank Allen speaking at the event. (Photo B. Hoppenbrouwers)Pat Waters performing his own compostition “Where Is Our Republic?” (Photo B. Hoppenbrouwers)Shane Stokes, a son of Tom Stokes, speaking at the event. (Photo B. Hoppenbrouwers)Very young piper Fionn Bowel playing a solo lament. (Photo B. Hoppenbrouwers)(Photo B. Hoppenbrouwers)
Pearse Brugha, who had been chairing the event throughout, also recited all three verses of the Soldiers’ Song and then sang the chorus, then thanked all for their attendance.
Among those in attendance were members of the 1916 Performing Arts club, activists of the Save Moore Street From Demolition campaign group and Niall Ring, Lord Mayor of Dublin. Also present were Dave Swift, historian and enacter; Las and Dónal Fallon, historians and authors; Brian O’Neill; Deirdre O’Shea; Jim Connolly Heron.
A mixed audience of anti-fascists were entertained on 23rd November by a range of artists from the Irish trad-folk scene and a Spanish band performing to commemorate on its 80th anniversary the return of the Irish survivors of the International Brigades to Ireland. The event, “The Return of the Connolly Column” was organised by the Friends of the International Brigades in Ireland (FIBI) and the venue, the Workman’s Club on Wellington Quay of the Dublin City Centre, was packed.
The event began with Dougie Dalby introducing Harry Owens, a Spanish Civil War historian and founder member of the FIBI. Owens gave a speech, recalling how the social-democratic PSOE Government in the Spanish State in the 1980s had not wished to support the marking and conservation of graves of International Brigaders who had fallen in battle but had been convinced to do so by Edward Heath, British Prime Minister and by the leader of the Irish Labour Party at the time, Dick Spring. FIBI had become part of that commemoration effort in visiting some of the sites but also in erecting monuments and plaques in various parts of Ireland.
Colm Morgan from Co. Louth followed, with guitar and voice, with some of his own compositions, including one about Frank Ryan – excellent material in my opinion – to be followed by Mick Hanley (guitar and voice again) accompanied by Donal Lunny. Hanley and Lunny have history, of course, not least in that great band of the past, Moving Hearts; both belong to that honourable class of Irish musicians who have not been afraid to support progressive causes including some in their own country – and who have never performed for “any English King or Queen”.
(L-R) Dónal Lunny and Mick Hanley performing at the FIBI event. (Photo source: FIBI)
Lunny accompanied various artists at different times during the evening, sometimes on keyboard and sometimes with guitar, as well as adding vocals once also. After his pairing with Hanley, he accompanied Tony Sweeney’s excellent lively accordion-playing which drew more than one whoop from the audience. All however quietened down for Justin McCarthy reading “The Tolerance of Crows” by Charlie Donnelly, Irish poet, member of Republican Congress and Field Commander of a unit of the International Brigades and who fell at the Battle of Jarama on 27th February 1937.
Muireann Ní Amhlaoibh on whistle accompanied by Dónal Lunny (Photo source: FIBI)
After the break excellent singer Muireann Ní Amhlaoibh sang (accompanied by Lunny) and her rendition of Sliabh Geal gCua na Féile, a song composed by an Irish emigrant working in a Welsh coalmine in the late 19th Century, was particularly beautiful. It is a lament for home and language by Pádraig Ó Míléadha, from the Déise (‘Deci’) area of Wateford.
John Faulkner, virtuoso composer and singer-songwriter, raised in London of Irish background and for many years a resident of Kinvara, Co. Galway (but almost Co.Clare) accompanied himself singing a number of songs, including Patrick Galvin’s great composition Where Oh Where Is Our James Connolly? He performed an anti-war song by Eric Bogle also, All the Fine Young Men, which he introduced saying that some wars need to be fought.
Andy Irvine playing and singing at the concert (Photo source: FIBI)
Andy Irvine took the stage second-to-last of the acts for the evening, another London import to Ireland for which Irish folk and traditional music is very grateful, a composer, singer-songwriter and player of a number of instruments, accompanied once again by Lunny, who shares a history with him in Moving Hearts and Planxty. Irvine performed a number of songs, including Woody Guthrie’s All You Fascists Bound to Lose which, though not very creative in lyrics has a chorus with which the audience joined enthusiastically.
Gallo Rojo performing at the event (Photo source: FIBI)
Last on for the evening was Edinburgh-based Gallo Rojo1, anti-fascist musical collective, opening with a reading in the original Castillian of La Pasionara’s farewell speech to the International Brigaders at their demobilisation parade in Barcelona (see Links). It seemed to me that this would have worked better for an Irish audience with a simultaneous or interspersed reading in English but it received strong applause from the audience. This was followed by Ay Carmela!, then Lorca’s Anda Jaleo! I had to leave after that but I could hear the band starting on Bella Ciao, the song of Italian anti-fascist resistance of the 1940s but based on an older song of oppressed women agricultural workers.
It did occur to me at that point that among all the great material of the evening, I had heard no song to represent the International Brigaders of nations other than Ireland which is often the case at such events. More unusually, no reference I could recall was made to growing fascism in Europe and especially in the Spanish State (it never went away there), nor to antifascists facing trial arising out of mobilisation against the attempted Dublin launch of the fascist organisation Pegida in February 2012.
Immediately outside the concert hall, the bar area held a large number of people, perhaps as many as a quarter again of the audience inside. The performances inside were being conveyed by electronic speakers to them too but I am unsure how many were listening. There was a FIBI stall there too selling antifascist material.
Overall, the audience appeared to be mostly Irish with some foreign nationals and from a broad range of political backgrounds: Communist Party of Ireland, Sinn Féin, Anarchists and independent supporters and activists of mainly socialist and/or Republican ideology.
I am informed that FIBI are currently finalising the editing of a video of the concert and this will be available as soon as possible.
HISTORICAL BACKGROUND:
1. THE INTERNATIONAL BRIGADES
The International Brigades were raised through Communist parties around the world to assist in the defence of the republican Popular Front Government of the Spanish State against a military coup with Spanish fascist (and Basque Carlist) support, aided by Nazi Germany and Fascist Italy. The Brigades consisted of volunteers from at least 65 nations2 and included Jews from a number. Early Irish volunteers enlisted chiefly in units of British and USA organisation but were present in groups from Australia and Canada too but later some made their way directly from Ireland; later too some of the Irish came to be known as the Connolly Column. The English-speaking units and some others were formed3 into the 15th International Brigade (originally the Fifth, but when added to the ten indigenous brigades of the Spanish Republic – Spanish, Catalan and Basque – became the Fifteenth). Not all foreign anti-fascist volunteers enlisted through the International Brigades, some joined Anarchist or Trotkyist militias4 and at least one, an Irishman, joined a Basque unit.
The Republican Government of the Spanish state disbanded the International Brigades on 23rd September 1938 in an unsuccessful bid to have the non-fascist European powers5 pressure their German and Italian fascist counterparts to withdraw their logistics, soldiers and airforce support from the Spanish military-fascist forces. By that time many of the “Brigadistas” were dead or captured as they had borne some of the heaviest prolonged fighting at Madrid (1936); Jarama, Brunete and Belchite (all 1937); Fuentes del Ebro and the Ebro itself (1938).
Famous photo by Robert Capa, war reporter from Hungary, showing emotional face of Brigadistas saluting (and perhaps singing the Internationale) at their demobilisation parade in Barcelona. (Photo source: Internet)
Their formal demobilisation parade with their auxiliary recruits (including women) was held in Barcelona on 28th October, where they received the famous oration from the Basque Dolores Ibárruri, “La Pasionara”, prominent anti-fascist and activist of the Communist Party of Spain (see Links). It is notable that she addressed her oration to “communists, socialists, republicans, anarchists” as not only communists fought and died in the ranks of the Brigadistas.
Section of survivors of the International Brigades at their demobilisation parade in Barcelona. (Photo source: Internet)Another close-up from the demobilisation parade in Barcelona (Photo source: Internet)
2. A DIFFERENT IRELAND
The Irish Brigadistas returning to Ireland found a society very different from that of today. Anti-communist hysteria was prevalent, whipped up in particular by the Catholic Church and supported in particular – but not exclusively – by Fine Gael (which formed in part from Blueshirts6). The Fianna Fáil Government was not fascist but was of the Irish capitalist class relying heavily on Catholic Church support and so contributed to anti-communism; all of the main media was anti-communist and finally the IRA, as well as having forbidden any of its Volunteers to fight for any other cause than Ireland’s, had expelled communists from the IRA in 1934. As with the time of repression of Republicans by the Free State, the USA seemed a good option for some of the Irish Brigadistas (some had enlisted there anyway) but there too, many antifascist war veterans found themselves subject to anti-communist hysteria and even later, when the USA was fighting fascist powers, labelled as “premature antifascists”!
Today here in Ireland the general attitude is one of respect or even pride in that part of our history, when Irish Volunteers went abroad to fight in defence of democracy and socialism against fascism7. The best-known song to date about the Irish Brigadistas is undoubtedly Viva La Quinze Brigada8 by Ireland’s best-known folk singer-songwriter, Christy Moore. Published accounts by Irish participants include The Connolly Column byMichael O’Riordan (1979) and Brigadista (2006) by Bob Doyle. Moore’s song is very popular in Ireland (and among the Irish diaspora in Britain) and a plaque listing some of the Irish martyrs is fixed to the wall by the entrance to the Theatre building of the major Irish trade union, SIPTU.
Funeral in May 1983 of Michael O’Riordan, survivor Irish Brigadista and General Secretary of the Communist Party of Ireland (among other positions and activities). (Photo source: Indymedia)
Michael O’Riordan survived the War and was prominent in the Communist Party of Ireland, dying in Dublin in 1983. Bob Doyle was the last surviving known Brigadista from Ireland; on 22nd January 2009 he died in England, where he had been living and had raised a family. On February 14th that year his ashes were carried by relatives and admirers in a march from the Garden of Remembrance in Dublin city centre to Liberty Hall, where a reception was held. An optimistic photographer with the byline of “anarchaeologist” reported the following day in Indymedia: “…. in a display of left unity and solidarity we will doubtless see more of on the streets of Dublin over the coming months ….. Groups attending the celebration included the main unions, Éirigí, the WSM, the IRSP and Dublin Sinn Féin. Banners were also carried by the International Brigades Memorial Trust and the Inistiogue George Brown Memorial Committee. Supporters of the Dublin branch of the Irish Basque Solidarity Campaign demonstrating outside the GPO dipped their flags as a mark of respect as the crowd passed by”. The DIBSC actually wheeled in behind the march as the tail end passed, though the reporter seems not to have noticed that.9
Supporters of the Dublin Basque Solidarity Committee lower Basque flags in honour as ashes of last Irish Brigadista to die are carried down O’Connell Street in procession. (Photo source: Indymedia)Relatives and friends leading procession with Bob Doyle’s ashes give clenched fist salute to Basque solidarity demonstrators they are passing (see other photo with Basque flags). (Photo source: Indymedia)
FRIENDS OF THE INTERNATIONAL BRIGADES IN IRELAND
“The aim of the concert was to honour the enduring legacy of the 15th International Brigade and its ongoing contribution in the war against fascism”, a spokesperson for FIBI said in a statement. “As such, it was both a commemoration of the 80th anniversary of the disbandment of the Brigade and the subsequent return of the survivors to Ireland but it was also a celebration of their spirit in choosing to sacrifice everything for working-class principles.”
FIBI is an entirely voluntary organisation but does incur costs in erecting memorials, research, promotion etc. “This concert was designed to raise a modest amount to ensure the continuation of this work without having to resort to piecemeal fundraising over the next year or two. We are delighted to say we met our twin objectives of hosting a fitting occasion to coincide with the 80th anniversary of what became known as The Connolly Column and raising funds to help us continue with our efforts to ensure those who went are never forgotten.”
With its work of commemoration ceremonies and erection of plaques and monuments around the country, a work which not only reminds us of the Irish contribution in general but also links it to specific individuals from specific areas, the Friends of the International Brigades in Ireland has been deepening the wider attitude of respect for the International Brigades and pride in the Irish volunteers which has been growing steadily.
Hopefully all of this will combine with and inform any action necessary to halt the rise of fascism throughout the world and of course to prevent it taking hold in Ireland.
3 The Balkan Dimitrov Battalion and the Franco-Belgian Sixth February Battallion.
4George Orwell, who wrote Homage to Catalonia, probably the most famous English-language account of the war by a participant, enlisted in the militia of the POUM (Partido Obrero de Unifacción Marxista), a coalition of Trotskyis organisations (but whose alliance with the Right Opposition was renounced by Trotsky himself). The much larger anarcho-syndicalist trade union and movement Confederación Nacional del Trabajo (CNT), closely associated with the Federación Anarquista Ibérica (FAI), also had militias, of which the Durruti Collumn was the largest and is the best known today. Some foreigners also enlisted in those militias.
5These powers, such as France and the UK, were following an allegedly “non-interventionist” policy but effectively forming part of the blockade preventing the Republican Government from receiving aid. Later the governments of those two states in particular tried a policy of appeasement of Nazi Germany and Fascist Italy which was unsuccessful (except in encouraging further aggression) and they ended up going to war.
6Former IRA leader Eoin O’Duffy had, with Irish Catholic Church endorsement, recruited many more Irishmen to fight alongside the Spanish military-fascist forces but they acquired a reputation for ill-discipline and in one of their only two brief military engagement mistakenly fired on fascists; they went home in disgrace in late June 1937 (a year before the International Brigades were demobilised and the surviving, non-prisoner Irish were able to return home.
7Republicans and Communists had fought the fascist Blueshirts in Ireland too and the significant contribution of participants from the Irish diaspora to the famous antifascist victory of the Battle of Cable Street (and following guerrilla attacks on fascists at Hyde Park) in London has more recently been recognised (though not yet on the main relevant Wikipedia entry).
8Originally written as Viva La Quinta Brigada (i.e “the Fifth”); however that is the name of a song in Castillian contemporary with the War and later versions of Moore’s song include a line acclaiming “the Fifteenth International Brigade” which would be “la Decimiquinta” which has three syllables too many and so “Quinze”, i.e ‘Fifteen’.
9The DIBSC had already scheduled and advertised a picket to take place on the same day in Dublin’s main street, protesting against Spanish State repression of the Basque independence movement and treatment of prisoners. Upon learning of the planned march to honour Bob Doyle’s memory, I suggested holding our Basque solidarity event earlier, lowering the flags in respect when the march approached and then following it as the tail end passed us. I was unsure of what the reaction of Doyle’s relatives and supporters might be but as soon as those at the front saw what we were doing, a number of them raised clenched fists. It was an emotional moment for me, certainly.
Socialists and Socialist Republicans gathered outside the General Post Office in Dublin on Thursday (Nov 1st) to honour the memory of Volunteer Kevin Barry on the 98th anniversary of his execution. Copies of his portrait were on display with candles lit and the ballad honouring his memory was sung.
Display of images of Kevin Barry and lit candles outside the GPO at the event. (Photo: D.Breatnach)
The event was organised by the Irish Socialist Republicans organisation. Asked about the reason for the commemoration and speaking on behalf of the organisation, Pádraig Drummond said “It is important to honour people in our history who have played an important role, who have displayed characteristics worthy of emulation such as resolution, courage and loyalty. People like Kevin Barry are more worthy of interest for the youth of today than clothing brands or pop idols.”`
Gathering to beign the vigil outside the GPO (Photo: D.Breatnach)
Some members of the public stopped in passing to listen to the song or to engage picketers in conversation.
People carrying out the vigil (Photo: D.Breatnach)
At the time of Kevin Barry’s execution the whole of Ireland was under a centuries-old British occupation and the defeat of the Easter Rising was three years in the past, most of its leaders executed and prisoners released. The first World War had ended. But the Irish Volunteers had reorganised and the War of Independence had begun in January of 1919. The ICA had seen a partial reorganisation and Cumann na mBan had never disbanded and, though it had suffered a few notable resignations, had experienced no split. The UK General Election of December 1918 had delivered a huge majority in Ireland to the newly-organised nationalist-republican coalition of Sinn Féin and in January of 2019 the successful SF delegates set up the Dáil, the first independent Irish Parliament, in defiance of the rule that all delegates elected in a UK election attended the Westminster Parliament in London.
On the same day in a separate development, the War of Irish Independence had begun. To wage war against the British occupation, the Irish Volunteers needed arms so some of its operations were carried out in order to seize arms from the occupiers. Kevin Barry joined the IRA at 15 in Dublin and not much later the IRB and had been on a number of successful raids to seize weapons.
Kevin Barry portrait graffiti of some years on wall in Dublin city centre. (Photo: D.Breatnach)
On 20thSeptember 1920 his unit was to ambush a British unit collecting bread from a bakery and relieve them of their weapons. Collecting breadrations from Patrick Monk’s Bakeryat 79-80, Upper Church Street, near the corner of North King Street, Dublin.
Barry was a medical student and had an examination scheduled for that day which he expected to attend after the operation. Having attended mass that morning, he joined the unit in nearby Bolton Street and when the British Army lorry arrived the volunteers, armed with pistols, ordered the soldiers in the back to drop their rifles, which they did. However a shot rang out, possibly from the front of the lorry and the volunteers opened fire but Barry’s gun jammed twice and he jumped under the truck, being left behind when his comrades retreated. He was discovered and arrested. All five of the British soldiers in the rear of the lorry had been hit and one, 15 years of age, was dead – another two died later.
Kevin Barry attested that he had been beaten up when captured and tortured for information later in Army custody. On 20th October he was tried by military tribunal under the provisions of the Restoration of Order Act of August that year. Brigadier-General Onslow presided on the tribunal and Barry had legal representation who, after Barry announced he would not recognise the court, withdrew. The sentence of the court, given to the Volunteer in his Mountjoy Prison cell that evening, was death by hanging. The sentence became publicly known on the 28th and a fierce campaign began to save his life, not only in Ireland. Terence McSwiney, author, playwright, Lord Mayor of Cork and IRA Volunteer, had died after a hunger strike of 74 days on 25th October and public opinion, especially in Ireland, was highly excited. Nonetheless, Kevin Barry was hanged on November 1st 1920, eighteen years of age. According the priest who accompanied him the gallows, who was not a republican, he went calmly to his death.
On 14 October 2001, the remains of Barry’s body and others were given an Irish state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin. A stained glass window in his honour was unveiled in 1934 at the Earlsford Terrace address of University College Dublin and was later moved to their new address in the Belfield Camput and restored in 2007.
The Ballad of Kevin Barry, which was sung at the commemoration by Diarmuid Breatnach, was composed around the time of the Volunteer’s execution and has been very popular in Ireland and among the Irish diaspora abroad. The author is unknown despite efforts by his family and others to trace him or her but there were some indications that it had been composed in Glasgow. The song has been recorded by many performers, including non-Irish singers Paul Robeson and Leonard Cohen.
Marchers in Iruňa (Spanish: Pamplona) called “Alde Hemendik!” for the Spanish occupation forces to get out of their country and also called the Nafarroan police “murderers”, in addition to calling for the liberation of Basque political prisoners.
Posters for the march seen in a number of locations in the town (Photo: D.Breatnach)
The marchers were obliged to seek permission from the authorities for the demonstration and route as otherwise, from past experience, a police attack would have been certain. Even when approved, marchers in the past had to pass by ranks of police in full riot gear, which earned the latter the nickname “Romanos”, from their superficial resemblance to Roman Legionaires. Of course the police are given many other names too. On this occasion, the police presence was not as intimidatory as is normally the case.
The event took place on October12th which is national Spanish holiday, the Día de la Hispanidad, in which the State celebrates the spread of the Castillian language through conquest of the Canaries, Americas and part of North Africa. Naturally enough, forces that are opposed to the character of the Spanish State or to its presence in their country tend to hold counter-demonstrations on that day.
The marchers form up and begin (Photo: D.Breatnach)View from almost rear of march (Photo: D.Breatnach)
Although I did see one poster of the ‘official’ Basque Abertzale (pro-Independence) Left in the town I saw no other sign of them except banners on their local HQ (at least that’s what I was told it was). There seemed to be no intention of their holding a demonstration on that day.
The size of the march was perhaps somewhat less than had been hoped for but it made a good show going through the old town. Curiously, the march seemed much reduced by the time it reached the end square.
Front banner and march turning back into the old town after passing the police twice. (Photo: D.Breatnach)
The marchers set the tone from the start with their banner and slogans and did not hesitate to call out “Policia asesina!” (‘police murderers’ in Castillian) as they approached and passed the police. Later people within the march began to lead chants also, some in Castillian and many in Catalan. The march did not pass by the nearby local HQ of the ‘official’ leadership of the Basque Abertzale Left. A marcher told me the were not permitted to do so but I was unsure whether that was an assumption taken for granted or whether they had been refused. However, the march leaders took people on a winding route through the old town, passing by residences, bars, businesses and many tourists.
March wending its way through streets of the old town (Photo: D.Breatnach)In the Plaza de San Francisco singing Basque song ((Photo: D.Breatnach)
Concluding in the Plaza de San Francisco (St. Francis [of Assisi1] square) opposite the Municipal School, to the security bars of which the banner was secured, no speech was given but the marchers sang “Eusko Gudariak” (‘Basque Soldiers’), a Basque song of resistance (and anthem) with clenched fists, at the end of which a woman let out a long irrintzi.
IRUŇA AND NAFFAROA
Iruňa is the capital of the ‘autonomous’ southern Basque province of Nafarroa/ Navarra (and according to some, to be the capital of an independent Basque Country though by no means agreed by all). The Basque Kingdom of the Middle Ages was called the Kingdom of Nafarroa (Navarra in Castillian, Navarre in French). The present-day province is located at the north end of the Spanish state, on the border with the French state, much of that border area in the Pyrenees mountain range. The province has the other southern Basque ‘autonomous’ region of Euskadi (three provinces) to its west and the Aragon region to its east (with Basque provinces on the other side of the French Border too).
“ALDE HEMENDIK! (GET OUT OF HERE!) “Indar okupatzaileak kanpora! (Occupying forces out!) The march banner is left hanging on the security bars of the Municipal School (staff will probably remove it on their first shift after the holiday). (Photo: D.Breatnach)
Until recently, the majority political party there was the mainstream Spanish unionist party, the Partido Popular, now outnumbered and ousted by a coalition of pro-independence Basque parties.
The legal linguistic provision of Nafarroa is unique in the Basque Country as its territory is divided into three distinct linguistic regions: all Castillian-speaking; Castillian and Euskera bilingual; Euskera-speaking. Access to services, education and facilities through Euskera depends on in which area one lives or works, which might seem fair until one remembers that official services through Castillian are available always, no matter the region – it is the official language of the Spanish state. Euskera speakers also complain that in the bilingual region they are not getting the provision which they need and to which their numbers entitle them.
Monument statue of St. Francis of Assisi in the square named after him. (Photo: D.Breatnach)
Nafarroa was the only part of the Basque Country which can be said to have experienced what is called “the Spanish Civil War” (i.e an internal war) since the right-wing Carlists there slaughtered the 3,000 or so active Republicans, Communists and Anarchists — or just anti-fascists — before any of Franco’s troops or the Falange arrived there. As a result, the province was treated more lightly by the Franco dictatorship than the other three southern Basque provinces. This did not prevent repression of the Basque language in Nafarroa nor the armed attack on the more progressive Carlist movement of the 1980s during the “Transition” after Franco’s death.
The Town Hall. All such municipal buidlings throughout the Spanish state are required by law to fly the Spanish State flag which must be at equal or higher elevation than all others. (Photo: D.Breatnach)
Many political and physical battles have been fought by pro-independence Basques since the 1930s, even around bringing a giant Basque flag into the main square for the ceremony to begin the San Fermines festival in Iruna/ Pamplona and at this festival too, many women have been molested and one gang-raped in 20162. The shocking nine-years jail sentence over a barroom brawl with Guardia Civil was imposed some months ago on youth from Altsasu, a town in Nafarroa.
Area through which the bulls run as part of the San Fermines festival. (Photo: D.Breatnach)
FOOTNOTES
1St. Francis Xavier (1506-1562), born in Nafarroa, is the more common St. Francis to find referred to in the Spanish state and many Basques are called Xavier. St. Francis of Assisi (1881/2-1226) was Italian. There’s a story that an airman is falling out of the sky, his parachute having failed and he calls desperately for St. Francis to help him. A giant hand appears under him and as he comes to rest on it, a voice booms from the sky: “Which St. Francis did you mean, my son?” “Of Assisi”, gasps the airman. “I was named after him. Thank you!” “Alas,” the voice replies, “I am St. Francis Xavier.” And the hand is removed ….
From Eoin O’Donnel’s filming and editing via Joe Mooney of East Wall History Group, a recording of Diarmuid Breatnach singing Christy Moore’s wonderful song Viva La Quinze Brigada (also known as Viva la Quinta Brigada which, however, is also the title of another song from the same conflict but in Castillian or Spanish language). The Fifteenth Brigade of the Spanish Republican Army was also the Fifth International Brigade, the mostly English-speaking one. It contained volunteers from English-speaking USA, Canada, Australia, Scotland, Wales, England and ireland but due to high Irish emigration, all those countries also contained Irish diaspora and they were to be found in the contingents from those countries.
The video also contains photos of the commemoration of Jack Nalty, resident of East Wall’s, the last Irishman to die in action during the Iberian Anti-Fascist War (usually known as the “Spanish Civil War”). The day-long event on 28th September (anniversary of his death) included songs and poems, a march led by a lone piper, unveiling of a plaque, booklet launch and showing of two films. It was a celebration in particular of Jack Nalty’s life but more generally of the Irish who, against the position of their Government, the Church of the majority, the dominant media and even, for those in the IRA, against their own organisation’s orders, went to fight against a fascist military uprising against the elected Republican Government of the Spanish state.
It was also a celebration of antifascist resistance around the world and of the principle and practice of internationalist solidarity.
A plaque to the fallen of the Irish volunteers of the International Brigade (containing many names but by no means all of the Irish who fell there). The plaque is on the wall of the Theatre side of Liberty Hall, HQ of SIPTU, Dublin. (Photo D.Breatnach).
On the 80th Anniversary of his death in the Anti-Fascist War in ‘Spain’, the East Wall History Group organised a remembrance of a local man from that dockland Irish area who was the last Irishman to die fighting in the war against Franco and Spanish Fascism. The event was attended by relatives of that Irish antifascist fighter and of another, by a cross-section of Left and Irish Republicans, including historians and by a number of elected representatives from the Dublin City Council and the Dáil (Irish Parliament).
Crowd assembling outside school before event. (Photo: D.Breatnach)
Jack Naltywas the last Irish and one of the last International Brigaders to fight and die in that war. The rest of the Brigaders, those not held as prisoners by Franco’s forces, were withdrawn soon afterwards as the indigenous anti-fascist forces fought on, losing against the Spanish military coupists with their German Nazi and Italian fascist allies.
Those commemorating Jack Nalty met at the St. Joseph’s Co-Educational School on the East Wall Road at 1pm on Sunday (23rd September) and included a cross-section of members of organisations and independent activists, socialists, republicans, communists and anarchists and other members of the local community. At the front entrance of the School a number of relatives of Jack Nalty held a banner along with a son of an Irish International Brigader and the crowd was addressed by Joe Mooney, of the East Wall History Group.
Joe Mooney speaking at start of event, relatives of International Brigaders beside him holding the banner in the colours of the Spanish Republic (Photo: D.Breatnach)
Mooney told the crowd that John Nalty came to the area at the age of six from Galway and on 31st August 1908 entered the East Wall National School on the Wharf Road. Just over thirty years later, 23rd September 1938, he would die on a Spanish battlefield, shot down in a hail of fascist bullets as he engaged in one last heroic act.
“A member of the IRA during the War of Independence, Jack was a Republican, Socialist and trade unionist”, Mooney said, “representing 600 oil workers in Dublin Port. But in 1936 when the Spanish Civil War — or Anti-Fascist War as it should more accurately be called1 – began, he volunteered for the International Brigades to join the fight against European fascism. He was badly wounded and came back to Ireland, but would again go into action and was killed at the Battle of the Ebro. Having being among the first Irish volunteers to travel to Spain, he would die on their last day as they were preparing to withdraw from combat.
Nalty’s unit had been called to retreat when it was realisted that two machine-gunners had been left behind and he went back to collect them. On their retreat they were fired at and Jack Nalty was killed.
Section of crowd lined up in front of house where Jack Nalty had lived (Photo: D.Breatnach)
Mooney also asked those present to remember not only Jack Nalty but the ‘comradeship of heroes’ from Dublin’s Docklands and North Inner City – Dinny Coady, Tommy Wood and others.
The crowd then set off in a march led by a piper to East Road to unveil a memorial plaque. Across the road from Jack Nalty’s former house, the crowd paused to hear Diarmuid Breatnach sing a few verses of Christy Moore’s tribute to the Irish “Brigadistas”: “Viva La Quinze Brigada”.2
UNVEILING THE PLAQUE
Joe Mooney unveiling the plaque not far from Jack Nalty’s former house (Photo: D.Breatnach)The plaque (text difficult to read in photograph) (Photo: D.Breatnach)
The plaque could not be attached to Jack Nalty’s house and was affixed a little further down the road. Joe Mooney siad a few words there and introduced James Nugent who gave a speech he had prepared and the plaque was unveiled. Nugent concluded by saying that “the history of the past helps us to understand the present and to create the future.”
Kate Nugent read a message from the daughters of Steve Nugent (sadly died 2017) who researched the story of his uncle Jack and Mary Murphy read a short post from Vicky Booth (granddaughter of Syd Booth, who was with Jack when he died).
(Photo: D.Breatnach)Piper plays lament by plaque (Photo: D.Breatnach)
Harry Owens gave a short tribute speech on behalf of Friends of the International Brigades and Manus O’Riordan, son of Irish communist and International Brigade Volunteer, sang the chorus ofAmhrán na bhFiann (“The Soldiers’ Song”, Irish national anthem) and the Internationale.
Section of crowd a location of the plaque (Photo: D.Breatnach)At the unveiling ceremony (Photo: D.Breatnach)Also at the unveiling ceremony (Photo: D.Breatnach)
Joe Mooney acknowledged the presence of elected representatives Mary Lou McDonald, Sean Crowe and Cieran Perry and asked people to march to the nearby Sean O’Casey Centre to see the art exhibition and see two short films.
Marching from the plaque site, heading for the SO’C Centre (Photo: D.Breatnach)(Photo: D.Breatnach)Section of the attendance relaxing at the Sean O’Casey Centre between the plaque event and the films to be shown, also examining the art exhibition [see photos at end of post]
Back at the Sean O’Casey Community Centre, two short films were shown. One was a school project film in which a descendant of Jack Nalty interviews the latter’s nephew about his famous uncle. The second was dramatic film in which a Spanish trumpet player joins the fight against the fascist military uprising by Franco and other generals and features also actors playing two Irish International Brigaders, O’Connor and Charlie Donnelly3. When the former trumpet player is shot he sees into the future ….
Eddie O’Neill talked about the pulling out of the International Brigades in October 1938 in a bid to have the “non-interventionist” Western democracies put pressure on Nazi Germany and Fascist Italy to have them withdraw too, which did not happen. They marched through Barcelona on 17th October and were addressed in an emotional rally by La Pasionara4 and Eddie asked Nerea Fernández Cordero to read an English translation.
Nerea on stage just after reading translation of La Pasionara’s farewell to the Brigaders (Photo: D.Breatnach)Eddie O’Neill at the SO’C Centre with concluding speech: “We can’t afford to forget.” (Photo: D.Breatnach)
Nerea told the audience that she is from Extremadura (a province of the Spanish state next to the Border with Portugal) and her grandfather, Antonio Fernández had fought against Franco, been captured, escaped to the mountains but was in time recaptured. Upon his release he had married Nerea’s grandmother and lived a peaceful life. Nerea said that she was proud of her grandfather and those who fought Franco and that “ we know La Pasionara’s speech in Spanish by memory.”
Reading of translation of La Pasionara’s speech to English from Youtube:
At the event the newly published pamphlet “In Pursuit of an Ideal – from East Wall to the Ebro” about Jack Nalty wasmade available for the first time and copies are available from the organisers.
Eddie O’Neill recalled being in the Spanish state with a group from Friends of the International Brigades to commemorate those who fought against Franco during that war and afterwards searching for an appropriate pub in which to socialise. They found a pub with a Guinness sign and went there which however turned out to be one of the most fascist pubs in the area but undeterred, they continued to celebrate the memory of the antifascist fighters there. A lone man in suit and tie asked people as they passed him to use the toilet why they were commemorating people who had died so long ago but when they explained he said he could not understand English.
“We can’t afford to forget,” O’Neill told his audience, “least of all when the forces of fascism are gathering again.”
To conclude the event O’Neill called on Diarmuid Breatnach who sang the whole of Christy Moore’s “Viva La Quinze Brigada”, calling on the audience to join him in the chorus, remembering those who fought and gave their lives in the struggle against fascism.
Eddie O’Neill close at right of photo at unveiling ceremony (Photo: D.Breatnach)
AN ANNUAL EVENT?
The organisers are reputedly considering making this an annual event – it is to be hoped that they do so.
Another section of the crowd at the plaque unveiling. (Photo: D.Breatnach)Also at the plaque unveiling ceremony (Photo: D.Breatnach)
POSTCRIPT: JACK NALTY – ATHLETE COMPETING FOR IRELAND
In publicity prior to the event, the East Wall History group posted the following:
“In addition to his political and trade union activity, Jack Nalty was also a busy athlete, a regular competitor and medal winner with the Dublin Harriers. In 1931 he represented his country at the International Cross Country Championship, held at Baldoyle. Fellow competitor Tim Smyth became the first Irishman to win this competition.
“(The full Irish Group for the event held on 22nd March 1931 is listed as: Frank Mills, J. Behan, John Nalty, J.C. McIntyre, John Timmins, T. King, T. O’Reilly, Thomas Kinsella, Tim Smythe).
“This British Pathe footage shows the runners in action. Somewhere in the group is John (Jack) Nalty, East Wall resident, Republican and hero of the International Brigades. (The Pathe footage is viewable on post on the East Wall History Group event — CS)
“Ironically, the same year as the competition the future leader of Irish Fascism, General Eoin O’Duffy had become the President of the National Athletic and Cycling Association (NACA) , and apparently was an admirer of Jack Nalty as an athlete!”
(Photo: D.Breatnach)
FOOTNOTES
1Basques in the provinces of Bizkaia, Guipuzkoa and Alava say it was not a civil war there, i.e between different sections of Basque society — the fascist forces came from outside. In the fourth southern Basque province of Nafarroa, where the Carlists took control, they wiped out around 2,000 antifascists but it was hardly a war. The Catalans also say that the fascist forces invaded them and that it was not a civil war but an antifascist one. In some other places in the Spanish state many also say that the presence of Nazi German and Fascist Italian military in such numbers invalidated the term “civil war”.
2Also known as “Viva La Quinta Brigada”, which is however also the title of a different song from the Anti-Fascist War. Both titles are correct for this song since the Irish were in the Fifth of the International Brigades but when added to the ten indigenous Brigades (Spanish, Basque, Catalan etc), that became the Fifteenth. Wikipedia quotes authors to report an estimate that “during the entire war, between 32,000 and 35,000 members served in the International Brigades, including 15,000 who died in combat; however, there were never more than 20,000 brigade members present on the front line at one time.”
3Charlie Donnelly was a poet and member of the Republican Congress. He went to Spain to fight against Franco, where he died in February of 1937 at the Battle of Jarama. He is also one of those 19 names mentioned in Christy Moore’s song (“Viva La Quinta Brigada” or “Viva La Quinze Brigada”).
4Isidora Dolores Ibárruri Gómez(9 December 1895 – 12 November 1989), born and brought up in the Basque Country to a Basque mother and Spanish father, founder-member of the Spanish Communist Party and known for her political writing and speeches. She wrote an article when quite young under the pen-name “La Pasionara” (the Passion Flower) and was known by that nickname throughout her life.
On July 7th (the San Fermin feast day) 1985 two Basque political prisoners escaped from the Spanish prison of Martutene during a concert. The escape was received joyfully in the Basque Country and in other places and celebrated also in song composed by the Basque ska-punk band Kortatu (1984-1988). The song is called Sarri, Sarri, a nickname made from Sarrionandia, the paternal surname of one of the escapees, who was serving 22 years form membership of ETA, the Basque left-independentist armed organisation.
The song is performed annually (see video) in the Orereta/ Errenteria area to the accompaniment of massed drummers, a denborrada or tamborrada(“a drumming”), in the province of Gipuzkoa, near the French State border and not very far from Donosti/ San Sebastian and was done as a gesture of solidarity with the Basque political prisoners. In its report on the first quarter of 2018, Etxerat, the association of political prisoners’ families and friends, recognised 287 prisoners but over the years a number of Basque prisoners have left the collective but are still serving time, a few doing so since the changes in policy of ETA and of the Abertzale Left leadership. Of the 287 recognised by Etxerat,twenty-two were terminally or seriously ill and should have been paroled under Spanish and French laws, only three were serving sentences in the Basque Country and four seriously-ill on parole, 280 being dispersed in jails throughout the French and Spanish states. Relatives and friends able for the long journeys have to travel distances of between 100 to 1,100 kilometers from the Basque Country and many traffic accidents, some fatal, have occurred on those journeys.
ETA (Euskadi1 Ta Askatasuna = Basque Nation and Freedom) was formed in the late 1960s and for almost a decade did not engage in armed activity, though its members and supporters were hounded, tortured and jailed by the Spanish State, after which it turned to armed actions. The organisation called a “permanent truce” some years ago and recently dissolved itself in what seems to have been a bid by the pro-independence left’s political leadership to enter some kind of peace process with the Spanish State, in which the latter is clearly uninterested or perhaps as a move to ease the conditions and possibly sentences of Basque political prisoners.
Amnistia Ta Askatasuna (“Amnesty & Freedom”), an organisation campaigning for prisoners which does not recognise the official movement’s leadership exists, and though small, is active in many parts of the nation.
THE ESCAPEES
Iñaki “Pitti” Pikabea continued active in ETA and was sadly recaptured in 1987; he was paroled in 2000. Joseba Sarrionandia Uribelarreakept low and avoided the authorities, although publishing writings and earning awards, until he surfaced in Cuba, where he lives to this day, as a writer and also a lecturer at the University of Havana.
Joseba Sarrionandia through the ages (images sourced: Internet)
Among Sarrionandai’s many writings (articles, poems, novels), on 3rd October 2011, the Basque Government and Spanish State were embarrassed to learn that Sarrionada had received a prestigious literary awarded, the Euskadi Prize for Essay in Basque for his work Moroak gara behelaino artean?(Are we Moors in the fog?) on the miseries of colonialism.2
1“Euskadi” nowadays normally means three of the southern (i.e under Spanish rule) Basque provinces combined in the “Basque Autonomous (sic) Region” and therefore excludes the other southern province, Nafarroa and the three northern provinces (i.e under French rule); “Euskal Herria” (the H is silent), i.e “the land where the people speak Basque” is the widely-accepted name for the Basque nation now.
2From Wikipedia (see Links): “On 3rd October 2011, Sarrionandia was awarded the Euskadi Prize for Essay in Basque for his work Moroak gara behelaino artean?(Are we Moors in the fog?) on the miseries of colonialism; however, the Basque Government withheld the prize sum of 18,000 euros until the author’s status was resolved.On the same day, judges and lawyers interviewed by media confirmed that Sarrionandia could not be prosecuted by Spanish law, as more than 20 years had passed since his original prison sentence and his escape. While terrorist acts have no time limit, the provision applies only if there was at least one victim.After a month and a half, the Spanish High Court confirmed to the Basque government that Sarrionandia was ‘clean’, with no criminal or civil liability. The prize amount was handed over to his family”.
TRAD FOR CATALONIA SEES MIX OF INSTRUMENTS, LANGUAGE AND MUSIC STYLES
Clive Sulish
Ukelele, fiddle, guitars, cajón, gralla, flutes and uileann pipes, along with different voices in various styles filled performances at the Trad for Catalonia night in the Back Room, at the Cobblestone pub, Smithfield Dublin on 14th June (2018). Despite the wide variety, the quality of sound production was excellent and much appreciated by the audience.
“Sí” bunting from the October Referendum on Catalan Independence (Photo: D.Breatnach)
Eight different acts took to the stage in a crowded function room at the Cobblestone, which was decorated in the three varieties of the Catalan national flags (Senyera, Estelada and Vermella), and flags from the Referendum period declaring Sí, along withthe Basque Ikurrina and the Irish Starry Plough.
The Basque Ikurrina, the Catalan Vermella and the Yellow Ribbon for the prisoners. (Photo: D.Breatnach)
Diarmuid Breatnach, on behalf of With Catalonia/ Leis an Chatalóin welcomed the people attending in Irish and in English. A group called Whistle went first, playing lively Old-Time American songs, followed by Eoghan Ó Ceannabháin and John Flynn playing Irish tunes on flutes and also singing sean-nós songs in Irish, including Sadhbh Ní Bhruinneallaigh.
The band “Whistle” playing (Photo: D.Breatnach)
Ó Ceannabháin then introduced Berta Freixas Ylla-catalá, who played some Catalan tunes on the Gralla, a traditional Catalan instrument after which Paul O’Toole followed with some of his own songs, including the quasi-satirical “I Saw Jesus on a Bus”.
Breatnach, accompanied on guitar by O’Toole, sang two songs relating to prisoners, both from the latter half of the 19th Century, one from Ireland and another from the USA. The
John Flynn & Eoghan Ó Ceannabháin playing flutes (Photo: D.Breatnach)
Felons of Our Land was almost certainly written with regard to the suppression of the Fenians (Irish Republican Brotherhood) he said, while How Can I Keep from Singing began life as a Christian hymn but was worked over somewhat in the 1960s to make it a song of political resistance. The two emotions which the repressive forces seek to employ by taking political prisoners as hostages, said Breatnach, are shame and fear; these songs counter those with the emotions of pride and courage. Breatnach invited the attendance to support a picket in solidarity with Catalan political prisoners the following Thursday, 6pm at the GPO building in the city centre.
Visitors from the USA and Canada enjoying the evening (Photo: D.Breatnach)Paul O’Toole performing (Photo: D.Breatnach)
After the break and the holding of the raffle, which raised further funds in addition to the low entrance fee of 5 euro, Síomha Nic Aonghusa sang voice-only the sean-nós song Dónal Óg in Irish, then, all in English and accompanying herself on guitar, sang in turn an Irish Republican ballad and different songs, on themes of love, loss and addiction. Fionn Ó hAllmhain brought his uileann pipes on to the stage and, after explaining something of how they work, played a number of tunes, including a polka which had a couple up dancing set-dance polka moves. Ó hAllmhain also sang an Irish sean-nós song.
(Photo: D.Breatnach)Síomha Nic Aonghusa performing (Photo: D.Breatnach)
Oncle Pau of Casal Catalan, accompanying himself on ukelele, performed some Catalan songs which had many Catalans in the audience singing along, finishing his set with Somewhere Over the Rainbow.
Oncle Pau performing (Photo: D.Breatnach)
Concluding the evening, Ó Ceannabháin thanked all for attending, also the singers and musicians who performed free of charge, the Cobblestone for providing the venue, Shane the sound engineer and Aoife behind the bar.
Aoife, Cobblestone staff and very helpful (Photo: D.Breatnach)
The event was organised by With Catalonia/ Leis an Chatalóin, with strong support from the cultural Catalan organisation, Casal Catalana d’Irlanda and promoted also by CDR (Comité de Defensa de la República) Dublin.
Tina McVeigh, busy on the night (Photo: D.Breatnach)Michael Grange, active during the night. (Photo: D.Breatnach)Berta Freixas playing the Gralla, traditional Cataln instrument. (Photo: D.Breatnach)
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